This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Sanditon Series: ———- Author: Jane Austen Rating: 3 of 5 Stars Genre: Unfinished Novel Pages: 79 Words: 24K
I really enjoyed this unfinished novel. Thoroughly enjoyed it, as it had all the hallmarks of a good Austen novel with all the stuff I love about her writing.
But it’s unfinished. I had barely gotten started when it ended. I was eating the salad, could smell the lasagna in the oven, then the restaurant owner came over, unceremoniously kicked me out of the restaurant. While I was still hungry. Oh the humanity!!!!
This is yet another unfinished novel that I would like to get my hands on a co-authored finished product. Some day!
★★★☆☆
From Wikipedia.org
Synopsis – click to open
The novel centres on Charlotte Heywood, the eldest of the daughters still at home in the large family of a country gentleman from Willingden, Sussex. The narrative opens when the carriage of Mr and Mrs Parker of Sanditon topples over on a hill near the Heywood home. Because Mr Parker is injured in the crash, and the carriage needs repairs, the Parkers stay with the Heywood family for a fortnight. During this time, Mr Parker talks fondly of Sanditon, a town which until a few years before had been a small, unpretentious fishing village. With his business partner, Lady Denham, Mr Parker hopes to make Sanditon into a fashionable seaside resort. Mr Parker’s enormous enthusiasm for his plans to improve and modernise Sanditon has resulted in the installation of bathing machines and the construction of a new home for himself and his family near the seashore. Upon repair of the carriage and improvement to Mr Parker’s foot, the Parkers return to Sanditon, bringing Charlotte with them as their summer guest.
Upon arrival in Sanditon, Charlotte meets the inhabitants of the town. Prominent among them is Lady Denham, a twice-widowed woman who received a fortune from her first husband and a title from her second. Living with Lady Denham is her niece Clara Brereton, a sweet and beautiful yet impoverished young lady. Also living in Sanditon are Sir Edward Denham and his sister Esther, nephew and niece to Lady Denham by her second husband. The siblings are poor and are thought to be seeking Lady Denham’s fortune; Sir Edward is described as a silly and very florid man, though handsome.
After settling in with the Parkers and encountering various neighbours, Charlotte and Mr and Mrs Parker are surprised by a visit from his two sisters and younger brother, all of whom are self-declared invalids. However, given their level of activity and seeming strength, Charlotte quickly surmises that their complaints are invented. Diana Parker has come on a mission to secure a house for a wealthy family from the West Indies, although she has not specifically been asked to help. She also brings word of a second large party, a girls’ school, which is intending to summer at Sanditon. This news causes a stir in the small town, especially for Mr Parker, whose fondest wish is the promotion of tourism there.
With the arrival of Mrs Griffiths at Sanditon, it soon becomes apparent that the family from the West Indies and the girls’ school group are one and the same. The visitors consist of Miss Lambe, a teenaged Antiguan-English heiress, and the two Miss Beauforts, English girls just arrived from the West Indies.[3] In short order, Lady Denham calls on Mrs. Griffiths to be introduced to Miss Lambe, the sickly and very rich young woman that she intends her nephew, Sir Edward, to marry.
A carriage unexpectedly arrives bearing Sidney Parker, the middle Parker brother. He will be staying in town for a few days with two friends who will join him shortly. Sidney Parker is about 27 or 28 years old, and Charlotte finds him very good-looking, with a decided air of fashion.
The book fragment ends when Mrs Parker and Charlotte visit Sanditon House, Lady Denham’s residence. There Charlotte spots Clara Brereton seated with Sir Edward Denham at her side having an intimate conversation in the garden and surmises that they must have a secret understanding. When they arrive inside, Charlotte observes that a large portrait of Sir Henry Denham hangs over the fireplace, whereas Lady Denham’s first husband, who owned Sanditon House, only gets a miniature in the corner – obliged, as it were, to sit back in his own house and see the best place by the fire constantly occupied by Sir Henry Denham.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: The Watsons Series: ———- Author: Jane Austen Rating: 4 of 5 Stars Genre: Classic Pages: 46 Words: 17K
This is an unfinished novel that Austen began, stopped and for unknown reasons, never picked up again. It is 5 chapters long, which is why I’m giving it the “novella” tag.
While I enjoyed this little “taste”, it had many of the same elements in Austen’s full novels so it wasn’t a novelty like Lady Susan was.
I almost didn’t rate this because it wasn’t finished and so I didn’t know how the later, unwritten part of the story would have changed my outlook on the beginning. But I am rating what I was able to read and that gets 4stars from me.
There have been several “completed” versions by various authors. One of them, a descendant of Austen wrote a full 500+ page novel based on this. At some point I plan on reading that. It is entitled “The Younger Sister”.
★★★★☆
From Wikipedia.org
Synopsis – click to open
The timeframe of the completed fragment covers about a fortnight, and serves to introduce the main characters, who live in Surrey. Mr Watson is a widowed and ailing clergyman with two sons and four daughters. The youngest daughter, Emma, the heroine of the story, has been brought up by a wealthy aunt and is consequently better educated and more refined than her sisters. But after her aunt contracted a foolish second marriage, Emma has been obliged to return to her father’s house. There she is chagrined by the crude and reckless husband-hunting of two of her sisters, Penelope and Margaret. One particular focus for them is Tom Musgrave, who has paid attention to all of the sisters in the past. This Emma learns from her more responsible and kindly eldest sister Elizabeth.
Living near the Watsons are the Osbornes, a great titled family. Emma attracts some notice from the young and awkward Lord Osborne while attending a ball in the nearby town. An act of kindness on her part also acquaints her with Mrs Blake, who introduces Emma to her brother, Mr Howard, vicar of the parish church near Osborne Castle. A few days later Margaret returns home, having been away on a protracted visit to her brother Robert in Croydon. With her come her brother and his overbearing and snobbish wife. When they leave, Emma declines an invitation to accompany them back.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Lady Susan Series: ———- Author: Jane Austen Rating: 4 of 5 Stars Genre: Classic novella Pages: 85 Words: 23K
When I originally read this back in ‘13, it was as part of Austen’s collected “Minor Works”. As such, in my mind it was incomplete, because I was mixing it up with Sanditon. I assumed it was unfinished because it was so short. The reality though, is that it is a novella and reading it on its own this time, I realized it has a beginning, a middle and an end. It is also in the epistolary style (the story is told through letters written to and from various characters) and I have a weakness for that particular literary device. It just works for me, so I had a great time this time around.
Lady Susan, the titular character, is, to put it bluntly, a home wrecker. She’s recently widowed and on the prowl for her next meal ticket. She gets involved with a married man, because “he’s interesting” and then when that causes a scandal, removes to the countryside to live with her brother-in-law and his wife. The wife’s brother comes to visit and Lady Susan decides to play with him. While keeping the married man on the leash AND keeping an eye on yet a third rich young man, who she thinks should marry her 16 year old daughter. Lots of drama ensues between family as the story progresses and we get to see the true Lady Susan through her letters to a friend in London. In the end, the daughter of Lady Susan is set to marry the good rich young man and Lady Susan ends up with the third young man, who is rich as Croesus, but extremely stupid. No come uppances are anywhere to be seen.
I was amazed at just how brazen Lady Susan was in her letters to her friend in London. She tells her real thoughts on everyone around her, outlines in detail her schemes for herself and her daughter and generally shows just how terrible a person she is. I would have been ashamed to even write in my own private journal some of the things she casually and glibly writes about. To be frankly so self-centered and selfish with no concerns for anyone besides herself, well, I’d be embarrassed to admit even to myself that I was that kind of person.
I did have a little trouble keeping track who was who. With several people referring to each other by their titles and last names instead of their family relation or full name, I had to concentrate on who Mrs Vincent Godfrey the 4th was, or how they were related to Miss Emma Murray. Thankfully, I WAS able to keep everyone straight, even if they did just refer to each other as Mrs Godfrey or Miss Murray. Naming conventions and their usage is another one of those little time capsules that I so enjoy about reading older books, even if it does take work on my part.
Reading this by itself emphasized the ending and I was glad to see this as a complete story instead of the “fragment” I thought it was in my head.
★★★★☆
From Wikipedia.org
Synopsis – click to open
Lady Susan Vernon, a beautiful and charming recent widow, visits her brother-in-law and his wife, Charles and Catherine Vernon, with little advance notice at Churchill, their country residence. Catherine is far from pleased, as Lady Susan had tried to prevent her marriage to Charles and her unwanted guest has been described to her as “the most accomplished coquette in England”. Among Lady Susan’s conquests is the married Mr. Manwaring.
Catherine’s brother Reginald arrives a week later, and despite Catherine’s strong warnings about Lady Susan’s character, soon falls under her spell. Lady Susan toys with the younger man’s affections for her own amusement and later because she perceives it makes her sister-in-law uneasy. Her confidante, Mrs. Johnson, to whom she writes frequently, recommends she marry the very eligible Reginald, but Lady Susan considers him to be greatly inferior to Manwaring.
