Bookstooge's Reviews On the Road: Joseph Pulver

Thursday, April 13, 2023

Cassilda’s Song (The King in Yellow Anthology #7) ★★★★☆

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Title: Cassilda’s Song
Series: The King in Yellow Anthology #7
Editor: Joseph Pulver
Rating: 4 of 5 Stars
Genre: Cosmic Horror
Pages: 241
Words: 92K

Table of Contents:

Introduction by Joseph S. Pulver, Sr.

Black Stars on Canvas, a Reproduction in Acrylic by Damien Angelica Walters

She Will Be Raised a Queen by E. Catherine Tobler

Yella by Nicole Cushing

Yellow Bird by Lynda E. Rucker

Exposure by Helen Marshall

Just Beyond Her Dreaming by Mercedes M. Yardley

In the Quad of Project 327 by Chesya Burke

Stones, Maybe by Ursula Pflug

Les Fleurs du Mal by Allyson Bird

While The Black Stars Burn by Lucy A. Snyder

Old Tsah-Hov by Anya Martin

The Neurastheniac by Selena Chambers

Dancing the Mask by Ann K. Schwader

Family by Maura McHugh

Pro Patria! by Nadia Bulkin

Her Beginning is Her End is Her Beginning by E. Catherine Tobler and Damien Angelica Walters

Grave-Worms by Molly Tanzer

Strange is the Night by S.P. Miskowski

This was a collection centered around the character of Cassilda, the former queen of Carcosa that the Yellow King subjugate/co-opted/seduced depending on which story you decide to hold to. In some of these stories she is fighting against the King in Yellow, other times the story is about her influence in our world and in some instances it’s just a feminist story wrapped in the liturgical wrappings of the King in Yellow.

I actually started to read this back in January, but with everything that was going on medically at the time, stories that dealt with despair and madness and hopelessness were way more than I could handle at that time. But now that we appear to be on the other side, I could dive into this cesspool with nary a shudder or twinge of disgust.

Two stories stood out to me. Not that they were the most enjoyable ones, but I felt like they encapsulated the best and worst of the King in Yellow mythology.

In the Quad of Project 327 was about a group of school kids who find the play The King in Yellow and one girl reads it. Unlike everyone else who has ever read it, it doesn’t drive her crazy but gives her psychic powers and she in turn gives these powers to the other kids. They use the power to make their Quad (apartment building area) a better place and to make their white male teacher hate Columbus and be a “nicer” guy. This exemplified the worst in my opinion. The author wrapped up her white male hatred and used some of the literary terms used in the King in Yellow stories. But she either didn’t understand or chose to ignore that the play has to drive people mad, or it isn’t The King in Yellow. As such, this didn’t have that hopeless, the walls are closing in, claustrophobic feel that a genuine KiY story should have. There is no hope, there is no betterment, there is no strength in a King in Yellow story. And if you choose to go outside of those bounds, then your story isn’t a KiY story. It wasn’t necessarily a bad story, but it was missing that downward punch that was needed.

Old Tsah-Hov was a story about a dog that ends up being owned by a woman named Cassilda, in Jerusalem. She adopts him as a stray and gets married and has a kid and then a war breaks out and her husband breaks under the strain and tries to hit her. The dog intervenes, only the son tries to stop him and the dog ends up biting the son by accident instead of the father. So he’s taken away to be put down. Once he’s put down, he awakens in Carcosa, where a mob is waiting for him, with hands filled with stones. To kill him. Again. Now THAT is how you tell a KiY story. The dog is loyal to Cassilda, loves the little boy and is doing his best to protect and serve. And his reward? To be killed again by the King in Yellow. The pure perversity of the entire situation, the twistedness of it, is exactly how a KiY story should be written.

Black Stars on Canvas, a Reproduction in Acrylic, the lead story, is a great KiY primer. If you can read that story and like it, The King in Yellow is for you. If you read it and don’t like it, or aren’t interested, I sincerely doubt you’ll like much else in the King in Yellow mythology. I’ve never been tempted to write a book, or even a short story, but if I ever did, it would be something to do with the King in Yellow.

The main reason I didn’t give this a 4 ½ rating was because one of the stories was poetry. Poetry is an essential element in the play The King in Yellow, but I don’t like poetry and I don’t have to.

I’ve included a large version of the cover below as it is hard to see in the little one I include with most reviews.

★★★★☆

https://dl.dropboxusercontent.com/s/r83hy39y0tpavxv/cassildassongbig.jpg

Wednesday, August 24, 2022

A Season in Carcosa (The King in Yellow Anthology #4) ★★★★✬

Title: A Season in Carcosa
Series: The King in Yellow Anthology #4
Editor: Joseph Pulver
Rating: 4.5 of 5 Stars
Genre: Cosmic Horror
Pages: 268
Words: 100K

Synopsis:

Table of Contents

This Yellow Madness (introduction) by Joseph S. Pulver, Sr.

My Voice is Dead by Joel Lane

Beyond The Banks of the River Seine by Simon Strantzas

Movie Night at Phil’s by Don Webb

MS Found in a Chicago Hotel Room by Daniel Mills

it sees me when I’m not looking by Gary McMahon

Finale, Act Two by Ann K. Schwader

Yellow Bird Strings by Cate Gardner

The Theatre & Its Double by Edward Morris

The Hymn of the Hyades by Richard Gavin

Slick Black Bones and Soft Black Stars by Gemma Files

Not Enough Hope by Joseph S. Pulver, Sr

Whose Hearts are Pure Gold by Kristin Prevallet

April Dawn by Richard A. Lupoff

King Wolf by Anna Tambour

The White-Face At Dawn by Michael Kelly

Wishing Well by Cody Goodfellow

Sweetums by John Langan

The King Is Yellow by Pearce Hansen

D T by Laird Barron

Salvation In Yellow by Robin Spriggs

The Beat Hotel by Allyson Bird

My Thoughts:

My goodness, these anthologies are going up and down for me like a teetertotter! When they are good, they are REALLY GOOD and when it’s bad, it’s so bad I can’t finish them. Thankfully, this was on the upper part of the seesaw.

I went into this a bit worried since Pulver was the editor and I absolutely hated the previous book which was edited and written by him. Thankfully, he only contributed a small part of this. I did realize that I don’t like his writing, period though. There were 1 or 2 poems, which did nothing for me. But Pulver’s story was the only real let down. Not surprising but it’s what kept this from a full 5star.

But most of the other stories were flipping fantastic if you dig cosmic horror. From slides into madness and horror to the unveiling of horrific powers, these ran the gamut from shiver your backbone to a chill of deliciousness running down your spine to the completely inexplicably weird.

I really can’t say that any of these were “better” than the others, but the 2 I do remember are Yellow Bird Strings and Wishing Well. YBS was about a former puppeteer who by the end of the story has become the puppet himself. It was hard to tell if he was going mad or if it was all real. Exactly the right tone for a King in Yellow Story. WW on the other hand, had real IT (by Stephen King) vibes with 2 storylines about kids and them now as adults. A twisted tv show created by a cult of the KIY was the focus and the ending where the main character who appears to be a loser the whole time is revealed to be the son of the King in Yellow, or something like that. It was deliciously spine tingling.

Another absolute winner of a read and I’m pretty happy. These books are definitely not for everyone, in fact I’d say that the majority of readers wouldn’t go for The King in Yellow, but they fit me like a glove, so I’m going to revel in them while I can.