Red Sister (Book of the Ancestor #1) ★★☆☆½

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Red Sister
Series: Book of the Ancestor #1
Author: Mark Lawrence
Rating: 2.5 of 5 Stars
Genre: Fantasy
Pages: 467
Words: 170K

Synopsis:

From Wikipedia

The planet Abeth was originally settled by four tribes with various abilities. The hunska have superhuman speed; the gerant have superhuman strength, the marjal can work elemental magic; the quantal can work larger magics. Children born on Abeth may have access to one (or rarely, multiple) bloodline powers. Abeth’s dying red giant sun cannot generate sufficient heat to prevent a global ice age. Abeth’s man-made moon refracts sunlight onto a narrow strip of land circling the globe. This Corridor, only fifty miles wide, is the only unfrozen land on the planet. It comprises several kingdoms fighting for control of the planet’s resources.

Nona Grey is a peasant girl living in a remote village in the Corridor. She is purchased by a slave trader who recognizes that she has hunska blood. She is brought the to capital of the Empire, where she attacks a noble named Raymel Tacsis. She is saved from execution by Abbess Glass of the Sweet Mercy Convent.

Nona trains in the arts of combat and subterfuge at Sweet Mercy. Along the way, she meets fellow novice Arabella (Ara). Various nobles believe that Ara is the Argatha, a savior destined to save Abeth. Abbess Glass convinces the nobility that Nona is the Shield, destined to protect the Argatha. With her training, Nona recognizes that she also has quantal and marjal talents. Nona also meets a mysterious student named Zole and her bodyguard Yisht. Nona realizes that Yisht is attempting to steal a valuable artifact from Sweet Mercy: the shipheart, which was left by the original settlers of Abeth. With four shiphearts, one can control the moon which is protecting Abeth from a permanent ice age. Nona and the other students defeat Yisht and save the shipheart.

In a frame story, an adult Nona and Ara are attacked by members of the Empire’s nobility. They are betrayed by Clera, a former student at Sweet Mercy. Nona attempts to convince Clera to join them against the Empire’s army.

My Thoughts:

Well, this book confirms that Lawrence is an author I cannot read. Between nuns sleeping together, young almost prebuscent girls flirting with each other, psychopathic killers (who aren't the bad guys), a failing sun, a hopeless world being encased in ice, the devolving of technology and failing technology, plus the absolute soul destroying underlying philosophy, I got a soup that was pretty as anti-me as you could get.

While Nona was more likeable than that hellbound Jorg, she wasn't really fun to read about either. While I didn't hate my time reading this, by the end I had to ask myself if I cared about anything in this story enough to want to read another book's worth (and that's not taking into account that this is a trilogy). I answered with a resounding “NO!” If there had been even a hint that the “moon” could have been repaired, or that someone had even entertained the idea of repairing it, even that tiny, small shred of hope probably would have been enough to keep me going.

But that was the whole problem I have with Lawrence. There is no hope, anywhere. I looked high, I looked low, I even looked at sub-minor-side characters. No where did I find any hope. All I did find was an existential existence for 10 year old girls who had a choice of being raped/tortured/killed or becoming merciless killers themselves. On the killer side things, there was no justice. There was no Justice because there was no Law. There was no Law because there was no Law Giver.

As much as I despise Lawrence's philosophy, I do have to admit that he is honest enough to take it to its logical end. It is just that that end is a maelstrom of despair, death and destruction.

★★☆☆½

War in Heaven ★★★☆½

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: War in Heaven
Series: ----------
Author: Charles Williams
Rating: 3.5 of 5 Stars
Genre: Fantasy
Pages: 211
Words: 81K

Synopsis:

From Enotes.com

War in Heaven is a novel concerned with the struggle over possession of a chalice that the characters believe is the Holy Grail, the cup from which Jesus drank at the Last Supper. A cup that could be this holy relic turns up in England in the twentieth century. Julian Davenant, the archdeacon of the Fardles village church, tries to protect it and prevent it from falling in to the wrong hands. In contrast, Gregory Persimmons, a retired businessman, strives to possess it and uses its power for black magic. Ultimately, the forces of good prevail, and Gregory is punished.

Two possibly unrelated events begin the novel. First, an unidentified corpse is found at the publishing firm that Gregory owns. Second, the contents of a manuscript at the firm are revealed, suggesting that the Grail is in the Fardles church. Gregory begins to obsess over the Grail. Renting a house in the Fardles area, he tries to buy the chalice and then pays to have it stolen; during the theft, Julian is attacked. Gregory also lures the Rackstraw family to his new residence, with the plan to kidnap their four-year-old son, Adam, and use him in black magic.

Aided by the Duke of North Ridings and Kenneth Mornington, Julian locates the chalice in Gregory’s home and steals it. Taking it to London, Julian hides in the Duke’s home. His prayers protect it from the evil spells that Gregory’s accomplices, Manasseh and Lavrodopoulos, are putting on it to destroy it. Gregory injures Barbara, Adam’s mother; poisons her; and brings in a “doctor” Manasseh, who will worsen her ill health while pretending to cure her. Julian agrees to exchange the chalice for Barbara’s health, for which they pray all night. A mysterious stranger, John, arrives in Fardles just as she is cured; he is Prester John of Arthurian myth.

In London, occult forces kill Mornington and threaten Julian, who is captured and tied up to be ritually killed. The combined positive forces emanating from the Grail and the actions of Prester John, who arrives in the nick of time, save Julian. Moreover, Gregory is arrested after confessing to an unsolved murder that had set the novel in motion. Back in Fardles, Prester John celebrates mass at the church; both he and the Grail disappear, and Julian dies in peace on the altar.

