Showing posts with label graphic novel. Show all posts
Showing posts with label graphic novel. Show all posts

Thursday, September 07, 2023

Old Man’s Cave (Bone #33-37) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Old Man’s Cave
Series: Bone #33-37
Author: Jeff Smith
Rating: 3 of 5 Stars
Genre: Comics
Pages: 128
Words: 5K




I don’t know what to say about this. I semi-enjoyed it and yet I found myself seriously not caring about the overall story. I also was not being very entertained. Not a very good combination.

I only have 3 more omnibus volumes left but I don’t know if I’ll hang in there or not. My patience with the visual art side of books has dramatically dropped. I want the pure words. Art has a way of making artist/authors think they can get away with poor story telling by covering it up with pretty pictures.

Ahhhhhhhhhh, sigh…..

★★★☆☆




From Boneville.fandom.com

Fone Bone and Smiley Bone are seeking for something.
Wow, good job Bone fans, you outdid yourselves this time! You bunch of putzes.



Thursday, August 03, 2023

Rock Jaw: Master of the Eastern Border (Bone #28-32) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Rock Jaw: Master of the Eastern Border
Series: Bone #28-32
Author: Jeff Smith
Rating: 3 of 5 Stars
Genre: Comics
Pages: 128
Words: 5K


My goodness, what a lot of back and forth. Between Roque Ja, locusts, Dream Kingdok, REAL Kingdok and various rat creatures, Fone and Smiley are on the run the entire time. If I had had to read this in five individual comic issues, I would have quit for sure. As it was, lumping these together gave me “just enough” of a story to feel like I hadn’t wasted my time.

But barely.

I have to admit, I really preferred the beginning of the series when it was just the Bone cousins having little mini-adventures in a new place and meeting new people. This whole “ancient battle between mega-powerful forces” is not what I want. At this point though, I simply don’t remember enough of the story to stop and I DO want to see how things end. Now that I’m not hobbling myself with an issue a month, I can bypass Smith’s stupidity and total jackassery at pacing and read at a clip that suits me better.

I do wonder if I’m going to see Roque Ja again or if Smith just used him as a one off character to write a side story. A gigantic mountain lion is pretty cool so I do hope we see him again, even if he isn’t necessarily one of the good guys.

On the funny side, there was another “stupid, stupid rat creatures” moment involving Roque Ja and the two rogue rat creatures. I just laughed my head off at Roque Ja’s expression here :-)


★★★☆☆




From Bookstooge.blog (because the Boneville.fandom.com people are a bunch of pissant losers)

Fone and Smiley and Bartleby (the baby rat creature) escape the two rat creatures who want to turn them into quiches. In the process they run into a giant mountain lion named Roque Ja. He is against the dragons and the rat creatures but hates the dragons more. Fone, Smiley and Bartleby are rescued from him by the possum kids who get the two rat creatures into Roque Ja’s sight. All three go over a cliff. An enraged Roque Ja chases the Bones and various small orphan creatures into a cave.

The cave leads to an abandoned temple. Everybody starts to head down the mountain away from Roque Ja. Only to be discovered by the two rat creatures. Who are then in turn discovered by Kingdok the lord of the rat creatures. Everybody ends up on a ledge trying not to get eaten by Kingdok. A bunch of locusts show up and try to kidnap Fone. A medallion falls out of his backpack and banishes them. It also banished Kingdok, who was only a dream manifestation from the old temple they passed though.

Roque Ja finds them all and delivers them to the real Kingdok, who betrays Roque Ja by trying to kill him. In the scuffle the group of Bones and orphans escape to the treeline. Bartleby ends up with the rat creatures and the Bones begin the journey back to the village to figure out what is going on.



Thursday, July 13, 2023

The Dragon Slayer (Bone #20-27) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Dragon Slayer
Series: Bone #20-27
Author: Jeff Smith
Rating: 3 of 5 Stars
Genre: Graphic Novel
Pages: 176
Words: 8K



What a world of difference. I read this omnibus and instead of feeling angry and pissed off at Smith for being a jerk whose face I wanted to punch in, I actually enjoyed this.

Unfortunately, Smith’s proclivity for stretching things out is still quite prominent, but reading a much bigger chunk of the story all at once helps negate the feeling that he’s shafting you as a customer.

I’m definitely going to stick to reading the omnibus versions instead of the standalones. But it still makes me wonder just how readers stood it back in the day. I was ready to commit murder and I know that there were times the issues were delayed, so people would have had to wait 2 months instead of just 1 month for a measly little no-nothing don’t advance storyline.

I really thought about upping this to 3.5stars, but wasn’t sure if my enjoyment was because I actually enjoyed the story itself or just the pure blessed relief of actually getting some forward momentum for the story because of the omnibus format. I decided to play it safe and we’ll see how things go next month.

