Friday, September 10, 2021

The Incredulity of Father Brown (Father Brown #3) ★★★☆☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: The Incredulity of Father Brown
Series: Father Brown #3
Author: G.K. Chesterton
Rating: 3 of 5 Stars
Genre: Mystery
Pages: 262
Words: 71K





Synopsis:


From Wikipedia



The 8 stories in this collection are:


"The Resurrection of Father Brown"

"The Arrow of Heaven"

"The Oracle of the Dog"

"The Miracle of Moon Crescent"

"The Curse of the Golden Cross"

"The Dagger with Wings"

"The Doom of the Darnaways"

"The Ghost of Gideon Wise"


The Resurrection of Father Brown

The scene begins with an American journalist named Paul Snaith critically assessing Father Brown's church and the other clerics there. He quickly changes his mind to please the famous businessman, Mendoza, who walks in with a lavish respect for the Church. Snaith then goes on a journalistic quest to make Father Brown's name great. Meanwhile in South America, Brown quickly begins to resent his growing fame and after dealing with his likewise growing workload (including endorsing a wine for a man named Eckstein and responding to a letter from a political rival named Alvarez), he goes out on a walk at night. During this walk, as he passes under a bridge, he is attacked by two mysterious men and left injured or killed.


The story shifts over to John Adams Race, an electrical engineer from America who was hired by Mendoza to improve the same small South American town in which Father Brown resides. Race, Chesterton says, is a man who is firmly attached to his Protestant and American background, despite not particularly being devoted to them, and in spite of himself, Race sees in Father Brown a reminder of what he loves about his upbringing. The story flashes back to show Race looking out his window to see Father Brown pass by in the night, soon followed by two other men. Race identifies these men as Eckstein and Dr. Calderon, a physician who attended to Mendoza. Race follows the two men out of suspicion, and immediately after they both disappear under the bridge after Brown does, where there are sounds of a fight.


A mob gathers around the scene and identifies Father Brown to be dead. As Race nears the bridge, Snaith comes out to confirm the story and describe what appears to have happened. As Race looks at the body of Brown, Alvarez, who is also near the body quickly claims to have no part in the murder. Mendoza and Dr. Calderon enter the scene as well, and again pronounce Father Brown dead.


A funeral is held for the simple priest, in which Mendoza decides to give a long, drawn-out speech. In his ramblings, he attacks all atheists, and is soon in a fiery argument with Alvarez, who rages against resurrection of the dead in part of his argument. Snaith silences the two by claiming that Father Brown is beginning to move. Father Brown then sits up and the mob attending the funeral becomes a frenzy of excitement about the event. Father Brown tries without success to calm the crowd, but when he is unable, he runs to the telegraph office to send to the Bishop's secretary that there was no miracle that had happened.


John Race walks Father Brown back to the church, where Brown begins to attempt to solve his own murder case.


As Brown describes his assault, he seems to indicate that it was faked. He says the weapons used against him never actually hit him, but instead he seemed to collapse and faint of some unknown source. He mentions to Race that the wine from Eckstein may have been drugged, and Race, who started as a druggist before coming to engineering, confirms the suspicion. In a flash of intuition, Brown realizes the schemes of his would-be murderers and recounts the details to Race. The plan was to fake the priest's death, then debunk it in order to show Brown as a sham. Brown concludes, saying he must go thank God that he was saved from disgrace and that he had so quickly contacted the Bishop with an unknowing counter-claim to the antagonists' plot against him and inviting Race to a drink of un-drugged wine.


The Arrow of Heaven

The story opens with Father Brown stepping off of a ship into America. He is immediately assaulted by journalists, then finally, upon answering their many questions, spoke with a tall man in goggles. The man asked if Brown was looking for "Captain Wain" and introduced himself as Norman Drage. The goggled man rambled on a little while and the simple priest was left very confused. Soon the two were driving with Captain Peter Wain down the road, as Wain and Drage recounted stories of two recent murders connected with a mystical "Coptic cup" by a notorious man known only as Daniel Doom.


An associate of Wain's uncle came into possession of this cup; the man was named Merton. As Wain explains, the previous two owners began receiving threatening letters from Doom before their murders, and at the death of the last victim, the widow was forced to sell many possessions the family had owned; Merton apparently purchased this cup, and presumably has begun to receive threatening letters.


When the three arrive at Merton's enormous mansion, just as they are about to enter, Drage stops and says that Merton would be too happy to see him, and leaves. Father Brown is curious at this behavior and as he surveys the house, notes with a surprise how thoroughly guarded it is. Wain describes how important Merton is to the world and how vital it is that he is protected while Father Brown laments how caged he must be.


As the pair is about to go into a safe-room to meet with Mr. Merton, Wain's uncle (Crake) and Merton's lawyer walk out, having just talked with him about business for a while. Soon Mr. Wilton (the secretary to Mr. Merton) comes out of the safe room to announce that Merton will be available in ten minutes. He also tells the priest of Merton's schedule and of having only fifteen minutes alone every day to worship the Coptic Cup. He brags of the defenses he apparently devised to protect Merton and claims them to be near- impenetrable. After Brown comments that Wilton seems to be more intent on catching the murderer than saving Merton, the secretary reveals that one of the previous victims of Daniel Doom was his father, so he means to protect Merton, but is very personally connected with catching the killer.


Father Brown remarks that it is time to go in to speak with the millionaire, and as he walks into the inner room, he reveals Merton to have been shot with an arrow and murdered.


Crake, having a history with Red Indian war tactics, along with his nephew Captain Wain, are implied to be suspects of Father Brown's search to find the murderer and over the course of a few weeks, he speaks with each of them. Potentially, Wain flew a plane over or near the mansion, while his uncle shot Merton with an arrow through an open window. Both men are astounded to realize Brown's possible story of the event, but the priest refuses to comment on his thoughts.


Soon a conversation with Drage ensues. Whereas previously he was very finely dressed and upbeat, he is now bitter and appears to be clothed much more shabbily. He seems glad that Mr. Merton has died, and praises old Eastern technology and religion that more or less would have helped kill him. Brown quickly dismisses the possibility of Drage having killed Merton, leaving Drage shocked at Brown's statement that he had needed the victim and would never have killed him.


