Wednesday, November 01, 2023

Cthulhu’s Reign (Cthulhu Anthology #13) 3.5Stars

 

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Title: Cthulhu’s Reign
Series: Cthulhu Anthology #13
Editor: Darrell Schweitzer
Rating: 3.5 of 5 Stars
Genre: Cosmic Horror
Pages: 267
Words: 102K





One of my biggest issues with the Cthulhu mythology has always been that it never actually happens. Either the elder gods are staved off by heroic human intervention (in most cases it is simply the elders not caring enough and waiting) or they do break through and that is the end of the story. I’ve always asked myself, so what is the logical conclusion to this mythology? What happens next?

This book answers that, in spades.

The story that stuck in my mind the most was “The New Pauline Corpus”. It was a Catholic priest/monk who had gone insane trying to reconcile the Bible with the events of Cthulhu’s coming. It was very weird because parts would be repeated, but subtly changed and incorporating the previous “questions” as now stated fact. The author, Matt Cardin, at least knew his doctrine enough to not make a complete fool of himself. That I can appreciate it. Didn’t actually care for the story, but that’s kind of to be expected what with me being a Christian.

“Spherical Trigonometry” was a story about an occultic rich genius who figured out that if he lived in a house with no angles, that he could survive the apocalypse. He brings his wife and the architect of the place and her husband to this new “ark”. It seems to be working. But he’s a complete jerk and nobody likes him. The husband of the architect is the narrator of the story and tells how his wife is locked out one day because the genius thinks he saw one of the monsters and won’t take a chance that it might get inside. So the architect dies, poor woman. This obviously sets the husband against the rich occult guy and the rich wife hates her husband, because he ignores her. Thus the husband and the rich wife carry on an affair. And the story ends with the eldrich forces invading the ark and eating them all because they had formed a “love triangle”. It was a terrible play on words and I laughed my head because everbody died. Which is how a good Cthulhu story should end.

The final story I want to talk specifically about is “Her Acres of Pastoral Playground” by Mike Allen. That has a man who invoked the Necronomicon to save himself, his wife and his daughter by creating a parallel dimension that they could reside in when the elder gods came. Problem is, it didn’t quite work right. His daughter is now just a disembodied voice, his wife is actually a tentacle monster who he forces to be in the form of his wife and he had to cut out all of his own memories of how he sacrificed his daughter to make it happen. He occasionally sees outside and that the elder gods are just waiting. As time has no meaning for them, his end has already come. The story ends with him finding himself infected by the tentacle monster and thus he knows his time is short. It was deliciously horrific.

Overall, I felt that each story stuck to the theme of “what comes next” very well. Nobody wandered off the reservation and told a story about their “pet cause”, as I’ve seen happen in other Cthulhu anthologies. I’m going to say that Darrell Schweitzer, the editor, kept a tight hand on the helm of this book and it really shows. I’m impressed. And as you all know, impressing The Bookstooge is what all editors and authors live for.

★★★✬☆




Table of Contents:

  • Introduction by Darrell Schweitzer

  • “The Walker in the Cemetery,” by Ian Watson

  • “Sanctuary,” by Don Webb

  • “Her Acres of Pastoral Playground,” by Mike Allen

  • “Spherical Trigonometry,” by Ken Asamatsu.

  • “What Brings the Void,” by Will Murray

  • “The New Pauline Corpus,” by Matt Cardin

  • “Ghost Dancing,” by Darrell Schweitzer

  • “This is How the World Ends,” by John R. Fultz

  • “The Shallows,” by John Langan

  • “Such Bright and Risen Madness in Our Names,” by Joseph E. Lake, Jr.

  • “The Seals of New R’lyeh,” by Gregory Frost

  • “The Holocaust of Ecstasy,” by Brian Stableford

  • “Vastation,” by Laird Barron

  • “Nothing Personal,” by Richard A. Lupoff

  • “Remnants,” by Fred Chappell



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