Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Tuesday, March 26, 2024

Portraits of Murder 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Portraits of Murder
Series: ----------
Editor: Alfred Hitchcock
Rating: 4 of 5 Stars
Genre: Crime Fiction
Pages: 607
Words: 241K




This is the final Alfred Hitchcock collection that I have access to. After this, I have several of the issues of the new magazine. So it seems fitting to end this reading journey, which started in 2021 with “Death Mate, with a gigantic collection (it is over 600 pages after all) of murder, almost murder and revenge.

Of the 47 stories, I found that only 2 or 3 were repeats and they were good enough that I didn’t mind reading them again. This kept me occupied for almost a week, as I would just dip my toes into its pages each night until I was tired enough to go to sleep. That’s a great way to read a collection of short stories.

The final 10 or so stories dealt with the supernatural. There was a clear demarcation up to that point. Everything up to then had been plain old people doing dirty or being done dirty. Then suddenly things got all supernatural. It was kind of jarring, as it felt like a completely different collection. Murder was still the main dish, but suddenly the menu with all the sides had changed, dramatically. It was like I went from having the option of ordering loaded baked potatoes, cheese sticks or onion rings to carrot sticks, apple slices or plain yoghurt. And that is why this collection was 4stars and not more. It was too much of a change for me to comfortably enjoy.

★★★★☆


Table of Contents:

EDWARD D. HOCH—Shattered Rainbow

DONALD HONIG—Wonderful, Wonderful Violence

LAWRENCE BLOCK—The Most Unusual Snatch

NEDRA TYRE—A Murder Is Arranged

HENRY SLESAR—The Poisoned Pawn

DON TOTHE—The Lifesaver

JACK RITCHIE—What Frightened You, Fred?

HAROLD Q. MASUR—Doctor’s Dilemma

CLARK HOWARD—Money To Burn

BABS H. DEAL—The House Guest

WILLIAM LINK and RICHARD LEVINSON—The Man in the Lobby

LAWRENCE TREAT—Family Code

WILLIAM BANKIER—To Kill an Angel

PAULINE C. SMITH—That Monday Night

CHARLES W. RUNYON—The Waiting Room

CLARK HOWARD—The Keeper

BILL PRONZINI—The Jade Figurine

REYNOLD JUNKER—The Volunteers

EDWARD D. HOCH—Arbiter of Uncertainties

FLETCHER FLORA—Variations on an Episode

ED LACY—Finders-Killers

W. E. DAN ROSS—The Pearls of Li Pong

MICHAEL COLLINS—Who?

STANLEY ABBOTT—A Quiet Backwater

PHIL DAVIS—Murder, Anyone?

WILLIAM JEFFREY—The Island

HAL ELLSON—Room to Let

AL NUSSBAUM—The One Who Got Away

BRYCE WALTON—Unidentified and Dead

EDWIN P. HICKS—The Lure and the Clue

BORDEN DEAL—The Big Bajoor

JACK RITCHIE—The Operator

DONALD OLSON—The Souvenir

NANCY SCHACHTERLE—Speak Well for the Dead

JONATHAN CRAIG—The Girl in Gold

DONALD HONIG—Minutes of Terror

ARTHUR PORGES—Puddle

LAWRENCE BLOCK—When This Man Dies

ELIJAH ELLIS—Public Office

MARGARET B. MARON—The Beast Within

C. B. GILFORD—Murder in Mind

ARTHUR PORGES—The Invisible Tomb

JAMES H. SCHMITZ—Just Curious

HENRY SLESAR—The Girl Who Found Things

CLAYTON MATTHEWS—Death Trance

GEORGE C. CHESBRO—The Healer

PATRICK O’KEEFFE—Murder by Dream



Wednesday, February 07, 2024

Bar the Doors 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Bar the Doors
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 198
Words: 59K





The subtitle for this book is “13 Great Tales of Terror by Masters of the Macabre”. This collection uses a lot of short stories that didn’t appear in Hitchcock’s own mystery magazine and it shows. Not that they are in any way bad, but they don’t have that “curated by Hitchcock” feel that I get from other collections.

Also, while I have kept this in the “crime fiction” fiction, the tales of terror subtitle is much more accurate. Not all are supernatural. Some are blatantly physical, such as The Storm, in which a woman comes home a week early only to find her husband is out. And she finds a woman’s body in a moving trunk with a distinctive ring on it’s finger. The story ends with her being gaslit by her husband and seeing that same ring on his finger. It was just plain creepy but nothing supernatural. Then you have Pollock and the Porroh Man which is ALL about the supernatural. A man takes a voodoo man’s woman and then tries to kill the voodoo man and in the process gets cursed. He then kills the voodoo man, so there is no way to lift the curse. The head of the voodoo man follows him back to England and haunts him until he goes insane and he kills himself. Lovely, eh?

