Showing posts with label Short Story Collection. Show all posts
Showing posts with label Short Story Collection. Show all posts

Tuesday, April 01, 2025

The Wild Adventures of Cthulhu #2 (Cthulhu Anthology #22) 1Star

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: The Wild Adventures of Cthulhu #2
Series: Cthulhu Anthology #22

Editor: Will Murray
Rating: 1 of 5 Stars
Genre: Cosmic Horror
Pages: 210
Words: 77K


The first story in this anthology ends like this:

All mysteries are contained in the Great Mystery. The Great Mystery has authority over all lesser mysteries. Lesser mysteries have no power over the Great Mystery. Wakan Tanka is far more powerful than they. I walk with Wakiya medicine. So I partake of that power.

Thus, the Great Spirit is elevated so far above Cthulhu and his ilk that humanity doesn’t need to worry. Then you have a later story about a preacher of Christianity and it goes as you’d expect. God and Jesus are denigrated and spit upon and shown to be impotent and powerless before Cthulhu.

I’m stopping reading these anthologies. The hypocrisy shown here finally pushed me over the edge. I’ll revisit the idea of reading more cosmic horror later this year or early in ‘26.

Not exactly the way I wanted to start the month.

★☆☆☆☆


Table of Contents

Introduction             5

God General Nakji             7

Evacuation Day             31

The Hindmarsh Abomination             46

Moonday             60

Smoking Mirror             88

In The Lightless Chambers of Hellish N’gah-Kthun  100

The Purple Emperor              127

The Cow-Men of Coburn             134

The Arcade             149

The Wild Ones of Weirport             158




Wednesday, March 19, 2025

Tales of the Black Widowers (The Black Widowers #1) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Tales of the Black Widowers
Series: The Black Widowers #1
Authors: Isaac Asimov
Rating: 3 of 5 Stars
Genre: Mystery
Pages: 179
Words: 69K


This was a collection of short stories (as are all the books in this series) and so I knew that I would enjoy them. Asimov was an absolute master of the short story, and whether it was in SF or Mystery (as in here), he knew how to convey the most info in the shortest amount of words and STILL knock your lights out with a hidden right hook to the jaw.

So you would think this would have had a higher rating. I did too. And it would have, except for one thing, that was consistent across all the stories. The members of the club are petty and argue about the stupidest little thing, and generally made me wonder WHY they were all in the same club. They did not seem to hate each other, but they also didn’t seem to click with each other like friends do. If this was my introduction to friendship, I would want no part of it.

Without that aspect, the stories and mini-mysteries would have gotten an easy 4stars from me. Quick and punchy and never overstaying it’s welcome. Asimov also talks about each story, where it was published and something interesting about it. But! And this is most important, he does it AFTER the story is done. I get to read the story, make up my own mind about it and then he throws his own light on it. I’ve read too many anthologies where the editor thought their words and ideas were the most important and put them before the story, thus ruining the whole thing for me. Asimov was smart enough to know that The Stories the Thing. Because of that, I was able to enjoy what he wrote about them. Most of the stuff he talked about was title changes. The mystery magazine would change the title and he’d talk about why he agreed or didn’t with that decision. It also led to talking about whether he kept the title change for the story in his own book or used the original. It was all done with a very light hand and there wasn’t a note of bitterness or acrimony in it all.

I am looking forward to the rest of the series but am hoping the members become less pigheaded to each other.

★★★☆☆


From Wikipedia.org

This book is the first of six that describe mysteries solved by the Black Widowers, based on a literary dining club Asimov belonged to known as the Trap Door Spiders. It collects twelve stories by Asimov, nine reprinted from mystery magazines and three previously unpublished, together with a general introduction, and an afterword following each story by the author. Each story involves the club members' knowledge of trivia.


  • "The Acquisitive Chuckle"

  • "Ph as in Phony"

  • "Truth to Tell"

  • "Go, Little Book!"

  • "Early Sunday Morning"

  • "The Obvious Factor"

  • "The Pointing Finger"

  • "Miss What?"

  • "The Lullaby of Broadway"

  • "Yankee Doodle Went to Town"

  • "The Curious Omission"

  • "Out of Sight"



Wednesday, March 12, 2025

The Wild Adventures of Cthulhu Vol 1 (Cthulhu Anthology #21) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: The Wild Adventures of Cthulhu Vol 1
Series: Cthulhu Anthology #21
Editor: Will Murray
Rating: 3 of 5 Stars
Genre: Cosmic Horror
Pages: 199
Words: 66K


Will Murray wrote Cthulhu short stories for various magazines and collections and they all had the overarching element of being connected by an organization that was trying to prevent the intrusion of the elder gods into our dimension. Each story was standalone, not necessarily dependent on previous stories OR future stories and if one story contradicted how our world ended, it didn’t matter, because what did matter was that the elder gods WOULD break through, period.

I had only read one of these stories before, so the novelty of them all was pretty good. My usual complaint occurred, which didn’t surprise me. One of the top men of the top secret organization (CEES? I can’t remember what ridiculous thing it was called. It made sense when reading but as soon as I stopped I simply forgot because it had no real world application) was a devout Christian and when the elder gods broke into our world and were eradicating humanity, said leader went insane, spouted some specific blasphemies about God and Jesus and then blew his head off with his service pistol. What concerned me about it was that it didn’t concern me.

I am thinking that I have gotten too used to such things, and that isn’t good. So I’ve got one more Cthulhu anthology on my ereader and once I’ve read that, I’m going to take a break from the cosmic horror for the rest of the year. Let my standards reset to what they should be. Repeated exposure to blasphemy is doing what it always does, it dulls and I refuse to accept that in my life.

★★☆☆


Table of Contents

Introduction

To Clear the Earth

The Eldridge Collection

Rude Awakening

A Trillion Young

Static

The Sothis Radiant

Dark Redeemer

What Brings the Void

The Hour of Our Triumph

Black Fire



Thursday, February 20, 2025

Alfred Hitchcock’s Mystery Magazine (September 2012) 2Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Alfred Hitchcock’s Mystery Magazine
Series: September 2012
Editor: Linda Landrigan
Rating: 2 of 5 Stars
Genre: Crime Fiction
Pages: 122
Words: 45K

Yeah, no. This was no better than the previous editions of this magazine and the stories didn’t have any oomph, any chutzpah, any “grab me by the throat and choke me to death”ness. Landrigan either can’t get a decent set of short stories to publish, or she doesn’t know what a good story is OR, and this is my bet, what she thinks is a good story is so vastly different from everyone else’s definition that it’s impossible to get a good story here. So I’m done with this magazine. I’m going to hunt down as many of the old “Alfred Hitchcock Presents” books as I can. At least those old stories had some guts.

Man, this just not my week for getting along with various series. DCI Roderick Alleyn got kicked to the curb. Then I savaged Conan, which just shouldn’t have been possible. Now I’m striking out with an ongoing publication that carries Alfred Hitchcock’s name. If it weren’t for me reading that Nero Wolfe book on Monday, this week would have been a complete reading waste. I haven’t had a week this bad in YEARS. It also means my average for February is going to plummet like the temperatures outdoors.




