Showing posts with label Memoir. Show all posts
Showing posts with label Memoir. Show all posts

Tuesday, August 04, 2026

In Joy Still Felt (1954-1978) (Asimovian Memoirs #2) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: In Joy Still Felt (1954-1978)
Series: Asimovian Memoirs #2
Authors: Isaac Asimov
Rating: 4 of 5 Stars
Genre: Autobiography
Pages: 778
Words: 307K
Publish: 1980


Reading this went much smoother than the previous book, “In Memory Yet Green”. Part of that was that it was getting into the stuff I wanted to actually read about, his breaking out into a successful SF author and his growing fame as an author in general. I kept waiting to hit that wall like I had in the first book, where I had to take a break, and it never came. I sailed through this like a space shark scenting space blood, in space ;-) It felt really good to be honest.

The downside was that as he became more famous, his ego came more to the forefront and there were several instances that he records where all I could think was “this whole situation came about because of your monstrous ego”. He still keeps things light, but he wasn’t just the aggrieved party in several instances.

There was obviously something up with his son David, that he doesn’t talk about. David had to go to private schools to finish high school, took 5 years to do so and Asimov states something like “and it was obvious college was out for him”. Asimov just doesn’t interact with his son as he becomes an adult and doesn’t write about him. I really wouldn’t have noticed it (and assumed it was for privacy’s sake) except he writes a LOT about his second child, his daughter. She gets all sorts of stories told and he interacts with her like you’d assume a father would. Then there’s his first wife Gertrude who Asimov ended up divorcing. Even in the first book, and more so here, she’s very much a non-entity in his life. I don’t know if she played that small a role in his life or if he just didn’t want to write about her. Either way, it felt very weird to not-read about his wife and son, especially with the example of his daughter. And when he remarries, he has all sorts of things to say about his second wife, so I suspect he was trying to practice the “if you don’t have anything nice to say….” routine. But man, it was quite noticeable.

Asimov was an extremely personable man and it showed in how he could handle speaking engagements, almost off the cuff. That ability comes through in his writing and made for a good time. While I didn’t agree with a lot of stuff he did, or believed, it never impacted how he wrote. He was a very liberal man, politically and morally and I believe he would have fit right into the WOKE crowd or the ME TOO group. How he wrote about Richard Nixon (literally calling him Hitler) reminded me of how neo-liberals of today feel about Trump. And their game book hasn’t changed a bit. Act outraged about something, call others super nasty names and take the moral high ground on an issue that nobody is arguing about. It made laugh to see this carried out 50 years earlier, hahahaha :-)

There is one more book in this “Asimovian Memoirs” trilogy, that was a compilation of these two books and some new stuff and some posthumous stuff by his wife Janet. While I’m not looking forward to going over some of the same ground as I’ve already trod, I think the new stuff will be worth it.

★★★★☆


From Grokipedia.com

Relation to Asimov's autobiographies

In Joy Still Felt: The Autobiography of Isaac Asimov, 1954-1978 constitutes the second volume of Asimov's detailed autobiographical project, directly following In Memory Yet Green: The Autobiography, 1920-1954, which documented his early life and career up to 1954. [1] This volume extends the chronological narrative to cover the period from 1954 to 1978, preserving the exhaustive, day-by-day style characteristic of the initial installment. [2] The titles of both In Memory Yet Green and In Joy Still Felt derive from the same poetic lines—"In memory yet green, in joy still felt, / The scenes of life rise sharply into view"—which Asimov featured prominently in the volumes. [3]Combined, the two volumes total approximately 640,000 words, reflecting Asimov's commitment to a highly comprehensive and uncondensed recounting of his life. [4] In contrast, Asimov's later I. Asimov: A Memoir (1994) presents a more condensed overview of his entire life, departing from strict chronological detail in favor of a structure organized around thematic and emotional elements. [5]A further abridged selection drawn from his autobiographical material appeared in 2002 as It's Been a Good Life.