Frederica, Lady Susan’s 16-year-old daughter, tries to run away from school when she learns of her mother’s plan to marry her off to a wealthy but insipid young man she loathes. She also becomes a guest at Churchill. Catherine comes to like her—her character is totally unlike her mother’s—and as time goes by, detects Frederica’s growing attachment to the oblivious Reginald.
Later, Sir James Martin, Frederica’s unwanted suitor, shows up uninvited, much to her distress and her mother’s vexation. When Frederica begs Reginald for support out of desperation (having been forbidden by Lady Susan to turn to Charles and Catherine), she causes a temporary breach between Reginald and Lady Susan, but the latter soon repairs the rupture.
Lady Susan decides to return to London and marry her daughter off to Sir James. Reginald follows, still bewitched by her charms and intent on marrying her, but he encounters Mrs. Manwaring at the home of Mr. Johnson and finally learns Lady Susan’s true character. Lady Susan ends up marrying Sir James herself, and allows Frederica to reside with Charles and Catherine at Churchill, where Reginald De Courcy “could be talked, flattered, and finessed into an affection for her.”
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Mansfield Park Series: ———- Author: Jane Austen Rating: 2 of 5 Stars Genre: Classic Pages: 346 Words: 160K
This is my third time reading this. Sadly, I think this is the lowest rating for an Austen story yet. First time I read it in ‘06 I gave it 3stars, then when I re-read it in ‘14 I gave it 4stars, now in ‘24, I’m giving it 2 stars. I am definitely a mercurial reader and reviewer.
I did not enjoy this at all. Fanny Price wasn’t just a milk sop, she was someone who wouldn’t defend herself or standup for herself, in any way. I get that she grew up being put down by her extended family and that she was sickly, but she is one of these people who is so conflict averse that she will suffer harm to herself rather than even say “No”, just a plain “No”. Instead, she gives all these fatuous reasons, and reasons can always be overcome by someone who is motivated. Just Say No! And Fanny Price wouldn’t.
I think part of my dislike is that since my last read in ‘14, I’ve had occasion to deal with someone very similar to Fanny. Mrs B and I had an older friend who was living on her own in a little one bedroom apartment. Her daughter needed a temporary place to stay and so she opened up her place to her. Her daughter agreed to pay the rent, as she was working a pretty good paying job. She paid the rent for 2 months, then quit her job, starting working at a convenience store for half the money, told her mom she couldn’t pay the rent but kept living there. Then she started bringing her latest boyfriend home. To the one bedroom apartment. Our friend complained and lamented but wouldn’t DO anything. We told her what needed to be done (call the police and have the daughter and boyfriend escorted off the premises and told not to come back) and that we would come over and be right with her as she made the call. But she wouldn’t do it. She wanted us to make the call, us to be the ones to kick her daughter out. And this had happened before. So we told her that we would help her but that SHE needed to be the one to take that first step. She ended up getting someone else to do her dirty work and we haven’t been in contact since. She would not help herself.
Fanny Price reminded of that mindset during this read. I didn’t expect her to solve her problems by herself, but I did expect her to take a step of asking for help. She expected help from her Uncle and her Cousin, and I must say, she was right in that expectation, but when they were being obtuse or confused or just plain stupid, she refused to ask outright. It frustrated me incredibly. We all have problems that are bigger than we can handle ourselves. But pretending they don’t exist, or expecting others to read our minds to know our wishes on the issue isn’t the way to solve them. USE YOUR WORDS!
Maybe in another 10 or 15 years I’ll re-read this again and have yet another reaction to this, I don’t know. But for this time, it was not a good read for me and I did not enjoy it. Which saddens me incredibly because I love Austen’s works 🙁
★★☆☆☆
From Wikipedia.org
Synopsis – Click to Open
Ten-year-old Fanny Price is sent from her impoverished home in Portsmouth to live with the family at Mansfield Park. Lady Bertram is Fanny’s aunt and her four children – Tom, Edmund, Maria and Julia – are older than Fanny. All but Edmund mistreat her and her other aunt, Mrs Norris, wife of the clergyman at the Mansfield parsonage, makes herself particularly unpleasant.
When Fanny is fifteen, Aunt Norris is widowed and her visits to Mansfield Park increase, as does her mistreatment of Fanny. A year later, Sir Thomas leaves to deal with problems on his sugar plantation in Antigua, taking with him his spendthrift eldest son Tom. Mrs Norris, looking for a husband for Maria, finds the rich but weak-willed Mr Rushworth, whose proposal Maria accepts but only for his money.
Henry Crawford and his sister Mary arrive at the parsonage to stay with their half-sister, the wife of the new incumbent, Dr Grant. With their fashionable London ways, they enliven the great house. Edmund and Mary then start to show interest in one another.
On a visit to Mr Rushworth’s estate, Henry flirts with both Maria and Julia. Maria believes Henry is in love with her and so treats Mr Rushworth dismissively, provoking his jealousy, while Julia struggles with jealousy and resentment towards her sister. Mary is disappointed to learn that Edmund will be a clergyman and tries to undermine his vocation.
After Tom returns to Mansfield Park ahead of his father, he encourages the young people to begin rehearsals for an amateur performance of Elizabeth Inchbald’s play Lovers’ Vows. Edmund objects, believing Sir Thomas would disapprove and feeling that the subject matter is inappropriate but, after much pressure, he agrees to take on the role of the lover of the character played by Mary. The play also provides further opportunity for Henry and Maria to flirt. When Sir Thomas arrives home unexpectedly, he is furious to find the play still in rehearsal and it is cancelled. Henry departs without explanation, and in reaction Maria goes ahead with marriage to Mr Rushworth. The couple then settle in London, taking Julia with them. Sir Thomas sees many improvements in Fanny and Mary Crawford initiates a closer relationship with her.
When Henry returns to Mansfield Park, he decides to entertain himself by making Fanny fall in love with him. Fanny’s brother William visits, and Sir Thomas holds what is effectively a coming-out ball for her. Although Mary dances with Edmund, she tells him it will be the last time, as she will never dance with a clergyman. Edmund drops his plan to propose and leaves the next day, as do Henry and William.
When Henry next returns, he announces to Mary his intention to marry Fanny. To assist his plan, he has used his family’s naval connections to help William achieve promotion. However, when Henry proposes marriage, Fanny rejects him, disapproving of his past treatment of women. Sir Thomas is astonished by her continuing refusal, but she does not explain, afraid of compromising Maria.
To help Fanny appreciate Henry’s offer, Sir Thomas sends her to visit her parents in Portsmouth, where she is taken aback by the contrast between their chaotic household and the harmonious environment at Mansfield. Henry visits, but although she still refuses him, she begins to appreciate his good features.
Later, Fanny learns that Henry and Maria have had an affair which is reported in the newspapers. Mr Rushworth sues Maria for divorce and the Bertram family is devastated. Tom meanwhile falls gravely ill as a result of a fall from his horse. Edmund takes Fanny back to Mansfield Park, where she is a healing influence. Sir Thomas realises that Fanny was right to reject Henry’s proposal and now regards her as a daughter.
During a meeting with Mary Crawford, Edmund discovers that Mary’s regret is only that Henry’s adultery was discovered. Devastated, he breaks off the relationship and returns to Mansfield Park, where he confides in Fanny. Eventually the two marry and move to Mansfield parsonage after Dr Grant secures a post in Westminster. Meanwhile, those left at Mansfield Park have learned from their mistakes and life becomes pleasanter there.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Northanger Abbey Series: ———- Author: Jane Austen Rating: 4 of 5 Stars Genre: Classic Pages: 175 Words: 81K
For this read through, I did my best to peer past the parody asides that Austen threw in and just see the romance story she had written. It was a pretty plain jane, vanilla flavored romance. It was also very much a coming of age story. Catherine is a sheltered young woman and this story was more about her seeing a wider world and the evil side of people, which she hadn’t been exposed to at home, than it was about her meeting and eventually marrying Henry Tilney.
It was also a good reminder of just how insecure and unsettled young people are. Catherine wasn’t confused, she just didn’t know enough to react properly to her so-called friend Isabella’s actions. She had to learn by experience. Overall, I’m a pretty confident guy and it can be hard for me to remember that not everyone else is the same. I have a feeling I’d fulfill the role of General Tilney (Henry’s father) and intimidate Catherine without even realizing it. I know I mock the idea of “special snowflakes” a lot, but I am aware that kids do need a little bit of care in handling, sometimes, but not often.
The other thing I noticed was just how much of a role letter writing played. It is in all of Austen’s stories, but here it just made me think. I am a texter and I write on my blog and I journal, so I’d like to think that I would have been a great letter writer back in the day. But there is a big difference between typing and writing. And there is a HUGE difference using a gel pen and a quill and ink stand. Upon reflection I suspect that I would not have been a huge letter writer unless I had an amanuensis to take dictation for me. If that was the case, I’d probably be sending letters every day 😀
You get a letter, you get a letter, everybody gets a letter! (well, except for you!)
Overall I enjoyed this more than my previous times and I suspect it had as much, if not more, to do with my appreciation of good writing than just having a good time with a story.