After another interlude, Father Brown meets with a council of many people who had contact with Merton. There he debunks the idea that Drage could have killed the man, and instead claims that the arrow that was found in the victim most likely had been used to stab him, and later configured to appear as if it had been shot. Further, the priest explains that Wain and Crake could not have been the murderer either. He breaks in to then say that after speaking to Wilton, that Wilton had killed Doom in some wild struggle. Everyone in the room applauds Wilton's brash justice.


After much questioning, Father Brown reveals that Merton had been Daniel Doom and that Wilton, having hunted for so long to find him, finally killed him in vengeance of his father. The group becomes conflicted and angry, and Brown comments on the necessity of consistency in the case, pausing to mention that by now, Wilton is long gone.


The Oracle of the Dog

In the beginning of this story, Father Brown is petting a dog, next to a young man named Fiennes. The young man informs him of a recent murder and shows him a newspaper clipping describing the details of the case.


A man named Colonel Druce was murdered in his summer home on the coast of Yorkshire. Apparently, he was stabbed to death in his room, but the murder weapon is nowhere to be found. His son, daughter, and secretary all had no idea the murder took place, despite the home having only one entrance down a straight path through the garden. A man named Dr. Valentine (fiance of Miss Druce) was nearby and Druce's lawyer Aubrey Traill had just met with the Colonel, and both confirmed this story as well. Shortly after Traill met with the Colonel, his daughter came in to see him, only to find his body on the ground.


Fiennes reveals he had been walking a dog with Druce's nephews (Herbert and Harry) near the summer house when the man was murdered. He describes the secretary and the lawyer to Brown, and then goes on to tell of how ominous the walk felt and how the dog howled at just the moment before Druce's daughter found the body, when previously it had been chasing a walking stick that Harry Druce had thrown into the water. As Fiennes and the nephews neared the house, Fiennes reports that Traill was just leaving and looked happy when normally he was downcast or unpleasant. Just then the dog had started barking furiously at the lawyer, who seemed to flee away.


The priest jumps up after this description and scolds Fiennes for being superstitious and believing that a dog could condemn a man. Fiennes argues by saying that the lawyer had a tie pin that potentially could have fit a stiletto into it. He then goes on to say that one of the nephews who was with him (Harry) had former training as a detective. Harry had seen the dog growl at a few people before, including the secretary (Patrick Floyd), and growling was a better predictor of a dog's anger than barking. Additionally, Harry had found blood on the shears Floyd was using to trim the garden at the time.


At Brown's prompting, Fiennes further reveals that Traill had been in the house to help revise the Colonel's will and that the original witnesses of the signing were Dr. Valentine and the secretary. The secretary had gotten angry with Dr. Valentine for having changed his name at some point, which invalidated the will, to which Valentine made a comment attacking Americans. Druce was very angry at the doctor for this, and later Miss Druce and the doctor were seen whispering to each other something about murder.


Brown suggests perhaps the couple had worked together to kill the Colonel (the will was primarily favoring the daughter), at which Fiennes is appalled. Brown says he cannot do much to actually uncover the situation, but that Fiennes should continue searching and perhaps speak again with Harry Druce.


Several days later, Fiennes comes back, reporting Harry Druce to have committed suicide. Brown states that it was likely to have been the course of action after young Druce realized he had killed his uncle for nothing, after not having been written into the will. Fiennes is aghast and asks Brown to explain the murder.


As Brown describes it, the change of name by the doctor was from a French noble's title to the old family surname (Brown had heard of the family before). As a point of French etiquette, he considered challenging the secretary to a duel because of the debate of his name, while the Colonel's daughter tried to dissuade him from this.


Brown tells of how important the dog was to solving the crime, to which Fiennes remarks that it is surprising for him to suddenly trust in the instincts of a dog. The priest mentions that if people were not as superstitious about dogs as they were, then the animals could be used to actually help. He lays out the type of men that the secretary and the lawyer were: nervous, jumpy men; the type to scare suddenly and cut themselves on garden sheers when a girl screams, as well as the type that dogs would instinctively distrust.


Dogs are very straightforward, he says. They bark at people they do not like and people are afraid of dogs that do not like them. However, the murderer would have no fear of a witness who could not talk. Moreover, dogs pursue with everything they have in themselves. So the whine for not having found the walking stick that Harry Druce threw into the water was most likely because the stick had sunk and could not be found. That is, it had to house a sword used to kill the Colonel.


The Miracle of Moon Crescent

The story opens with a man named Warren Wynd sorting letters in an apartment in the town of Moon Crescent. Wynd is described to have an uncanny gift for snap decisions (apparently there is a story of him being approached by three beggars, two of which he immediately sent away, the third going on to be a useful personal assistant of his). A millionaire oil magnate named Silas Vandam is with him in the room, along with Wynd's personal servant (Wilson) and private secretary (Fenner Collins). Soon, the man dismisses the three of them so he can attend to more work.


In the hall, a man named Alboin comes to speak with Wynd. He speaks of a new atheist religion that Wynd will want to know about. The secretary refuses him access, along with Father Brown who mysteriously appears as part of the group, with no explanation. Brown insists on getting into the room to ensure Wynd is alright, due to having spoken with a man he had helped previously who called some curse down upon Warren Wynd and after doing so, fired a blank shot under Wynd's window.


Brown insists on checking, and Alboin soon strides forward to simply open the door. However, inside, Wynd is gone. Soon they call the authorities and answer questions until nightfall, at which point they leave and walk around Moon Crescent together. As they look into the distance, they see what appears to be a broken branch in a tree, but as the group gets closer to it, they soon recognize it to be the body of Wynd, who apparently hanged himself on the tree.


The police were soon pelting the group with questions again, making sure to avoid any superstition. Newspapers and magazines picked up the tale too, and attempted to give nearly the exact opposite effect, raving of Father Brown's mysterious intuition and the superstitions involved in the group. The police hired a famous psychologist named Dr. Vair to speak with the witnesses in order to more accurately assess what happened in the events of Wynd's death.


The professor begins to interrogate the group (without Father Brown) and attempts to convince them that Brown pulled some sort of trick in order to convince them to believe in a supernatural manner of Wynd's death. Collins becomes fed up with these accusations of their apparent lunacy or whatever else, and brings the rest of the group to talk with the priest about why the events happened the way they did.


They bring Father Brown in to Wynd's office a few days later to sign an official report of a miracle. They want Brown to sign first as an honor for having spotted it first; he politely refuses. The group is confounded and asks why, and Father Brown explains the whole event was in fact natural.