Context of the covered period

The period from 1954 to 1978 represented a pivotal transformation in Isaac Asimov's career, as he transitioned from balancing academic responsibilities with writing to dedicating himself exclusively to authorship. In the mid-1950s, Asimov continued his role as associate professor of biochemistry at Boston University School of Medicine, having joined the faculty in 1949 and been promoted to associate professor in 1955. [6] This academic phase overlapped with his ongoing science fiction output, but in 1958 he ceased active teaching duties and salary (effective June 30, 1958) amid university concerns over his lack of research, becoming a full-time writer while retaining his university title after negotiations. [2] [6]The shift to full-time writing was accelerated by the 1957 launch of Sputnik, which spurred Asimov to address perceived deficiencies in American science education through accessible nonfiction. [7] Beginning in November 1958, he launched a monthly science essay column in The Magazine of Fantasy and Science Fiction that continued uninterrupted for 399 issues, earning him a special Hugo Award in 1963 for bridging science and science fiction. [2] This period saw an extraordinary expansion of his popular science nonfiction, encompassing books on a wide array of scientific subjects alongside works on literature, history, and other topics, establishing him as one of the era's most prolific and influential popularizers of knowledge. [2]Asimov further diversified his output to include mystery stories, literary and biblical guides, and humorous pieces, reflecting his versatility beyond traditional science fiction and science exposition. [2] Concurrently, science fiction achieved greater cultural respectability during the 1950s through 1970s, aided by broader societal interest in science amid the space age and Asimov's own growing public prominence as a writer, speaker, and commentator who made complex ideas approachable to general audiences. [2] His intermittent but influential presence in the field, combined with his extensive nonfiction contributions, helped elevate science fiction's status and cemented his reputation as a central figure in its mainstream acceptance. [2]

Development and writing process

Isaac Asimov composed In Joy Still Felt by culling material from his extensive personal diaries, which provided the chronological structure and precise factual details for the period from 1954 to 1978. [8] These diaries served as the primary source for documenting events, dates, and daily occurrences, enabling a highly accurate and methodical reconstruction of his life during those years. Asimov's exceptional memory supplemented the diaries by allowing him to recall vivid conversations, emotions, and incidental details that added depth to the narrative.The writing process reflected Asimov's disciplined and prolific habits, resulting in a lengthy, detailed manuscript focused on factual precision over interpretive embellishment. In the autobiography, Asimov adopted a candid and self-aware tone, cheerfully recounting his professional successes and personal achievements while openly admitting his faults, stupidities, moments of vanity, and failures. [9] He balanced self-appreciation with frank admissions of shortcomings and errors in judgment, creating an engaging portrayal of both accomplishment and human imperfection. [9]Janet Asimov later critiqued the two original autobiographical volumes as too factual and reserved, describing them as overly chronological and emotionally restrained. [10] This observation, made in connection with the preparation of the subsequent memoir I. Asimov, highlighted her view that the earlier works prioritized detail and sequence at the expense of deeper emotional expression.

Content

Structure and organization

In Joy Still Felt is divided into five chronological parts, which together contain forty-six chapters. [9] [11] The book extends to 828 pages in its original edition and follows a detailed, sequential narrative that traces Asimov's life and work from 1954 onward. [12] [13] Within each chapter, the text breaks into numerous short sections, often presented as brief anecdotes or focused accounts of particular incidents, creating a fragmented yet densely packed progression that mirrors the author's meticulous record-keeping. [9] [14] This format emphasizes discrete events over extended thematic discussions, resulting in a diary-like chronicle of daily and professional developments. [9]The main body of the narrative concludes on December 31, 1977, after which a short updating section brings select details forward to 1979. [9] This organization supports a rigorous chronological framework while accommodating the inclusion of photographs, appendices, and indexes. [13]