I was particularly interested in this collection because of the inclusion of two authors, Ambrose Bierce and Augustus Derleth. Both were small time contributors to the King in Yellow and Cthulhu mythologies and I was hoping that these stories would give me a taste of what they were like. I was not impressed. Derleth’s story, The Metronome, was a simple ghost story about a murdered boy murdering the step-mother who had killed him. I actually had to go and read the story again before writing this because I had completely forgotten what it was about a mere week after reading it. It wasn’t bad but there wasn’t a single memorable thing about it. Bierce’s The Damned Thing, was about an invisible monster that killed a man in front of his friend the story is the friend relating it all at the inquest. The inquest ends with the jury deciding the man who was killed was killed by a mountain lion. While nothing spectacular, it did have that fatalistic feel of “nothing I say or does matters” which I’ve come to associate very strongly with Cosmic Horror.

I did have a bad scan of this, as it was quite apparent that someone had simply scanned the pages from the original paperback and sent it out into the wild without cleaning it up at all. So there would be random “Authors Name Page X” or “Story Name Page X” scattered throughout the text. That detracted from the flow of reading through this smoothly. Kind of like hitting a nail in tree while chopping it down using a chainsaw. If you’ve ever had that experience, you’ll know exactly what I mean.

Finally, the cover. The version I had originally came with some lame picture of Hitchcock in a rain coat in the rain at a doorway about to enter. It was blasé. I chose this cover because it’s very creepy looking and is actually semi-related to the story “The Kill”.

★★★☆☆


Table of Contents:

  • SPEAKING OF TERROR Alfred Hitchcock

  • POLLOCK AND THE PORROH MAN H. G. Wells

  • THE STORM McKnight Malmar

  • MOONLIGHT SONATA Alexander Woollcott

  • THE HALF-PINT FLASK DuBose Heyward

  • THE KILL Peter Fleming

  • THE UPPER BERTH F. Marion Crawford

  • MIDNIGHT EXPRESS Alfred Noyes

  • THE DAMNED THING Ambrose Bierce

  • THE METRONOME August Derleth

  • THE PIPE-SMOKER Martin Armstrong

  • THE CORPSE AT THE TABLE Samuel Hopkins Adams

  • THE WOMAN AT SEVEN BROTHERS Wilbur Daniel Steele

  • THE BOOK Margaret Irwin


Wednesday, December 27, 2023

Get Me to the Wake On Time 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Get Me to the Wake On Time
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 175
Words: 70K





I had another Hitchcock collection on tap before this one. It was titled “Scream Along with Me”. Unfortunately, it was a very bad scan that was nothing but images of the text instead of the text itself. That means I couldn’t change the text size or have it reflow on my kindle or change the font. That kind of thing is why I read ebooks in the first place. If I want a fixed font size, I’ll go read a paper book, thank you very much.

So with that scintillating reading fact under your belt, on to the review itself.

I enjoyed this. The end.

Seriously, that’s all you get, folks. I’m tired and the words aren’t flowing.

Well, the cover is cool. Might have to use it for my cover love at the end of the month. I’ve had several cool covers this month though, so I’m going to be in the unenviable position of having to choose one over the others. If you know anything about books, you know what special snowflakes they are and how easily their feelings get hurt. I’m not looking forward to telling the losers that they ARE losers and just aren’t good enough. Books these days, just a bunch of pansies!



★★★☆☆


Table of Contents:


Introduction by ALFRED HITCHCOCK

Goodbye, Now by GIL BREWER

Woman Missing by HELEN NIELSEN

Murder Me Gently by C. B. GILFORD

Be My Valentine by HENRY SLESAR

The Marquesa by RAY RUSSELL

Highly Recommended by MICHAEL BRETT

Old Man Emmons by TALMAGE POWELL

The Drum Major by ARTHUR PORGES

Upside-Down World by JACK RITCHIE

Nice Work If You Can Get It by DONALD HONIG

Bach In A Few Minutes by FLETCHER FLORA

Polka-Dot Blonde by RICHARD HARDWICK

Experience Is Helpful by ROG PHILLIPS

Lucrezia by H. A. DEROSSO


Wednesday, November 08, 2023

I am Curious (Bloody) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: I am Curious (Bloody)
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 144
Words: 55K




Another good collection from the Alfred Hitchcock magazine back in the day. Once again we run the gamut from disturbing stories (in the Accidental Widow a man seeks the prize of a rich woman and kills off her husbands, only to find that once he’s won her, he likes the killing more than he likes her) to the incompetent oaf (The Skim is about a married low level gangster falling in love with another woman and getting caught by his wife and his brother-in-law, the head mobster) to an almost-happy ending (The Heir has a street hoodlum killing a drug addict and taking his place in his mother’s affections, and will).

Now, there was one story that I wasn’t sure what the ending meant. It was called Holiday by Hal Ellson. I’m going to include it here under the details tag, peruse it if you’d like and give me your interpretation. I’ll say more about it in the next paragraph:



Blue light trembled above the hotel; guests were already sitting in the open dining room beyond the pool when a girl appeared on the upper terrace. Down the stone stairway she came, sandals clacking, white bathing suit startling in the dusky light.


She was another lone female tourist, but different from the others. At the pool-edge she adjusted her cap and plunged in. Twice she swam the length of the pool, then floated on her back, sensuously. Roger watched her casually; no point in getting excited when she’d never more than nodded to him.