★★★★☆
From Wikipedia.org
Synopsis – click to open
Seventeen-year-old Catherine Morland is one of ten children of a country clergyman. Although a tomboy in her childhood, she is “in training for a heroine” and is fond of reading Gothic novels “provided they [are] all story and no reflection.”
The Allens (her wealthier neighbours in Fullerton) invite Catherine to accompany them in their visit to the city of Bath and partake in the winter season of balls, theatre and other social activities. Shortly after their arrival, she is introduced to a young gentleman, Henry Tilney, with whom she dances. Mrs. Allen meets an old school friend, Mrs. Thorpe, whose daughter, Isabella, quickly becomes friends with Catherine. Isabelle introduces Catherine to Ann Radcliffe’s 1794 Gothic novel Mysteries of Udolpho. Mrs. Thorpe’s son, John, is a friend of Catherine’s older brother, James, at Oxford University where they are both students. The two young men come to Bath, where John is then introduced to Catherine.
The Thorpes are not happy about Catherine’s friendship with the Tilneys. They correctly perceive Henry as a rival for Catherine’s affections even though Catherine is not at all interested in John Thorpe. Despite Thorpe continually attempting to sabotage her relationship with the Tilneys, Catherine tries to maintain her friendships with both the Thorpes and the Tilneys. This leads to several misunderstandings, which put Catherine in the awkward position of having to explain herself to the Tilneys.
Isabella and James become engaged. James’ father approves of the match and offers his son a country parson’s living of a modest sum, £400 annually, but they must wait until he can obtain the benefice in two and a half years. Isabella is dissatisfied, but to Catherine, she misrepresents her distress as being caused solely by the delay, and not by the value of the sum. Isabella immediately begins to flirt with Captain Frederick Tilney, Henry’s older brother. Innocent Catherine cannot understand her friend’s behaviour, but Henry understands all too well as he knows his brother’s character and habits.
The Tilneys invite Catherine to stay with them for a few weeks at their home, Northanger Abbey. Once at Northanger Abbey, Catherine and Eleanor Tilney, Henry’s and Frederick’s younger sister, get to know each other better on a personal level.[7] Catherine, in accordance with her novel reading, expects the house to be exotic and frightening. Henry teases her about this as it turns out that Northanger Abbey is pleasant and decidedly not Gothic. However, the house includes a mysterious suite of rooms that no one ever enters; Catherine learns that they were the apartments of Mrs. Tilney, who died nine years earlier due to a serious illness,[7] leaving Mr. Tilney with three children to raise by himself.[8] As General Tilney no longer appears to be affected by her death, Catherine decides that he may have imprisoned her in her chamber, or even murdered her.
Catherine discovers that her over-active imagination has led her astray as nothing is strange or distressing in the apartments. Henry finds and questions her; he surmises and informs her that his father loved his wife in his own way and was truly upset by her death.[9] She leaves the apartments, crying, fearing that she has lost Henry’s regard entirely. Realising how foolish she has been, Catherine comes to believe that, though novels may be delightful, their content does not relate to everyday life. Henry does not mention this incident to her again.
James writes to inform her that he has broken off his engagement to Isabella and implies that she has become engaged instead to Captain Tilney. Henry and Eleanor Tilney are sceptical that their brother has actually become engaged to Isabella Thorpe. Catherine is terribly disappointed, realising what a dishonest person Isabella is. A subsequent letter from Isabella herself confirms the Tilney siblings’ doubts and shows that Frederick Tilney was merely flirting with Isabella. The General goes off to London, and the atmosphere at Northanger Abbey immediately becomes lighter and more pleasant from his absence. Catherine passes several enjoyable days with Henry and Eleanor until the General returns abruptly in a temper in Henry’s absence. He forces Catherine to go home early the next morning in a shocking and unsafe mode that forces Catherine to undertake the 70 miles (110 km) journey alone.
At home, Catherine is listless and unhappy. Henry pays a sudden unexpected visit and explains what happened. General Tilney (on the misinformation of John Thorpe) had believed her to be exceedingly rich as the Allens’ prospective heiress, and therefore a proper match for Henry. In London, General Tilney ran into Thorpe again, who, angry at Catherine’s refusal of his earlier half-made proposal of marriage, said instead that she was nearly destitute. Enraged, General Tilney, (again on the misinformation of John Thorpe), returned home to evict Catherine. When Henry returned to Northanger, his father informed him of what had occurred and forbade him to think of Catherine again. When Henry learns how she had been treated, he breaks with his father and tells Catherine he still wants to marry her despite his father’s disapproval. Catherine is delighted, though when Henry seeks her parents’ approval, they tell the young couple that final approval will only happen when General Tilney consents.
Eventually, General Tilney acquiesces because Eleanor has become engaged to a wealthy and titled man; he discovers that the Morlands, while not extremely rich, are far from destitute.
Having read Persuasion last week, I just couldn’t pass up an opportunity to watch a new-to-me movie version. I have previously watched the 1995 version, but it really felt like that version just touched on the highlights of the story without getting into the nitty gritty details. It was enjoyable but not something I’d ever want to watch again. So I cruised on over to Amazon and perused their free offerings of Austen’s works. Thankfully, this 2008 BBC production was available, so I sat back and enjoyed.
First, this went off the story in a couple of places, mainly the ending. In this, Wentworth somehow buys the Elliott home estate and gives it to Anne as a wedding present. That never happened in the book. There were also a couple of smaller issues throughout the movie but they weren’t enough to really take notice of.
What really stood out to me was the emotional side of things. There was one scene where Anne is reading a letter from her brother-in-law stating that Wentworth is sure to be married. She’s just sobbing and you can feel her pain, the knowledge that she will never have the chance to be with Wentworth ripping her heart completely apart. You’d have to be a stone, or never experienced that level of heartbreak, to not be moved by it. That scene alone made this a great movie.
I really enjoyed watching this for free. I don’t think I’d go out and buy it, but if you can see it for free, go for it! Of course, read the book first. ALWAYS read the book first.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Persuasion Series: ———- Author: Jane Austen Rating: 5 of 5 Stars Genre: Classic Pages: 193 Words: 85K
This is my 4th read of this novel since 2003. Suffice to say that I really enjoy it.
It is shorter than Pride and Prejudice as well as Sense and Sensibilityand is significantly shorter than Emma (which comes in around the 340page mark). Unfortunately, it “feels” shorter too. While I am a big fan of a short novel, sometimes it isn’t the best. I think the interactions between Anne (with an “E”, hahahaha) and Wentworth could have been longer and more drawn out. Or even more of them. It’s not that they didn’t meet and interact, it just felt rushed. Which ties into the shortness of the novel. But that is my only complaint.
I have always liked this novel because of the age of the protagonists. Anne is 26/27 and Wentworth is 30something? (an OLD man if you listen to Marianne Dashwood 😉 ). Mrs B was younger than Anne when we got married. The calm and collected way that Anne and Freddie (I am not typing Frederick more than once!) went about reconnecting was enjoyable to me. There was very little drama and they proceeded pretty calmly and rationally and allowed their minds to be in control instead of their emotions. They allowed their emotions to influence them, but the emotions weren’t in control. I really, really like that aspect. I see too much of people giving their emotions sway over their lives and then bad things usually happen, either to them or the people around them. So seeing a maturity in the romance is just refreshing.
Despite having read this four times (now), I never can remember which Austen novel it is where a young girl gets head strong and jumps and gives herself a concussion. It is this novel. The scene has always made a strong impression on me but for some reason I simply cannot keep it attached to Persuasion. I’m always convinced it is one of Austen’s other novels and I keep waiting for that scene in other books and am always disappointed it isn’t there; but that only enhances my enjoyment of it when I DO read it here 🙂
I did notice that I no problem getting into the story or the manner and style of writing. Reading S&S last year was a bit of a chore as my mind had to switch mental gears for the 1800’s literary style. But now that I’ve got three of Austen’s novels under my belt (the three mentioned at the start of this review), my mental gears are all well oiled and I sailed through this with nary a hiccup or stickage. That’s always a good feeling and it is how this book made me feel, ie, good.
★★★★★
From Wikipedia.org
Summary – Click to Open
The story begins seven years after the broken engagement of Anne Elliot to Frederick Wentworth: having just turned nineteen years old, Anne fell in love and had accepted a proposal of marriage from Wentworth, then a young and undistinguished naval officer. Wentworth was considered clever, confident and ambitious, but his low social status and lack of wealth made Anne’s friends and family view him as an unsuitable partner. Anne’s father, Sir Walter Elliot, and her older sister, Elizabeth, maintained that Wentworth was no match for a woman of Kellynch Hall, the family estate. Furthermore, Lady Russell, a distant relative whom Anne considers to be a second mother to her after her own died, also saw the relationship as imprudent for one so young and persuaded Anne to break off the engagement. Sir Walter, Elizabeth, and Lady Russell are the only family members who knew about the short engagement, as Anne’s younger sister Mary was away at school.