★★☆☆☆


Table of Contents:

Department: EDITOR'S NOTE: ESOTERIC KNOWLEDGE by Linda Landrigan

Department: THE LINEUP

Fiction: THE VAUDEVILLE DETECTIVE by Garnett Elliott

Department: MYSTERIOUS PHOTOGRAPH

Fiction: BEEHIVE ROUND by Martin Limon

Fiction: BIG WATTS by Doc Finch

Fiction: FOOL'S GOLD by Dee Long

Department: BOOKED & PRINTED by Robert C. Hahn

Fiction: BRUTAL by Robert Lopresti

Fiction: THE BEST LAID PLANS by Jim Ingraham

Mystery Classic: NIGHT AT THE INN by Georgette Heyer, selected and Introduced by Jane K. Cleland

Department: THE STORY THAT WON

Department: COMING IN OCTOBER 2012


Tuesday, January 28, 2025

That Is Not Dead (Cthulhu Anthology #20) 1Star

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: That Is Not Dead
Series: Cthulhu Anthology #20
Editor: Darrell Schweitzer
Rating: 1 of 5 Stars
Genre: Cosmic Horror
Pages: 212
Words: 82K


Last time I read something edited by Schweitzer, it was Cthulhu’s Reign. I enjoyed that. This time, there was a story, by Schweitzer himself, that was out and out blasphemous. While I usually will dnf a book with issues like that, in a collection of short stories I feel ok with not. But the rating tanked right down to 1star. I was surprised, because there was a story by S.T. Joshi and he’s a total twat, so I was expecting HIS story to be the one I hated on.

It also leads to another observation about the Cthulhu Mythos that continues to bug me. It is always Christianity and Jehovah and Jesus that get the shaft in these stories. Always. No Buddha getting his serenity all butt raped. No Allah eating shit and saying he likes it. Not even Joseph Smith for goodness sake! The least they could do is make his magic glasses eat his brains or something. But nope, none of that now. And I wonder why. I have some ideas but they are pure conjecture and baseless speculation.

So really, while I enjoyed some of these stories, the ones I didn’t dragged me down paths I didn’t really want to perambulate on and I feel like I was mugged. That is NOT the feeling I want when I read a book.

★☆☆☆☆


From Wikipedia

The book collects fourteen short stories by various authors, with an introduction by the editor. All share the Cthulhu Mythos setting originated by H. P. Lovecraft, but unlike his stories, which generally take place in modern times, they are set in previous historical eras. The effect is to take the Mythos from the realm of contemporary horror into that of historical fiction. The stories are presented in chronological order from the 2nd millennium BC to the late 19th century, with the last set in the present but looking back to medieval events

TOC

  • "Introduction: Horror of the Carnivàle" (Darrell Schweitzer)

  • "Egypt, 1200 BC: Herald of Chaos" (Keith Taylor)

  • "Mesopotamia, second millennium BC: What a Girl Needs" (Esther Friesner)

  • "Judaea, second century AD: The Horn of the World’s Ending" (John Langan)

  • "Central Asia, second century AD: Monsters in the Mountains at the Edge of the World" (Jay Lake)

  • "Palestine, Asia Minor, and Central Asia; late eleventh and mid twelfth centuries AD: Come, Follow Me" (Darrell Schweitzer)

  • "England, 1605: Ophiuchus" (Don Webb)

  • "Russia, late seventeenth century: Of Queens and Pawns" (Lois H. Gresh)

  • "Mexico, 1753: Smoking Mirror" (Will Murray)

  • "France, 1762: Incident at Ferney" (S. T. Joshi)

  • "Arizona Territory, 1781: Anno Domini Azathoth" (John R. Fultz)

  • "Massachusetts, USA, early twentieth century. Italy, early nineteenth century: Slowness" (Don Webb)

  • "Massachusetts, USA, and Spain, late nineteenth century: The Salamanca Encounter" (Richard A. Lupoff)

  • "Seattle, Washington, USA, 1889: Old Time Entombed" (W. H. Pugmire)

  • "England, twenty-first century and the Middle Ages: Nine Drowned Churches" (Harry Turtledove)



Thursday, January 09, 2025

Alfred Hitchcock’s Mystery Magazine (July/August 2012) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Alfred Hitchcock’s Mystery Magazine
Series: July/August 2012
Editor: Linda Landrigan
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 207
Words: 81K


With this being a double issue of the magazine, there were more stories, but there was a longer novella size story at the end, a story that won the Black Orchid novella award. Some award given by hoity toity gate keepers of Rex Stout’s stories, ooh lah lah. Whatever, I stick my thumb in their eyes and drag their pathetic brains out, as they writhe in agony while I watch them slowly die.

I was fully prepared to hate that novella, just for winning. But you know what? It was decent. “I” never would have given it an award, but it did help bring the quality of writing up for this magazine.

More stories helped though. Made me feel like I was reading one of Hitchcock’s old anthology books instead of a dodgy ezine.

This was interesting enough that I’ll try the next one.

★★★☆☆


Table of Contents:

Department: EDITOR'S NOTE: DETECTION ON THE DOUBLE by Linda Landrigan

Department: THE LINEUP

Fiction: THE BEST THING FOR THE LIVER by Janice Law

Fiction: AUTUMN CHILL by John H. Dirckx

Fiction: MARLEY'S RESCUE by John C. Boland

Department: MYSTERIOUS PHOTOGRAPH

Fiction: DEATH ON THE RANGE by Elaine Menge

Fiction: ASSIGNMENT IN CLAY by Donald Moffitt

Fiction: BURNING DAYLIGHT by David Edgerley Gates

Fiction: TIGHTENING OF THE BOND by R. T. Lawton

Fiction: GHOST NEGLIGENCE by John Shepphird

Department: BOOKED & PRINTED by Robert C. Hahn

Fiction: 364 DAYS by John R. Corrigan

Black Orchid Novella Award: INNER FIRE by Jolie McLarren Swann

Department: THE STORY THAT WON

Department: COMING IN SEPTEMBER 2012


Tuesday, October 22, 2024

Alfred Hitchcock’s Mystery Magazine (June 2012) 3Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Alfred Hitchcock’s Mystery Magazine
Series: June 2012
Editor: Linda Landrigan
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 123
Words: 47K


Slightly better than the previous magazine, but not by much. Weighing in at only 120+ pages, this doesn’t feel like a collection; which to be fair, it isn’t, it is a magazine. But that has made me realize that I’m not a fan of magazine length collections of stories.

Also, these really feel like reject stories that weren’t good enough for anywhere else. My bias is definitely playing a big part of that, but these stories just don’t have the verve, the snap, the creepiness that the stories in the old “Alfred Hitchcock Presents…” books had. Part of that is because the stories are trying to ape those by using the 1920’s through the 1980’s as their setting but with 2010’s sensibilities. You can’t do that successfully and none of these authors did.

I’ll read the rest of what I’ve got available for this magazine, but after that I’ll go deep diving on the dark net and dig up whatever old collection of Alfred Hitchcock’s collections from back in the day that I can find.

I guess this magazine just leaves a faint aftertaste of disappointment in my literary mouth.

★★★☆☆


Table of Contents:

Click to Open

Department: EDITOR’S NOTE: CRIME TIME by Linda Landrigan

Department: THE LINEUP

Fiction: THE SELLOUT by Mike Cooper

Fiction: THEA’S FIRST HUSBAND by B.K. Stevens

Fiction: CUPS AND VARLETS by Kenneth Wishnia

Fiction: LAST SUPPER by Jane K. Cleland

Department: MYSTERIOUS PHOTOGRAPH

Fiction: THE POT HUNTERS by David Hagerty

Department: BOOKED & PRINTED by Robert C. Hahn

Mystery Classic: AFTERNOON OF A PHONY by Cornell Woolrich, Selected and Introduced by Francis M. Nevins

Department: THE STORY THAT WON

Department: COMING IN JULY 2012

Monday, October 14, 2024

Predator: If It Bleeds 3Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Predator: If It Bleeds
Series: —–
Author: Bryan Schmidt
Rating: 3 of 5 Stars
Genre: SF
Pages: 292
Words: 115K


Much, much better than that horrible Eyes of the Demon collection. At the same time, some of these stories just felt like they were missing something. Like the author had heard about the Predator but hadn’t actually seen any of the movies or read any of the comics. Yet some of stories were so spot on that it felt like a good starter script for another “good” Predator movie.