Footsteps made him turn. The hotel manager smiled. “Not dining again, Mr. Peters?”


“No appetite in this heat.”


The girl in the water swam to the pool-edge, and the manager turned to her. “Enjoying a dip, Miss Boyd?”


“Yes, the heat in the city was dreadful. Isn’t it ever cool there?”


“Never. By the way, may I join you at your table this evening?”


“You could, but I’m not dining.”


“I’m disappointed. Reconsider?”


Miss Boyd climbed from the pool, asked for a cigarette. The manager felt his pockets, shrugged, and Roger offered his pack and a light. The manager introduced them. A moment later he was called to the desk. Annoyed, he started away, stopped. “A dance at the Royal Palm tonight. I hope to have the pleasure. . .”


“Sorry, I’m not going.”


“I’m more than sorry.” The manager shrugged and walked away. Miss Boyd removed her rubber cap, shook her hair. “He really is sorry,” she said to Roger.


“What does that mean?”


“All the men are in this place. They’ve only one thing in mind.”


“Perhaps because there’s nothing else to do.”


Miss Boyd laughed. “I suppose one can’t blame them. Do you think it’s the climate?”


“They’re probably trying to prove they’re men and lovers.”


“Well, making love is one way of proving it.”


“Not necessarily. And certainly not when one is married, like Mr. LaFarge.”


“He doesn’t miss a trick, but you sound married, or perhaps you’re a prude.”


“Neither one nor the other.”


“But you object to Mr. LaFarge’s activities?”


“I don’t give a damn about him and his activities.” Miss Boyd smiled. “You’re from New York?”


“Who here isn’t?”


“True. I came down to get away from the place, and everybody I’ve run into is from the big town.”


“Disappointed?”


“In that respect, but the island’s beautiful.”


“Too hot and too lush. I prefer a cooler climate, but doctor’s orders. I needed a rest. I can’t say I haven’t rested.”


“So I’ve noticed.”


“Really? I didn’t think you knew I existed.”


“The only male who hasn’t made some kind of pass. I thought you might be queer.”


“No such problem,” Roger smiled. “As for you, I had my own thoughts.”


“You thought I was?”


“Oh, no, just a bit of a snob, but at least you’re not like the other loners, all hunting for a man.”


“Anything wrong in that?”


“No, but most of them will go home disappointed.”


“And yourself?”


“Me? I came for a rest, remember?”


“Oh, yes. Then I don’t suppose you’re permitted to drink?”


“A glass or two wouldn’t bother me,” he admitted encouragingly.


“Could we have one out here?”


“Of course.” A drink would be just the thing. A white-jacketed boy brought them, bowed and walked away. Water splashed into the pool from the mouths of three green nymphs, a murmuring came from the dining room; otherwise, there was no sound.


“No music this evening,” Roger observed. “Some thing big going on elsewhere?”


“Nothing unusual. Gambling at the Casino, a dance at the Royal Palm. Do you gamble, Mr. Peters?”


“Not even for fun, and I don’t particularly care for nightclubs.”


“You’ll be lonely this evening.”


He caught the suggestion and looked directly at her. “You’re going dancing—without an escort?”


“Would you care to take me?” Miss Boyd smiled, and he realized he’d walked into a trap, but what difference?


“Glad to take you,” he said.


The night blackened and grew cooler, the pool lay quiet. Roger emptied his glass, glanced toward the dining room. Empty and dark; a single small light burning at the bar and no one there. The guests had fled, the hotel was deserted. He arose on unsteady legs, went to the railing, looked down. The hill below dropped swiftly away, thin trees raised dark hands toward him; the jungle below. Chilled, he turned away, for down there was the real island with its hidden terrors and violence which the tourists never saw. Now he wondered about himself. Why had he accepted Miss Boyd’s proposal? Would she be like the others? He resented the thought, for it cheapened her and, by the same token, made her available.


Three potent rum cocktails in him and he felt a little reckless. But where was she? A half-hour gone since she went to dress. He entered the hotel and asked at the desk for her room number. The clerk obliged and sent him a sly smile. They must smell it, Roger thought.


A series of dim passages brought him to Miss Boyd’s room—but was it hers? He struck a match. Number seven on the door. He knocked, heels clicked on tile, the door opened and she stood before him.


“I’m almost ready. Coming in?”


The invitation unexpected, he hesitated, stepped in.


“Sorry I took so long, Roger, but those drinks we had. . .I had to lie down.” She smiled, a different person from the one at the pool, eyes softer, body relaxed. “It’s so quiet. I don’t hear anyone.”


“I doubt if any guests are about,” he said, and eyed the room. “Big,” he commented.


“And so isolated.”


“A hard time finding it.”


“But you did.”


“Had to,” he said, and she stepped close, her arms encircled his neck, her mouth found his. Stunned, he couldn’t move at first and, when he did, it was too late. She escaped and ran to the bathroom. Out again, she donned a white shawl, walked toward him, pressed her room key into his hand, saying, “We’ll need this later.”


A single taxi waited under the carport. The driver assisted them in. A rumbling over cobblestones, wide turn on a descending curve and the car leaped for ward into the dark. Roger felt he was moving through a void. Anything can happen, he thought, feeling the key in his hand and recalling the start of the evening, Miss Boyd descending the steps to the pool, the casual introduction by Mr. LaFarge.