The shot, Brown explains, caused the victim to initially look out his window. Immediately, Wilson, who was a big strong man, from the floor above (where he was sent to collect papers) slipped a noose around Wynd's neck and hoisted him up, killing him. An unknown third man likely helped to get the body out to the tree, far away from the apartment, where the group found him hanging. As Brown reveals, these men were likely the three homeless men that Wynd sized up many years ago and passed off without having known them.


The Curse of the Golden Cross

This mystery starts in the Moravia, a ship travelling to England. Immediately introduced are Professor Smaill and Lady Diana Wales, along with the ship's register, Paul Tarrant. Also sitting at the table, Chesterton says, are Father Brown and a man named Leonard Smyth.


The group has a conversation on the Byzantine empire, Smaill's specialty, and at the end, Brown points out that the professor mostly avoided the subject altogether. The professor seems to instantly trust Brown and launches into a description of some recently discovered tomb in Sussex. In it was found a special cross that has great importance to history, but a fabled curse as well. However, as he describes it, the curse seems more likely a conspiracy.


Smaill jumps into another tale of his own golden cross, the only one similar to the other that has just been uncovered. Upon finding it in a labyrinth in Greece, Smaill realized there was a man following him in the ancient catacombs. The man threatened him and promised that someday he would murder the professor, were the cross not given up. Every now and then, the man still sends the professor notes to tell him that the plans for murder are going well. Smaill describes him as a cold, methodical man, likely from the West, due to the detached sense of a collector simply trying to find the prize. With the discovery of the new cross, the mad-man apparently increased his threats sevenfold and is desperate that Smaill never get his hands on the second cross.


The professor and the priest disembark to go to the tomb and upon arriving, find the entire group from the dinner table already at the tomb with them. The group meets with the Vicar of the church under which the tomb was found, and begins to explore the dark caverns leading to the golden cross. They finally reach the room in which the cross is held, and just as Smaill reaches out to touch the cross, the large stone slab of the coffin the cross is lying in slams shut, smashing the professor painfully in the head.


It is found out, after the professor is taken to a nearby doctor, that the Vicar has committed suicide. Father Brown goes to speak with the dinner party group, who then is ranting about the curse and how it will destroy them all. Brown dismisses this notion and tells of the falsehoods in the history of the stories associated with the tomb. Additionally, the cross seemed to be rigged to a small wooden peg that was holding the casket open. When the professor pulled the cross, the peg fell out, shutting the coffin, and hitting him in the head. But Brown reveals it was really the vicar who had been in the coffin; the maniac who had been pursuing Smaill thought that he had finally committed the murder and wanted to end his own life abruptly. Smaill recovers after a while and the group is able to go on with their lives in peace.


The Dagger with Wings

The renowned priest is called up one day by a doctor/ policeman named Dr. Boyne. A man named Aylmer had three sons and an adopted son named John Strake; when he died, he left a great fortune to Strake, but the three sons disputed the case with the law and managed to get the inheritance. Strake swore he would kill all three, and so far two are dead. Arnold Aylmer is the last alive and he is requesting police protection. The other two brothers died of apparent suicide or accident, but there is a chance Strake had managed to simply kill them masterfully and get away with it. Aylmer is now demanding police protection after his servants left because of his increasing agitation and impatience. Boyne admits that Father Brown is called in to be a compromise to Aylmer's demand.


When Brown gets to the mansion, it is dark and lonesome. He cannot get in, nor does there appear to be anyone at home. The place appears to have been barricaded. Finally, Father Brown manages to climb in through a window and is immediately confronted by a ragged Aylmer. The two begin to speak, and Aylmer recounted the deaths of both of his brothers and seeing a shadowy figure before their deaths, near the scenes of their murders. On the body of both men, notes were found with winged daggers on the notes, similar to threatening notes they had received before.


Aylmer brings the priest another note he had recently received with similar design and shows off a blunderbuss capable of firing silver bullets. He speaks a good deal about superstition and when he goes upstairs to get a picture of Strake to show Brown, the priest calls the police office to request backup.


Suddenly, there is a shout and the sound of gunfire, and Father Brown finds himself soon standing over the body of Strake along with Aylmer, who apparently shot him in some sort of confused vision of some sort. The man is satisfied that he has finally killed the apparent murderer of his brothers and goes back into his house to have a drink.


Aylmer tries then incessantly to convince Brown of some sort of universal existence among all things, which Brown denies. The priest then convicts Aylmer as the true John Strake for having killed the last of the brothers, just as the police arrive to detain Strake, who is even boastful of his murders.


As Boyne probes for answers, Brown uncovers the murder. Just as Brown had been entering the house, Strake had killed the last brother. He quickly swapped clothing and being much larger than Aylmer, hung the body in a cloak on the hat-stand, putting a hat over the head to cover it up. Then he put on the victim's nightgown in order to pretend to be Aylmer, and went down to meet Brown.




My Thoughts:


Another good collection. The first story really struck home, what with people trying to “create” a miracle so they could later debunk it and lay all the blame on Father Brown. What really struck me though was Father Braown's reaction. He wasn't angry or upset, he was just glad that things hadn't gone as planned and thus discredit Christ. I wish I had such concern myself.


In the previous books it was evident that Father Brown wasn't interested in bringing the criminals to justice but in redemption. In this book he doesn't even go that far. Many of the mysteries are simply figured out and left at that. While I was resigned to no justice in previous books, this was too much.


The stories were pretty good and I was really in the flow of them until it became evident about nothing happening. Once I realized it was becoming a pattern I kind of rushed through the rest of the stories just to finish up.


I really hope the next Father Brown collection works out better :-/


★★★☆☆





Thursday, September 09, 2021

Asterix the Gaul (Asterix #1) ★★★★☆

 


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: Asterix the Gaul
Series: Asterix #1
Authors: Goscinny & Uderzo
Translators: Bell & Hockridge
Rating: 4 of 5 Stars
Genre: Comics
Pages: 53
Words: 3K





Synopsis:


From Wikipedia.org



All of the Gaul area is under Roman control, except for one small village in Armorica (present-day Brittany), whose inhabitants are made invincible by a magic potion created periodically by the Druid Getafix. To discover the secret of the Gauls' strength, Centurion Crismus Bonus, commander of a Roman garrison at the fortified camp of Compendium, sends a spy disguised as a Gaul to the village. The Roman's identity is revealed when he loses his false moustache, shortly after he discovers the existence of the magic potion; whereupon he reports his discovery to the Centurion.