My Thoughts:

Christian Mysticism. What C.S. Lewis is with his Narnia and Space Trilogy to Fantasy and Science Fiction, that is what Williams is to Mysticism. Not being an advocate for, a believer in, or even a fan of, mysticism, this was a hard book to get through.

I was discussing this with Pilgrim over at Librarything and ended up saying this about the book part way through:

I guess part of it is that the idea that God's Power can imbue an object and then be used willy nilly, by anybody. While there are a few instances that spring to mind of that happening in the Bible (Elisha's bones raising the dead man and Peter's hankerchief healing people) most of the miracles were directly tied to a prophet on a mission. Gahazi couldn't use Elisha's staff to raise the dead woman's son, the river didn't heal all the lepers only Naaman, etc.

I guess I reject mysticism because I view it as a way to use God's power through our own power (incantations, etc) instead of it being something that God's does through us. I certainly do believe in miracles and I do believe in magic. I just don't see how a Christian can think of miracles in the same vein as magic.

I reject with every fiber of my being the idea of there being White and Black Magic. God's Power is not magic and the power of Satan and the fallen spirits is corrupted and its final goal is the damnation of the user and recipient.

While Williams makes it impossible for Persimmons to use the Grail himself, Persimmons manages to get around that by using the child Adrian. Of course, it backfires, but still, the idea that an evil person can use an object of Holiness for the “power” contained therein just rubs me completely the wrong way. Indiana Jones and the Raiders of the Lost Ark is a perfect example of this idea in our popular culture. The idea that Nazi's could harness the power of the Ark, the very seat of God on Earth, for themselves is simply abhorrent to me. It also displays a shocking lack of understanding on the subject.

That led me into my other main issue. The boy Adrian. Persimmons makes it his mission to win the child so he can use him as a conduit for the Graal (everybody referred to it as the Graal instead of the Holy Grail. I have no idea why) and in the back of his mind is that Adrian would also either make a pefect Disciple of Satan or a fantastic sacrifice after being used by Persimmons. I had to stop reading and ask Pilgrim if Adrian was going to be ok before I could go on. Thankfully, everything WAS ok, but the leadup to that was very ominous and not something I enjoyed contemplating.

At the same time, I thoroughly enjoyed reading a book about Christians and the working out of everything through a Christian world view. While I gave it the Fantasy tag, it is way closer to real life than I'd ever be truly comfortable with. I've got several more of Williams books available to me and I think I'll add them to my tbr, just further down the line.

I realize my complaints got more time than the positives, but this books deserves those 3.5stars. The fact that I plan on reading more Williams cements in my mind that this WAS a good read.

★★★☆½

David Copperfield ★★★★★

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: David Copperfield
Series: ----------
Author: Charles Dickens
Rating: 5 of 5 Stars
Genre: Classic
Pages: 853
Words: 357.5K

Synopsis:

From Wikipedia

The story follows the life of David Copperfield from childhood to maturity. David was born in Blunderstone, Suffolk, England, six months after the death of his father. David spends his early years in relative happiness with his loving, childish mother and their kindly housekeeper, Clara Peggotty. They call him Davy. When he is seven years old his mother marries Edward Murdstone. To get him out of the way, David is sent to lodge with Peggotty's family in Yarmouth. Her brother, fisherman Mr Peggotty, lives in a beached barge, with his adopted relatives Emily and Ham, and an elderly widow, Mrs Gummidge. "Little Em'ly" is somewhat spoiled by her fond foster father, and David is in love with her. They call him Master Copperfield.

On his return, David is given good reason to dislike his stepfather, who believes exclusively in firmness, and has similar feelings for Murdstone's sister Jane, who moves into the house soon afterwards. Between them they tyrannize his poor mother, making her and David's lives miserable, and when, in consequence, David falls behind in his studies, Murdstone attempts to thrash him – partly to further pain his mother. David bites him and soon afterwards is sent away to Salem House, a boarding school, under a ruthless headmaster named Mr Creakle. There he befriends an older boy, James Steerforth, and Tommy Traddles. He develops an impassioned admiration for Steerforth, perceiving him as someone noble, who could do great things if he would, and one who pays attention to him.

David goes home for the holidays to learn that his mother has given birth to a baby boy. Shortly after David returns to Salem House, his mother and her baby die, and David returns home immediately. Peggotty marries the local carrier, Mr Barkis. Murdstone sends David to work for a wine merchant in London – a business of which Murdstone is a joint owner. David's landlord, Wilkins Micawber, is arrested for debt and sent to the King's Bench Prison, where he remains for several months, before being released and moving to Plymouth. No one remains to care for David in London, so he decides to run away, with Micawber advising him to head to Dover, to find his only known remaining relative, his eccentric and kind-hearted great-aunt Betsey Trotwood. She had come to Blunderstone at his birth, only to depart in ire upon learning that he was not a girl. However, she takes pity on him and agrees to raise him, despite Murdstone's attempt to regain custody of David, on condition that he always try to 'be as like his sister, Betsey Trotwood' as he can be, meaning that he is to endeavour to emulate the prospective namesake she was disappointed not to have. David's great-aunt renames him "Trotwood Copperfield" and addresses him as "Trot", one of several names David is called by in the novel.