Simple and ordinary. . .but was it? He slipped the key into his pocket. Later, after the necessary rituals of the dancing and drinking, he’d have use for it. Nothing else remained between the formalities and the cool sheets of Miss Boyd’s bed. Is she like the others? He wondered, and she spoke.


“You’re not saying anything. What’s wrong?” she asked him.


“I don’t like this road in the dark.”


“The drivers know it with their eyes shut.” She took his hand. A sharp curve and she was thrown against him. There was an odor of rum on her.


“Those drinks were stronger than I thought,” he remarked. “Smell the rum?”


“A bottle in my bathroom—I had a quick drink before we left.”


Strange. Earlier, she’d complained about the cock tails. But what matter? The car rushed on.


Twenty minutes later it stopped in front of the Royal Palm. The nightclub was dimly lit, crowded, the native band playing a Meringue. A waiter found them a table. The band paused, took up with another Meringue and Miss Boyd arose. “Shall we?”


“Why not?” He escorted her to the floor. Dance? She pressed too close, used her body a bit too much. Back at their table she emptied her drink in a swallow, and he looked around. An excess of men, some tables occupied solely by them, natives, each with the look of a hungry predator. They drank and watched the women who sat out the dances. Some times they got up and approached them. None came to Roger’s table, but they watched, one in particular. Roger noticed him, Miss Boyd didn’t; the drinks reaching her? He saw it in her eyes, felt it in the way she clung to him and used her body while they danced. She was beginning to draw attention. At the announcement of the floor show, he felt relieved. At least he didn’t have to dance the Meringue for a while. He mentioned that.


“It’s the craze here,” Miss Boyd countered.


“Yes, like dope. Let yourself go with it and you can’t stop.”


She lifted her glass. “Isn’t that why we came, to let ourselves go?”


How far? he wanted to say, and a loud drumming intervened. Out went the lights, silence; a white beam knifed across the dance floor, focused on an all but naked female. A slow rhythmic beat of bongos and she began to writhe. Conversation died. The dancer held all eyes till she finished. Applause followed, a group took the floor, waiters moved among the tables. Ice clinked in glasses. Roger had already lost count of the drinks he’d had. The waiter brought new glasses. Warn Miss Boyd to be careful? A bit late; her eyes were already glazed.


The near naked female dancer again in solo, the rhythm of the bongos wilder, dancer’s movements more suggestive. A burst of applause greeted her as she finished. The lights went on, the band began another Meringue.


Miss Boyd jumped up, ready to dance. Roger hesitated. As the tall man at the other table stared, he led Miss Boyd to the floor. She held him tightly, head bobbing loosely, hips everywhere; her dress slipped from her shoulders and she refused to adjust it.


Three successive dances, back to the table and the tall man appeared, bowed, smiled at Roger. “Do you mind?” Quickly he turned to Miss Boyd and asked for a dance. Smiling, she rose unsteadily and was taken by the arm.


Roger watched them on the floor, finally lost them in the crowd. They returned when the music stopped. The tall man bowed, left, and Miss Boyd flopped into her chair. “He’s a marvelous dancer,” she said. “Did you at all notice?”


“I did, but take care, he’s had his eye on you all evening.”


“Anything wrong in that?”


“Not if he just looks.”


“Jealous, or just being stuffy?”


“Neither, but I brought you here, I feel responsible.”


“Oh, come on. What can happen on a dance floor?”


“Nothing, I suppose, but just be careful. He’ll be back for more.”


“You don’t want me to dance with him?”


“I can’t stop you,” he said.


Later, the tall one appeared at their table again. A bow, a smile, and off he swept Miss Boyd to the far side of the floor. His strategy? Roger lifted his glass. The drink was as mild as water. Was the wait er cheating, thinking he was drunk? Still, his lips were completely numb, a looseness had invaded his body and he felt ready to do something reckless.


A bottle crashed and he turned, saw a stout middle-aged woman being helped from the floor by a man half her age. Maudlin drunk, she tried to kiss him. He held her off, gave her a familiar pat, filled her glass.


Roger turned away. A sudden change was taking place, the music louder, wilder, dancers less restrained. The almost stilted, formalized steps of the Meringue no longer held the women. Their hips were freer now as they abandoned themselves to the music.


Some minutes later the tall man returned to his table and tossed off a drink. Where was Miss Boyd? Gone to the powder room? Roger waited, finally got up and went to the other table. The tall one arose, bowed stiffly from the hips. “Miss Boyd? Another gentleman asked her to dance.”


Roger turned away, searched for her, and went back to the table where the tall man sat with his friends. He looked up and smiled. “Ah, back again. You didn’t find your partner? Too bad.”


“What happened to her?”


“Who knows? Perhaps she went off with the other gentleman.”


There was no point in continuing. The tall one lit up, his friends grinned. Appeal to them? Roger turned away, again searched the huge room and found the waiter who’d served him. He knew nothing. Perhaps the manager could help. That one shrugged. “The lady must have decided to leave.”


