Showing posts with label Discworld: Witches. Show all posts
Showing posts with label Discworld: Witches. Show all posts

Saturday, September 28, 2024

Wyrd Sisters (Discworld #6) 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Wyrd Sisters
Series: Discworld #6
Author: Terry Pratchett
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 210
Words: 85K


I really enjoyed this. I do wonder though if in another decade the references that Pratchett makes to such people as the Marx Brothers, Laurel & Hardy and Charlie Chaplin will be as meaningless as references to Britney Spears. A grasp of Shakespeare, while not essential, will make the read much fuller.

The humor, while not laugh out loud, felt genuine and actually funny, unlike in Sourcery. The humor of the witches is earthy and natural and springs from human nature itself. Which is why I think it feels so genuine each time and not forced like with Rincewind. That’s important for a series of book built on humor, even if elements of the sardonic are involved.

The inclusion of Nanny Og and Magrat help offset Granny Weatherwax as an irascible old woman. Nanny Og is an old nympho and Magrat is the sad sack meant to generate sympathy. Each has her strengths and weaknesses and they fit very well together as a unit. It provides a much wider variety of situations for Pratchett to work with and I think his writing will be the better for that.

People always ask where to start with Discworld. I used to give my favorite books as a starting place but this deliberate series re-read has made me realize that people need to start at the beginning and just work their way through the series as Pratchett wrote them. Sure, you will get some books you don’t enjoy as much, but you’ll also get the full Discworld experience and THAT is more important than your enjoyment of an individual book. Think of Discworld like Communism and Pratchett as Chairman Mao and you’ll get the idea 😉

Hail Comrades, may the New Order Enlighten you!

★★★★☆


From Wikipedia.org

Synopsis – click to open

Wyrd Sisters features three witches: Granny Weatherwax; Nanny Ogg, matriarch of a large tribe of Oggs and owner of the most evil cat in the world; and Magrat Garlick, the junior witch, who firmly believes in occult jewelry, covens, and bubbling cauldrons, much to the annoyance of the other two.

King Verence I of Lancre is murdered by his cousin, Duke Felmet, after his ambitious wife persuades him to do so. The King’s crown and child are given by an escaping servant to the three witches. The witches hand the child to a troupe of travelling actors, and hide the crown in the props-box. They acknowledge that destiny will eventually take its course and that the child, Tomjon, will grow up to defeat Duke Felmet and take his rightful place as king.

However, the kingdom is angry about the way the new King is mistreating the land and his subjects. The witches realise that it will be at least 15 years until Tomjon is able to return and save the kingdom, but by then irreparable damage will have been done. Granny Weatherwax, with help from the other two witches, manages to cast a spell over the entire kingdom to send it forward in time by 15 years. Meanwhile, the duke has decided to have a play written and performed that portrays him in a favourable light and the witches in a negative light. He thinks this will cause the witches to lose their power, and the people will like him. He sends the court Fool to Ankh-Morpork to recruit the same acting company that Tomjon was given to, which now resides in the Dysk Theatre on the river Ankh.

The company make their way to Lancre, and perform the play for the King as asked. However, Hwel, the playwright, maintains that there is something wrong with the plot of the play, something that just doesn’t feel right. The witches cast a spell in the middle of the play that causes the actors to portray the killing of the king truthfully, and the audience sees that the Duke and Duchess are guilty of killing Verence I. Felmet finally succumbs to insanity and stabs several people with a retracting stage dagger, before tripping and falling to his death in the Lancre Gorge. The Duchess is imprisoned but manages to escape, only to be killed by a collection of various forest animals who want revenge for the poor treatment of the land.

Granny Weatherwax explains that Tomjon is the rightful king, and he is due to be crowned. However, Tomjon does not want to be king; he is an extremely talented actor and wishes to continue his career with his adopted father, Vitoller. Instead Granny Weatherwax tells the town that the Fool is in fact the king’s son from another mother, and Tomjon’s half-brother, and he is crowned King Verence II of Lancre. Later on, Granny and Nanny reveal to Magrat that the previous fool is actually Tomjon’s and Verence II’s father. The status of Magrat and Verence II, who have been awkwardly courting throughout the story, is not fully explained at the conclusion.