David's aunt sends him to a better school than the last he attended. It is run by Dr Strong, whose methods inculcate honour and self-reliance in his pupils. During term, David lodges with the lawyer Mr Wickfield, and his daughter Agnes, who becomes David's friend and confidante. Wickfield's clerk, Uriah Heep, also lives at the house.

By devious means, Uriah Heep gradually gains a complete ascendancy over the aging and alcoholic Wickfield, to Agnes's great sorrow. Heep hopes, and maliciously confides to David, that he aspires to marry Agnes. Ultimately with the aid of Micawber, who has been employed by Heep as a secretary, his fraudulent behaviour is revealed. At the end of the book, David encounters him in prison, convicted of attempting to defraud the Bank of England.

After completing school, David apprentices to be a proctor. During this time, due to Heep's fraudulent activities, his aunt's fortune has diminished. David toils to make a living. He works mornings and evenings for his former teacher Doctor Strong as a secretary, and also starts to learn shorthand, with the help of his old school-friend Traddles, upon completion reporting parliamentary debate for a newspaper. With considerable moral support from Agnes and his own great diligence and hard work, David ultimately finds fame and fortune as an author, writing fiction.

David's romantic but self-serving school friend, Steerforth, also re-acquaints himself with David, but then goes on to seduce and dishonour Emily, offering to marry her off to his manservant Littimer before deserting her in Europe. Her uncle Mr Peggotty manages to find her with the help of Martha, who had grown up in their part of England, and then settled in London. Ham, who had been engaged to marry Emily before the tragedy, dies in a fierce storm off the coast in attempting to succour a ship. Steerforth was aboard the ship and also died. Mr Peggotty takes Emily to a new life in Australia, accompanied by Mrs Gummidge and the Micawbers, where all eventually find security and happiness.

David, meanwhile, has fallen completely in love with Dora Spenlow, and then marries her. Their marriage proves troublesome for David in the sense of everyday practical affairs, but he never stops loving her. Dora dies early in their marriage after a miscarriage. After Dora's death, Agnes encourages David to return to normal life and his profession of writing. While living in Switzerland to dispel his grief over so many losses, David realises that he loves Agnes. Upon returning to England, after a failed attempt to conceal his feelings, David finds that Agnes loves him too. They quickly marry and in this marriage, he finds true happiness. David and Agnes then have at least five children, including a daughter named after his great-aunt, Betsey Trotwood.

My Thoughts:

I don't know how to write this review without resorting to manly beating of my chest and loud hollering of execrations against my enemies in jubilation of their downfall.

Dickens' strength is in his characters. This book showcases some of his best characters in my opinion. From the titular character of David Copperfield to the child wife Dora to the competent Agnes to the never quite his fault Mr Micawber to the sniveling Uria Heep to the selfishly evil Steersforth. Dickens makes every single one of them a real person that you can think is real.

I also appreciated that Copperfield wasn't a golden boy. He had a hard life and had some pretty bad things happen to him. But it made the happy ending all the sweeter. I NEED the majority of my books to have happy endings of one sort or another. Or at least the chance for a happy ending. I think that is what I like so much about Dickens' writing. He knows that people need a happy ending in their stories and he's not afraid to give it to them.

Dickens also isn't afraid to face the very nature of human nature. He realizes some people are just downright evil and he writes his characters that way. He doesn't make excuses for people like Uriah Heep or Steersforth, he simply portrays them as they are. While evil can be abstract in ideas and philosophies, it can also be personified in a character.

And that turns out to be all I have to say. I've been staring at the screen for almost 30 minutes and nothing else comes to mind. While I enjoyed Dickens earlier in life, I have never enjoyed him more than now. This only excites me about reading him again in another 10-15 years!

★★★★★

• David Copperfield, Part I (2007 Review)
• David Copperfield, Part II (2007 Review)

Jupiter War (Owner Sequence #3) ★★★★★

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Jupiter War
Series: Owner Sequence #3
Author: Neal Asher
Rating: 5 of 5 Stars
Genre: SF
Pages: 350
Words: 139.5K

Synopsis:

Saul continues to upgrade the Argus station into an interstellar spaceship. He must deal with his sister who is jealous of Saul's abilities but won't admit it to herself, other scientists on board who have come to consider him near-omniscient to former Committee members who want to displace Saul and take over the ship and “be free”. While all of this internal conflict is happening, Saul must also deal with the continued threat presented by Serene Gallahad and her drive to recover the Gene Bank from him to restore the biosphere of Earth. This results in a battle out by Jupiter where Saul ends up destroying the two Committee ships but almost being destroyed in the process.

Gallahad continues to tighten her control of Earth and has become more powerful than ever. Unfortunately for her, several rogue elements working in tandem destroy her powerbase and leave her vulnerable. Her own bodyguard kills her and the lower level Committee members end up all working against each other, thus delaying Earth's return to space for almost a century. This enables Saul to complete his upgrades and leave the Solar System.

My Thoughts:

I have enjoyed this re-read of the Owner Sequence so much more this time around than I did back in '11-'13. I think a big part is that back then I was expecting it to be more tightly tied to Asher's Polity universe and so my expectations were a bit different. Now that I know this isn't another Polity spinoff, I can appreciate it for itself. It excels as an origin story for the Owner.

As my 5stars should indicate, I had a great time reading this. I've been trying to think how to adequately describe the action here. It still gets the ultra-violent tag but at the same time it wasn't frenzied and frenetic. I never felt like I had run out of breath after the battles like I do in some books. That's not a bad thing at all, mind you, just a quirk that stuck out to me.