Crismus Bonus, hoping to overthrow Julius Caesar, orders Getafix captured and interrogated for the recipe; but to no avail. Protagonist Asterix learns of Getafix's capture from a cart-seller; infiltrates the Roman camp in the latter's cart; and hears Crismus Bonus revealing his intended rebellion to Marcus Ginandtonicus, his second-in-command. Following Asterix's suggestion, Getafix pretends to agree to the Centurion's demand of the potion when Asterix pretends to give in to torture, and demands an unseasonal ingredient: strawberries. While Crismus Bonus' soldiers try to find strawberries, Asterix and Getafix relax in relative luxury; and when the strawberries arrive, consume them all, and console Crismus Bonus that the potion may be made without them.


After all the ingredients are found, a potion is prepared that causes the hair and beard of the drinker to grow at an accelerated pace. The Romans are tricked into drinking this potion and before long, all of them have long hair and beards. When Crismus Bonus pleads Getafix to make an antidote, the druid makes a cauldron of vegetable soup (knowing that the hair-growth potion shall soon cease to take effect), and also prepares a small quantity of the real magic potion for Asterix. As Getafix and Asterix escape, they are stopped by a huge army of Roman reinforcements commanded by Julius Caesar. Upon meeting Asterix and Getafix, Caesar hears of Crismus Bonus' intentions against himself; deports Crismus Bonus and his garrison to Outer Mongolia; and frees Asterix and Getafix for giving him the information, while reminding them that they are still enemies. The two Gauls then return to their village, where their neighbors celebrate their recovery.


My Thoughts:


I read many of the Asterix & Obelix stories growing up because my father collected these and we would buy them for him as birthday and Christmas presents. Since we were allowed to read them, very carefully, it was almost like we were getting ourselves a present too. Score! It was a hap-hazard reading journey though and I never bothered to read them all. Since I was looking for other comics to read besides Spawn and I really wasn't interested in most of the Marvel or DC lineups (not even the old stuff), I recalled this series and jumped on it. Most of the books are only 50'ish pages long and each story is a self contained one, so it works out really well.


There are 38 of these stories. This story was published originally in 1961 in French and the translation I am reading was done in 2004. I might have to check with my pops to see who did the translations of his editions and see what the differences are. That type of thing is interesting to me so it's worth exploring.


This type of comic is written for both adults and children. The kids will love the bright colors, the funny violence of tiny Asterix beating up four Roman soldiers at once, the contrast between Asterix and his giant friend Obelix. The adults will enjoy the very funny word plays and jokes in latin and the names of places and characters.


The beginning of the book introduces us to each character, the situation (that all of Gaul except this one village has been conquerered by Rome) and what the plot is for this particular book. We're talking a One Stop Shopping kind of deal. Rather refreshing to be honest.


★★★★☆


Wednesday, September 08, 2021

Rolling Gravestones ★★★☆☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: Rolling Gravestones
Series: ----------
Author: Alfred Hitchcock (Editor)
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 179
Words: 69K







Synopsis:


From the Inside Cover


ALFIE DOES HIS THING


The only grass that Alfred Hitchcock gets high on is the kind that grows in the cemetery, and the only acid that blows his mind is the sort that can be thrown in someone’s face. Diabolical death is Alfie’s special kick, and he wants you to enjoy it, too. For that purpose, he’s harvested a brand new crop of terror tales, and served them up to you with grisly relish. Here is the master’s personal choice of fifteen spine-chilling spellbinders.


Introduction by Alfred Hitchcock


A PLACE TO VISIT

      Stephen Marlowe


CALL ME NICK

      Jonathan Craig


DEAD STOP ON THE ROAD SOUTH

      Robert Colby


RUSTY ROSE

      Edward Hoch


HENRY LOWDEN ALIAS HENRY TAYLOR

      Helen Nielsen


THE ENORMOUS $10

      Jack Ritchie


FIRST COME, FIRST SERVED

      Rog Phillips


THE EXPLOSIVES EXPERT

      John Lutz


I HATED THE HIRED MAN

      H. A. DeRosso


A SINGULAR QUARRY

      Ed Lacy


SLEEP IS FOR THE INNOCENT

      Henry Slesar


SORRY, RIGHT NUMBER

      Charles Einstein


FREE ADVICE, INC.

      Michael Brett


A SWEET YOUNG THING

      Mary Linn Roby


THE PRICE OF FAME

      Richard Deming






My Thoughts:


This was just a very weird read. Not in a Twilight Zone, throw you a curveball kind of weird, but a plain old fashioned weird that actually kind of creeped me out. Some stories DID have a twist but enough didn't that it kept me on my toes. I must say that psychologically speaking, Alfie played me like a bassoon.


Two of these stories stood out to me above the rest.


The first, A Place to Visit, dealt with a Straight Arrow dying, going to hell and partying it up with naked chicks and having the time of his life. The devil tells him that unfortunately, Straight Arrow has been too good and so he's going to be sent up to Heaven, with all the clouds and harps. It's also where his wife is planning on going, so Straight Arrow will be with her. Oh the horror! BUT! The devil tells him that the devil can make a deal with him. The devil will revive Straight Arrow for five minutes and all he has to do is kill his wife, so she'll go to heaven and Straight Arrow will go to hell and back to partying with naked supermodels. Straight Arrow takes the deal and the story ends with rather predictable results. I have to admit that I laughed my head off when Straight Arrow learns the truth and has the floor literally pulled out from under him, plunging him into the burning stygian pits of hell. Despite the rather “questionable” theology, it was a really good story. Now I've ruined it for everyone else but come on, who couldn't see that ending? No deal with the devil ever turns out good.


The second, Sorry, Right Number fit my misanthropic self like a glove. It was about two couples, one older and one younger, that have to share a party line for their telephone. If you don't know what a party line is, go google it. It will build character. Well, the old lady is always hollering at the younger couple whenever they try to use the phone to the point where they've learned to pick up the receiver without making any noise. The younger husband does this one day and over hears the older husband making plans to murder his wife because of reasons. The younger husband shares the info with his wife and they debate what they should do. The younger husband finally decides that they need to call the police. When he picks up the line the old wife is on the telephone and chews him out for “listening” to her conversation. So he hangs up and lets nature takes it course. How great is that?!?!?


While those two were the highlights, none of the others were duds. Alfie chose well with these set of stories and I enjoyed them. The main reason I gave this only 3 stars is that the book as a whole didn't pop for me and I don't ever plan on re-reading this. A great filler and something different, but not something grand or great.