Professional milestones

In "In Joy Still Felt," Asimov describes the opening of the covered period as coinciding with his ongoing role as a biochemistry professor at Boston University School of Medicine, where he encountered administrative disapproval for producing nonfiction books during what superiors considered academic time. [15] This tension escalated into a significant conflict, leading him to relinquish salaried teaching responsibilities in the late 1950s while retaining his faculty title as a nonsalaried associate professor, a change that freed him to pursue writing full-time. [11] [9] The autobiography later notes his eventual promotion to full professor, along with honorary degrees and Boston University's archival collection of his works. [9]Asimov recounts his fiction output during these years, beginning with the 1954 publication of The Caves of Steel, a key novel blending science fiction and mystery. [11] Notable later works include the 1966 novelization Fantastic Voyage, written to accompany the film, and The Gods Themselves (1972), which earned both the Hugo and Nebula Awards for best novel. [9] He also expanded into mystery fiction during the 1970s, alongside specialized nonfiction such as guides to the Bible and Shakespeare, and collections of original limericks. [9]The book emphasizes Asimov's rapid growth in nonfiction writing across science, history, and other fields, culminating in the celebration of his 200th published book near the end of the period, marked by Opus 200 and the first volume of his autobiography. [9] [15] This prolific output reflected a shift toward popular science exposition and away from heavy science fiction production. [9]Asimov chronicles his rising public profile, including the 1977 founding of Isaac Asimov’s Science Fiction Magazine, which extended his influence in the genre. [9] He also details the growth of his career as a sought-after speaker and television commentator, with increasing fees and engagements that solidified his status as a prominent explainer of science. [9]

Personal life events

In "In Joy Still Felt", Asimov recounts the birth of his daughter Robyn Joan in 1955, joining her older brother David in the family he shared with his first wife Gertrude. [16] The autobiography touches on family life during this period, though it focuses more on later developments. [16]The deaths of his parents marked significant personal losses: his father Judah died in 1969, followed by his mother Anna in 1973. [16] Asimov describes bidding farewell to his father in a dedicated chapter. [13]After separating from Gertrude in 1970, Asimov finalized his divorce on November 16, 1973, ending a marriage that had lasted 31 years. [16] He married Janet Jeppson two weeks later on November 30, 1973, and the autobiography includes a chapter on this second marriage. [16] [13]Asimov details his health challenges, including a thyroid condition addressed in the chapter "My Thyroid," which contemporary reviews describe as thyroid cancer. [13] [17] In 1977 he suffered a heart attack, covered in the chapter "Coronary" along with his recovery. [13]Due to severe acrophobia that limited his air travel to only two flights in his lifetime, Asimov preferred ocean cruises for longer journeys and describes several such trips during the 1970s, including one eclipse cruise taken alone. [16] [13] These personal changes, including his remarriage, contributed to greater flexibility in his later years. [16]

Interactions and anecdotes

In Joy Still Felt is filled with Asimov's recollections of his encounters with a wide range of figures in science fiction and popular culture, offering a glimpse into the social dynamics of the genre during the period. He describes his long-standing friendships with Arthur C. Clarke and Robert A. Heinlein, including their mutual admiration, playful rivalries, and occasional disagreements on topics like politics and writing styles. Asimov recounts humorous exchanges with Clarke, such as their informal agreement on how to handle compliments about each other's work, and notes moments of tension and reconciliation with Heinlein amid their differing views.Anecdotes about Harlan Ellison highlight Ellison's volatile personality, including pranks, heated arguments at conventions, and eventual amicable resolutions. Asimov also shares stories involving Larry Niven and Robert Silverberg, often centered on convention appearances and casual discussions of ideas. His relationship with editors Lester del Rey and Judy-Lynn del Rey is portrayed through social gatherings, professional advice, and light-hearted banter.Asimov includes encounters with figures outside science fiction, such as astronomer Carl Sagan, with whom he discussed popular science and shared mutual respect, as well as brief meetings with actresses Raquel Welch and Julie Newmar at public events or conventions. Throughout these accounts, he intersperses self-deprecating humor about his own ego, such as his tendency to dominate conversations, his love of attention at gatherings, and his habit of reciting limericks or puns to entertain or deflect. These candid reflections underscore his awareness of his foibles while portraying the lively, sometimes contentious world of fandom and professional science fiction circles.