The Proctors, the nigh-indestructable helpers of Saul, provide a sounding board for Saul to bounce ideas about human nature and freedom off of. While I wish they had been used more as ultimate Killing Machines, I can understand why Asher wrote them the way he did. They are supposed to help keep Saul from losing all touch with what's left of his own humanity.

I know that Asher has written another Polity trilogy recently, which I plan on reading next (Rise of the Jain) but after re-reading this, I wouldn't mind at all if he decided to write another Owner trilogy. I'd be even happier if he just wrote a book of short stories exclusively about the Owner and various adventures he has throughout space.

★★★★★

• Jupiter War (2013 Review)
• The Departure (Book 1)
• Zero Point (Book 2)

The Gothic (A Very Short Introduction) ★★★☆½

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: The Gothic
Series: A Very Short Introduction
Author: Nick Groom
Rating: 3.5 of 5 Stars
Genre: Non-Fiction
Pages: 167
Words: 46.5K

Synopsis:

From Libraything.com

The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.

This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions.

The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present.

My Thoughts:

This book gives me hope for this series. Of course, it may just be that the author thinks in the same patterns I do and that that is what I found engaging about this book. Whatever it was, this is the VSI book that I'll be comparing the rest of the series to until I find a better one.

I was fascinated with how Groom connects the dots from the Goth tribes (and gives us a glimpse into the fight among historians about what that even means) to the Gothic arctitecture to how that falling out of favor led to the gothic novel and how the ideas behind those novels leads to the music bands of today. I don't know how solidly his workmanship would stand up if I had doctorates of one sort or another, but as an Introduction, this was everything I could have asked for.

I used the word “fascinating” and I think that pretty much describes my reaction to the whole book. Groom explores the ideas and philosophies behind each phase of The Gothic (and you know how weird it sounds to add the capital “The” every time? Makes me feel that I need to sound a trumpet and shout “The Gothic” has entered the room!”) and how one slowly melded into the next. The whole cause and effect is what I liked about this book.

In short, a top notch entry in the VSI series and a great read even if you have no interest in …. (wait for it.... * trumpets *) The Gothic!

★★★☆½

• All My "A Very Short Introduction" Reviews

Limelight (Arcane Casebook #5) ★★★★☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Limelight
Series: Arcane Casebook #5
Author: Dan Willis
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 319
Words: 106.5K

Synopsis:

Alex Lockerby is doing well. Business is booming, his clientelle are a lot richer and even the police are giving him a modicum of respect (of course, that might have more to do with Alex being on a first name basis with several of the Sorcerer Six).

A Murder Mystery author dies and Alex's mentor wants him to investigate as he believes it was murder. This leads into Alex investigating an old case from over 10 years ago about a beautiful stage actress who died on stage but no one was ever convicted. Alex gets his friend Danny Pak assigned to the case, with an understanding from the Captain that if Danny can solve this case, he'll be promoted to Captain himself. As long as Alex stays in the background.

At the same time, Alex gets dragged into another police case, where Rune Wrights are apparently using runes to blow holes in walls and rob bank vaults. From all that Alex knows, this is impossible. But if something IS happening, then it isn't impossible and it's up to Alex as the cities top Rune Wright to figure out what is going on.

Then some inexplicable deaths start happening throughout the city, all of them magic related. In each case, it would appear that the victim had no magical power but died from using magic that went out of control. Alex teams up with Sorsha Kincaid and tracks it down to a substance called Limelight, which seems to give non-magic users magic and to enhance those with the ability already.

And if that is not enough, Alex still has to worry about his new secretary. What is her agenda and is she working for Moriarty, Legion or some other unknown?

If that isn't enough, by the end of the book we find out another Rune Wright has figured out how to turn electricity into magical power. He's also figured out how to transfer said power to himself. With the city's generators at his power, he can become the most powerful Sorcerer the world has ever known.

In the end Danny solves his case, Limelight ties together Alex's cases, the mad Rune Wright is stopped and the secretary is revealed to be a 3000 year old high priestess. Oh, and Alex is prophecied to be the greatest Rune Wright to ever have lived and possibly be King of All Magic.

My Thoughts:

I really enjoyed this story so while my review might be a tad more critical than the previous Arcane Casebook reviews, please do keep that in mind.

First concern is that Alex is exactly the same as he was in the first book. Now, that could very well be deliberate, as that can be a character type (look at most of the old school noir detectives and even a character like Garrett that Glen Cook writes). Depending on your taste, this will be a bigger or smaller thing. For me, it was a small thing but noticeable. I think I noticed it more because we're up to book 5?

Secondly, the ramping up of threats and potential. The threat was seriously ramped up in the previous book when Moriarty reveals that another World War is coming and that groups like Legion are already preparing for it. Here, Alex's potential as The King of Games, errrrr, I mean, Master of Magic is revealed. 

I can't articulate why this kind of thing is a burr under my saddle but power creep definitely bothers me. Personally, I'd rather Alex have stayed a lower powered Rune Wright and for the author to tell more detective stories than for this world threat to happen.

I do enjoy the mysteries. It is just fun to watch the twists and turns and little sidesteps that happen. I must admit that it is exhausting to keep 3 to 5 different balls in the air and usually by the end of the book I'm ready for some of the special coffee that Alex drinks so much of.

The cover continues to be as fantastic as ever. This time I looked and it is done by someone named Mihaela Voicu. She appears to be a digital artist and I found a bit of her stuff on her facebook page. Probably going to be a shoe-in for July's Cover Love.