“She didn’t leave on her own. Something happened to her.”


“Here? Impossible. Perhaps—”


“There’s no sense discussing it with you people. Where do I find the police?”


“It’ll do you no good to go to them. The Captain won’t be at headquarters, I can assure you.”


“He’s the whole force?”


“No, but his subordinates would only refer the matter to him in the morning—if he appears.”


“If he appears?”


“Yes. You see, he’s not always there.”


“Then where can I reach him?”


A shrug and Roger went out the door. The taxi driver who’d brought them stepped up. “Ready to go back to the hotel, sir?”


“No. Something happened to the young lady I brought here. Take me to police headquarters.”


“I wouldn’t advise that, sir.”


“I’m not asking for advice.”


“As you wish, but the Captain—”


“Won’t be there till morning? Okay, the hotel.” The driver started the car. It was late now. No light shone, nothing stirred. Roger sat back. “What happens when a crime is committed on the island?” he asked.


“Sir?”


“Suppose someone is murdered, kidnapped, raped? Must you wait till morning for something to be done about it?”


The driver glanced back and grinned. “There are no kidnappings here. Rape?” He shook his head. “One doesn’t have to use force where love comes so easy. Ah, but in your country it’s different, I understand. As for murder, occasionally a man may kill another over a woman.”


“And the Captain comes around in the morning to clear up the matter?”


The driver ignored the remark. “As a matter of fact, we have very little crime, no gangsters, nothing like you have back in the States.”


End of theme; silence reigned till they reached the hotel. “If you’re going into the city in the morning, sir. . .”


No answer for him. Roger went up the steps, entered the hotel. A sleepy-eyed clerk lounged behind the desk. Ask him if Miss Boyd had returned? No. He went to her room, opened the door, flicked the light. A hollow room.


Light slipped through the blinds, laughter sounded below the balcony, the black night of the island gone. Roger went to Miss Boyd’s room and knocked, then used the key. An empty room. He went off, found the manager and explained the events of the previous evening.


“You think something happened to Miss Boyd?” The manager looked at his nail. “Most likely she went off with someone for the evening and slept over. After all, that’s been known to happen here.”


“No doubt, but that’s not the answer.”


“You might wait and see if she turns up. It’s early yet,” he placated.


“I’ve waited long enough.”


“In that case, you’ll want to see the police, but please sit down. Unfortunately, the Captain sleeps late. He may not be up before noon.”


“No one else can do anything?”


“I’m afraid not. Coffee, Mr. Peters?”


An hour later Roger drove away from the hotel. The sun blazed, the road stayed empty all the way into town. The taxi stopped in front of police head quarters. He went inside. The Captain? Not in yet. When would he arrive? Later.


The sum of later, noon—and the Captain? One and the same as the tall man of the previous evening. “Yes, what can I do for you?” he grinned.


“It’s about—”


“The young lady you were looking for last evening. You didn’t find her?”


“You know damned well—”


The grin faded, the Captain’s hand came up. “Enough of that. You were drinking last night, and I made allowances. Now you’re sober, and I have a headache.”


Heed the warning? The hell with him. “Where’s Miss Boyd? You don’t frighten me.”


“Perhaps not. So you want the young lady? Too bad. She left the island.”


“There was no plane out of here last night, as you very well know.”


“She left this morning. A little trouble with a gentleman she danced with last night. Too much to drink, so she was detained.”


“Where?”


“In our jail, of course.”


“For what reason? You haven’t made that clear enough.”


“I’ve made it as clear as I intend to, and now if you will please leave. . .When you have the facts? Ah, perhaps you’d like to try our jail? I can hold you on several charges, and it would be most difficult for you to do anything about it. A month or so in a dirty cell. . .”


A bluff? No. He left, climbed into the taxi and it moved off.


“The young lady’s safe?” the driver asked.


“She’s supposed to have left on the morning plane.”


“That’s right. I drove her to the airport this morning.”


“How could you? She wasn’t at the hotel, she was in jail.”


“Jail? Oh, no. She spent the night at the Captain’s house. You see, it’s always the same. Someone takes his fancy, she’s arrested, held overnight and—”


“Put on the plane in the morning,” Roger said. Reaching into his pocket then, he found Miss Boyd’s key and flung it out the window.

</details>



I don’t know what to make of that. Did the police chief murder her and use his position to sweep it under the rug? Was she a whore who was hired to play a role involving the main character to boost the police chief’s ego? Or was it just as it said, the woman was used and then shipped off? That interpretation just doesn’t fit with the the main character getting angry and throwing the woman’s keycard away. I don’t know what to make of it. And that is the first time that has happened to me in one of these Hitchcock collections. I could be overthinking everything though, that’s been known to happen on occasion too.

Another thing that bugged me, as in that I didn’t understand, is the title itself. I know “bloody” is a British curse akin to the American f-word but it should be used as an adjective as in “I am Bloody Curious”, so why does it come at the end, in parenthesis? At first I thought I had some bad meta-data for the ebook, but looking at the cover itself, you can see that nope, it is correct. I realize I’ve probably asked more questions than anything in this review, but these are the thoughts I thought as I read this.