Wednesday, June 03, 2026

In Memory Yet Green (1920-1954) (Asimovian Memoirs #1) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: In Memory Yet Green (1920-1954)
Series: Asimovian Memoirs #1
Authors: Isaac Asimov
Rating: 4 of 5 Stars
Genre: Autobiography
Pages: 663
Words: 300K
Publish: 1979


The synopsis/whatever provided by Grokipedia is very long. However, it was not nearly as long as this book and I will say that a little Asimov goes a long way.

This is an autobiography and while I had added the “memoir” tag, Asimov does make it clear that he used his own journals as primary documents and he also used many of his contracts with various magazines and publishers to date stories, etc. Which leaves me feeling pretty comfortable that what is being told here is a step up from a pure memoir. However, and this is a big however, Asimov’s style makes it extremely clear that he is up-selling his positive traits and down playing the negative ones. He doesn’t ignore the bad stuff, but it is almost like he’s writing about them while squinting, so it’s all hazy and unclear.

I was ready for this to be over at the 400 page mark. The level of detail is what I would expect from a chronic journaller and might make historians all gushy, but for someone like me, it was just a flow of minutiae that overwhelmed me. The level of personal detail is why I decided to add the memoir tag. Plus, near the beginning he claims to have a “near-eidetic” memory but later in the book acknowledges he has no memory of certain events or people and that without his journal, they would have disappeared from his mind. So he remembers what he remembers very well, but what he doesn’t remember, he doesn’t remember not remembering. If that makes sense? Which means anything from his memory is suspect, which is what memoirs are all about.

I actually took a break from reading this after the 400page mark and read a couple of other things, just to give myself some breathing room. I actually read The Black Colossus, Edgar and Emma and The White Rose. A novella, a short story and a novel and it was barely enough.

Don’t get me wrong, Asimov wrote smoothly, with a funny and very witty style and he was never a bore or pompous. But just like anyone who finds a track of success, sometimes they overuse that “joke” and by the third time it’s just embarrassing to listen to them instead of being uproariously funny like the first time. Like I said, I’d reached my limit by 400 pages and the book was just under 700.

I am pretty much done my reading of Asimov’s fiction, which is why I chose to dive into this trilogy about the author as a man. That usually doesn’t work out so well for me and this was about what I expected. Asimov was a lech and very handsy (even by 1940’s and 1950’s standards) and I am surprised that he wasn’t beaten up. I know I would probably have threatened to blow his brains out. He was also an adulterer and philanderer and didn’t try to hide that in this volume. He does downplay it and there is nothing salacious, but it is clear he would take just about anything offered by any woman he found attractive.

I learned a lot about his growing up years and his breaking into the literary world and I’m glad I did. I also made up the “series” title because there is this volume and then the next, which covers up to 1978 and then there was a posthumous volume entitled “I, Asimov”, all of which comprise an autobiography but assembled at various times and by various people (Asimov died in 1992 I believe).

The title of this volume, and the next volume (In Joy Still Felt), are taken from an anonymous poem that Asimov included at the beginning of the book. Here it is:
In memory yet green, in joy still felt,
The scenes of life rise sharply into view.
We triumph, Time's disasters are undealt,
And while all else is old, the world is new.

I will not try to psychoanalyze that at all. You are more than welcome too if you so desire.

★★★★☆


From Grokipedia.com

In Memory Yet Green: The Autobiography, 1920-1954 is the first volume of Isaac Asimov's autobiography, published in 1979 by Doubleday & Company, Inc. [1] [2] It chronicles the author's life and career from his birth in 1920 through 1954, marking the period of his early years, immigration to the United States, education, and emergence as a writer in science fiction and science popularization. [3] The book is notable as Asimov's two-hundredth published work, in which he applies his characteristic candid and engaging style to recounting his own experiences in science, science fiction, and related pursuits. [4]The autobiography serves as a detailed personal account from one of the most prolific authors of the 20th century, whose output spanned multiple genres and disciplines. [4] A companion second volume, In Joy Still Felt, continues the narrative from 1954 onward. [5] The work provides insight into Asimov's development as a writer during a formative era of his professional life. [3]