On a side note (I was going to say tangential, but there's nothing tangent about it), there's a certain blogger who usually asks if that is him on the cover, or me, or some such thing. I've decided to take a pre-emptive approach this time. Dix, you are the gravestone and I am the motorcycle. Alfie is of course Alfie. With that out of the way, I can now cogitate the important things, like why Ken is always arraying himself against mortals like Sir Otsy. No fear of me ever running out of things to learn.


★★★☆☆



Monday, September 06, 2021

[Manga Monday] For Whom the Bell Tolls (One Piece #5) ★★★★☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: For Whom the Bell Tolls
Series: One Piece #5
Arc: East Blue Part 5
Author: Eiichiro Oda
Rating: 4 of 5 Stars
Genre: Manga
Pages: 200
Words: 8K





Synopsis:


From Wikipedia.org/wiki/List_of_One_Piece_chapters_(1_186)


Chapter List:


"After Them!!"

"Captain Kuro, of the Thousand Plans"

"Pirate Crew"

"For Whom the Bell Tolls"

"Usopp's Pirate Crew

"To the Sea"

"Yosaku and Johnny"

"Sanji"

"Three Tough Cooks"


Django, ordered to kill Kaya after forcing her to write a will favoring Kuro, chases her through the forest; Zoro and Usopp are chasing them. On the shore, Luffy and Kuro fight one-on-one and the Straw Hats prevail. With Usopp the newest addition to the crew and a ship named Going Merry as a parting gift from Kaya, they leave the island. At sea they meet Zoro's former bounty-hunting partners Johnny and Yosaku, who tell them about a floating restaurant near the Grand Line where the crew might find a cook and (to Zoro's delight) "Hawk-Eye" Mihawk – the world's best swordsman – was reportedly sighted. When they arrive, Luffy accidentally damages the restaurant and injures its head chef. In compensation, he agrees to work there for one week. When he sees assistant head chef Sanji give free food to Gin, a starving pirate, he decides to persuade the cook to join his crew.




My Thoughts:


This wrapped up the little adventure of Luffy & Co facing off against the Pirate who wanted to go legit, by faking a will and murdering the girl. Captain Kuro reveals that nobody and nothing is worth his time and everything is simply fodder for him to use to advance himself. This rubs Luffy the wrong way and really winds him up. Luffy defeats Kuro in a typically zany One vs One battle. Of course, Nami has been robbing the pirate ship this whole time, ha!


Usopp officially joins the crew and Luffy is on the lookout for someone to be their chef. Man has got his priorities straight is all I can say. They meet Sanji at a floating restaurant and the book ends with Luffy telling Sanji he wants him to be their cook. During this whole time Sanji and the 2 other cooks have been fighting with a customer and with each other and it made me laugh. It was ridiculous and honestly, it really shouldn't have worked but some it did. I guess that is part of the mangaka's magic, he simply makes work something that shouldn't.


The little standalone pictures between chapters weren't random images this time. They told the story of what happened to Buggy the Clown after being defeated by Luffy. He chases a little bird to eat it and it runs to its parent, which then chases Buggy and when it tries to eat him, spits him out as being bad food :-D It was just amazing what Oda could express in Buggy's facial expression and no words.



★★★★☆




Friday, September 03, 2021

The Jade Suit of Death (Adventures of the Royal Occultist #2) ★★★✬☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: The Jade Suit of Death
Series: Adventures of the Royal Occultist #2
Author: Josh Reynolds
Rating: 3.5 of 5 Stars
Genre: Urban Fantasy
Pages: 190
Words: 70K





Synopsis:


St. Cyprian is hired to recover an occultic artifact for one of his acquaintences. Said artifact has been stolen by a group of thugs who appear to have the power of controlling a demon. Turns out one of the occultic clubs has decided to use whatever power they can grab to change the course of history and to make Britain an Empire in perpetuity.


The jade suit encases an original werewolf and the acquaintence was hoping to study it to see if he could cure himself, as he has been bitten himself.


St. Cyprian and his assistant must track down the jade suit and stop the splinter group from peforming an equinox ceremony binding the werewolf to the leader of the group, thus allowing her nigh unlimited power. Of course they succeed.




My Thoughts:


This was another great entry but also brought to light something that had been niggling at me in the first book. Reynolds kind of rushes his endings. The buildup is fantastic. He sets things up great and does a good job of describing everything leading up to the end but the climactic battle and the aftermath, it's always gone through extremely quickly. I have to admit I suspect it comes from his franchise fiction writing. It really reminded me of how a lot of the Forgotten Realms books/series ended. Other than that, I was perfectly satisfied with how this story went.


The idea that the “plague” contained by the jade suit was out of control lycanthropy was really interesting and definitely turned the expectations of the reader, ie, me, on its head. The inclusion of the “Hairy Hands” and Baphomet as well as the splinter group of rogue occultists definitely made for a full house when it came to villainy. In a lot of ways it didn't seem so much that St. Cyprian overcame the villains as that he performed magical ju-jitsu and used everyone against the others. He came across as the Millennial Ideal of lets work together instead of the Gen X of One Warrior Overcoming All Odds.


A larger overall threat was hinted at but I'm not sure that Reynolds will be able to pull that off with just one more book. I guess I'll just have to read it and find out :-D


★★★✬☆




Thursday, September 02, 2021

Angela (Spawn #9) ★★☆☆☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: Angela
Series: Spawn #9
Author: Todd McFarlane
Rating: 2 of 5 Stars
Genre: Comic
Pages: 25
Words: 1K





Synopsis:


From Imagecomics.fandom.com


800 years ago in a journal entry, Angela reads about Hellspawn and Heaven's goal of exterminating them. She reads about the rules specified are only for Hellspawn in Living Realms, and those in Beyond Realms are not to be touched unless an official declaration of war is made with Hell.


The entry explains the best way to kill a Hellspawn is when it is still new and unadjusted to it's carapace. That is when they are cronally confused, and new at using their powers. Because of this, they are also brash and use way too much power as opposed to a more experience Hellspawn. For this reason, while they are most vulnerable as a new Hellspawn, they are also potentially more dangerous or unpredictable. The journal explains that these Hellspawn sent to Earth, usually once every 100 years, and no more than one at a time, are potential officers in Malebolgia's future war. The Living Realm acts as a trial to see if they are fit to lead. The best way to kill them, is a surprise attack, but beware their suit, or carapace, as they are equally wiley in their younger years.