Still highly recommend this series if you feel in the need for a dose of Noir'ish Urban Fantasy Mystery! :-D

★★★★☆

• All My "Arcane Casebook" Reviews

The Kingdom ★☆☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: The Kingdom
Series: Elseworlds
Author: Mark Wade
Rating: 1 of 5 Stars
Genre: Graphic Novel
Pages: 232
Words: 23K

Synopsis:

From Wikipedia

20 years after the events of Kingdom Come, a survivor of the Kansas disaster is granted power by four members of the Quintessence (Shazam, Ganthet, Zeus, and Izaya Highfather), who dub him Gog. The power drives him mad, and he takes out his anger on Superman, killing him and carving his "S" shield on the ground. He then travels a day backward in time and kills him again...and again. A shadowed figure vaguely resembling the Phantom Stranger, the fifth Quintessence member, opposes this action, as Gog now intends to accelerate the Kansas Holocaust, but the other four are prepared to let things unfold; Shazam hopes that Captain Marvel will no longer have to die, Ganthet hopes that Green Lantern will avert the catastrophe and become more renowned than Superman, Zeus hopes that the ancient gods may be 'worshiped' once more as Earth seeks something to believe in, and Highfather feels that a new war may fracture Earth in a manner similar to New Genesis and Apokolips.

As Gog travels closer to the modern DC Universe, the Linear Men panic when they see that their ordered index of time is unraveling; Superman is dead in the 21st century, yet alive in the 853rd, and their instruments register no error. When Rip Hunter, acting upon the orders of the shadowed figure, tries to stop Gog from killing Superman on the day his and Wonder Woman's child is born (that being a day when 'anything seemed possible'), Gog manages to steal the infant (named Jonathan), whom he plans to raise and name Magog (in issue #2, this was revealed to be a red herring. The child did not grow up to become Magog; instead, he became the shadowed figure, whose true identity is then revealed to be Hyperman, a Hypertime-traveling superhero wearing a costume based on the costumes of his parents and his godfather, Batman).

Although the other Linear Men object to the idea of the heroes of that time travelling back to defeat Gog, Rip Hunter recruits Superman, Batman, and Wonder Woman from the Kingdom Come era to stop Gog in 1998, the heroes concluding that, since innocent people will die if they do or do not take action, they will take the heroic option and go back despite the apparent loss of their own reality by having them interfere in their own pasts in such a manner. Four young heroes-Kid Flash, Offspring, Nightstar, and Ibn al Xu'ffasch-come together to try stopping Gog on their own, and are recruited by Rip Hunter to assist in his plan. When Jonathan is seemingly erased from existence soon after being rescued, Superman, Batman, and Wonder Woman team up with their 'past selves' and battle Gog to a final confrontation in a "Planet Krypton" restaurant outside of reality, where they use various weapons gathered from across Hypertime against Gog. During the fight, the future Wonder Woman reveals to the Superman of the present why Gog is after him, and Superman vows that the timeline of Kingdom Come will never happen in his universe, as he strikes back at Gog, finishing the battle once and for all. As the heroes return to their proper places in time, Hyperman reveals himself, assuring the future heroes that his infant self actually hid himself within the stream of Hypertime upon being rescued from Gog, and Rip Hunter explains the existence of timelines, so the Kingdom Come reality still exists, but it will no longer be the future of the DC Universe.

My Thoughts:

Well, after my experience with Kingdom Come you'd think I'd have learned my lesson. I guess I'm either really stupid, a glutton for punishment, a Completist or A Genius the Likes of Which the World has Never Yet Seen. I'll leave it up to you to pick the, ahem, correct interpretation.

While I had none of the problems from the previous comic, I had a whole new bunch to contend with. This was not an actual miniseries by one writer and artist. It was bookended by The Kingdom and then had a bunch of new DC titles that were all #1's in the middle, and all were the children of other superheroes. Considering this was in '98, that was at the tail end of the Comic Boom in the 90's and it was easy to tell that DC was trying to get some more comics into circulation and grab what cash they could. I don't think it was considered an Elseworlds story until after the fact. None of the titles took off, nor did they deserve to.

The art was also atrocious. Well, maybe not atrocious, but pretty sad. With each book being a different title, obviously the artists changed and hence the artwork, but it never improved,it was all uniformly junk. The only exception I noticed was the Kid Flash comic. That seemed pretty sleek.

The story could have been interesting. Gog, the main villain, looked just like Magog, the villain from Kingdom Come. He was trying to kill all the possible Supermen throughout all of time. Now doesn't that sound like it has a ton of potential? Sadly, it was all wasted as the intervening comics were just as much about trying to introduce the new kids on the block as they were about advancing the storyline. Plus, it dealt with a multiverse and ever since the New52 I feel like DC over uses the reset/reboot button way too often. So my bitterness about the new direction of DC bled over into this older story. Surprise!

Kingdom Come I found abhorrent. The Kingdom was simply a bore.

★☆☆☆☆

To Your Scattered Bodies Go (Riverworld #1) ★☆☆☆½

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: To Your Scattered Bodies Go
Series: Riverworld #1
Author: Philip Farmer
Rating: 1.5 of 5 Stars
Genre: SF
Pages: 224
Words: 67K

Synopsis:

From Wikipedia

British adventurer Richard Francis Burton dies on Earth and is revived in mid-air in a vast dark room filled with human bodies, some only half formed. There, he is confronted by men in a flying vehicle who then blast him with a weapon.