Background

Isaac Asimov

Isaac Asimov was born on January 2, 1920, in Petrovichi, Russia, and emigrated to the United States with his family, arriving in New York City on February 3, 1923, at the age of three.[6] He grew up in Brooklyn and pursued his education at Columbia University, where he earned a B.S. in chemistry in 1939, an M.A. in 1941, and a Ph.D. in 1948.[6] Asimov joined the Boston University School of Medicine faculty in 1949 as an instructor in biochemistry, advancing to assistant professor in 1951, associate professor in 1955, and ultimately full professor in 1979, though he relinquished active teaching duties in 1958 to focus on writing while retaining his title.[6]Asimov established himself as a prolific author and science popularizer, producing works across science fiction, popular science, mystery, and other fields.[7] Widely regarded as one of the most prolific writers in history, he authored or edited hundreds of books over his career.[6] In 1979, In Memory Yet Green was published as his 200th book, coinciding with Opus 200, a collection highlighting his first two hundred titles.[6] His major science fiction contributions, including the Foundation series and the landmark short story "Nightfall," had already earned him enduring acclaim in the genre by the time he undertook his autobiography.[6] In Memory Yet Green itself covers Asimov's life from 1920 to 1954; he transitioned to full-time writing in 1958.[6]

Writing and purpose

Asimov composed In Memory Yet Green during the late 1970s, when he had achieved extraordinary productivity and renown, marking the book itself as his 200th published work.[8] This timing allowed the autobiography to serve as a reflective self-portrait, capturing his ascent from a child of Russian immigrants to a leading figure in science fiction and popular science writing.[9]His motivation stemmed in large part from a lifelong compulsive work ethic, rooted in his father's frequent criticisms labeling him a "fulyack" (Yiddish for sluggard), which instilled a deep-seated fear of idleness and drove him to maintain relentless output across decades.[8] By documenting his early life and career in exhaustive detail, Asimov sought to chronicle this transformation and affirm his accomplishments against that early judgment.[8]To ensure precision and depth, he relied on the diaries he had kept compulsively since youth, chronicling minutiae such as birthdays, acquisitions of typewriters or telephones, and daily events.[9] These records enabled the autobiography's remarkable factual accuracy and granular reconstruction of his experiences.[9]

Publication history

Original publication

In Memory Yet Green: The Autobiography, 1920-1954 was first published on February 9, 1979, by Doubleday & Company, Inc. in Garden City, New York.[10] This initial hardcover edition contained ix + 732 pages (with additional plates), bore the ISBN 0-385-13679-X, and retailed for $15.95.[10] The book marked a notable publishing event as one of two volumes—alongside the Houghton Mifflin anthology Opus 200—promoted as Isaac Asimov's 200th book, celebrating his prolific career across science fiction, popular science, and other genres.[11] This milestone designation underscored the release's significance for Asimov's wide audience, who followed his extensive output with enthusiasm.[12] The Doubleday edition, issued as the first volume of Asimov's autobiography, represented a major hardcover release tailored to his established readership.[13]

Editions and reprints

Following the original 1979 hardcover publication by Doubleday, In Memory Yet Green was reprinted as a trade paperback by Avon Books in 1980. [10] This edition, with ISBN 978-0380754328, retained the complete original text across 732 pages and was presented as the first volume of Isaac Asimov's autobiography. [2] The sequel, In Joy Still Felt: The Autobiography of Isaac Asimov, 1954-1978, appeared the same year, forming a two-volume continuation of his life story. [14] The Avon paperback remains available through used book markets and online sellers. [15]