Overall, I was quite satisfied with this collection and I think I’ll let it stay in my personal library for if I ever decide to re-read it.

★★★☆☆


Table of Contents:

Click to Open

INTRODUCTION by Bryan Thomas Schmidt

DEVIL DOGS by Tim Lebbon

STONEWALL’S LAST STAND by Jeremy Robinson

REMATCH by Steve Perry

MAY BLOOD PAVE MY WAY HOME by Weston Ochse

STORM BLOOD by Peter J. Wacks and David Boop

LAST REPORT FROM THE KSS PSYCHOPOMP by Jennifer Brozek

SKELD’S KEEP by S. D. Perry

INDIGENOUS SPECIES by Kevin J. Anderson

BLOOD AND SAND by Mira Grant

TIN WARRIOR by John Shirley

THREE SPARKS by Larry Correia

THE PILOT by Andrew Mayne

BUFFALO JUMP by Wendy N. Wagner

DRUG WAR by Bryan Thomas Schmidt and Holly Roberds

RECON by Dayton Ward

GAMEWORLD by Jonathan Maberry

Tuesday, September 17, 2024

Alfred Hitchcock’s Mystery Magazine (May 2012) 3Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Alfred Hitchcock’s Mystery Magazine
Series: May 2012
Editor: Linda Landrigan
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 115
Words: 41K


Having finished up the collections of old Hitchcock anthologies that I had on hand, I found a couple of the “new” Mystery Magazines and decided to try them out. This was touted (on the cover) as the “humor issue” and I’m afraid the writers took that to mean “light and whimsical” instead of as funny.

The stories themselves barely passed muster and if I’d had to read a whole book, instead of a magazine, of them, I think I can safely say this would have gotten 2.5stars. These were the kind of stories that get salted between good stories in the old collections; that way you didn’t notice their mediocrity as much. You just forgot about them. But here, all you had was mediocre and so while I have already forgotten them, I can’t collectively forget them.

I have several issues of this magazine to try out. What does give me hope is that you can still get subscriptions (paper or digital) to AHMM, so they must have done something correct to keep on going this long. I just hope I find out what, because this issue was not very good.

What I am afraid of is that people are so undiscriminating in their reading tastes that anything with Hitchcock’s name will draw them in and they will accept any old sock as a “good story” when it really isn’t.

I’m just being really negative right now though. So here’s to a brighter future in later issues!

★★★☆☆


Table of Contents – click to open

Department: EDITOR’S NOTE: UNEXPECTED by Linda Landrigan

Department: THE LINEUP

Fiction: SHANKS COMMENCES by Robert Lopresti

Fiction: LEWIS AND CLARK by John M. Floyd

Fiction: SPRING BREAK by R.T. Lawton

Department: MYSTERIOUS PHOTOGRAPH: DOGWATCH

Fiction: WIND POWER by Eve Fisher

Department: BOOKED & PRINTED by Robert C. Hahn

Fiction: FUN FOR THE WHOLE FAMILY by Ron Goulart

Fiction: FASHIONED FOR MURDER by Shauna Washington

Fiction: MR. CROCKETT AND THE BEAR by Evan Lewis

Fiction: CARRY-ON by Wayne J. Gardiner

Department: THE STORY THAT WON

Department: COMING IN JUNE 2012

Sunday, September 01, 2024

Cthulhu Resurgent (Cthulhu: Harrison Peel #2) 2.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Cthulhu Resurgent
Series: Cthulhu: Harrison Peel #2
Editor: David Conyers
Rating: 2.5 of 5 Stars
Genre: Short Story Collection
Pages: 262
Words: 108K


This is where I get off the Harrison Peel train. Once again, he goes through some mind breaking experiences (his fiance is killed in front of his eyes by a shoggoth masquerading as a human) and while not shrugging it off, pretty much does shrug it off. He should have been left a mindless, gibbering wreck. Instead, he just soldiers on. Usually, that’s what I want. But as I discussed in the review for the first book (Cthulhu Reloaded), that is NOT what I want, or any true fan wants, when it comes to Cosmic Horror. Conyers continues to snub his nose at convention, so I say “phooiey” to him!

Not a very good start to my reading month, now is it?

★★✬☆☆


Table of Contents & From the Publisher:

Click to Open
  • “The Spiraling Worm” (2007) (by David Conyers and John Sunseri)
  • “The Road to Afghanistan” (2013)
  • “The Eye of Infinity” (2014)
  • “The Temporal Deception” (2015) (by David Conyers and C. J. Henderson)
  • “The Gravity Museum” (2021)

Humans are a mistake. The laws of physics prove it.

Army intelligence officer Major Harrison Peel has spent a lifetime fighting eldritch horrors, constantly clawing through the veil of reality ready to annihilate our world. But how do you win the war when these alien gods — and not terrestrial life — are the true nature of reality? In Antarctica, a new threat emerges. Shape-shifting aliens called Shoggoths that can mimic people and integrate into human society, who are manipulating us from within. Then Peel discovers their true intensions… If Peel can’t defeat these Shoggoths abominations, they won’t just destroy us, but enslave humanity into a billion years of servitude…

Thursday, July 18, 2024

And Four To Go (Nero Wolfe #30) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: And Four To Go
Series: Nero Wolfe #30
Author: Rex Stout
Rating: 3.5 of 5 Stars
Genre: Mystery
Pages: 206
Words: 65K


I enjoyed these four stories. It is kind of hard to call them straight up “short stories” because they’re fifty pages each, but they don’t quite seem like novella length either.

Wolfe is pretty much at his most cantankerous and Archie is at his needle’ist (in terms of how he deals with Wolfe) and murders get solved.

This was a good sit back and let the stories flow over you kind of book. I wasn’t blown away but I wasn’t bored, I didn’t feel like I wanted to stop reading and do something else, I didn’t want to get up to get a snack to take a break. I just read and that tells me it was good stuff if it can keep me engrossed like that.

I realize this isn’t a long review, or even much of a book report, but most of my reviews are like that. And considering this is #30 in the series, at this point you’re either all in or you are out. If you have not read any Nero Wolfe stories by Rex Stout, then go read the first book, Fer-de-Lance. I read that in ‘21 and I’m still going strong with the series, no breaks. That should tell you something too.

★★★✬☆


Table of Contents:

  • Christmas Party
  • Easter Parade
  • Fourth of July Picnic
  • Murder is No Joke

Synopses from Wikipedia:

Synopses – click to open

The Christmas Party

Nero Wolfe occasionally riles Archie when he takes Archie’s services too much for granted. On Wednesday he tells Archie to change his personal plans of two weeks standing so that he can drive Wolfe to Long Island for a meeting on Friday with an orchid hybridizer. After counting ten, Archie explains that he cannot and will not chauffeur Wolfe on Friday. He has promised his fiancée that he will attend her office Christmas party, at a furniture design studio. To substantiate his claim, Archie shows Wolfe a marriage license, duly signed and executed: the State is willing for Archie Goodwin and Margot Dickey to wed.

Wolfe is incredulous, but hires a limousine to take him to Long Island as Archie attends the party. There, a conversation between Archie and Margot reveals that Margot has been trying to get her employer and paramour, Kurt Bottweill, to quit procrastinating and marry her. She has suggested to Archie, who is no more to her than a friend and dancing partner, that a marriage license might motivate Bottweill to propose and follow through. Archie gave her the license on Thursday, and now Margot tells him that the plan worked perfectly, that she and Bottweill are to marry.

Also attending the party are Bottweill; his business manager Alfred Kiernan; an artisan named Emil Hatch who turns Bottweill’s designs into marketable merchandise; Cherry Quon, an East Asian who is the office receptionist; and Mrs. Perry Jerome and her son – Mrs. Jerome is a wealthy widow who is the source of Bottweill’s business capital. The Bottweill-Jerome business relationship is apparently based on intimacy, which her son Leo is bent on disrupting. Santa Claus is also present, tending bar.