He next awakes upon the shores of a mysterious river, naked and hairless. All around him are other people in a similar situation. Shortly after they awaken, a nearby structure, nicknamed a "grailstone," causes food and other supplies to appear in the "grails" bound to each individual. Burton quickly attracts a group of companions: the neanderthal Kazzintuitruaabemss (nicknamed Kazz), the science fiction author Peter Jairus Frigate, and Alice Liddell. Among these is the extraterrestrial Monat Grrautut, earlier part of a small group of beings from Tau Ceti who had arrived on Earth in the early 21st century. When one of their number was accidentally killed by humans, their spaceship automatically killed most of the people on Earth. Frigate and others alive at the time confirm Monat's story. Retreating into the nearby woods for safety, Burton's party chew gum provided by their grails, and discover that this gum is a powerful hallucinogen. As days and weeks pass, people's physical wants are provided for by the grails, which eventually produce a set of cloths used for clothing. Rumors reach Burton's region that the river continues seemingly forever. One night, Burton is visited by a mysterious cloaked figure, whom Burton dubs "The Mysterious Stranger," who explains that he is one of the beings who has constructed this world and resurrected humanity on its shores, and tells Burton to approach the headwaters of the river.

After setting off, Burton's group encounters many adventures; but are enslaved by a riverbank kingdom run by Tullus Hostilius and Hermann Göring, against whom Burton leads a successful revolt. Göring himself is killed by Alice. After the revolt, Burton is part of the nation's ruling council. Later, the protagonists discover a person among them who they conclude is an agent of the beings who created this world. Before the man can be questioned, he dies of no apparent cause. An autopsy reveals a small device planted in the man's brain which apparently allowed him to kill himself at will. Burton is visited by the Mysterious Stranger and is warned that the beings who created this world, to whom the Stranger refers as "Ethicals", are close to capturing Burton. Desperate to escape, Burton kills himself to be resurrected elsewhere in the river valley, and continues thus to explore it. He often finds himself resurrected near Hermann Göring, who undergoes a moral and religious conversion and joins the pacifist Church of the Second Chance. After many resurrections, Burton finds himself resurrected not in the river but in the Dark Tower at the headwaters, and is interrogated by a council of Ethicals to discover the identity of Burton's "Mysterious Stranger". After fruitlessly questioning him, the Ethicals inform him that they will return him to the river valley, remembering nothing of themselves, and restore him to his friends; but the Mysterious Stranger prevents them from removing his memory and Burton resolves to continue pursuing the truth about the Ethicals and their intentions for the Riverworld.

My Thoughts:

Well, that was a complete and utter waste of my time. The main character, for someone who is an atheist, sure does blame God for a lot of stuff. Pretty amazing how angry he gets at something that doesn't exist.

This teetered on the edge of blasphemy at best (blasphemy being defined as speaking against God or making statements about His nature contrary to Scripture (much like the Mormons do)) and really, crossed over enough times with enough spite that I was ready for the book to be done.

Whatever the story, it was overshadowed the whole time by spite and anger against a being the main character kept insisting didn't exist. I have now read Farmer and found him lacking. I won't spend any more of my precious time on his stuff.

★☆☆☆½

Harrowing the Dragon ★★★★☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Harrowing the Dragon
Series: ----------
Author: Patricia McKillip
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 185
Words: 86K

Synopsis:

From Wikipedia.com

"The Harrowing of the Dragon of Hoarsbreath" (from Elsewhere, Vol. II, Nov. 1982) - a young dragon harrower and a girl from a mining village clash over whether the land's long winter is caused by a dragon.

"A Matter of Music" (from Elsewhere, Vol. III, Apr. 1984)

"A Troll and Two Roses" (from Faery!, Jan. 1985)

"Baba Yaga and the Sorcerer's Son" (from Dragons and Dreams: A Collection of New Fantasy and Science Fiction Stories, Apr. 1986)

"The Fellowship of the Dragon" (from After the King: Stories in Honor of J. R. R. Tolkien, Jan. 1992) - Five young women are tasked by their queen with saving her lover, the court harper.

"Lady of the Skulls" (from Strange Dreams, Jul. 1993) - a story of personal transformation requiring a knight to look past what meets the eye.

"The Snow Queen" (from Snow White, Blood Red, Jan. 1993) - retelling the familiar fairy tale in a contemporary setting, highlighting the universality of love, loyalty and desire.

"Ash, Wood, Fire" (from The Women's Press Book of New Myth and Magic, Nov. 1993) - the story of a cinder-girl who has reduced the people around her to their functions as she sinks into her own essence.

"The Stranger" (from Temporary Walls: An Anthology of Moral Fantasy, Oct. 1993)

"Transmutations" (from Xanadu 2, Jan. 1994)

"The Lion and the Lark" (from The Armless Maiden and Other Tales for Childhood's Survivors, Apr. 1995) - a "beauty and the beast" retelling, in which a young woman loves a shapechanger, loses him, and must prove her love through many tests and trials.

"The Witches of Junket" (from Sisters in Fantasy II, Apr. 1996)

"Star-Crossed" (from Shakespearean Whodunnits, Sep. 1997) - the Verona constabulary investigate the deaths of Romeo and Juliet.

"Voyage Into the Heart" (from Voyages: The 25th World Fantasy Convention, Nov. 4, 1999) a heartless hunt to acquire a unicorn's horn.

"Toad" (from Silver Birch, Blood Moon, Mar. 1999) - a "frog prince" retelling in which the prince is far from innocent.