Content summary

Early childhood and immigration

In "In Memory Yet Green", Asimov recounts his birth on January 2, 1920, in Petrovichi, a small town in the Russian Soviet Federative Socialist Republic (now in Russia), to Jewish parents Judah Asimov and Anna Rachel Berman Asimov. [6] Facing difficult conditions in post-revolutionary Russia, including economic hardship and political uncertainty, the family decided to emigrate to the United States for better opportunities. [6] [16] They departed the Soviet Union on January 11, 1923, and arrived in New York City on February 3, 1923, when Asimov was three years old. [6]The family settled in the East New York section of Brooklyn at 425 Van Siclen Avenue, where they began their new life as Russian-speaking Jewish immigrants. [6] Judah Asimov, initially penniless and unable to speak or read English, worked various jobs before saving enough to open a candy store, which became the family's home and primary source of income. [17] [16] The store operated long hours, often from early morning to late at night, reflecting the demanding work ethic of immigrant life in Brooklyn. [17]As a young child in a non-English-speaking household, Asimov initially struggled with the new language. [17] Before the age of five, however, he taught himself to read by carefully deciphering shop signs and street signs around Brooklyn, driven by intense curiosity and determination to understand his surroundings. [17] These early efforts at self-education amid the challenges of immigration are presented in the autobiography as foundational to his later intellectual development. [17]

School years and self-education

Asimov portrays his school years as those of a child prodigy who advanced quickly through the educational system. [3] He skipped several grades in elementary school and earned A's in nearly every subject, receiving only lower marks in deportment. [9] [18]His early introduction to fiction came through a friendship with a talkative classmate who mesmerized him with invented stories, marking his first meaningful encounter with narrative literature. [18] [3] This experience fueled his growing passion for reading, which he pursued independently by secretly borrowing science fiction pulp magazines from the display rack in his father's candy store. [18] He read them in hiding and carefully returned them to appear untouched, allowing him to explore the genre without parental knowledge. [4]

College and graduate studies

In Memory Yet Green recounts Isaac Asimov's accelerated entry into higher education, beginning in 1935 at the age of fifteen after graduating from high school.[19] He initially enrolled at City College of New York for a few days before switching to Seth Low Junior College, the Brooklyn campus of Columbia University, where he received a $100 scholarship.[19] The book describes his disappointment at not gaining direct admission to the more prestigious Columbia College proper, instead starting at the less elite Seth Low branch, which served commuter students and had a predominantly Jewish and Italian student body.[4][20]Seth Low Junior College closed after Asimov's freshman year in 1936, prompting his transfer to Columbia University's main Morningside Heights campus.[19] There, he pursued chemistry as his major, completing his Bachelor of Science degree in 1939 at age nineteen.[19] The autobiography details his persistence in graduate studies despite obstacles, including initial rejection from Columbia's master's program in chemistry after being turned down by medical schools; he successfully argued for probationary admission, which was lifted after one year, resulting in his Master of Arts degree in 1941.[19]Asimov continued directly into Columbia's doctoral program in chemistry, though his research faced significant interruption from 1942 to 1946 due to overlapping wartime commitments.[19] He completed his PhD in chemistry in May 1948, marking the culmination of his formal academic training in the field.[19] The book covers these experiences across roughly pages 139–165, emphasizing his rapid progression, financial strains, admissions challenges, and the intellectual rigor of his chemistry studies at Columbia.[20]