Bottweill starts to toast the season but before he can do so Kiernan interrupts. Everyone has champagne, but Bottweill’s drink is Pernod – he keeps an entire case of it in his office. Kiernan brings Bottweill a glass of Pernod. Bottweill finishes his toast, tosses back the Pernod, and promptly dies of cyanide poisoning.

As Archie is issuing instructions – call the police, don’t touch anything, nobody leave – he notices that Santa has already left. Hatch says no one has left via the elevator, and the only other exit is to Bottweill’s office. There’s nothing unusual there, and Archie pushes a button that calls Bottweill’s private elevator. When it arrives, Archie finds Santa’s wig, mask, jacket and breeches on its floor.

The police arrive, led by Sergeant Purley Stebbins, and after several hours of questioning he dismisses the partygoers. Purley’s first task is to try to find Santa, and if that approach leads nowhere then he’ll start after the others. Archie heads back to the brownstone, where Wolfe, having returned from his errand, is eating dinner. Wolfe has heard on the radio a report of Bottweill’s death, and after discussing it briefly, Wolfe sends Archie to his room to bring him a book. Archie finds the book, and also finds, draped over it, a pair of white gloves that appear to be identical to the gloves that Santa was wearing while tending bar.

Stunned at first, Archie works it out that Wolfe was the bartender in a Santa costume. He must have arranged the charade in order to judge for himself whether Archie and Margot were genuinely involved or the marriage license was flummery. For Wolfe to have gone to such an extreme must mean that Wolfe regarded the situation as potentially desperate. Finally, Wolfe left the gloves for Archie to find so that he would reason it all out for himself, thus sparing Wolfe the necessity of admitting how much he depends on Archie.

Archie returns to the office and, skipping the issue of Wolfe’s motives, reports on the events that followed Wolfe’s escape. Stebbins has established that all the partygoers knew that Bottweill drank Pernod and kept a supply in his office. All knew that a supply of cyanide was kept in the workshop one floor down from the studio: Hatch uses it in his gold-plating work. Any of them could have found an opportunity to get some cyanide from the workshop and, unobserved, put it in Bottweill’s current bottle of Pernod. But none of them ran when Bottweill died. Only Santa ran, and the police are concentrating for the moment on finding whoever played Santa. Wolfe gives Archie a brief summary about his meeting with Bottweill that afternoon preparing to become Santa, including Botteill’s having a drink, in Wolfe’s presence, from the same Pernod bottle that was later poisoned – a fact the police would love to have.

When Archie finishes reporting, the doorbell rings. It’s Cherry Quon, without appointment, wanting to speak with Wolfe. It comes out that Cherry recently became engaged to marry Bottweill. She is convinced that Margot murdered Bottweill in a rage at being thrown over for Cherry. And she delivers a bombshell: she knows it was Wolfe who played Santa at the party. Bottweill had told her that morning at breakfast.

Cherry has a demand: she wants one of Wolfe’s men to confess to having played Santa. As he was putting on the costume, in the bathroom attached to Bottweill’s office, Wolfe’s man heard something, peeked out, and saw Margot putting something in the Pernod bottle. Cherry is not blatant about it, but she implies strongly that if Wolfe does not comply with her demand she will tell the police that Wolfe himself was Santa.

That’s the last thing Wolfe wants – Cramer would lock him up as a material witness and possibly for withholding evidence, and the publicity would be humiliating. But Wolfe refuses to go along with Cherry’s script. Instead, he sends notes to all the partygoers, inviting the murderer to identify himself.

Easter Parade

When Nero Wolfe’s envy is aroused he’ll go to any length to satisfy it. He embarrassed Archie in his pursuit of Jerome Berin’s recipe for saucisse minuit, and he strongarmed Lewis Hewitt to get those black orchids. Now he’s learned that Millard Bynoe has hybridized a pink Vanda orchid, a unique plant. He wants to examine one and Bynoe has turned him down.

Wolfe has also learned that Mrs. Bynoe will sport a spray of the pink Vanda at this year’s Easter parade in New York, and wonders if Archie knows anyone who would steal it from her. Archie does have a suggestion, a shifty character nicknamed Tabby, who would probably commit petty larceny in public for a couple of hundred bucks. Archie suggests that in addition to arranging for Tabby’s services, it might be wise to get a photograph of the orchids. Archie offers to attend the parade too, with Wolfe’s new camera.

So it’s decided: Tabby will position himself outside the church where Mr. and Mrs. Bynoe will attend Easter services and will try to snatch the orchid corsage from her shoulder as they exit the church. Archie will be across the street with the camera, attempting to get a good photo of the corsage in case Tabby’s attempted theft fails.

Easter morning arrives. Both Tabby and Archie are in place – Archie’s sharing some wooden crates with several other photographers so as to see over the crowd. One of them is a comely young woman named Iris Innes, who is there as a staff photographer for a magazine.

The Bynoes exit the church in the company of another man. Tabby tries to grab the orchids but the Bynoes’ companion wards him off. So Tabby ducks away into the crowd and begins to stalk them as the three walk up the avenue. Archie has been able to capture much of the action on film.

Suddenly, Mrs. Bynoe collapses. As her companions try to help her, Tabby dashes up to them, snatches the orchid corsage, and sprints away. Archie takes off after him, and catches up just as Tabby gets into a cab. Archie joins him, hushes him, and tells the cabbie to take them to 918 West 35th.

Only after Wolfe has had time to examine the orchids, and to announce that he would pay $3,000 (in 1958) for the full plant, does Archie get a chance to point out that if necessary the police will identify and track Tabby down, and that inevitably Tabby will give up Wolfe and Archie. Archie phones Lon Cohen and learns that Mrs. Bynoe is dead. Wolfe wants to avoid any public mention of his association with the incident, and offers Tabby $10 a day to remain incommunicado at the brownstone. After trying unsuccessfully to raise the per diem, Tabby accepts.

Archie prudently removes the film from the camera, and his foresight soon pays off when Inspector Cramer arrives. A needle containing strychnine has been found in Mrs. Bynoe’s abdomen, and the theory is that the needle was shot from a spring-loaded mechanism such as a camera. Cramer appropriates the camera, but doesn’t ask whether the film is still in it. Monday morning, Archie takes the film to a camera store to be developed.

Then he spends much of the day trying futilely to reach the other photographers, including Miss Innes.[1] Archie spends the remaining hours at the District Attorney’s office, answering questions and refusing to answer questions that he contends are immaterial to the investigation of Mrs. Bynoe’s murder. He is dismissed in time to get the developed pictures from the store and return to the brownstone before dark.

There he finds Mr. Bynoe, Inspector Cramer, DA Skinner and several others, including the photographers Archie’s been looking for. Wolfe asks to see the photos. He arranges a re-enactment of the scene in front of the church, and shows Cramer how the photos that Archie took demonstrate the murderer’s identity.

Fourth of July Picnic

A restaurant workers’ union is having a Fourth of July picnic in a remote meadow on Long Island. Time has been set aside during the afternoon for a few speeches from prominent figures in the restaurant business, and also one from Nero Wolfe. Wolfe has been the trustee for Rusterman’s Restaurant since the death of his old friend Marko Vukcic, and because the restaurant is so highly regarded the union wants Wolfe to speak. As an added inducement, the union has also promised to stop trying to get Fritz, Wolfe’s personal chef, to join.

Wolfe and Archie arrive at the meadow and work their way through a tent to a raised platform from which the speakers will address the thousands of union members. One of the organizers, Phil Holt, has eaten some bad snails and is lying in misery on a cot in the tent. He has been seen by a doctor but is too weak to participate in the festivities. He is shivering and Wolfe tells Archie to tie the tent flap closed, to help stop the draft blowing through.