My Thoughts:

It did not feel like it had been 13 years since my previous read of this book. While not quite “just yesterday”, if you had asked me point blank and I had to simply rely on my memory, I would have said from 5-8 years ago. How time flies!

This was a real mixed bag in terms of both interest and writing. Some stories were more interesting than others and some of the writing was much better than others. It also felt like McKillip was really experimenting with stuff and figuring out what worked for her and what didn't. Considering the stories were written between 1982 and 1999 I guess I shouldn't be surprised.

I wouldn't recommend this as a starting place for McKillip, as I feel that a familiarity with her style is necessary to be able to appreciate some of the very quirky stories told here. For someone with a couple of her books already under their belt, this would be a solid edition to your reading and to be able to experience some of her writing in shorter form.

This was the last McKillip book I had for this cycle of re-reads. I began back in 2017 with a re-read of The Tower at Stony Wood and now I end in 2020 with Harrowing the Dragon. Three years to read 21 of her books is just a win on every single count. I enjoyed them all, I hopefully praised them enough (I really think I did but covering my bases just in case, you know?) and I trust that I dragged at least one person into McKillip's sphere of influence.

So while this particular journey has ended, the road is still there and I know I can re-travel it any time I like. Perhaps in another 10-15 years. The question then will be who I am at that point and will you be around?

★★★★☆

• Harrowing the Dragon (2007 Review)

Kingdom Come ★☆☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Kingdom Come
Series: Elseworlds
Author: Mark Wade
Artist: Alex Ross
Rating: 1 of 5 Stars
Genre: Graphic Novel
Pages: 232
Words: 23K

Synopsis:

From Wikipedia

In this Elseworlds story, Superman and the Justice League abandon their roles as superheroes after the rise and strong public support of a superhero named Magog, who has no qualms about killing—notably the Joker, on his way to trial for the mass murder of the Daily Planet staff, including Lois Lane. In the ensuing years, a newer generation of superpowered metahumans arise; they engage each other in destructive battles with little distinction between "heroes" and "villains." The narrator, a minister named Norman McCay, receives apocalyptic visions of the future from a dying Wesley Dodds. The Spectre appears to McCay and recruits him to help pass judgment on the approaching superhuman apocalypse.

An attack on the Parasite, led by Magog, goes awry when Parasite tears open Captain Atom. As a result, much of the American Midwest is irradiated, killing millions and destroying a large portion of the United States's food production. Coaxed back into action by Wonder Woman, Superman returns to Metropolis and re-forms the Justice League.

He recruits new heroes along with older ones. The most prominent exception is the Batman, who resents Superman for leaving the world 10 years ago. Batman warns Superman that his idealist notions are outdated and his interference will only exacerbate the world's problems, insisting that strategy is required, not force. In response to Superman's Justice League, Batman activates his network of agents called the "Outsiders", made up largely of the younger second and third-generation heroes, while trusted veterans, such as Green Arrow and Blue Beetle, are chosen as lieutenants. Lex Luthor has organized the "Mankind Liberation Front". The MLF is secretly a group of Golden Age villains, including Catwoman, the Riddler, and Vandal Savage, as well as third-generation villains like Ra's al Ghul's successor, Ibn al Xu'ffasch, who is Bruce Wayne and Talia al Ghul's son. The MLF works to take control of the world from the heroes.

Superman's Justice League gathers more captives than converts, and his prison (nicknamed "the Gulag") is filled to capacity almost as soon as it is built. Superman works to persuade the inmates that their methods are wrong-headed and dangerous, but his entreaties fall upon deaf ears. With hostile heroes and villains locked up together, pressure builds. Meanwhile, Superman learns that Wonder Woman's ardent militant stance may be influenced by her recent exile from Paradise Island: in the eyes of the Amazons, her mission to bring peace to the outside world has failed, and she has thus been stripped of her royalty. Batman and his Outsiders seem to enter into an alliance with the MLF as a united front against the Justice League. Luthor plans to exacerbate the conflict between the League and the inmates of the Gulag; the ensuing chaos will afford Luthor an opportunity to seize power. Batman uses the Martian Manhunter to discover that an adult Billy Batson is under Luthor's control. Batson, as Captain Marvel, is the only metahuman capable of matching Superman's power. When the Gulag's inmates riot and kill Captain Comet, Luthor unwittingly reveals to Batman he intends to use the brainwashed Batson to break open the Gulag. Batman's forces ambush Luthor and his conspirators, but they are unable to restrain Batson, who transforms into Marvel and flies off. While Wonder Woman leads the Justice League to the superhuman prison riot, Superman confronts Batman. Batman tries to justify inaction, saying the world would be better off if all the metahumans destroyed each other. Superman points out that if all human life is sacred, then logically that includes superhuman life. Superman knows that Batman will act, because his entire crimefighting life is based upon the desire to prevent the loss of human life.

Moved by Superman's sentiments, Batman tells Superman that Captain Marvel is under Luthor's control and is on the way to the Gulag. Superman races to the Gulag, but upon arrival is struck down by Captain Marvel. The Gulag is breached, freeing the population, and inciting war between Wonder Woman's Justice League and the metahuman prisoners. The Spectre and Norman look on as Wonder Woman's League engages with the prisoners and Superman is kept at bay by Captain Marvel. Batman's army arrives on site as an intervening third party. Batman is unable to stop Wonder Woman from killing the supervillain Von Bach, which increases the fury of the riot.