Several years later, the Elliot family are in financial trouble on account of their lavish spending, so they decide to rent out Kellynch Hall and settle in a cheaper home in Bath until their finances improve. Sir Walter, Elizabeth, and Elizabeth’s new companion, Mrs Clay, look forward to the move. Anne, on the other hand, doubts she will enjoy Bath, but cannot go against her family. Mary is now married to Charles Musgrove of Uppercross Hall, the heir to a respected local squire. Anne visits Mary and her family, where she is well-loved. As the Napoleonic Wars are over, Admiral Croft and his wife Sophia (Frederick’s sister) have become the new tenants of Kellynch Hall. Captain Wentworth, now wealthy from his service in the war, visits his sister and meets the Uppercross family, where he crosses paths with Anne.
The Musgroves, including Mary, Charles, and Charles’s sisters Henrietta and Louisa, welcome the Crofts and Captain Wentworth, who makes it known that he is ready to marry. Henrietta is engaged to her cousin, clergyman Charles Hayter, who is absent when Wentworth is introduced to their social circle. Both the Crofts and Musgroves enjoy speculating about which sister Captain Wentworth might marry. Once Hayter returns, Henrietta turns her affections to him again. Anne still loves Wentworth, so each meeting with him requires preparation for her own strong emotions. She overhears a conversation in which Louisa tells Wentworth that before marrying Mary, Charles Musgrove first proposed to Anne, who turned him down. This news startles Wentworth, and Anne realises that he has not yet forgiven her for letting herself be persuaded to end their engagement years ago.
Anne and the young adults of the Uppercross family accompany Captain Wentworth on a visit to see two of his fellow officers, Captains Harville and Benwick, in the coastal town of Lyme Regis. Captain Benwick is in mourning over the death of his fiancée, Captain Harville’s sister Fanny, and he appreciates Anne’s sympathy and understanding, helped by their mutual admiration for the Romantic poets. Anne attracts the attention of Mr William Elliot, her cousin and a wealthy widower who is heir to Kellynch Hall despite having broken ties with her father years earlier. On the last morning of the visit, Louisa sustains a serious concussion after jumping from the Cobb seawall expecting to be caught by Wentworth. Anne coolly organises the others to summon assistance. Wentworth is impressed with Anne’s quick thinking and cool-headedness, but feels guilty about his actions encouraging Louisa’s attraction to him. This causes him to re-examine his feelings for Anne. Louisa, due to her delicate condition, is forced to recover at the Harvilles’ home in Lyme for months. Captain Benwick, who was a guest as well, helps in Louisa’s recovery by attending and reading to her.
Following Louisa’s accident, Anne joins her father and sister in Bath, with Lady Russell also in the city, while Louisa stays at the Harvilles’ in Lyme Regis for her recovery. Captain Wentworth visits his older brother Edward in Shropshire. Anne finds that her father and sister are flattered by the attentions of their cousin William Elliot, thinking that if he marries Elizabeth, the family fortunes will be restored. William flatters Anne and offhandedly mentions that he was “fascinated” with the name of his future wife already being an “Elliot” who would rightfully take over for her late mother. Although Anne wants to like William, the attention and his manners, she finds his character opaque and difficult to judge.
Admiral Croft and his wife arrive in Bath with the news that Louisa is engaged to Captain Benwick. Wentworth travels to Bath, where his jealousy is piqued by seeing William trying to court Anne. Captain Wentworth and Anne renew their acquaintance. Anne visits Mrs Smith, an old school friend, who is now a widow living in Bath under straitened circumstances. From her, Anne discovers that beneath William’s charming veneer, he is a cold, calculating opportunist who led Mrs Smith’s late husband into debt. As executor to her husband’s will, William has done nothing to improve Mrs Smith’s situation. Although Mrs Smith believes that William is genuinely attracted to Anne, she feels that his primary aim is to prevent Mrs Clay from marrying Sir Walter, as a new marriage might mean a son for Sir Walter, displacing William as heir to Kellynch Hall.
The Musgroves visit Bath to purchase wedding clothes for Louisa and Henrietta, both soon to marry. Captains Wentworth and Harville encounter them and Anne at the Musgroves’ hotel in Bath, where Wentworth overhears Anne and Harville discussing the relative faithfulness of men and women in love. Deeply moved by what Anne says about women not giving up their feelings of love even when all hope is lost, Wentworth writes her a note declaring his feelings for her. Outside the hotel, Anne and Wentworth reconcile, affirm their love for each other, and renew their engagement. Lady Russell admits she was wrong about Wentworth and endorses the engagement. William leaves Bath; Mrs Clay soon follows him and becomes his mistress, making it more likely that he will inherit Kellynch Hall as the danger of her marrying Sir Walter has passed. Once Anne and Wentworth have married, Wentworth helps Mrs Smith recover the remaining assets that William had kept from her. Anne settles into her new life as the wife of a Navy captain.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Pride and Prejudice Series: ———- Author: Jane Austen Rating: 5 of 5 Stars Genre: Classic Pages: 275 Words: 124K
This will be a bit different from my usual review. Lashaan and I did a buddy read of this and we used a series of questions I found online to help us talk about the book. There were 11 questions in total and I chose to answer 7 of them. I found the other 4 stupid, insipid, insulting or just plain not a subject I cared one whit for. After the questions I have some general thoughts. And I’ve included a link to Lashaan’s review at the end. Please visit his review when it goes live to see another whole take on this book 😀
1. “It is a truth universally acknowledged, that a single man in possession of a goodfortune,must be in want of a wife.” This first line has become one of the most famous in Englishliterature. In addition to setting the narrative in motion, how does this line alert us to thetone of the novel and our role, as readers, in appreciating it? What does the line implyabout women?
I’ll work backwards on this. Addressing that last question first.
When you talk about the opening line, you have to also use the second to put it into context: “However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.”
So what the opening implies about women, and then about men, is that they are both playing pieces for their elders. It’s not about gender (despite what the questioner is trying to force into this). Both are pawns are on the chessboard of marriage.
The role of the reader is whatever the reader wants it to be. It doesn’t matter what the author thinks, or tries to do. The reader is an independent being and a good author acknowledges this and simply writes their story without forcing their reader into the slavery of being “in a role”. Only Message writers do that.
As for the tone of the novel, I’d say it it sets a jolly good tone! Funny, amusing and yet acknowledging the foibles of the culture the author is living in.
So there we go. My first set of ranty answers to the first question 😀
2. Elizabeth is upset to learn that Charlotte has accepted Mr. Collins’s marriageproposal. Doyou think Charlotte should have married Mr. Collins? Did she choose him or did he chooseher? What do you think influenced her decision to accept him? Is Charlotte a romantic? IsElizabeth?
At 27, being plain, poor and unconnected, Charlotte didn’t have much choice if she didn’t want to end up being a burden to her family. While I suspect she will regret in the future her choice of Mr Collins, tempermentally she seems fit to deal with his particular brand of pride and false-humility. And now she is mistress of her own establishment with greater things to come. Her children won’t be in her circumstances and thus will hopefully be able to have more choices open to them.
I’d say Charlotte definitely chose Mr Collins. He was just wafting around like a butterfly, looking for the first open flower. She saw him coming a mile away. Besides, Mr Collins seems to stupid to do any real choosing 😀
I think my answer to the first question also answers this. Material stability goes a long way towards making a relationship stable. Charlotte knew what her future held and so she did what she had to to change it, for the better.
I don’t see Charlotte as romantic at all. She’s just super realistic. Elizabeth on the other hand is fully infected with the “Love is Our Guiding Light” idea. Of course, given what Elizabeth sees between her father and mother, one can forgive her for wanting some genuine love in a relationship.
3. How does Pemberley play a role in Elizabeth’s change of heart? Does she really fall inlove with Darcy after seeing his estate? Trace the development of her feelings for him.Why is Darcy attracted to Elizabeth? Trace the development of his feelings for her.
I think this question is a bit too “school report” like for my taste. Plus, you know, feelings. Seeing Pemberley was just another check mark in the positive side for Darcy. Not because it was all big and rich, but because of the character it displayed and thus by extension, Darcy’s character. You can tell a lot about a person by their living quarters. And by the people they keep around them. So it simply helped Elizabeth begin to change her feelings towards Darcy. She saw another side of him displayed through Pemberley. She was discerning enough to see that and to look beyond the wealth itself.
4. What might have happened if Elizabeth had accepted Darcy’s first proposal? Do you thinkhe really expected her to accept? How does the first proposal change their feelings for, andopinions of, each other?
I think their marriage would have ended in disaster. He wouldn’t have respected her and she never would have loved him him. They both needed to change themselves and see the other in a more accurate light before their marriage could have worked.
I do think Darcy expected an acceptance. I’m pretty sure when they are talking about it later he says something like “you had everything to gain and nothing to lose by accepting my proposal. At least that is how I saw it at the time”.
I think Darcy’s proposal opened Elizabeth’s eyes to the fact that Darcy did love her. He wasn’t just attracted to her, but he loved her. That allowed her to realize that her feelings of prejudice might need to change. And Darcy got a good earful from Elizabeth and he needed that to set him on the path of seeing her as an equal in any marriage endeavor and not just an emotional and sexual outlet.
7. Mr. and Mrs. Bennet do not agree on very much, especially when it comes to theirdaughters’ futures. Who is the better parent—Mr. or Mrs. Bennet? What role does familyplay in this novel?