Angela recalls posing as a young woman in distress in the 12th century. When Medieval Spawn, a new hellspawn at the time spots her, She asks him to take her to a remote location to save her sister from an ogre. Angela recalls reading how new Hellspawn are drawn to help people when they are first reborn. In the cave, she surprises him from behind and strikes him with her Dimensional Lance to kill him.


In the present day, Spawn speaks with a Count Cogliostro who not only knows his name, but knows about Hell and how it operates. Cogliostro requests Spawn to summon beer as a training and reward exercise and he does.


Angela appears at work, where she meets Gabrielle who informs her Raphaela has left her in charge of this world. Angela shows little regard for her talking down on her for being a freelancer and reveals she has a hunting permit. Gabrielle admits she can't stop her from hunting but she requests it to be quick and clean.


Later, as Spawn and Cogliostro continue their discussion, Angela appears behind them. As she attacks, Spawn disappears in a pool. Angela, undeterred, follows in but is shot back to heaven when she realizes she is overpowered. Spawn picks up the lance left behind as Cogliostro urgently warns him to stop. As Spawn presses a button, he disappears in a while light and his Necroplasm is reset to 0000. Cogliostro mourns he was a good kid, just not very bright




My Thoughts:


In one of the previous reviews I had asked if there were going to be angels in this series, since there were demons. Well, this issue answered that question.


There are angels and apparently they are all hot chicks parading around in skimpy outfits killing hellspawns with big ass swords and spears. The odd thing is that Angela, the angel we are watching, is so badly drawn that while she's barely clothed, she's more grotesque than erotic and beyond the long hair it's hard to call her a female. I am thankful that McFarlane didn't go down the Boris Vallejo/Frank Frazzetta route in terms of art but still, I was almost as grossed out by her as I was by Spawn's burned body.


This volume was straight up info dumping about hellspawns and some hints about angelic society. We also get a hint that there is supposed to be a “special” hellspawn and that maybe our Spawn was it. Given that the volume ends with Spawn's magic being drained down to zero and then teleported away, we'll see if that hint turns out to be real or not.


★★☆☆☆



Wednesday, September 01, 2021

Anna Karenina (The Russians) ★★★★★

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
Title: Anna Karenina
Series: (The Russians)
Author: Leo Tolstoy
Rating: 5 of 5 Stars
Genre: Classic
Pages: 1287
Words: 350K






Synopsis:


From Wikipedia


Part 1


The novel opens with a scene that introduces Prince Stepan Arkadyevich Oblonsky ("Stiva"), a Moscow aristocrat and civil servant who has been unfaithful to his wife, Princess Darya Alexandrovna ("Dolly"). Dolly has discovered his affair with the family's governess, and the household and family are in turmoil. Stiva informs the household that his married sister, Anna Arkadyevna Karenina, is coming to visit from Saint Petersburg in a bid to calm the situation.


Meanwhile, Stiva's childhood friend, Konstantin Dmitrievich Levin ("Kostya"), arrives in Moscow with the aim of proposing to Dolly's youngest sister, Princess Katerina Alexandrovna Shcherbatskaya ("Kitty"). Levin is a passionate, restless, but shy aristocratic landowner who, unlike his Moscow friends, chooses to live in the country on his large estate. He discovers that Kitty is also being pursued by Count Alexei Kirillovich Vronsky, an army cavalry officer.


Whilst at the railway station to meet Anna, Stiva bumps into Vronsky who is there to meet his mother, the Countess Vronskaya. Anna and Vronskaya have traveled and talked together in the same carriage. As the family members are reunited, and Vronsky sees Anna for the first time, a railway worker accidentally falls in front of a train and is killed. Anna interprets this as an "evil omen". Vronsky, however, is infatuated with Anna, and donates two hundred roubles to the dead man's family, which impresses her. Anna is also uneasy about leaving her young son, Sergei ("Seryozha"), alone for the first time.


At the Oblonsky home, Anna talks openly and emotionally to Dolly about Stiva's affair and convinces her that Stiva still loves her despite the infidelity. Dolly is moved by Anna's speeches and decides to forgive Stiva.


Kitty, who comes to visit Dolly and Anna, is just eighteen. In her first season as a debutante, she is expected to make an excellent match with a man of her social standing. Vronsky has been paying her considerable attention, and she expects to dance with him at a ball that evening. Kitty is very struck by Anna's beauty and personality and becomes infatuated with her just as Vronsky. When Levin proposes to Kitty at her home, she clumsily turns him down, believing she is in love with Vronsky and that he will propose to her, and encouraged to do so by her mother, who believes Vronsky would be a better match (in contrast to Kitty's father, who favors Levin).


At the big ball Kitty expects to hear something definitive from Vronsky, but he dances with Anna instead, choosing her as a partner over a shocked and heartbroken Kitty. Kitty realizes that Vronsky has fallen in love with Anna and has no intention of marrying her, despite his overt flirtations. Vronsky has regarded his interactions with Kitty merely as a source of amusement and assumes that Kitty has acted for the same reasons. Anna, shaken by her emotional and physical response to Vronsky, returns at once to St. Petersburg. Vronsky travels on the same train. During the overnight journey, the two meet and Vronsky confesses his love. Anna refuses him, although she is deeply affected by his attentions to her.


Levin, crushed by Kitty's refusal, returns to his estate, abandoning any hope of marriage. Anna returns to her husband, Count Alexei Alexandrovich Karenin, a senior government official, and her son, Seryozha, in St. Petersburg. On seeing her husband for the first time since her encounter with Vronsky, Anna realizes that she finds him unattractive, though she tells herself he is a good man.


Part 2

The Shcherbatskys consult doctors over Kitty's health, which has been failing since Vronsky's rejection. A specialist advises that Kitty should go abroad to a health spa to recover. Dolly speaks to Kitty and understands she is suffering because of Vronsky and Levin, whom she cares for and had hurt in vain. Kitty, humiliated by Vronsky and tormented by her rejection of Levin, upsets her sister by referring to Stiva's infidelity, saying she could never love a man who betrayed her. Meanwhile, Stiva visits Levin on his country estate while selling a nearby plot of land.


In St. Petersburg, Anna begins to spend more time in the inner circle of Princess Elizaveta ("Betsy"), a fashionable socialite and Vronsky's cousin. Vronsky continues to pursue Anna. Although she initially tries to reject him, she eventually succumbs to his attentions and begins an affair. Meanwhile, Karenin reminds his wife of the impropriety of paying too much attention to Vronsky in public, which is becoming the subject of gossip. He is concerned about the couple's public image, although he believes mistakenly that Anna is above suspicion.