I was pretty happy with this read because even the questions I had didn’t detract from my enjoyment, they just didn’t allow me to enjoy things as much as I could have.

★★★✬☆


Inside Blurb & Table of Contents:


ALFIE, THE DOVE

Alfred Hitchcock simply can’t stand war. He knows he may be considered old-fashioned, but mechanical kinds of death utterly revolt his delicate taste.

Alfie firmly believes that nothing can best individual craftsmanship. A murder really isn’t worth enjoying without that unmistakable personal touch.

To prove his point, Alfie has assembled thirteen expert practitioners of the fine art of homicide. Their body counts may not be as high as figures in the newspaper—but quality, not quantity, is their aim. You’ll find thrills tailored perfectly to your chilling reading pleasure in—

Alfred Hitchcock’s

I AM CURIOUS (BLOODY)


  • ONE-ARMED BANDIT

  •      Dan Sontup

  • NEVER KILL FOR LOVE

  •      C. B. Gilford

  • THESE DAISIES TOLD

  •      Arthur Porges

  • CANINE ACCOMPLICE

  •      Grover Brinkman

  • THE ACCIDENTAL WIDOW

  •      Robert Colby

  • TWILIGHT THUNDER

  •      Edward D. Hoch

  • IMAGES

  •      Michael Brett

  • THE SKIM

  •      Richard Deming

  • ONE WAY

  •      John Lutz

  • THAT GUY WHAT LAUGHS LAST

  •      Phillip Tremont

  • THE PRIVATE EYE OF IRVING ANVIL

  •      Richard Hardwick

  • HOLIDAY

  •      Hal Ellson

  • THE HEIR

  •      Talmage Powell


Sunday, September 24, 2023

Mortal Errors 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Mortal Errors
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 229
Words: 105K




Despite what the cover says about “30 Stories”, in this edition there are only 23. That’s the weird thing about these Alfred Hitchcock collections, they were released and released with different names, different number of stories, etc. I can’t imagine readers were very happy with that kind of treatment by publishers back then. Of course, looking at readers today, they put up with a ton more horse caca from publishers and sometimes it feels like they’re eating it with both hands :-( Ok, grumpy old grump complaining time is over. Now get off my virtual lawn!

One of these I recognized from a previous collection. The story was “A Padlock for Charlie Draper”. It’s a good story but the reveal at the end about the reward loses its impact on a re-read. The rest of the stories ran all over the place from bad guys doing bad things and getting away with, to bad guys getting their just desserts to good guys doing the right thing and getting the badguy.

I just sat back and soaked it in. That seems to be the best way to enjoy these kinds of stories.

★★★★☆




Table of Contents:


WHERE’S MILO - Fletcher Flora

THE WASTEBASKET - Jack Ritchie

DEAD GAME - Harold Q. Masur

POLTERGEIST - W. Sherwood Hartman

A CHOICE OF WITNESSES - Henry Slesar

ONE BAD WINTER’S DAY - William Link and Richard Levinson

A MATTER OF EXPERIENCE - Wyc Toole

AN EASY SCORE - Al Nussbaum

FOOL’S GOLD - Gil Brewer

VOICES IN DEAD MAN’S WELL - Donald Honig

THE ARTIFICIAL LIAR - William Brittain

A PADLOCK FOR CHARLIE DRAPER - James Holding

THE VERY BEST - John Lutz

GIVE-AND-TAKE - Dan J. Marlowe

IF A BODY - Stephen Wasylyk

THE WEB - Bill Pronzini

ONE STEP TO MURDER - Jamie Ellis

THE CHOICE - Mark Sadler

DREAMING IS A LONELY THING - Edward D. Hoch

SCENTS IN THE DARK - Edward Wellen

LESSONS FROM A PRO - George Kipp

THE NIGHT HELEN WAS KILLED - Pauline C. Smith

A CASE FOR QUIET - William Jeffrey




Wednesday, August 23, 2023

13 More Stories They Wouldn’t Let Me Do On TV 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: 13 More Stories They Wouldn’t Let Me Do On TV
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 180
Words: 70K



I had already read The Most Dangerous game several times, but I found myself reading it again anyway. It is really that good of a story.

There was a story by Roald Dahl here and I must say, it got this collection the “disturbing” tag. While Dahl might be a fantastic children’s author, when he lets his mind run unbridled, like he does with this adult stories, it is not a pretty sight. It wasn’t some sort of supernatural grotesquerie, but a case of one human acting in the most abominable way towards another. I don’t think I could have ever of thought of a story like this. It disturbs me that someone could imagine that.

The final story is one translated from a russian fellow and it was just as disturbing as anything else. It felt like a shoddy story but I suspect that shoddy translation work was more to blame. Either way, it was a typical russian story ending in madness and death. Andreyev was no master though and there’s a reason his name isn’t proclaimed alongside Dostoyevsky, etc.

Overall, this balanced out to a decent but not wonderful read.

★★★☆☆




Table of Contents:

  • The Moment of Decision—STANLEY ELLIN

  • A Jungle Graduate—JAMES FRANCIS DWYER

  • Recipe for Murder—C. P. DONNEL, JR.