Neither of them is the better parent. Mr Bennet is the least worst though. Lydia is exactly like her mother, so it shouldn’t have come as any surprise to anyone at her running away with Wickham and not caring at all about getting married. Mr Bennet could have helped guide his wife’s character growth at the beginning of their marriage but chose not to fight that battle and he reaped the harvest with a selfish, vain, silly woman for a wife.
Family plays a huge role! The Bennetts. Darcy’s sister and Aunt. Mr Bingley’s sister. Elizabeth’s Aunt and Uncle. Even Wickham is a pseudo-family of the Darcy’s. You can’t go very far without a family interaction.
8. Darcy says that Wickham tried to elope with Georgiana for revenge. Does revenge play a part in his elopement with Lydia?
I don’t think it does at all. I think Wickham needed an out and Lydia provided the easiest and most comfortable out. I have to admit, Wickham running away with Lydia still puzzles me.
11. Why is this novel so popular? Why do readers keep coming back to it, even after the original suspense is gone and they know how it ends?
Because it’s a girly romance and there are more women in the world than men.
Is my off the cuff, flippant remark, hahahahaa.
My serious answer would be that the Initially Thwarted Romance between Jane and Mr Bingley and the Enemies to Lovers Romance between Elizabeth and Mr Darcy speaks to a lot of women. “I” like it because it’s a romantic story that shows some real human foibles and it’s some very fine writing.
I skipped a bunch of questions because they pissed me off. I hate social media so wanted to nothing to do with that question. I disliked the leading question about Irony because I don’t like being led down a certain path by somebody else. Finally, I don’t care two figs for what it might have been originally titled. It is called Pride and Prejudice and that’ that. It’s overthinking things for the sake of overthinking to do any more on the title.
Bookstooge’s General Thoughts:
I must admit, I did not like this format of Question and Answer. I felt stifled, hemmed in and like I was back in highschool with a teacher looking over my shoulder. While it made writing a review much easier (I pasted/copied the questions and my answers from my emails to Lashaan), I totally did not enjoy the reading process itself. My brain did not have the freedom to wander down the byways because I was focused on trying to “pay attention” to the story so I could answer the questions.
It’s not that the Q&A is a bad way of doing things, especially for younger people who haven’t been trained to think for themselves yet. It gives them a framework within which to work, otherwise they’d be left floundering and their thoughts would be “I liked this” or “I didn’t like this” without any further explanation. But I am not a kid any more. Sadly, I haven’t been for a long time and I have much vaster reading experience now than I did back when I was a teenager (even as well read as I was then). For me, the reading experience itself is part of the process. I simply flow into the story, absorb it and let it knock around my brain like a pair of dice. Then I release it and see what happens. That’s how I read and review now. It’s been quite the revelation to me to come to that realization.
I am also glad that “I” am the one that chose the questions, that way I have nobody but myself to blame, hahahaahahaa.
Overall, while this Q&A was quite the different approach, and one that I’m happy to have applied, it won’t be happening again.
1. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This first line has become one of the most famous in English literature. In addition to setting the narrative in motion, how does this line alert us to the tone of the novel and our role, as readers, in appreciating it? What does the line imply about women? (From the Chicago Public Library’s One Book, One Chicago pamphlet on Pride and Prejudice, 2005)
2. Elizabeth is upset to learn that Charlotte has accepted Mr. Collins’s marriage proposal. Do you think Charlotte should have married Mr. Collins? Did she choose him or did he choose her? What do you think influenced her decision to accept him? Is Charlotte a romantic? Is Elizabeth?
3. How does Pemberley play a role in Elizabeth’s change of heart? Does she really fall in love with Darcy after seeing his estate? Trace the development of her feelings for him. Why is Darcy attracted to Elizabeth? Trace the development of his feelings for her.
4. What might have happened if Elizabeth had accepted Darcy’s first proposal? Do you think he really expected her to accept? How does the first proposal change their feelings for, and opinions of, each other?
5. Several letters are reproduced in full in the text. What is the effect on you as a reader when you read a letter instead of getting the information contained in it from the 3rd person narrator? Why do you think Austen might have used letters so often in this novel? (There are 59 references to letters in the book.)
6. How does the title Pride and Prejudice relate to the original title Jane Austen used for the novel, First Impressions? Do you think Pride and Prejudice is a better title? Why? How does it relate to Elizabeth? Darcy? Does it relate to other characters in the novel?
7. Mr. and Mrs. Bennet do not agree on very much, especially when it comes to their daughters’ futures. Who is the better parent—Mr. or Mrs. Bennet? What role does family play in this novel?
8. Darcy says that Wickham tried to elope with Georgiana for revenge. Does revenge play a part in his elopement with Lydia?
9. Lady Catherine’s visit to Elizabeth to persuade her not to marry Darcy actually has the opposite effect and propels them toward the final conclusion, their marriage. What is it about this use of dramatic irony that is so appealing to readers? What other examples of irony do you find in the novel?
10. The novel has many universal themes that make it relevant today and inspire contemporary spin-offs and adaptations. Imagine the Facebook pages of each of the Bennet daughters. Who would be most active on Facebook? How would their entries differ from each other? Would any of them choose not to be on Facebook?
11. Why is this novel so popular? Why do readers keep coming back to it, even after the original suspense is gone and they know how it ends?
From Wikipedia.org
Synopsis – Click to Open
In the early 19th century, the Bennet family live at their Longbourn estate, situated near the village of Meryton in Hertfordshire, England. Mrs Bennet’s greatest desire is to marry off her five daughters to secure their futures.
The arrival of Mr Bingley, a rich bachelor who rents the neighbouring Netherfield estate, gives her hope that one of her daughters might contract an advantageous marriage, because “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife”.
At a ball, the family is introduced to the Netherfield party, including Mr Bingley, his two sisters and Mr Darcy, his dearest friend. Mr Bingley’s friendly and cheerful manner earns him popularity among the guests. He appears interested in Jane, the eldest Bennet daughter. Mr Darcy, reputed to be twice as wealthy as Mr Bingley, is haughty and aloof, causing a decided dislike of him. He declines to dance with Elizabeth, the second-eldest Bennet daughter, as she is “not handsome enough”. Although she jokes about it with her friend, Elizabeth is deeply offended. Despite this first impression, Mr Darcy secretly begins to find himself drawn to Elizabeth as they continue to encounter each other at social events, appreciating her wit and frankness.
Mr Collins, the heir to the Longbourn estate, visits the Bennet family with the intention of finding a wife among the five girls under the advice of his patroness Lady Catherine de Bourgh, also revealed to be Mr Darcy’s aunt. He decides to pursue Elizabeth. The Bennet family meet the charming army officer George Wickham, who tells Elizabeth in confidence about Mr Darcy’s unpleasant treatment of him in the past. Elizabeth, blinded by her prejudice toward Mr Darcy, believes him.
Elizabeth dances with Mr Darcy at a ball, where Mrs Bennet hints loudly that she expects Jane and Bingley to become engaged. Elizabeth rejects Mr Collins’ marriage proposal, to her mother’s fury and her father’s relief. Mr Collins instead proposes to Charlotte Lucas, a friend of Elizabeth.
Having heard Mrs Bennet’s words at the ball and disapproving of the marriage, Mr Darcy joins Mr Bingley in a trip to London and, with the help of his sisters, persuades him not to return to Netherfield. A heartbroken Jane visits her Aunt and Uncle Gardiner in London to raise her spirits, while Elizabeth’s hatred for Mr Darcy grows as she suspects he was responsible for Mr Bingley’s departure.
In the spring, Elizabeth visits Charlotte and Mr Collins in Kent. Elizabeth and her hosts are invited to Rosings Park, Lady Catherine’s home. Mr Darcy and his cousin, Colonel Fitzwilliam, are also visiting Rosings Park. Fitzwilliam tells Elizabeth how Mr Darcy recently saved a friend, presumably Bingley, from an undesirable match. Elizabeth realises that the prevented engagement was to Jane.
Mr Darcy proposes to Elizabeth, declaring his love for her despite her low social connections. She is shocked, as she was unaware of Mr Darcy’s interest, and rejects him angrily, saying that he is the last person she would ever marry and that she could never love a man who caused her sister such unhappiness; she further accuses him of treating Wickham unjustly. Mr Darcy brags about his success in separating Bingley and Jane and sarcastically dismisses the accusation regarding Wickham without addressing it.
The next day, Mr Darcy gives Elizabeth a letter, explaining that Wickham, the son of his late father’s steward, had refused the “living” his father had arranged for him and was instead given money for it. Wickham quickly squandered the money and tried to elope with Darcy’s 15-year-old sister, Georgiana, for her considerable dowry. Mr Darcy also writes that he separated Jane and Bingley because he believed her indifferent to Bingley and because of the lack of propriety displayed by her family. Elizabeth is ashamed by her family’s behaviour and her own prejudice against Mr Darcy.