World War II and military service

During World War II, Asimov describes being recruited to work as a civilian chemist at the Naval Air Experimental Station in Philadelphia (commonly known as the Philadelphia Navy Yard) starting in May 1942, following a recommendation from fellow science fiction writer Robert A. Heinlein, who was already employed there. [21] [19] His duties primarily involved routine laboratory testing of materials used in naval aircraft, such as soaps, cleaners, seam sealers, plastics, and other substances, to ensure they met specifications for quality and performance. [21] As an example, he details testing waterproofness by placing calcium chloride in aluminum pans, covering them with the material under examination, sealing the edges with wax, weighing them before and after exposure to humidity for twenty-four hours, and measuring any weight gain due to water absorption. [21] Asimov reflects that his contributions were limited and routine, expressing the belief that in peacetime he would have been considered incompetent and dismissed for failing to innovate or advance beyond basic compliance testing. [21] He also notes learning to write technical specifications in the deliberately complex "Navy style" and once submitted a deliberately satirical version as an experiment, only to have it praised as exemplary by superiors. [22]Despite the war's conclusion in Europe and the Pacific, Asimov recounts persistent anxiety over potential conscription and his efforts to avoid induction through legal deferments. [22] He was eventually drafted and inducted into the U.S. Army on November 1, 1945. [22] [19] After initial processing at Fort Meade, Maryland, he was assigned to Camp Lee, Virginia, where—despite classification as a "critically needed specialist" in chemistry—he and other technically trained personnel were relegated to clerical and typing duties. [22] Later transferred to Oahu, Hawaii, Asimov narrowly escaped assignment to observe the Operation Crossroads atomic bomb tests at Bikini Atoll due to a clerical error that mistakenly recorded him as discharged and halted family allotment payments; he leveraged this administrative mistake to secure a return to the mainland for correction. [22] The issue was resolved in his favor, resulting in an honorable discharge on July 26, 1946, at the rank of corporal after nine months of service. [22]Asimov characterizes much of his military experience as absurd and Kafkaesque, particularly the misallocation of skilled personnel and the continuation of the draft after victory. [22] He relates two rare episodes of intoxication among his anecdotes: on one occasion, after becoming drunk, he professed love to a fellow soldier named Stash, who reacted defensively by preparing to fight off an embrace, after which Asimov giggled through the night and reflected that it was the only truly happy day he had in the Army, musing that such episodes explain why people drink; on another, he soothed a hiccuping, affectionate drunken bunkmate named Upton by reciting a humorous poem about the exaggerated love between drunken men, after which Upton vomited and fell asleep. [22]

Postwar academic career

In In Memory Yet Green, Asimov describes resuming his professional life after the war by joining the biochemistry department at Boston University School of Medicine in 1949 as an instructor, where he taught classes and conducted some research on nucleic acids and paper chromatography with the goal of studying cancer tissue, though he later reflected that this line of inquiry would not have produced meaningful results. [23] He particularly enjoyed lecturing and received standing ovations from his classes at the medical school, while he also began delivering popular science talks beyond the university. [18] [23] After struggling with administrative hurdles for raises and promotions, he advanced to Assistant Professor of Biochemistry at the end of 1951. [23] Although he liked lecturing and had no objection to grading objective-answer questions, Asimov expressed strong distaste for grading essay questions, performing laboratory research, and authoring scientific papers or textbooks. [23]The autobiography covers elements of his personal life during this period, including his marriage to his first wife, Gertrude. [4] The couple moved several times, first to a hot converted attic apartment, then to a more comfortable apartment, and finally to their first house. [23] After nine years of marriage and having abandoned hopes of having children, Gertrude gave birth to their son David shortly after Asimov experienced kidney stones, an event that led him to obtain life insurance and prepare a will. [23] [19] During these years, he learned to drive and purchased a Plymouth automobile to ease his commute. [23]Asimov also recounts his gradual transition toward full-time writing, noting that his writing income rose sharply and eventually surpassed his university salary, prompting him to regard writing as his primary vocation and his academic role as secondary. [23] His growing success in science fiction, addressed in the section on his rise in the field, supported this shift. The book concludes with the initial stages of disputes over his university position. [18]

Rise in science fiction

In Memory Yet Green details Asimov's entry into professional science fiction writing in 1938, when he began submitting short stories to pulp magazines while still a teenager, receiving numerous rejections before his persistence paid off with his first acceptance. His first published story, "Marooned off Vesta," appeared in Amazing Stories in October 1939 after being sold to editor Raymond A. Palmer. Asimov describes his early involvement with the Futurians, a New York-based fan group that included aspiring writers and future editors such as Frederik Pohl and Donald A. Wollheim, providing him with encouragement and contacts in the field even as he remained somewhat on the periphery due to his heavy focus on writing and studies.A key turning point came in his relationship with John W. Campbell, the editor of Astounding Science-Fiction, whom Asimov first met in 1938. Campbell rejected Asimov's early submissions but offered detailed feedback and encouragement, eventually publishing his stories starting in 1940 and becoming a major influence on his career. In 1941, Campbell supplied the premise for "Nightfall," a story about a planet with six suns experiencing darkness for the first time, which Asimov wrote quickly and which appeared in Astounding to significant acclaim within the genre. Asimov recounts the story's rapid composition and its status as one of his most successful early works, helping solidify his reputation among readers and editors.The autobiography further describes the inception of the Foundation series in 1942, when Campbell suggested the idea of a science of psychohistory to predict the future of a galactic empire, inspired by Gibbon's history of Rome; Asimov began the series with the novelette "Foundation," published in Astounding that year, followed by sequels that appeared over the next decade. He notes the magazine's payment rates of around one to two cents per word, which provided supplemental income alongside his academic position, though the economics of pulp publishing required prolific output to sustain a career. By 1954, Asimov had produced dozens of stories, established the Foundation narrative as a major work, and transitioned toward book publication with early novels such as Pebble in the Sky (1950) and the collected Foundation trilogy (1951–1953), marking his rise to prominence as one of the field's leading authors.