One by one, as the scheduled speakers address the throng, those on the speakers’ platform go back into the tent to see to Holt. Eventually Wolfe goes to check on Holt and shortly calls to Archie to join him. Holt is dead, lying on the cot, covered by a blanket that conceals the knife in his back.

It is Wolfe’s habit, when he is away from home and confronted by a murder, to tell Archie to take him back to the brownstone immediately, before the police arrive. It is Archie’s habit to refuse and he does so now, pointing out that they would simply be hauled back to Long Island. Wolfe concedes the point and returns to the platform to deliver his speech.

Archie has noticed that the tent flap is no longer tied shut. He glances out the back of the tent and sees a woman sitting in a car parked by the tent. Archie gets her name, Anna Banau, and asks her if she has seen anyone enter the tent since the speeches started. Mrs. Banau says that she has not. Archie is impressed by her calm certainty, and concludes that no one entered the tent from the back. Someone must have gone in from the platform, stabbed Holt, and then opened the rear flap to make it appear as though the killer came from that direction, not from the platform.

The body is soon discovered and the police are called. It’s clear that the local District Attorney would love to hold Wolfe and Archie as material witnesses, but he can’t find a legitimate reason, so Wolfe returns home after all. The next day, though, Mr. Banau comes calling. He knows of his wife’s discussion with Archie on the prior afternoon, and cannot understand why the papers report that the police are proceeding on the assumption that the murderer entered the tent from the rear. His wife saw no one enter the tent from that side, and that is what she told Archie – surely Archie passed that along to the police. When Wolfe tells Banau that Mrs. Banau’s information was not passed along, Banau becomes upset and leaves the brownstone, stating that he must tell the police.

Wolfe sees that he and Archie will be arrested and must make their getaway. They head for Saul Panzer’s apartment, where they have arranged to meet with the others who were on the speakers’ platform. Wolfe as yet has no idea who the murderer is, nor the motive for the crime. But when the principal suspects arrive at Saul’s, Wolfe finds it important that he and Archie share autobiographical sketches with them. Then he bluffs the murderer into identifying himself.

Murder Is No Joke

Alec Gallant was a member of the French Resistance during World War II and at that time married another member, Bianca. After the war, he learned that his wife and her two brothers had been traitors to the Resistance. He murdered both men, but Bianca escaped him.

Gallant came to the United States in 1945 and rejoined his sister Flora, who had immigrated from France several years earlier. Gallant became a highly regarded couturier (as Wolfe later terms him, “an illustrious dressmaker”) with a studio employing several staff, including Flora. A successful Broadway actress, Sarah Yare, is a valued customer, one who is well liked by all of Gallant’s employees.

Into this happy mix comes Bianca. She has changed her surname to Voss and insinuated herself into Gallant’s operation, making decisions about company strategy, apparently with Gallant’s approval. Gallant has kept information about his past with Bianca to himself, hiding it not only from the staff but also from his sister, Flora. Everyone at Alec Gallant Incorporated is mystified that Gallant is putting up with Bianca’s odd and counterproductive decisions, particularly because she seems to have no formal title or position at the company.

Fearing for her brother’s career, Flora calls at Nero Wolfe’s office and asks him to investigate the situation. She has only $100 to pay Wolfe’s fee, but she says that her brother would be grateful to be rid of Miss Voss, and he is a generous man. Wolfe points out, though, that it’s not Mr. Gallant who would be hiring him. Flora suggests that they phone Bianca, and invite her to Wolfe’s office where he can ask questions of her, and then, “We shall see.” In reporting this exchange, Archie Goodwin claims that it is Flora’s choice of phrasing, instead of an informal “We’ll see” or “We will see,” that moves Wolfe to acquiesce.

Flora uses Archie’s phone to call Miss Voss, and gives Archie the handset as Wolfe picks up his own phone. After identifying himself to Miss Voss, Wolfe becomes the target of a string of insults hurled by Miss Voss – “You are scum, I know, in your stinking sewer.” – and then both Wolfe and Archie hear a thud, a groan, a crash, and a dead phone line.

Archie calls Gallant’s offices back, and asks for Miss Voss. Archie and Wolfe learn that Miss Voss has just been found dead in her office. When they inform Flora, she seems stunned, and hurries from the office.

Later, discussing the situation with Inspector Cramer, Wolfe agrees it’s very neat that Wolfe and Archie were on the phone with Miss Voss just as she was being assaulted, and thus can fix the time of the attack within a minute or two. That makes it difficult, because everyone at Gallant’s studio has a strong alibi for that time.

The next day, Archie is summoned to the District Attorney’s office to go over his statement once again. When he returns to the brownstone, he is astonished to see that Wolfe has exerted himself to the point of getting the phone book from Archie’s desk and taking it to his own. Wolfe has no explanation of the phone book for Archie, but he does have instructions.

Wednesday, July 17, 2024

Cthulhu Reloaded (Cthulhu: Harrison Peel #1) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Cthulhu Reloaded
Series: Cthulhu: Harrison Peel #1
Editor: David Conyers
Rating: 3.5 of 5 Stars
Genre: Short Story Collection
Pages: 240
Words: 94K


I enjoyed this collection of Cthulhu oriented stories, but with some big ol’ caveats. And they are big enough that I seriously considered dinging this down to 3stars instead of the 3.5 I ended up giving it.

First off, this is a collection of short stories all centered about the adventures of one Australian, Harrison Peel. He’s special forces and gets inducted into a secret agency that fights intrusions of the cosmic horror into our reality. And that is where my first caveat comes in. They are great horror stories. Wonderful in fact. But Peel sails through them all with nary a mind break in sight. What he sees affects him, but not any more than how veteran cops are affected after a life time of seeing the worst of humanity. And that is why I didn’t give this the “Cosmic Horror” tag. Peel should have been broken like an egg dropped from a sky scraper and he was barely scratched, not even cracked and totally not broken. In both the Introduction by Peter Clines and the Forward by the author, they mention how they don’t understand why people want to read stories about the main characters failing or breaking and thus Conyers created Harrison Peel as a character to combat that idea. Which just goes to show that Conyers doesn’t understand Cosmic Horror at it’s fundamental, foundational level. THE WHOLE POINT IS THAT CTHULHU AND HIS ILK ARE INIMICAL TO HUMANITY WITHOUT EVEN TRYING TO BE, THEY SIMPLY ARE. When you depart from that premise, you can have some great horrific stories but they aren’t cosmic horror. So that is my first and biggest caveat.

My second caveat is almost a sub-caveat to the first one. A lot of side characters DO go mad or get destroyed or totally lose it in one way or another. But not Peel. He keeps surviving through each and every short story. That is inimical (love that word!) to Cosmic Horror. It makes the stories simply adventure stories and if you’re looking for that, you’ll get your fill of some really good ones here. I was pretty impressed overall with the quality, but the author does admit that he went back and reworked many of these stories to fit together better and to polish them up. I had no problem with that and considering this collection came together, I’m happy he did that.

My final caveat is that there is a King in Yellow story and man, was I disappointed. It all springs from the idea that Peel doesn’t crack, so of course I was disappointed. The Yellow King never attempts to destroy someone until they have been sufficiently worked on so that they will destroy themselves. The King in Yellow would not offer me a harem, because he would know I was committed to Mrs B. But what he would do is to work against that love and loyalty that I have for Mrs B for my entire life until I WAS ready to accept a harem. And he would work it so that I would give myself heart and soul to him for just that chance. But once again, not Peel. He gives Peel the option to have something he truly wants, but it is offered without the ground work being laid so of course Peel walks away from it and the King in Yellow just lets him go. Bologna! That is NOT how the King in Yellow stories work. If he knows you are insusceptible, he won’t tempt you. Now, the story itself, dealing with the side characters, was a great KiY story and I enjoyed that part of it, a lot. But the inclusion of Peel and his “shrug it all off” attitude destroyed my enjoyment.