Months later, Elizabeth accompanies the Gardiners on a tour of Derbyshire. They visit Pemberley, Darcy’s estate. When Mr Darcy returns unexpectedly, he is exceedingly gracious with Elizabeth and the Gardiners. Elizabeth is surprised by Darcy’s behaviour and grows fond of him, even coming to regret rejecting his proposal. She receives news that her sister Lydia has run off with Wickham. She tells Mr Darcy, then departs in haste. After an agonising interim, Wickham agrees to marry Lydia. She visits the family and tells Elizabeth that Mr Darcy was at her wedding. Though Mr Darcy had sworn everyone involved to secrecy, Mrs Gardiner now feels obliged to inform Elizabeth that he secured the match, at great expense and trouble to himself.
Mr Bingley and Mr Darcy return to Netherfield. Jane accepts Mr Bingley’s proposal. Lady Catherine, having heard rumours that Elizabeth intends to marry Mr Darcy, visits her and demands she promise never to accept Mr Darcy’s proposal, as she and Darcy’s late mother had already planned his marriage to her daughter Anne. Elizabeth refuses and asks the outraged Lady Catherine to leave. Darcy, heartened by his aunt’s indignant relaying of Elizabeth’s response, again proposes to her and is accepted.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Emma Series: ———- Author: Jane Austen Rating: 4 of 5 Stars Genre: Classic Pages: 341 Words: 160K
This is my least favorite of Austen’s body of work, including her unfinished stuff. Emma as a character embodies everything that I most dislike about young women. I didn’t care for the character back in 2006 when I first read this and I didn’t care for her this time around either. I think my biggest problem is how Emma is a busybody and thinks herself superior to everyone around her.
With that being said, I still enjoyed this book quite a bit. It was very much a “Manners Romance” story and the changes in society in regards to manners made me smile. In one instance, Mrs Elton (a new to the area woman who married and is trying to be the social queen) is talking to a single young woman and calls her “Jane”, which is her name. Emma and Janes’s secret fiance overhear and both are outraged that Mrs Elton would presume to talk to Miss Fairfax so familiarly on so little acquaintance. For me, it was like reading about them being outraged because Mrs Elton said “Purple Elephant” while wearing white shoes. It just struck my funny bone, thankfully.
Much like Edward from Sense and Sensibility, Mr Knightley as a romantic lead does not make up a large part of the story. He’s there to support Emma and is busy doing real life stuff. I fully support that. He’s not swanning off writing goopy poems about her eyes and letting his own business go. This was a second instance of Austen writing about a young woman (Emma is 20 when the story starts) getting romantically involved with an older man (Mr Knightley is 37) and things working out. Was this because Austen was into that or because “Society” itself liked that and so she wrote about it to sell her stories? Most of the married couples I know are within 0-10 years in age of each other. I’ve known a few other couples with great age disparities, but they all tended to be at a stage in life when that didn’t matter (if one is 45 and the other 70 for instance) nearly so much. I know if I had a friend who was in his mid-30’s and he was interested in some cute young thing, I’d caution him about a lack of common cultural relevancies. It might seem small, and in all fairness it CAN be overcome, but something as little as knowing the same movies and the same books can ease the friction of being with another person. You don’t even have to LIKE them, just knowing about them is a common tie. Once you move beyond a certain amount of time, you don’t have those common ties to help bind you to another person. The faster a society moves, the less time those ties have to cement, and vice versa. So in Austen’s time things moved slower so the commonality had many more years to exist, which would make it much easier for a greater age disparity in a marriage to work.
Austen’s prose still makes me work. I had to just slow down to engage with this. One sentence, with multiple commas, could carry on multiple thoughts concurrently and I had to follow them all or I’d miss something, like who was even present in the room. There was one instance where Emma was talking to someone and suddenly Mr Knightley interjects a comment and I couldn’t figure out for the life of me when he had come onto the scene. I had to go back about two paragraphs, and buried in the middle of a long paragraph was a short sentence obliquely referring to him having entered the room. I love and hate that. I love it because it shows skill and I hate it because I’m lazy.
It has been over 17 years since I first read Emma and I suspect it will be that long, if not longer, before I read it for a third time.
★★★★☆
From Wikipedia.org
Click to Open
Emma Woodhouse’s friend and former governess, Miss Taylor, has just married Mr. Weston. Having introduced them, Emma takes credit for their marriage and decides that she likes matchmaking. After returning home to Hartfield, Emma forges ahead with her new interest against the advice of her friend Mr. Knightley, whose brother is married to Emma’s elder sister, Isabella. She attempts to match her new friend, Harriet Smith, to Mr. Elton, the local vicar. Emma persuades Harriet to refuse a marriage proposal from Robert Martin, a respectable young farmer, although Harriet likes him. Mr. Elton, a social climber, mistakenly believes Emma is in love with him and proposes to her. When Emma reveals she believed him attached to Harriet, he is outraged, considering Harriet socially inferior. After Emma rejects him, Mr. Elton goes to Bath and returns with a pretentious, nouveau-riche wife, as Mr. Knightley expected he would do. Harriet is heartbroken, and Emma feels ashamed about misleading her.
Frank Churchill, Mr. Weston’s son, arrives for a two-week visit. Frank was adopted by his wealthy and domineering aunt and has had few opportunities to visit before. Mr. Knightley tells Emma that, while Frank is intelligent and engaging, he has a shallow character. Jane Fairfax also arrives to visit her aunt Miss Bates and great-aunt Mrs. Bates for a few months before starting a governess position due to financial situation. She is the same age as Emma and has received an excellent education through her father’s friend, Colonel Campbell. Emma has remained somewhat aloof from Jane because she envies her and is annoyed by everyone, including Mrs. Weston and Mr. Knightley, praising Jane. Mrs. Elton takes Jane under her wing and announces that she will find a governess post before it is wanted.
Emma decides that Jane and Mr. Dixon, Colonel Campbell’s new son-in-law, are mutually attracted, and that is the reason she arrived earlier than expected. She confides this to Frank, who met Jane and the Campbells at Weymouth the previous year; he apparently agrees with Emma. Suspicions are further fuelled when a pianoforte, sent anonymously, arrives for Jane. Emma feels herself falling in love with Frank, but it does not last. The Eltons treat Harriet poorly, culminating in Mr. Elton publicly snubbing Harriet at a ball. Mr. Knightley, who normally refrained from dancing, gallantly asks Harriet to dance. The day after the ball, Frank brings Harriet to Hartfield, as she fainted after a rough encounter with local gypsies. Emma mistakes Harriet’s gratitude to Frank as Harriet being in love with him. Meanwhile, Mrs. Weston wonders if Mr. Knightley is attracted to Jane, but Emma dismisses the idea. When Mr. Knightley says he notices a connection between Jane and Frank, Emma disagrees, as Frank appears to be courting her instead. Frank arrives late to a gathering at Donwell, while Jane departs early. The next day at Box Hill, a local scenic spot, Frank and Emma are joking when Emma thoughtlessly insults Miss Bates.
When Mr. Knightley scolds Emma for insulting Miss Bates, she is ashamed. The next day, she visits Miss Bates to atone for her bad behaviour, impressing Mr. Knightley. During the visit, Emma learns that Jane has accepted a governess position from one of Mrs. Elton’s friends. Jane becomes ill and refuses to see Emma or receive her gifts. Meanwhile, Frank has been visiting his aunt, who dies soon after his arrival. He and Jane reveal to the Westons that they have been secretly engaged since autumn, but Frank knew his aunt would disapprove of the match. Maintaining the secrecy strained the conscientious Jane and caused the couple to quarrel, with Jane ending the engagement. Frank’s easygoing uncle readily gives his blessing to the match. The engagement is made public, leaving Emma annoyed to discover that she had been so wrong.
Emma believes Frank’s engagement will devastate Harriet, but instead, Harriet says she loves Mr. Knightley, and though she knows the match is too unequal, Emma’s encouragement and Mr. Knightley’s kindness have given her hope. Emma is startled and realises that she is also in love with Mr. Knightley. Mr. Knightley returns to console Emma about Frank and Jane’s engagement, thinking her heartbroken. When she admits her foolishness, he proposes, and she accepts. Harriet accepts Robert Martin’s second proposal, and they are the first couple to marry. Jane and Emma reconcile, and Frank and Jane visit the Westons. Once the mourning period for Frank’s aunt ends, they will marry. Before the end of November, Emma and Mr. Knightley are married with the prospect of “perfect happiness.”
Another BBC tv miniseries. One thing I’ll note right off is that except for the 2008 version, the BBC has kept child actors out of the picture. While that means excising the third sister, Margaret, from the picture, she plays such a small part that it’s not that big a sacrifice. And not having child actors fully accords with my views on them. More harm is done to children than any possible good by either forcing them or even “allowing” them to be in movies and tv. So bravo to the Beeb for keeping them out. Hollywood should have taken note with their 1995 Version. Oh, won’t SOMEONE think of the children? ~wrings hands piteously~
This was a 4part series with each episode running around 45’ish minutes. Once again the entire run is just under the 3hr mark. That seems to be the regular time frame that the BBC considers optimum. Overall, I tend to agree. It works out very well.