I’m also going to be tagging these with the graphic novel tag instead of the comic tag. For me, the labels are more about the format than the actual content. Sure, this was still a comic. But anything over 75pages just seems more like a novel to me while a comic denotes anything from 20-70 pages, like the Asterix books for example.

★★★☆☆




From Boneville.fandom.com

Stick Eater

Ever since Phoney Bone claimed he was a dragon slayer, he was the town's people's favorite and he was on his way for winning the bet. A hooded figure rests in the Barrelhaven tavern who the villagers call a Stick-Eater. When Smiley comes to get receive payment from the stranger, Lucius advises him not to and gives the pilgrim his share on his behalf. Wendell didn't believe it was wise to provide the stick-eater a meal claiming they were in cahoots with the dragons, when Lucius asked if he had any problem with it, Wendell answered no, but he would receive his beers from Smiley from now on.


Business

Fone Bone, Thorn, and Gran'ma Ben continue their trek to Barrelhaven. Upon reaching an overlook of the village, Fone Bone remarks that the Barrelhaven looks peaceful, to which Gran'ma Ben warns that "looks can be decieving."


At the tavern, dragons are on the villagers' minds. When approached by Lucius with an offer of another round, Wendell and Euclid refuse, but immediately accept an offer from Smiley, as do other patrons. Lucius becomes infuriated at the town's obsession, and Phoney and Smiley muse over their plans, with Phoney admitting he has no plans to slay a dragon, as they aren't really dangerous. When Jonathan Oaks orders from their end of the bar, Lucius confronts Phoney in the pantry. To Phoney's protests, he plans to call off the bet, as he doesn't find it worth riling up a mob, and because Phoney is disrespecting the Dragons' wishes to remain hidden. Phoney challenges Lucius to tell the villagers the truth, but leaves him fuming when he makes no action to do so.


In the woods, Gran'ma suffers an attack of the Gitchy Feeling. The trio is ambushed by one of the Two Stupid Rat creatures.


Earth and Sky

The Two Stupid Rat Creatures bicker over whether to bake Fone Bone, Thorn, and Gran'ma Ben in a quiche, or make stew from their bones. They are interrupted by Gran'ma Ben, attacking them with her sword. They retreat, and Gran'ma gives Thorn her sword, which agitates the rat creatures. Gran'ma suggests that Thorn may be close to The Turning. She interrogates one of the Two Stupid Rat Creatures, who confesses that they have been ordered to evacuate the valley, but is interrupted by Kingdok, who knocks out Thorn and Fone Bone, and attacks Gran'ma Ben. Fone Bone comes to, and calls for the Dragon's help.


Smiley hears Fone Bone's faint calling, but Phoney has another problem - the customers are nursing their beers. The pair suggest various possibilities, and Smiley mentions the Midsummer's Day Picnic, which Lucius kept secret from Phoney. Smiley and Wendell both hear Fone Bone calling, and a search party goes out to find them in the woods. Wendell and Euclid find blood all over the ground and trees.


Kingdok continues to throw Gran'ma Ben through the woods, hitting her against a tree and discussing how much he hates the Flat-Landers. As he is about to kill her, Thorn ambushes Kingdok and slices off his arm with Gran'ma's sword. He suffers an attack of the Gitchy Feeling, and hallucinates Gran'ma and thorn as queen and princess respectively. He cries out, and the Two Stupid Rat Creatures escort him off into the night. Fone Bone finds Gran'ma Ben and Thorn, and dress Gran'ma's wounds as she warns Thorn that the Lord of the Locusts is seeking her.


Council in the Dark

In the woods, Kingdok has collapsed and the Two Stupid Rat Creatures are in a panic. they try to stop the bleeding and one blames the other for attacking the trio. They realize what the Hooded One will do to them if Kingdok dies, but soon realize that he is the only one who knows they disobeyed the evacuation order, and if he dies the Hooded One will blame Thorn and Gran'ma Ben. They agree to flee and go into hiding, and they abandon Kingdok in the forest.


Thorn bandages Gran'ma Ben, who explains that Thorn is a Veni-Yan-Cari who can walk between the Realms of the Awaken and Dreaming. Fone Bone volunteers to defend Thorn, and Gran'ma Ben suggests that the Hooded One may be a rogue Disciple of Venu - an ancient religion that studies the dreams. She is afraid that the Hooded One will sacrifice either Thorn or Phoney to free the Lord of the Locusts, and decides to take Thorn to Atheia. Thorn refuses and lashes out at Gran'ma. Despite Gran'ma's protests, Thorn storms off into the woods. Gran'ma gives Fone Bone her sword, and an amulet, and tells him to find Thorn and warn Lucius about the Lord of the Locusts. Fone Bone races after Thorn, and Gran'ma Ben runs into the forest.


Fone Bone gives Thorn the sword, and they reach Barrelhaven - which has been walled off. Jonathan Oaks explains that Lucius never came back from his search. Jon refuses to let Fone Bone and Thorn in, under orders from the new boss - Phoney Bone.