As conditions worsen, United Nations Secretary General Wyrmwood authorizes the deployment of three tactical nuclear warheads, hardened against metahuman powers. In the middle of their fight, Batman and Wonder Woman see the incoming stealth bombers piloted by the Blackhawk Squadron. They break off fighting and manage to stop two bombs, but miss the third. Captain Marvel uses his magic lightning bolt as a weapon against Superman. Superman manages to grab Marvel and allow the bolt to transform him into Billy. Holding Batson's mouth shut, Superman tells him he is going to stop the remaining bomb, and Batson must make a choice: either stop Superman and allow the warhead to kill all the metahumans, or let Superman stop the bomb and allow the metahumans' war to engulf the world. Superman tells Batson he must be the one to make this decision, as he is the only one who lives in both worlds: a man (as Batson) and a god (as Marvel). Batson, his mind now clear of Luthor's influence, turns back into Captain Marvel. He flings Superman to the ground and flies after the missile. Marvel intercepts the missile and shouts "Shazam!" three times in rapid succession, detonating the bomb prematurely, and killing Batson in the process.

Despite Marvel's sacrifice, most of the metahumans are obliterated in the explosion. Superman is unharmed, but does not realize that there are any other survivors. Enraged at the tremendous loss of life, Superman flies to the U.N. Building and threatens to bring it down atop the delegates as punishment for the massacre. The surviving metahumans arrive, but McCay is the one who talks him down, pointing out how his appearance and behavior are exactly the sort of reasons that normal humans fear the superpowered. Superman immediately ceases his rampage. He is handed Captain Marvel's cape, and tells the U.N. that he will use his wisdom to guide, rather than lead, humankind. Superman ties Captain Marvel's cape to a flagpole and raises it among the flags of the member nations of the U.N., suggesting that this role of guidance will be more political and global in nature than the classic crime-busting vigilantism of the past.[6] In the epilogue, the heroes strive to become fully integrated members of the communities. Wonder Woman's exile from Paradise Island ends, and she becomes an ambassador for super-humanity, taking the survivors of the Gulag to Paradise Island for rehabilitation. Batman abandons his crusade and becomes a healer, rebuilding his mansion as a hospital to care for those wounded by the destruction of the Gulag. He reconciles with both Dick Grayson/Red Robin and his son, Ibn al Xu'ffasch. Superman begins the task of restoring the Midwestern farmlands devastated in Magog's attempt to capture the Parasite. He comes to terms with his past as Clark Kent by accepting a pair of glasses from Wonder Woman, and shares a kiss with her before she returns to Paradise Island. Norman McCay resumes pastorship of his congregation, preaching a message of hope for humanity. Among the congregation is Jim Corrigan, the Spectre's human host.

My Thoughts:

Where do I start? I liked the idea and the presentation.

But the damnably perverted and shallow philosophy absolutely killed this for me. I knew this wasn't going to go well right from the introduction by Elliot Maggin when he starts talking about us all being modern gods and how he takes inspiration from Gandhi saying he would be a Hindu, Muslim, Jew, Christian or Buddhist, the idea being that he would do anything to advance his generic ideals even to the profanation of the very religions he's claiming to want to represent.

Then we get the main narrator, a Christian pastor. Unfortunately, this “pastor” is of the
God is just a name and simply represents a higher power to help us become better” variety. He's not a Christian, he's a Unitarian. Not once was the name of Christ mentioned. Even during the many, many, MANY out of context quotes from the book of Revelation (which by the way is the Revelation of Jesus Christ) God as a Force was what was shoved down the readers' throats. I am finding that the older I get, the less patience I have for misrepresentations of Christianity. I'm not talking about differences of opinion of a hard to interpret Scripture, but blatant misuses of Scripture to forward a storyline while claiming TO represent Christianity. Sadly, most of these misrepresentations come from real life people doing the misrepresentation. Can anyone say Jim Bakker or Joel Osteen?

Next, you have Superman, Batman and Wonderwoman. All are portrayed as having been broken by the events of a new world. One thing that really stuck out was the various stances shown on superheroes taking lives. Superman and Batman are known for their stance on not taking lives. It is one of the defining characteristics of who they are. The authors here use that and the new heroes willingness to take lives at the drop of a hat. Unfortunately, killing, for any reason, even by the lawful authorities is show as something evil. One of the villains, Magog, killed the Joker in the past and that is portrayed on the same level as him killing Captain Atom and pretty much nuking the American midwest and killing MILLIONS of people. Things are just not that simplistic and I HATE when something serious is portrayed so unreasonably. This got into Message Territory instead of good story telling.

Then the ending. Everyone pretty much just agrees to get along. Pollyana much? I mean, the whole freaking story wouldn't have happened if the characters had acted in the beginning like they did at the end. But there was no real mechanism to propel their changes.

Everything, from beginning to end, got my goat. This was an Elseworlds story that could have been great, could have been fantastic but completely failed in its execution and was completely bogged down by Message Politics.

You know what is really funny though? I read a review of this on another site where the person went off the rails because they were convinced this was all right wing politics, because it featured a “Christian” main character, had Superman, Batman and Wonderwomen as the good guys. They also claimed it was pro-gun, pro-life and pro-death sentence. Oh, oh, they also stated that from this they figured Wade was a Republican and thus this was a complete piece of garbage. Isn't that awesome? I have no idea how they came to the conclusions they did but it made me do a little happy dance inside. Call me sick, but seeing someone else being miserable just made my day.

Just so you can get an alternate take, ie, a more positive one, feel free to visit's Lashaan Review.

★☆☆☆☆