After the 1981 Version, I was dreading taking yet another decade long step backwards. If the 1980’s was a stage play acting, what would this be like? I had horrible images of 70’s hairstyles prancing around in tight dance club suits and randomly breaking out into disco dance moves, ala John Travolta. Now I’m going to have nightmares again 🙁 Thankfully, this was nothing like that at all. This reminded me very much of the 2008 Version in terms of acting and how they presented the material. It felt like a movie. I enjoyed watching this. The relief at finding out there was no disco shouldn’t be discounted though, so maybe I didn’t quite enjoy this as much as I thought I did 😉
Another thing that struck me immediately, was the inclusion of Patricia Routledge as Mrs Jennings. Patricia is better known to me as Hyacinth Bucket, from the british sitcom “Keeping Up Appearances“. That show always leaves me rolling. Mrs Jennings was the perfect role, a good hearted, busybody with no malice whatsoever. Routledge totally owned the role and it was a joy to behold her.
While empire waisted dresses dominated the style scene, there was enough curled hair, jewels and variety of dress to keep every period fanatic in raptures. I also would like to re-emphasize, there was not ONE disco suit on display 😉
I do admit to feeling some story fatigue at this point. But as this is the last screen version, it didn’t hinder me, just kind of added a couple of pounds to my shoulders that I had to drag along. I didn’t force myself to watch this and there was no resignation when it was time to watch the next episode. I was thinking of trying to do this same thing for Pride & Prejudice when I do a buddyread with Lashaan next year. I am questioning the wisdom of that decision, as this experience has quite wiped me out. Not a bad experience, but a very tiring one. But that’s months away, so I refuse to make a choice now about something that far in the future.
As this is the last viewing, I’ve given a few thoughts about how I’d rank them in regards to each other.
When I popped this into the blurayer player to watch it with Mrs B, we both thought it was going to be another movie version like the 1995 version. So imagine our surprise when up popped a menu with Episodes 1-7. We looked at each other and immediately decided to watch just one episode a night.
We made the right choice.
I can’t say this was a horrible production, but one episode a night was all we could handle. It was from the BBC and they used their usual cast of ugly people. Why the BBC makes these kind of choices is beyond me.
In many respects this felt like a stage play instead of a movie. The actors spoke their lines to each other instead of having conversations naturally. Even how they moved and their body language felt like they were posing. It was uncomfortable to watch and wasn’t something we looked forward to.
We came to Friday night and had 3 episodes left. We were planning on watching our usual one episode and double up on Saturday. I had eaten two eclairs and the sugar coursing through my veins gave me an unparalleled amount of fake courage. With Mrs B’s blessing, we powered through the final 3 episodes. The series ended with neither of the Miss Dashwoods actually being married, nor even engaged. It was all implied that it was going to happen. Which given the whole issue is that Willoughby didn’t give his word to Marianne, seems to go against everything they were trying to show. It was a very anticlimactic ending.
We were both happy it was over and I have zero interest in ever rewatching it. Not a terrible experience but this version is not one I’d ever recommend anyone ever watch. I wish I could have kinder, more positive things to say, but I can’t and I don’t. I don’t even want to go into more details, sigh.
Wow. Just wow. I am pretty wow’ed at the moment. But let me explain, because it does take a bit of explaining, especially with how I’m going to describe things in the following paragraph.
The Book, a fully fledged beautiful woman in flowing period gown. She swishes, she glides, she sits, she pours your tea with aplomb and brings a glow to every room she enters. The 2008 TV Miniseries is a painting of that woman. Beautiful and wonderful and as it hangs on your wall, it brings back wonderful memories of the woman herself. This 1995 Movie is a skilled impersonator. You know it isn’t the Lady herself, but she looks like her, acts like her and carries off her manner and attitudes so that from across a room you could fool yourself into thinking it is her.
Now I realize that might sound like a slur, but in reality, it is the highest complement I can give. This movie has the very bones of Austen’s novel. It has the heart and soul of it. Most of the changes were excisions and I was fine with all of the changes. Why I was ok with the changes in this movie I do not know, but it worked, and it worked very well.
I am sure that some of my comfort with this movie was the amount of actors that not only did I recognize but recognize as very good actors. Kate Winslet was perfect as Marianne. I’m sure part of that was her actual youth (she was a mere 19 at the time) but she also simply brought a very real energy to the role. And yet she didn’t steal the movie. There were too many other wonderful actors. Emma Thompson as Elinor. Hugh Grant as Edward Ferrars. Oh, Hugh carried off the “awkward and stilted” Edward to a t. It was like he had a pebble in his boot and a thistle in his britches. It was exactly as I imagined Edward to be. Then we come to Alan Rickman, playing Colonel Brandon. What an understated performance. In this version, I’d like to mention one of the side characters. Hugh Laurie plays Mr Palmer, a very minor character even in the book. He was a cold, self-centered man and he starts out that way in the movie. He has a silly wife and is either silent or speaking very cutting remarks. But as Marianne’s sickness progresses, Laurie manages to convey a deep well of sympathy and humanity in just a scene of 30 seconds. I just had to nod my head in admiration.
I have to say, I enjoyed this way more than the miniseries. It felt like a perfect movie and it swept me along. I’m extremely happy to have watched this. Now I have to live with myself knowing I’ve got two more movies to watch and neither of them are this one. Mercy on my soul….
I am working backwards in time with these various S&S screen adaptations. First up is this 2008 tv miniseries adaptation by the BBC. It is 3 episodes long and is 2hrs and 50’ish minutes long. Round it to 3hrs.
The first thing I’d like to address is that lascivious cover. Marianne does not go around with her bosom showing off like that at all. That was a concern of mine that was thankfully never realized. That being said, the director starts off the show with the seduction of Colonel Brandon’s young ward. It is not graphic but is very frank about what is going on. Sensual is the word. That does continue for this miniseries. The music, the period clothing, it all is very sensual.
The characters, I was pretty pleased with their portrayal over all. Elinor was calm, cool headed and very practical. Yet she also was able to show her distress with her face and her eyes in the scenes requiring it. Marianne, while not being at all silly, was VERY emotionally driven. The actress did an excellent job of showing a smart young woman who wasn’t stupid but had her faults, mostly of age. Colonel Brandon was serious, mature and yet not shy or withdrawn. He came across as fully self-assured and confident. Edward Ferrars. Now, I always pronounced his last name Fair-Ars. In the movie, they pronounced Fair-iss. In the book his actions and manner were always halting and awkward. There was none of that here. While he was no voluble gentleman of ease, there was nothing that made you think he was in any way uncomfortable. Thankfully, he plays such a small part on screen that it wasn’t a big problem. All of the minor characters didn’t stand out, which is how it should be. On a purely personal note, I was thankful that this BBC production didn’t use the regular crew of ugly people like a lot of BBC productions do. Call me shallow, but I want to see good looking people on the screen. And I got that here.
Storywise, this stuck to the plot rather closely. I’m always a fan of that. Shows the director doesn’t get above himself (looking at YOU, Wheel of Time director, who I hate with the dull red hatred of a fired spoon). There were scenes expanded upon, but they were mentioned in the book and so I didn’t have a real problem with their expansion. If Austen couldn’t/wouldn’t expand, then whatever the director decided was a-ok by me. The scene between Marianne and Willoughby in London was excellently done. The heartbreak was palpable and I liked the addition of Colonel Brandon stepping in to catch her as she fell, it was tone perfect. I’m a sucker for Damsels in Distress and Protectors.
I enjoyed this but it felt a tad too long. I know it had to be that way because of the story but I was ready for it to end. This was a great start to this month of Sense and Sensibility. I just hope the movies, with their abbreviated length, won’t be too abbreviated.
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Title: Sense and Sensibility Series: ———- Author: Jane Austen Rating: 5 of 5 Stars Genre: Classic Pages: 258 Words: 120K
What a difference 17 years makes. When I first read and reviewed this back in ‘06, I gave it 3 stars. Whether that was because it didn’t have the same emotional impact on me as did Persuasion, or if it was simply because I was a callow youth of 28 (oh, how the character of Marianne in this book would laugh at that. At 17, anyone over 25 is ancient and already just waiting for the grave) or some other reason, I do not know. But this time around, I could not only appreciate the story from a different perspective (having gotten married in ‘08 changed my perspective on a lot of things) but also the writing itself.
The writing was complex, almost, but not quite, convoluted. It was not a ten lane highway but a back country road that is still gravel, has hairpin turns and occasionally washes out at the creek. In other words, the writing had character and it wasn’t just about getting the reader from Beginning to Middle to End. That being said, at first I still tried to read this like I was in my Porsche 911. After banging up the oil pan and puncturing one of the tires, I gave that up and jumped into my Model T and tut tutted down the road, at just the right speed. As it was meant to be read.
My initial reaction back in ‘06 was that Elinor, the older sister who showcases “Sense”, was the better of the two sisters. While I think that Austen is advocating for self-control with the character of Elinor, I also felt that she was inadvertently showing the downsides to that. As an uptight, self-controlled kind of person myself, I have found that throwing off the traces every once in a while is very good for me. While emotions DO need to be controlled, they should be guided into their proper channels, not just controlled for control’s sake (or for culture’s sake, as Elinor seems to do). That is not a slam on Elinor’s character at all, as she is all of 19 or 20 and most young people need MORE control of their emotions, not less, at that time of life. They’d make a fool of themselves a lot less anyway and save themselves and others a world of hurt and pain.