Vronsky, a keen horseman, takes part in a steeplechase event, during which he rides his mare Frou-Frou too hard—his irresponsibility causing him to fall and break the horse's back. Anna is unable to hide her distress during the accident. Before this, Anna had told Vronsky that she is pregnant with his child. Karenin is also present at the races and remarks to Anna that her behaviour is improper. Anna, in a state of extreme distress and emotion, confesses her affair to her husband. Karenin asks her to break it off to avoid further gossip, believing that their marriage will be preserved.


Kitty and her mother travel to a German spa to recover from her ill health. There, they meet the wheelchair-bound Pietist Madame Stahl and the saintly Varenka, her adopted daughter. Influenced by Varenka, Kitty becomes extremely pious, but becomes disillusioned by her father's criticism when she learns Madame Stahl is faking her illness. She then returns to Moscow.


Part 3


Levin continues working on his estate, a setting closely tied to his spiritual thoughts and struggles. He wrestles with the idea of falseness, wondering how he should go about ridding himself of it, and criticising what he feels is falseness in others. He develops ideas relating to agriculture, and the unique relationship between the agricultural labourer and his native land and culture. He comes to believe that the agricultural reforms of Europe will not work in Russia because of the unique culture and personality of the Russian peasant.


When Levin visits Dolly, she attempts to understand what happened between him and Kitty and to explain Kitty's behaviour. Levin is very agitated by Dolly's talk about Kitty, and he begins to feel distant from Dolly as he perceives her loving behaviour towards her children as false. Levin resolves to forget Kitty and contemplates the possibility of marriage to a peasant woman. However, a chance sighting of Kitty in her carriage makes Levin realize he still loves her. Meanwhile, in St. Petersburg, Karenin refuses to separate from Anna, insisting that their relationship will continue. He threatens to take away Seryozha if she persists in her affair with Vronsky.


Part 4

When Anna and Vronsky continue seeing each other, Karenin consults with a lawyer about obtaining a divorce. During the time period, a divorce in Russia could only be requested by the innocent party in an affair and required either that the guilty party confessed—which would ruin Anna's position in society and bar her from remarrying in the Orthodox Church—or that the guilty party be discovered in the act of adultery. Karenin forces Anna to hand over some of Vronsky's love letters, which the lawyer deems insufficient as proof of the affair. Stiva and Dolly argue against Karenin's drive for a divorce.


Karenin changes his plans after hearing that Anna is dying after the difficult birth of her daughter, Annie. At her bedside, Karenin forgives Vronsky. However, Vronsky, embarrassed by Karenin's magnanimity, unsuccessfully attempts suicide by shooting himself. As Anna recovers, she finds that she cannot bear living with Karenin despite his forgiveness and his attachment to Annie. When she hears that Vronsky is about to leave for a military posting in Tashkent, she becomes desperate. Anna and Vronsky reunite and elope to Europe, leaving Seryozha and Karenin's offer of divorce.


Meanwhile, Stiva acts as a matchmaker with Levin: he arranges a meeting between him and Kitty, which results in their reconciliation and betrothal.


Part 5

Levin and Kitty marry and start their new life on his country estate. Although the couple are happy, they undergo a bitter and stressful first three months of marriage. Levin feels dissatisfied at the amount of time Kitty wants to spend with him and dwells on his inability to be as productive as he was as a bachelor. When the marriage starts to improve, Levin learns that his brother, Nikolai, is dying of consumption. Kitty offers to accompany Levin on his journey to see Nikolai and proves herself a great help in nursing Nikolai. Seeing his wife take charge of the situation in an infinitely more capable manner than he could have done himself without her, Levin's love for Kitty grows. Kitty eventually learns that she is pregnant.


In Europe, Vronsky and Anna struggle to find friends who will accept them. Whilst Anna is happy to be finally alone with Vronsky, he feels suffocated. They cannot socialize with Russians of their own class and find it difficult to amuse themselves. Vronsky, who believed that being with Anna was the key to his happiness, finds himself increasingly bored and unsatisfied. He takes up painting and makes an attempt to patronize an émigré Russian artist of genius. However, Vronsky cannot see that his own art lacks talent and passion, and that his conversation about art is extremely pretentious. Increasingly restless, Anna and Vronsky decide to return to Russia.


In St. Petersburg, Anna and Vronsky stay in one of the best hotels, but take separate suites. It becomes clear that whilst Vronsky is still able to move freely in Russian society, Anna is barred from it. Even her old friend, Princess Betsy, who has had affairs herself, evades her company. Anna starts to become anxious that Vronsky no longer loves her. Meanwhile, Karenin is comforted by Countess Lidia Ivanovna, an enthusiast of religious and mystic ideas fashionable with the upper classes. She advises him to keep Seryozha away from Anna and to tell him his mother is dead. However, Seryozha refuses to believe that this is true. Anna visits Seryozha uninvited on his ninth birthday but is discovered by Karenin.


Anna, desperate to regain at least some of her former position in society, attends a show at the theatre at which all of St. Petersburg's high society are present. Vronsky begs her not to go, but he is unable to bring himself to explain to her why she cannot attend. At the theatre, Anna is openly snubbed by her former friends, one of whom makes a deliberate scene and leaves the theatre. Anna is devastated. Unable to find a place for themselves in St. Petersburg, Anna and Vronsky leave for Vronsky's own country estate.


Part 6

Dolly, her mother the Princess Scherbatskaya, and Dolly's children spend the summer with Levin and Kitty. The Levins' life is simple and unaffected, although Levin is uneasy at the "invasion" of so many Scherbatskys. He becomes extremely jealous when one of the visitors, Veslovsky, flirts openly with the pregnant Kitty. Levin tries to overcome his jealousy, and briefly succeeds during a hunt with Veslovsky and Oblonsky, but eventually succumbs to his feelings and orders Veslovsky to leave in an embarrassing scene. Veslovsky immediately goes to stay with Anna and Vronsky at their nearby estate.