I really debated about including this as part of my Cthulhu Anthology “series” and wondered if it would be better served as it’s own little thing, but in the end I did include it because I feel that anything Cthulhu related should stay together to make it easier for others to find out about it. There are two more Harrison Peel collections and I plan on reading them both, but I will approach them quite differently than I did this time and hopefully that will help mitigate some of the dislike I felt for this author and his deliberate misinterpretation of the “Cosmic Horror” genre.

★★★✬☆


Table of Contents:

  • Introduction -Peter Clines
  • Forward – David Conyers
  • Made of Meat
  • Driven Underground
  • Impossible Object
  • False Containment
  • Tears in Yellow
  • The Weaponized Puzzle
  • Weapon Grade
  • The Elder Codex

Thursday, May 02, 2024

Three for the Chair (Nero Wolfe #28) 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Three for the Chair
Series: Nero Wolfe #28
Author: Rex Stout
Rating: 4 of 5 Stars
Genre: Mystery
Pages: 190
Words: 67K


Another collection of three novella’s (because they really aren’t short stories) and I enjoyed them all. I enjoyed each story more as I progressed through the book. “A Window for Death” was ok. “Immune to Murder” was pretty good. “Too Many Detectives” was the best as Nero Wolfe had to work with a bunch of other detectives who were all on the hook for a murder, as was Wolfe.

I think what I enjoyed the most about that story was that it tied back to a former case that I actually remembered. 😀 Plus seeing a bunch of other detectives giving things their own spin, Wolfe definitely didn’t have it all his own way. I like Wolfe because he’s so smart but at the same time, I feel very empathetic towards Archie when he lets things happen to Wolfe to try to teach him a lesson. Wolfe needs to be taken down a peg or two every once in a while and I enjoy watching that. I think the author realizes it too and that’s why he is constantly letting Archie try to whittle down Wolfe’s ego. It might work a little but every new book Wolfe’s ego is just as big as he is.

Each novella had it’s own Wiki page, so the synopses below is just over 1900 words long. Open it at your own risk. You have been warned.

★★★★☆


From Wikipedia:

Synopses – Click to Open

A Window for Death:

David R. Fyfe, a high school English teacher, asks Wolfe for advice concerning the death of his brother Bert. Twenty years earlier, Bert had left his family to pursue uranium mining opportunities in Canada. He had returned to New York and reconciled with his siblings—brothers David and Paul, sister Louise, and her husband Vincent Tuttle—in order to tell them of his success in finding a profitable site. Johnny Arrow, his Canadian business partner, accompanied Bert to New York.

Bert had invited the family to dinner and the theater, but he developed pneumonia in the days leading up to it and was confined to his apartment. Dr. Frederick Buhl, the family physician, was called in from Mount Kisco to attend him and brought his nurse, Anne Goren. Anne gave Bert a dose of morphine to help him sleep, as instructed by Buhl; the next morning, though, Bert was dead. Arrow claims to have made an agreement with Bert that grants control of the mining business and any assets derived from it to either partner if the other dies, causing the family to suspect him. Altercations between Anne and Paul, and between Paul and Arrow, only cloud the matter further.

Wolfe accepts a $1,000 retainer from David to investigate the circumstances of Bert’s death and decide whether to involve the police. He focuses on the hot-water bags that had been placed in Bert’s bed to keep him warm; Paul claims that they were empty when he found the body, but Anne insists that he told Louise he had emptied them himself. The incident is similar to the death of the Fyfes’ father 20 years earlier, due to pneumonia worsened by a bedroom window left open during a blizzard. Bert was tried on a murder charge and acquitted, leading to his long estrangement from the family.

Archie investigates the idea that Bert may have been poisoned or given an overdose, but Buhl states that the morphine was not tampered with and Anne says that she followed his instructions exactly. Wolfe brings Saul Panzer in to help and takes interest in the matter of some ice cream that Paul had bought for a Sunday party at the family home in Mount Kisco. He had put it in the refrigerator at Bert’s apartment on the night of his death, but no one can remember seeing it since then. Archie fails to learn its whereabouts, but Wolfe surprises him by asking him to bring Buhl, Arrow, the Tuttles, and the Fyfes to the office.

Wolfe informs the group that he has decided to notify the police about Bert’s death and explains his theory of the crime. The ice cream Paul bought had been packed in dry ice to keep it cold; the murderer emptied the hot-water bags and placed the dry ice on top of them to lower Bert’s body temperature to dangerous levels without causing frostbite burns or leaving any traces once it evaporated. Wolfe has learned that Tuttle provided an alibi for Bert during the murder trial, and that Bert had returned to New York to check into it. He had visited the landlady from whom he and Tuttle had rented rooms 20 years earlier, and Saul confirms that Tuttle has recently visited her as well. Based on David’s statement that his father had refused Louise permission to marry Tuttle, Wolfe accuses Tuttle of opening the window to cause the elder Fyfe’s death in revenge, then of causing Bert’s death to prevent him from uncovering the truth.

Tuttle is convicted of the murder of the Fyfes’ father, and Arrow sends Wolfe and Archie a large payment in gratitude for clearing his name.

Immune to Murder:

Nero Wolfe and Archie Goodwin travel to a hunting lodge in the Adirondacks owned by oil tycoon O.V. Bragan. They have been invited at the request of Theodore Kelefy, ambassador to the United States from a foreign country with large oil reserves, so that Wolfe can cook a dish of freshly-caught trout for a meeting of dignitaries at the lodge.[a] In addition to Wolfe, Archie, Bragan, and Kelefy, five others are present – Kelefy’s wife Adria; his advisor Spiros Papps; Assistant Secretary of State David M. Leeson and his wife Sally; and James Arthur Ferris, head of a rival oil company who is vying with Bragan for drilling rights in Kelefy’s country.

At the first night’s dinner, Bragan spites Ferris by arranging for him to sit uncomfortably close to the lodge’s blazing fireplace. The next morning, Bragan, Ferris, Kelefy, Papps, and Leeson set out to fish on different stretches of the river that runs through the property, in order to catch trout for lunch. After Wolfe starts to cook, Archie goes fishing on his own and finds Leeson’s body, showing signs of a fatal head injury. Once lunch is finished and Wolfe begins to pack for the return trip to New York, Archie tells him of the discovery.

The state and county police detain everyone at the lodge and soon establish that Leeson was murdered, most likely with a piece of firewood. District Attorney Jasper Colvin questions the group and begins to concentrate on Wolfe and Archie, hinting that someone may have hired them to kill Leeson. Colvin questions Wolfe about the fact that he cooked none of the trout Kelefy brought in, but Wolfe refuses to answer out of irritation over Colvin’s attitude.

In a private meeting, Wolfe turns down Bragan’s offer to hire him to catch the murderer. They are interrupted by Ferris, who threatens to tell the state attorney general of Bragan’s attempt to influence Kelefy and Papps so that the negotiations will turn in his favor. Later, Kelefy asks Wolfe what he plans to say to Colvin about the unused trout. Wolfe offers to state simply that he chose not to cook them out of caprice, and also promises to say nothing about the confrontation between Bragan and Ferris. Kelefy takes off an emerald ring and has Adria give it to Wolfe as a token of gratitude. After they leave, Wolfe and Archie examine the stone and find it to be flawed and of poor quality.