  • Nunc Dimittis—ROALD DAHL

  • The Most Dangerous Game—RICHARD CONNELL

  • The Lady on the Grey—JOHN COLLIER

  • The Waxwork—A. M. BURRAGE

  • The Dumb Wife—THOMAS BURKE

  • Couching at the Door—D. K. BROSTER

  • The October Game—RAY BRADBURY

  • Water’s Edge—ROBERT BLOCH

  • The Jokester—ROBERT ARTHUR

  • The Abyss—LEONID ANDREYEV


Wednesday, July 26, 2023

Alive and Screaming 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Alive and Screaming
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 163
Words: 61K




There are times when I read this Hitchcock collections that I get really jazzed up. Other times, I simply sit back and enjoy the ride. My experience with this book was of the latter.

I enjoyed this while reading it but honestly, not a single story stood out. Even now, 2 weeks after I’ve read it, I couldn’t tell you from memory any of the storylines. It wasn’t that they were bad, they just “were”.

It’s like drinking a caramel latte. In and of themselves, they are just good. But sometimes you get that little “extra” something that makes it better and you remember those and wish that you could get that particular barista to make your caramel latte’s forever. But that doesn’t happen and you still enjoy the latte the next day. But after years of drinking them, it all kind of blends together in your mind. Except the bad ones or the REALLY good ones. That doesn’t mean you are dissatisfied with your daily latte though.

I guess my point is that this book was a caramel latte and Hitchcock would have been even fatter if he’d had caramel latte’s to drink back when he was alive. So here’s to looking at you kid.
~sips~

★★★✬☆




Table of Contents:

The Hand from the Past—CHRISTOPHER ANVIL

The Confident Killer—TALMAGE POWELL

The Blue Man—WENZELL BROWN

The Murderess—MAX VAN DER VEER

Light o’ Love—FLETCHER FLORA

Positive Print—RICHARD DEMING

A Weighty Promotion—BRUCE HUNSBERGER

Death, the Black-eyed Denominator—ED LACY

Beware the Righteous Man—DICK ELLIS

A Message from Marsha—JAMES HOLDING

Seven Million Suspects—FRANKLIN M. DAVIS, JR.

Heaven is a Frame of Mind—RICHARD HARDWICK

The Eye of the Pigeon—EDWARD D. HOCH

The Tuesday Club—C. B. GILFORD


Thursday, June 01, 2023

Let It All Bleed Out ★★★★☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Let It All Bleed Out
Series: ----------
Editor: Alfred Hitchcock
Rating: 4 of 5 Stars
Genre: Crime Fiction
Pages: 172
Words: 69K




From the Inside Cover:

Alfie Doesn’t Mind Being Called Square


Alfred Hitchcock is frankly shocked by the temptations that surround us today. X-rated movies. Sweaty centerfolds. Naughty novels. Kids who used to cut grass now smoking it. All of this fills Alfie with alarm.


Let’s return to old-fashioned fun, he pleads. A nice gory stabbing. A neatly drawn strangler’s noose. A proper pistol shot in the dark. A scream of horror that makes you walk away whistling.


For, as the master shows in this nerve-twisting new collection, fads come and go, but evil is here to stay. So let’s strip the mod clothes off the victims, and—


LET IT ALL BLEED OUT


Table of Contents:


COLD NIGHT ON LAKE LENORE

     Jonathan Craig

THE ATTITUDE OF MURDER

     Nedra Tyre

HAND

     William Brittain

SHERIFF PEAVY’S DOUBLE DEAD CASE (A NOVELETTE)

     Richard Hardwick

RICH—OR DEAD

     David A. Heller

YELLOW SHOES

     Hal Ellson

THE MAN WHO HATED TURKEY (A NOVELETTE)

     Elijah Ellis

COFFEE BREAK

     Arthur Porges

A PADLOCK FOR CHARLIE DRAPER

     James Holding

MAC WITHOUT A KNIFE

     Talmage Powell

THE CHINLESS WONDER

     Stanley Abbott

NO TEARS FOR AN INFORMER

     H. A. De Rosso

A RARE BIRD

     John Lutz

THE COMIC OPERA

     Henry Woodfin




As much as I really like the stories Hitchcock puts together, I am realizing that having a smaller amount actually works in its favor. Being left wanting more actually enhances the stories I’ve already read. Instead of being a book glutton and gorging myself and feeling sick, having just enough is the correct amount. Looking back over the various books, it seems like 300 pages is the upper limit. After that I start to feel too full and get cranky about stuff I wouldn’t normally.

Cold Night on Lake Lenore was a great opener. A man patiently waits for the perfect opportunity to kill his wife. It arrives but he is seen by another woman, who thinks he did it to be with her. He marries her and the last thought is of him thinking he just has to wait for the perfect opportunity again, and that he’s a patient man. It got me thinking about the kind of people who murder others. I’d like to think that the kind of person who could do something like this (murder someone and yet showing perfect restraint until the “perfect” moment) doesn’t exist, as the willingness to do the one would preclude the ability to do the other, but alas, all you have to do is read the news and you read about some guy who’s killed 3 wives and they only caught him because he got cocky about disposing of the remains of Number 4. Just goes to show humans aren’t just simple blobs of matter, even if that’s a negative example, sigh.