Tuesday, January 06, 2026

No One Round Here Reads Tolstoy (Memoir) 1.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: No One Round Here Reads Tolstoy
Series: Memoir
Author: Mark Hodkinson
Rating: 1.5 of 5 Stars
Genre: Memoir
Pages: 307
Words: 107K
Publish: 2022



First book of 2026 and I end up with this stinker. My goodness, it’s like it is November and December of 2025 all over again! Ahhhhhhhhh….

I went into this “Memoir” (oh, how I am coming to hate this particular kind of non-fiction) expecting it to, you know, be about BOOKS that had shaped the author’s life as he’d grown up in an environment where reading wasn’t prevalent and in some cases, was actually discouraged. Instead, he wrote more about the music that influenced him as a pre-teen and teen and then 20something.

The whole attitude of this book was “I deserved better than I got and it was always everyone else’s fault”. His parents provided him a roof, food, schooling and they never stopped him from reading the books he wanted or listening to the music he wanted. But his disdain for his parents is almost palpable and his snooty attitude about the working class is like a slap in the face on every page. The entire sub-story about his grandpa getting hit in the head as a young man and his decline into dementia and eventually death from wandering out in the elements, while supposed to be loving, felt more like the author was airing his family’s dirty laundry to generate sympathy so he could say “Look at how bad I had it, pity me”. It also had nothing to do with books.

The last chapter in the book details his times visiting a psychologist and a life coach. When talking to the shrink he has this to write at one point:
I was hoping she would pick up on this last bit so I could waterfall my life story, how I felt I was a weird cuckoo kid placed with the wrong parents and had been failed by the education system and how I’d missed out. Basically, all my self-pitying stuff, laid on good and thick.

And that is the summation of this book. It is a gigantic whinefest by the author about how hard doneby he was and how he deserved our pity and wasn’t he so great for turning out so “normal” coming from such a horrid background. It filled me with disgust instead.

I asked for some help for the final sentence of this review, because the author is from the UK and I figured some American insult would just roll off his shoulders should he ever read this (very unlikely, but stranger things have happened with me and authors, sadly), so I asked what a really good insult would be. I came up with “ Mark Hodkinson is a wankering twat!” and that really shows how low esteem I hold for him and this book.

★✬☆☆☆


From the Publisher:

Mark Hodkinson grew up among dark satanic mills in a house with just one book: Folklore, Myths and Legends of Britain. His dad kept it on top of a wardrobe with other items of great worth - wedding photographs and Mark's National Cycling Proficiency certificate. If Mark wanted to read it, he was warned not to crease the pages or slam shut the covers.
Fast forward to today, and Mark still lives in Rochdale snugly ensconced (or is that buried?) in a 'book cave' surrounded by 3,500 titles - at the last count. He is an author, journalist and publisher.
So this is his story of growing up a working-class lad during the 1970s and 1980s. It's about schools (bad), music (good) and the people (some mad, a few sane), and pre-eminently and profoundly the books and authors (some bad, mostly good) that led the way, shaped a life. If only coincidentally, it relates how writing and reading has changed, as the Manor House novel gave way to the kitchen sink drama and working-class writers found the spotlight (if only briefly).
Mark also writes movingly about his troubled grandad who, much the same as books, taught him to wander, and wonder.


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