Wolfe then calls his lawyer, Nathaniel Parker, and the two converse in French to prevent anyone listening in from learning about their discussion. He then has everyone gather in the main hall and calls the Secretary of State to explain his theory of the crime. The real reason he did not cook any of Kelefy’s trout was that they were not fresh; they had been caught earlier and kept in a pool of water near the river. Surmising that Kelefy had simply had an unlucky day of fishing, Wolfe said nothing to avoid embarrassing him. However, when Kelefy had Adria give him the ring, Wolfe realized that it was meant as a bribe to conceal the truth, and an insultingly cheap one at that. Wolfe deduced that Kelefy had caught a creel of trout earlier in the day to allow him time to get the firewood piece and take Leeson by surprise. From Parker, he has learned that Kelefy is protected from prosecution by diplomatic immunity, and that anyone who swears out or serves a warrant against him will be subject to a prison term.

When Wolfe starts to comment on Kelefy’s choice to have Adria give him the ring, she knocks the phone away and Sally angrily confronts her. Adria had seduced Leeson while he was stationed in Kelefy’s country, and Sally found out and had him recalled to the United States. When Adria encountered Leeson again at the lodge, she began to seduce him again, prompting Kelefy to kill him.

Kelefy, Adria, and Papps leave the lodge to return home, Wolfe gives the ring to Colvin, and he and Archie depart for New York. Kelefy is executed a month later – whether in response to the murder or the failed oil-rights negotiations, Archie never finds out.

Too Many Detectives:

Nero Wolfe and Archie Goodwin have been summoned to appear for questioning in Albany by the New York Secretary of State, part of an effort to investigate wiretapping activities by the state’s private detectives. Dol Bonner, her assistant Sally Colt, and three other detectives from New York City have been brought in for the same day. Albert Hyatt, a deputy official, is in charge of the inquiry and calls Wolfe and Archie into his office to go over a statement Wolfe has provided. A man calling himself Otis Ross had asked Wolfe to tap his phone line and report all conversations, believing that his secretary might be leaking confidential business information. Wolfe took the job, but ended it after Archie discovered that the client was not the real Ross.

One of Hyatt’s staff members finds a man strangled to death in another meeting room; Wolfe and Archie identify him as their client. The city police detain everyone at the scene for questioning, under the direction of Chief of Detectives Leon Groom. Hyatt states that the client had come to see him shortly before the day’s meetings were to begin, introduced himself as William A. Donahue, and said that he wanted to give information on some illegal wiretaps he had arranged – including the one performed by Wolfe. Donahue had been sent to another room to wait until Hyatt had more time to speak with him.

Wolfe and Archie are arrested as material witnesses and held for most of the day until Wolfe arranges bail through his lawyer, Nathaniel Parker. They take a room at a nearby hotel, not being allowed to leave the city, and Archie calls the other detectives for a meeting so they can share information. Donahue had gone to all of them, giving a different name and address to each one and asking for a wiretap to be set up; from Lon Cohen, Archie learns that the targets were all members of a committee tasked with investigating the use of charity funds. Wolfe asks the detectives to mobilize as many operatives as they can and has Archie call Saul Panzer so that he can be ready to get instructions from Wolfe in the morning.

Wolfe gives Archie that morning off, but when Archie returns to the hotel after a walk, he is taken for questioning by the district attorney. After being released, he spends the afternoon at his leisure and has dinner with Sally, only to be interrupted by a call from Wolfe. They find all the other detectives gathered in the room upon their return, and Hyatt and Groom arrive soon afterward. Wolfe and Dol have been taking reports from operatives all day long and gaining information on Hyatt and Donahue. Hyatt had been hired by a profitable fundraising organization to provide legal counsel, but the formation of the committee threatened its activities. Unable to get any information from the members directly, he arranged for Donahue to set up the wiretaps. Donahue’s visit to his office was a surprise, and Hyatt killed him to prevent him from exposing the truth.

Hyatt is convicted of the murder, and the other detectives invite Wolfe to a celebratory dinner; Wolfe declines, but invites them to dine at the brownstone instead. Archie realizes that Wolfe left him out of the investigation because there was nothing he could do to assist, and also because he could serve as a distraction for the district attorney so that Wolfe and Dol could go through the operatives’ reports undisturbed.

Tuesday, March 26, 2024

Portraits of Murder 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Portraits of Murder
Series: ———-
Editor: Alfred Hitchcock
Rating: 4 of 5 Stars
Genre: Crime Fiction
Pages: 607
Words: 241K


This is the final Alfred Hitchcock collection that I have access to. After this, I have several of the issues of the new magazine. So it seems fitting to end this reading journey, which started in 2021 with “Death Mate, with a gigantic collection (it is over 600 pages after all) of murder, almost murder and revenge.

Of the 47 stories, I found that only 2 or 3 were repeats and they were good enough that I didn’t mind reading them again. This kept me occupied for almost a week, as I would just dip my toes into its pages each night until I was tired enough to go to sleep. That’s a great way to read a collection of short stories.

The final 10 or so stories dealt with the supernatural. There was a clear demarcation up to that point. Everything up to then had been plain old people doing dirty or being done dirty. Then suddenly things got all supernatural. It was kind of jarring, as it felt like a completely different collection. Murder was still the main dish, but suddenly the menu with all the sides had changed, dramatically. It was like I went from having the option of ordering loaded baked potatoes, cheese sticks or onion rings to carrot sticks, apple slices or plain yoghurt. And that is why this collection was 4stars and not more. It was too much of a change for me to comfortably enjoy.

★★★★☆


Table of Contents:

Click to Open

EDWARD D. HOCH—Shattered Rainbow

DONALD HONIG—Wonderful, Wonderful Violence

LAWRENCE BLOCK—The Most Unusual Snatch

NEDRA TYRE—A Murder Is Arranged

HENRY SLESAR—The Poisoned Pawn

DON TOTHE—The Lifesaver

JACK RITCHIE—What Frightened You, Fred?

HAROLD Q. MASUR—Doctor’s Dilemma

CLARK HOWARD—Money To Burn

BABS H. DEAL—The House Guest

WILLIAM LINK and RICHARD LEVINSON—The Man in the Lobby

LAWRENCE TREAT—Family Code

WILLIAM BANKIER—To Kill an Angel

PAULINE C. SMITH—That Monday Night

CHARLES W. RUNYON—The Waiting Room

CLARK HOWARD—The Keeper

BILL PRONZINI—The Jade Figurine

REYNOLD JUNKER—The Volunteers

EDWARD D. HOCH—Arbiter of Uncertainties

FLETCHER FLORA—Variations on an Episode

ED LACY—Finders-Killers

W. E. DAN ROSS—The Pearls of Li Pong

MICHAEL COLLINS—Who?

STANLEY ABBOTT—A Quiet Backwater

PHIL DAVIS—Murder, Anyone?

WILLIAM JEFFREY—The Island

HAL ELLSON—Room to Let

AL NUSSBAUM—The One Who Got Away

BRYCE WALTON—Unidentified and Dead

EDWIN P. HICKS—The Lure and the Clue

BORDEN DEAL—The Big Bajoor

JACK RITCHIE—The Operator

DONALD OLSON—The Souvenir

NANCY SCHACHTERLE—Speak Well for the Dead

JONATHAN CRAIG—The Girl in Gold

DONALD HONIG—Minutes of Terror

ARTHUR PORGES—Puddle

LAWRENCE BLOCK—When This Man Dies

ELIJAH ELLIS—Public Office

MARGARET B. MARON—The Beast Within

C. B. GILFORD—Murder in Mind

ARTHUR PORGES—The Invisible Tomb

JAMES H. SCHMITZ—Just Curious

HENRY SLESAR—The Girl Who Found Things

CLAYTON MATTHEWS—Death Trance

GEORGE C. CHESBRO—The Healer

PATRICK O’KEEFFE—Murder by Dream

Thursday, March 14, 2024

Lockdown Tales #2 (Polity #23) 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Lockdown Tales #2
Series: Polity #23
Author: Neal Asher
Rating: 4 of 5 Stars
Genre: SF
Pages: 337
Words: 150K


I read the first set of Lockdown Tales in ‘21. It was a strictly Polity universe set of stories and I enjoyed them. This time around, not every story was in the Polity universe. I’m still including this in my Polity numbering for the series, but there are one or two that aren’t Polity.