When Dolly visits Anna, she is struck by the difference between the Levins' aristocratic-yet-simple home life and Vronsky's overtly luxurious and lavish country estate. She is also unable to keep pace with Anna's fashionable dresses or Vronsky's extravagant spending on a hospital he is building. In addition, all is not quite well with Anna and Vronsky. Dolly notices Anna's anxious behaviour and her uncomfortable flirtations with Veslovsky. Vronsky makes an emotional request to Dolly, asking her to convince Anna to divorce Karenin so that the two might marry and live normally.


Anna has become intensely jealous of Vronsky and cannot bear when he leaves her, even for short excursions. When Vronsky leaves for several days of provincial elections, Anna becomes convinced that she must marry him to prevent him from leaving her. After Anna writes to Karenin, she and Vronsky leave the countryside for Moscow.


Part 7

While visiting Moscow for Kitty's confinement, Levin quickly gets used to the city's fast-paced, expensive and frivolous society life. He accompanies Stiva to a gentleman's club, where the two meet Vronsky. Levin and Stiva pay a visit to Anna, who is occupying her empty days by being a patroness to an orphaned English girl. Levin is initially uneasy about the visit, but Anna easily puts him under her spell. When he admits to Kitty that he has visited Anna, she accuses him of falling in love with her. The couple are later reconciled, realising that Moscow society life has had a negative, corrupting effect on Levin.


Anna cannot understand why she can attract a man like Levin, who has a young and beautiful new wife, but can no longer attract Vronsky. Her relationship with Vronsky is under increasing strain, because he can move freely in Russian society while she remains excluded. Her increasing bitterness, boredom, and jealousy cause the couple to argue. Anna uses morphine to help her sleep, a habit she began while living with Vronsky at his country estate. She has become dependent on it. Meanwhile, after a long and difficult labour, Kitty gives birth to a son, Dmitri, nicknamed "Mitya". Levin is both horrified and profoundly moved by the sight of the tiny, helpless baby.


Stiva visits Karenin to seek his commendation for a new post. During the visit, Stiva asks Karenin to grant Anna a divorce (which would require him to confess to a non-existent affair), but Karenin's decisions are now governed by a French "clairvoyant" recommended by Lidia Ivanovna. The clairvoyant apparently had a vision in his sleep during Stiva's visit and gives Karenin a cryptic message that he interprets in a way such that he must decline the request for divorce.


Anna becomes increasingly jealous and irrational towards Vronsky, whom she suspects of having love affairs with other women. She is also convinced that he will give in to his mother's plans to marry him off to a rich society woman. They have a bitter row and Anna believes the relationship is over. She starts to think of suicide as an escape from her torments. In her mental and emotional confusion, she sends a telegram to Vronsky asking him to come home to her, and then pays a visit to Dolly and Kitty. Anna's confusion and anger overcome her and, in conscious symmetry with the railway worker's death on her first meeting with Vronsky, from ground level at the end of a railway platform, she throws herself with fatal intent between the wagon wheelsets of a passing freight train.


Part 8

Sergei Ivanovich's (Levin's brother) latest book is ignored by readers and critics and he participates in the Russian commitment to Pan-Slavism. Stiva gets the post he desired so much, and Karenin takes custody of Vronsky and Anna's baby, Annie. A group of Russian volunteers, including the suicidal Vronsky, depart from Russia to fight in the Orthodox Bulgarian revolt that has broken out against the Turks, more broadly identified as the Russo-Turkish War (1877–1878).


A lightning storm occurs at Levin's estate while his wife and newborn son are outdoors and, in his fear for their safety, Levin realizes that he does indeed love his son as much as he loves Kitty. Kitty's family is concerned that a man as altruistic as her husband does not consider himself to be a Christian.


After speaking at length to a peasant, Levin has a true change of heart, concluding that he does believe in the Christian principles taught to him in childhood and no longer questions his faith. He realizes that one must decide for oneself what is acceptable concerning one's own faith and beliefs. He chooses not to tell Kitty of the change that he has undergone.


Levin is initially displeased that his return to his faith does not bring with it a complete transformation to righteousness. However, at the end of the story, Levin arrives at the conclusion that despite his newly accepted beliefs, he is human and will go on making mistakes. His life can now be meaningfully and truthfully oriented toward righteousness.




My Thoughts:


Before I talk about this book in particular, I want to discuss this “series” in general. In my quest to be more generally well-read I have included “The Complete Works” of several authors like GK Chesterton, CS Lewis, The Bronte Sisters and now, four different Russian authors. Included are Leo Tolstoy, Fyodor Dostoyevsky, Ivan Turgenev and Nikolai Gogol. I shall be cycling through these four russian authors. Obviously, this particular little literary project, much like my Dickens Project, will take years to complete. Given what I am learning about myself as a long term reader, I suspect there will be breaks to prevent burnout and boredom. But that being said, I have read enough russian classics before to know that I have a russian soul and these stories resonate with me just like Dickens' stories did.


On to this book in particular.


When I read this for the first time in 2004, I summed it up in one sentence and gave it 3stars. Looking back, I can understand my casual dismissal of this book. Massive (at over 1200 pages this is one big book!), sprawling in scope (over 12 main characters) and chock full to the gills with russian culture, it is easy to think “lets just get through this”. Ahhhh, what a callow youth I was in those days.


Considered by “them” to be one of the greatest novels ever written, Anna Karenina is a study in fallen humanity. Tolstoy was a Christian and while Jesus is never mentioned nor the Bible itself, the church is explicitly talked about. At first it bothered me but I just realized it was one of those “cultural” things. I suspect as I read through these russian authors that I'll be experiencing a lot of that.


This took me over two weeks to complete. Not because I didn't pick it up every day (because I did) but because I actually just slowed down and enjoyed reading this instead of consuming like I do so much of my SFF books. I didn't take any notes but I think when I start the next russian book that I'll grab some sort of notebook and scribble stuff down as I go along. I don't do well with taking notes on my kindle and remembering to look them up afterwards just doesn't happen. I need a physical notebook. Even if I end up not using 99% of the scribblings, at least I will have gotten them out of my head and onto a page. Some books deserve to be thought about and mulled over instead of just inhaled.


Thinking about this book, I'd love to be one of those people who can write pages on the meanings of everything in the book. It is a rich, complex and fulfilling book and I want to do it justice. That being said, I know I simply don't operate that way. I hardly ever write long reviews, much less even medium reviews.


In regards to the translation. I have one of those 99cent “Complete Works of Tolstoy” that I got from Amazon so I don' know if the translator was even listed. * heads out to check * Nope, no translator is listed. I noticed nothing egregious though so that shouldn't b a worry for anyone.


★★★★★