Tuesday, January 30, 2024

Equal Rites (Discworld #3) 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Equal Rites
Series: Discworld #3
Author: Terry Pratchett
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 162
Words: 67K


When I first read this in 2007, I was fresh off the Rincewind books and was expecting more of the same. Equal Ritesis the first of the Witches sub-series and as such, while humorous, IS different and I wasn’t ready for that difference back then. Instead of the insane, zany and just plain ridiculous humor that typifies Rincewind, The Witches series is much more sardonic and relies on the humor inherent in opposites. All of that was just to say that I enjoyed my read this time much more than I did 16 years ago.

I also did this as a buddy-read with Dave. I’ll be linking to his review after the star rating and before the synopsis.

I enjoyed this on a completely different level from the previous two books. Granny Weatherwax (the main character despite this being about the little girl Esk) isn’t silly and stupid but she’s also not some omniscient Paragon of Everything. Pratchett is definitely poking fun at the genders (male and female) and Granny isn’t a bra burning feminazi. She’s crotchety, gets things mixed up, makes bad decisions but ultimately has the good of Esk in mind. She’s a wonderful character in fact. I loved reading about her. It is almost scary to me how 16 years of life experience can make that kind of change in me. I still like Rincewind and the complete chaos that he is, but I now appreciate Granny much more than I could have back then. That’s good. We should change as we mature and get older.

I have talked about this before (Why I Re-Read from ‘18) but that change in perspective is the EXACT reason why I am such a re-reader. What I experienced reading Equal Rites this time around I simply could not have back in ‘07. And if I had never re-read it now, I would be stuck with that ‘07 memory of it. Which isn’t bad, but it’s not as full and rich as my memories of the book now. As a serious reader, growing is important. A reader should be a tree, ever growing, not a karesansui garden (one of those japanese gravel gardens) which stays static unless an outside force acts upon it. A reader’s growth should be from within, affecting the outside, not the outside affecting the growth within. It is the difference between an oak tree and a bonsai tree. One acts upon the landscape while the other is acted upon.

So to end. I am VERY happy I re-read this. I enjoyed it more than I originally did and I am thankful I have a better memory of the book now.

★★★★☆

Dave’s Review


From Wikipedia.org

Click to Open

The wizard Drum Billet knows that he will soon die and travels to a place where an eighth son of an eighth son is about to be born. This signifies that the child is destined to become a wizard; on the Discworld, the number eight has many of the magical properties that are sometimes ascribed to seven in other mythologies. Billet wants to pass his wizard’s staff on to his successor.

However, the newborn child is actually a girl, Esk (full name Eskarina Smith). Since Billet notices his mistake too late, the staff passes on to her. As Esk grows up, it becomes apparent that she has uncontrollable powers, and the local witch Granny Weatherwax decides to travel with her to Unseen University in Ankh-Morpork to help her gain the knowledge required to properly manage her powers.

But a female wizard is something completely unheard of on the Discworld. Esk is unsuccessful in her first, direct, attempt to gain entry to the University, but Granny Weatherwax finds another way in; as a servant. While there, Esk witnesses the progress of an apprentice wizard named Simon, whom she had met earlier, on her way to Ankh-Morpork. Simon is a natural talent who invents a whole new way of looking at the universe that reduces it to component numbers.

Simon’s magic causes a hole to be opened into the Dungeon Dimensions while he is in Esk’s presence. The staff, acting to protect Esk, strikes Simon on the head, closing the hole but trapping his mind in the Dungeon Dimensions. Esk throws the staff away, believing that it attacked Simon. While attempting to rescue him, Esk ends up in the Dungeon Dimensions. The extreme cold there causes the staff, now washed out to sea, to create a huge ice sheet, causing a storm that floods the university as well as the surrounding city.

Esk and Simon discover the weakness of the creatures from the Dungeon Dimensions—if you can use magic, but don’t, they become scared and weakened. With the help of Granny Weatherwax and Archchancellor Cutangle, who have retrieved the staff, they both manage to transport themselves back into the Discworld. Esk and Simon go on to develop a new kind of magic, based on the notion that the greatest power is the ability not to use all the others.