Starting to look at things that way, I found myself (now at the wise, old and ancient age of 45) agreeing with Marianne’s viewpoint a lot more. She doesn’t care what other people, or “society” thinks. The older I get, the less I care what you think. Doesn’t mean I want to be a jackass and trample all over you, but in many areas, I have my ideas firmly set and I won’t give way on them and if that hurts someone feelings, that’s too bad. Maybe they should stop being a pansy and put on their boot cut jeans instead of wearing those girly skinny jeans. Ooops, see, that is being a jackass. You go right ahead and wear those girly skinny jeans. I won’t mock you at all, at least not if you’re a woman.
The only downside to this story, which wasn’t much so I didn’t even bother to knock a half star off of my rating for it, was that Marianne’s falling in love with Colonel Brandon happened like that:
~snaps fingers~
In my Currently Reading and Quote post from last month, Marianne made it evident what she thought of “older” men. Of course, in that post I laughed my head off because Colonel Brandon is all of 35. But to have Marianne change not only her opinion but her feelings so drastically and so quickly, while not out of the realm of possibility at all, didn’t ring quite true to me. It felt very “Authorial Fiat”.
I actually ended up reading this novel twice, within a week. The first time I was trying to drive that Porsche I mentioned and while I switched to the Model T partway through, I felt like I had lost something at the beginning, so I waited a week and then re-read it using the Model T from the get-go. Part of that, I must admit, was because I had formed the idea of watching four different screen adaptations and I wanted a SOLID grounding in the text, so that I wouldn’t get things from the movies and miniseries mixed into this book review. I feel that I have done that more than adequately. So prepare yourselves, the next four Sunday’s will be filled with more Sense and Sensibility than you can shake a stick at.
Finally, the synopsis hidden away by the details arrow is almost 1500 words long. Open that at your own peril.
★★★★★
From Wikipedia.org
Henry Dashwood, his second wife, and their three daughters live for many years with Henry’s wealthy bachelor uncle at Norland Park, a country estate in Sussex. That uncle decides to leave only a life interest in the Norland Park estate to Henry, so that upon Henry’s death the property must pass to John Dashwood, Henry’s son by his first marriage, and thence to Harry Dashwood, the four-year-old son of John. The uncle dies, but Henry lives just a year after that and is unable in such short time to save enough money for the future security of his second wife Mrs Dashwood, and their daughters, Elinor, Marianne, and Margaret, who are left only a small income. On his deathbed, Henry extracts a promise from his son John to take care of his half-sisters. But John’s wife, Fanny, persuades her husband to renege on the promise, appealing to his concerns about diminishing his own son Harry’s inheritance, despite the fact that John is already independently wealthy thanks to both his inheritance from his mother and his wife’s dowry. Henry’s love for his second family is also used by Fanny to arouse her husband’s jealousy, and persuade him not to help his sisters financially.
John and Fanny move in as the new owners of Norland, where the Dashwood women are treated as unwelcome guests by Fanny. Mrs Dashwood seeks somewhere else to live. Meanwhile, Fanny’s brother, Edward Ferrars, visits Norland and is attracted to Elinor. Fanny disapproves of their budding romance, and offends Mrs Dashwood by implying that Elinor must be motivated by his expectations of coming into money.
Mrs Dashwood moves her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton. Their new home is modest, but they are warmly received by Sir John and welcomed into local society, meeting his wife, Lady Middleton; his mother-in-law, the garrulous but well-meaning Mrs Jennings; and his friend, Colonel Brandon. Colonel Brandon is attracted to Marianne, and Mrs Jennings teases them about it. Marianne is not pleased, as she considers the thirty-five-year-old Colonel Brandon an old bachelor, incapable of falling in love or inspiring love in anyone.
While out for a walk, Marianne gets caught in the rain, slips, and sprains her ankle. John Willoughby sees the accident and assists her, picking her up and carrying her to her home. Marianne comes to admire his good looks and his similar tastes in poetry, music, art, and love. His attentions, and Marianne’s behaviour, lead Elinor and Mrs Dashwood to suspect that the couple are secretly engaged. Elinor cautions Marianne against her unguarded conduct, but Marianne refuses to check her emotions. Willoughby engages in several intimate activities with Marianne, including taking her to see the home he expects to inherit one day and obtaining a lock of her hair. When the announcement of an engagement seems imminent, Willoughby instead informs the Dashwoods that his aunt, upon whom he is financially dependent due to his debts, is sending him to London on business, indefinitely. Marianne is distraught.
Edward Ferrars pays a visit to Barton Cottage, but seems unhappy. Elinor fears that he no longer has feelings for her, but she will not show her heartache. After Edward departs, sisters Anne and Lucy Steele, vulgar cousins of Mrs. Jennings, come to stay at Barton Park. Lucy informs Elinor in confidence of her secret four-year engagement to Edward Ferrars that started when he was studying with her uncle. Elinor realises Lucy’s visit and revelations are the result of her jealousy and cunning calculation. This helps Elinor understand Edward’s recent sadness and behaviour towards her. She acquits Edward of blame and pities him for being held to a loveless engagement to Lucy by his sense of honour.
Elinor and Marianne accompany Mrs Jennings to London. On arriving, Marianne writes several personal letters to Willoughby, which go unanswered. When they meet by chance at a dance, Willoughby is with another woman. He greets Marianne coldly, to her distress. She leaves the party distraught. Soon Marianne receives a curt letter enclosing their former correspondence and love tokens, including the lock of her hair. Willoughby is revealed to be engaged to Miss Grey, a young lady with a large fortune. Marianne is devastated. After Elinor reads the letter, Marianne admits to her that she and Willoughby were never engaged. She behaved as if they were because she knew she loved him and thought that he loved her.
As Marianne grieves, Colonel Brandon visits and reveals to Elinor that Willoughby seduced, impregnated, then abandoned Brandon’s young ward, Miss Eliza Williams. Willoughby’s aunt subsequently disinherited him, and so, in great personal debt, he chose to marry Miss Grey for her money. Eliza is the illegitimate daughter of Brandon’s first love, also called Eliza, a young woman who was his father’s ward and an heiress. She was forced into an unhappy marriage to Brandon’s elder brother, in order to shore up the family’s finances, and that marriage ended in scandal and divorce while Brandon was abroad with the Army. After Colonel Brandon’s father and brother died, he inherited the family estate and returned to find Eliza dying in a pauper’s home, so Brandon took charge of raising her young daughter. Brandon says Marianne strongly reminds him of the elder Eliza for her sincerity and sweet impulsiveness. Brandon removed the younger Eliza to the country, and reveals to Elinor all of these details in the hope that Marianne could get some consolation in discovering Willoughby’s true character.
Meanwhile, the Steele sisters have come to London. After a brief acquaintance, they are asked to stay at John and Fanny Dashwood’s London house. Lucy sees the invitation as a personal compliment. It is actually a slight to Elinor and Marianne who, being family, should have received such an invitation first. Too talkative, Anne Steele betrays to Fanny Lucy’s secret engagement to Edward Ferrars. As a result, the sisters are turned out of the house, and Edward is ordered by his wealthy mother to break off the engagement on pain of disinheritance. Edward, still sensitive of the dishonour of a broken engagement and how it would reflect poorly on Lucy Steele, refuses to comply. He is disinherited in favour of his brother, Robert, which gains Edward respect for his conduct and sympathy from Elinor and Marianne. Colonel Brandon shows his admiration by offering Edward the clerical living of the Delaford parsonage, to enable him to marry Lucy after he is ordained.
Mrs Jennings takes Elinor and Marianne to the country to visit her second daughter, Mrs. Charlotte Palmer, at her husband’s estate, Cleveland, on their way back to their home in Devonshire. Marianne, still in misery over Willoughby’s marriage, goes walking in the rain and becomes ill. She is diagnosed with putrid fever, and it is believed that her life is in danger. Elinor writes to Mrs. Dashwood to explain the gravity of the situation, and Colonel Brandon volunteers to go and bring Marianne’s mother to Cleveland to be with her. In the night, Willoughby arrives and reveals to Elinor that his love for Marianne was genuine and that losing her has made him miserable. He elicits Elinor’s pity, but she is disgusted by the callous way in which he talks of Miss Williams and his own wife. He also reveals that his aunt said she would have forgiven him if he married Miss Williams but that he had refused.
Marianne recovers from her illness, and Elinor tells her of Willoughby’s visit. Marianne realizes she could never have been happy with Willoughby’s immoral, erratic, and inconsiderate ways. She values Elinor’s more moderated conduct with Edward and resolves to model herself after her courage and good sense. Edward later arrives and reveals that, after his disinheritance, Lucy jilted him in favour of his now wealthy younger brother, Robert. Elinor is overjoyed. Edward and Elinor marry, and later Marianne marries Colonel Brandon, having gradually come to love him. The two couples live as neighbours, with sisters and husbands in harmony with each other. Willoughby considers Marianne as his ideal but the narrator tells the reader not to suppose that he was never happy.