The Chinless Wonder was kind of on the other side. A loser of a man decides that he’s sick of being himself and gets a disguise and creates a new identity and hooks up with some chick. Everything is going extremely well until he gets mixed up with the mob. In the end, the girl and her boyfriend were playing him and set him up for the murder of his alter-ego and then to really nail him, the mob boss. Oh, it was priceless watching the pieces move into place. I wasn’t sure exactly where the story was going but after he helped sink a big sack in the river, I figured it out and like I said, just watched the pieces move into position. It was a thing of wonder.

This was just long enough to satisfy me and yet still leaving me wanting more. The perfect combination really.

★★★★☆


Tuesday, April 18, 2023

Tales to Take Your Breath Away ★★★☆☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Tales to Take Your Breath Away
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 370
Words: 140K


Table of Contents:

THE ARROWMONT PRISON RIDDLE—Bill Pronzini

END OF THE LINE—Edward D. Hoch

THE DETTWEILER SOLUTION—Lawrence Block

THE WHITECHAPEL WANTONS—Vincent McConnor

CORA’S RAID—Isak Romun

A CUP OF HERBAL TEA—Robert S. Aldrich

ALBION, PERFIDIOUS ALBION—Everett Greenbaum

LIFE OR BREATH—Nelson DeMille

THE SILVER LINING—Mick Mahoney

A PRIVATE LITTLE WAR—William Brittain

SUPERSCAM—Francis M. Nevins, Jr.

HAVE YOU EVER SEEN THIS WOMAN?—John Lutz

JOE CUTTER’S GAME—Brian Garfield

A CABIN IN THE WOODS—John Coyne

CROOK OF THE MONTH—Robert Bloch

DEATH OF A PERUKE-MAKER—Clayton Matthews

THE FOREVER DUEL—James McKimmey

THE CHALLENGE—Carroll Mayers

EXTRA WORK—Robert W. Wells

THE FIRST MOON TOURIST—Duffy Carpenter

THE LONG ARM OF EL JEFE—Edward Wellen

DEATH SENTENCE—Stephen Wasylyk

KID CARDULA—Jack Ritchie

INVISIBLE CLUE—Jeffry Scott

ACCIDENTAL WIDOW—Nedra Tyre

ELEMENT OF SURPRISE—Bruce M. Fisher

LOOKING FOR MILLIKEN STREET—Joyce Harrington

JUDGMENT POSTPONED—Robert Edward Eckels

THE WINDOW—William Bankier


Separator


Unfortunately, while there were some intriguing stories in this collection, I’d already read about 1/3 of the stories in other Hitchcock anthologies. Also, one of the stories dealt with the rape of a 15 year old girl while another dealt with a woman being tricked and as a result losing her unborn baby. That is why I’ve given this the Disturbing tag.

After I realized there were multiple stories I’d already read, I just started skipping them as soon as I recognized that I’d already read them. I really don’t like doing that but I’m not going to waste my time re-reading a short story that I’m not intentionally re-reading.

The new stories, when they weren’t disturbing, were all good and what I’d expect from a book like this. I just hope I don’t run into this situation again.

As for that cover. Is Hitchcock a fatso or what?!? I always knew he was chubby but my goodness, he’s beyond portly. This is why you should never put a real person on the cover of a book. Because people like me come along and mercilessly mock them.

★★★☆☆


Sunday, March 12, 2023

Stories To Stay Awake By ★★★✬☆

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Stories To Stay Awake By
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 198
Words: 78K




Table of Contents:
Introduction by Alfred Hitchcock (ghost written)

Success of a Mission by William Arden

The Splintered Monday by Charlotte Armstrong

Death by Judicial Hanging by Francis Beeding

Floral Tribute by Robert Bloch

Red Wine by Lawrence G. Blochman

Canavan's Back Yard by Joseph Payne Brennan

A Murderous Slice by Marguerite Dickinson

The New Deal by Charles Einstein

Boomerang by Guy Fleming

Sleep is the Enemy by Anthony Gilbert

The Second Coming by Joe Gores

From the Mouse to the Hawk by Dion Henderson

Letter to the Editor by Morris Hershman

The Spy Who Came to the Brink by Edward D. Hoch

Second Talent by James Holding

The Ohio Love Sculpture by Adobe James

Homicide House by Day Keene


Every story here revolves around somebody dying or being killed or being a killer. I found them linked thematically quite well and they didn’t seem like random stories just lumped together.

I really liked the final story, Homicide House by Day Keene. As soon as the narrator revealed that he was bricking up the body of his murdered wife, I knew exactly where the story was going to end and it was ghoulishly delightful to watch as the story went down the path I had predicted.

This book was originally released in hardback with 35 stories and then later on was released in two paperbacks with each containing half the stories. The second paperback was called More Stories To Stay Awake By but I haven’t been able to track down an ebook version, not even a pdf scan, so I will probably not be able to read the other 18 stories from the original. What a shame.

★★★✬☆