In his intro, Asher really lets loose against Civil Authorities overstepping the boundaries setup for them and how people just let them. He sounded very much like me in fact, or I sound like him (he’s older, so age before me). It made me laugh and cry because I completely agreed and yet a majority of the world didn’t, as they let fear, lies and manipulation determine their fate instead of taking it into their own hands.

I went into this collection thinking I would try to take notes on each story and write up my review that way, the way Marzaat (and others) do. However, that resolution didn’t last very long. With nine stories, each is a bit longer than just a “short story”, so I had to pay attention. I can’t read, pay attention, take notes AND enjoy the story all at the same time. So something had to give. Obviously, I just decided to not enjoy the stories and sacrifice my enjoyment for your edification. Because nobody is as important as you.

And if you believe that, you need some serious help. No, seriously, get some professional help. You rank about the same as monkey poop to me. Honest.

Therefore the notes went right out the window.

Xenovore was VERY similar to the previous book Weaponized and Asher even mentions that in his introduction. I was glad he did or else I would have felt very gypped. It wasn’t the same story but had enough of the same elements that I wished it had been shorter.

An Alien on Crete was a non-Polity story about an alien coming to Earth to awaken Earth’s guardian, blah, blah, blah. It didn’t engage me at all.

Skin was a story about a Polity citizen getting a new skin from a doctor who had run up against Polity rules. Of course, things go horrifically wrong and the skin ends up slithering away to the ocean. It was awesome.

Antique Battlefields was a tale of the Quiet War, when the AI’s took control. For me, this has always been the achille’s heel of the Polity Universe. I regularly overlook it every time I read a Polity book. The idea is that the AI’s are better than us without our corruption. We created them and thus they are inherently broken. That doesn’t fit Asher’s world view and so he just ignores it. It was interesting to see a quick snapshot of the war, but it really brought the aforementioned issue to my mind and so I just couldn’t ignore it.

Ha, would you look at that? I did ALL that without a single flipping note. My brain is awesome, that’s all I have to say. Suck it AI, you’ll never be anywhere near as talented in so many fields as I am.

There was one story where Asher lets loose his hatred of religion, but it was all of one sentence and in many ways felt more of an obligatory thing than because he actually feels that way. I think he does, but the fire is going out.

And that’s enough out of me. This is over 700 words now. Nobody needs to write or read something that long!

★★★★☆


Table of Contents:

LOCKDOWN TALES II An Introduction

XENOVORE

AN ALIEN ON CRETE

THE TRANSLATOR

SKIN

EELS

THE HOST

ANTIQUE BATTLEFIELDS

MORAL BIOLOGY

LONGEVITY AVERAGING

Saturday, February 17, 2024

The Expanding Universe #1 1Star

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Expanding Universe #1
Series:
Editor: Craig Martelle
Rating: 1 of 5 Stars
Genre: SF
Pages: 432
Words: 178K


Where do I even start? That’s the thought that kept running through my head as I waded through this pile of utter drek. Every new story would bring me hope that maybe “this” writer would write a good story and then the first paragraph would show me they were just as much a talentless hack as the previous writers.

I had seen Martelle’s name in the Larry Correia collection No Game for Knights. I am always on the lookout for SF anthologies of short stories and thought I’d give this a try. It was a big mistake.

My first clue to the impending disaster to come was the big fat inclusion of Michael Anderle’s name on the front cover. He wrote the introduction. If you don’t know, Anderle is a whore who writes bad space vampire fiction and will put his name on anything, written by anybody. He has no talent, no shame and no limits. But he just wrote the introduction I reasoned, I can’t blame the other authors for that. I do now.

This was published in 2016, and Martelle hadn’t written anything on his own before ‘16 as well. He’s one of those turn and churn authors. But even a mediocre author can be a decent editor, or so I thought. Martelle also belongs to an organization of Indie Writers who support each other. Apparently, what that means is that if one of them edits an anthology, they will automatically include stories from other writers in the organization, no matter how terrible or badly written those stories might be. Martelle could have gone to any Science Fiction forum on the internet, copy/pasted some of the fan fic on there and he couldn’t possible have done a worse job than he did with these stories.

Another issue was that almost all of these stories took place in existing universes or storylines of the writers and were not standalone stories at all. They were prequels, sequels, side stories, to already established storylines and were nothing more than advertisements by the writers waving their wares obnoxiously in my face. Over half of these had some sort of “and if you want to find out how the story resolves, read the writers other books”. That really got my goat.

Another issue is that many of these stories were not actually science fiction. They were modern dramas set on a spaceship or had some fantasy element. Putting a spaceship into a story doesn’t automatically make it a science fiction story. I’m afraid that all of these authors do not understand that very fundamental concept and I’m also afraid that they will never learn it. Because they are all chowderheads with no talent.

The lack of skill here was atrocious. I mentioned internet forum fan fiction early and this is that level of writing. These stories are the things you write when you are practicing to learn the very basic basic of writing. None of these stories should have seen the light of day. Some were definitely better than others, but not a single one of them deserved to be in print. There’s a reason these writers belong to that organization that Martelle belongs to.

Then you had the moral content. I knew going in that since this was published in 2016, that the chances of at least one of these authors would be some woke dill head pushing a perverted agenda was high. I made it almost to the end and was pleasantly surprised that perversion hadn’t reared its ugly head when bam. Sho’ nuff, one writer just had to add it to their story, for no apparent reason either. It was the literal expression of “check box” writing.

Finally, I want to highlight the worst two of the stories here.
Taken for a Walk describes itself thusly:

“The short story that follows is Justin’s teaser for a novel he hopes to one day write in what he thinks will be something like Alien meets The Matrix meets Braveheart. The short story is at times silly, but leads into a very serious moment and situation”

The only good thing about this story was that I think it was the shortest of the collection. It was just plain bad.

Worlds Revealed has this for its intro:

“This is a brand new story in the Alpha Alien Abduction Tales series. It starts out with the couples we know from the first two books in the series, Worlds Away and Worlds Collide. But it quickly goes back to the summer of 1947 when a spaceship crashed in Roswell, New Mexico. Venay’s grandfather was the Commander of the ship that was involved in that nightmare. But it wasn’t the V’Zenians, or even the Zateelians, who crashed on Earth! You can expect to learn the true story of the Roswell Aliens, and who they really were.”

When I read that intro, I immediately made a note in my kindle along the lines of “Frak No!” Aliens abduct human women, use their mind powers to make them fall in love with them and then marry and mate them. Just for the record, the author is a woman. This is not some man’s fantasy, it’s a woman’s fantasy.

To end, I had several of these collections lined up, but after this Titanic level of reading disaster, I’m dumping them like a pile of nuclear waste.

★☆☆☆☆


Table of Contents

Click to Open
  • Fear Peace – Craig Martelle
  • Taken for a Walk Justin Sloan
  • Fall to Earth TJ Ryan
  • Blue Eyed Devil Spencer Pierson
  • Those Who Breathe Under the End James Osiris Baldwin
  • Pilgrim Andrew Dobell
  • DROP Andrew Broderick
  • Worlds Revealed J.L. Hendricks
  • Within a Phrygian Sky Jim Johnson
  • And the Kat Came Back RJ Crayton
  • The Signal and the Boys Felix R. Savage
  • Smuggler for Hire Bradford Bates
  • Light in the Dark H.J. Lawson
  • Origins of the Gemini Project E.R. Starling
  • An Attitude Adjustment Taki Drake
  • The Iron and the Mud James Aaron
  • The Last Human: Fire of Truth E.E. Isherwood
  • New Beginnings Paul C. Middleton