The Straggler

Once again, The Hooded One comes before the Locust. She reports that the men of Pawa have allied themselves with the Locust and the Rat creatures, that Thorn, the Red Dragon, the Bones, and Gran'ma Ben are all in Barrelhaven, and that Kingdok was badly wounded, which may mean Thorn is turning. The Hooded One questions the Locust's plans, but the Locust assures her that it is her above all else who the Locust loves. If she frees him, she will never lose him again.


Fone Bone, Smiley Bone, and Thorn's search party find no trace of Gran'ma Ben or Lucius, and Phoney invites Fone Bone to dinner. Thorn goes to sleep in the tower room, watched by the Hooded One. Fone Bone finds the big room of the bar converted to an extravagant dining hall. Phoney and Smiley admit their scheme to get out of their debt and back to Boneville in style, which Fone Bone refuses. He tries to explain to Phoney the issue with Thorn, but all his attempts are dismissed. He storms out, leaving Phoney and Smiley to revise their plan. Fone Bone encounters a baby rat creature, who leans on him, pinnign him against a tree.


Thorn dreams she is on a cliff with her grandmother, who enters a sinister cave. A hooded figure in the image of a young Gran'ma Ben beckons to her, and attempts to take her hand. She is interrupted by Fone Bone, who wakes Thorn up. He presents the cub to Thorn, who threatens to kill it if he doesn't kick it out.


Deliver us these Laws

Jon sees Lucius approach the gate, and rouses Phoney and Smiley. The villagers clear the logs, and ask for word on Gran'ma Ben. Lucius admits he couldn't find her. Fone Bone pulls Smiley away from the crowd, and takes him to the stables. Phoney greets Lucius, who is enraged at the new "security measures." He realizes, however, that the village supports Phoney, and decides to sleep in the barn instead of Phoney's offer of the kitchen.


Fone Bone shows Smiley the cub, whom he takes to immediately, feeding it a sandwich. Lucius enters the barn and Fone Bone gives him the amulet. Lucius realizes it's the Nights of Lightning all over again, and Fone Bone explains why he was yelling the other night. Smiley wonders if Thorn will allow him to wear the crown.


Wendell notes that there never was a dragon in Barrelhaven, and that they shouldn't be the ones trapped behind walls. The villagers agree that it's time for Phoney to earn his keep.


Lucius, Fone Bone, and Smiley visit thorn, who breaks down in Lucius's arms.


The Lord of the Locusts speaks through The Hooded one to the Rat Creatures and Pawans, and rallies them to take up arms against the Flat-Landers.


The Midsummer's Day Plan

Phoney accuses Wendell of holding out on him, and travels the town taking taxes from the villagers.


Fone Bone argues that rat cub must go to the mountains, to be with the other rat creatures. Smiley suggest that they do it themselves. Thorn comes in to apologize for her behavior, and announces that she is returning to the farmhouse. Despite Fone Bone's protests, she leaves the sword behind and leaves the barn. Fone Bone and Smiley follow her, but Smiley is distracted by Phoney making a speech about the morals of the village, and orders the townspeople to bring their valuables to him. Lucius admits that dragons exist, and Phoney accuses him of allying himself with them. Phoney announces that all the valuables will be used as bait to catch and kill a dragon. Lucius explains to Smiley that the only way to discover dragons for oneself is to be taught that they are make-believe. Fone Bone returns from the tavern without Thorn, and wonders to the whereabouts of Gran'ma Ben.


The Lord of the Locusts sends the Pawans and rat creatures to destroy their respective enemies, and sends Kingdok to capture Thorn and the Bones.


The Turning

Thorn leaves a letter for Fone Bone on her dresser and wanders off in search of the farmhouse. Fone Bone and Smiley jump the wall, and Smiley runs off with the cub, pursued by Fone Bone. Phoney orders Jon to get the wagons ready to go to the Dragon's Stair and to search for Fone Bone and Smiley. He is confronted by Ted, who he tells about his plan to scam the village. Ted warns Phoney that his thieving days will catch up to him. He finds the barn empty, with nothing but Gran'ma's sword. When he leaves, a mysterious hand takes the sword.


Thorn falls asleep in the forest, and four hooded figures place the sword in front of her and trigger a dream in which she is approached by the Great Red Dragon. She looks into a light and sees rat creatures. Then her grandmother, and then Fone Bone, but will not say if they are alright. Fed up, Thorn decides to go to her friends, to which the Dragon notes that she is already awake. She wakes up, and races back to the village.


Phoney prepares the cows to move out all the treasure, to the cheers of the villagers.


On the Dragon's Stair

The group reaches the Dragon's Stair, and Phoney orders the terrified villagers to set up a crude snare while he makes a trail with the treasure. He is confronted by Ted once more, who admits he wants Phone out of the valley as much as anybody. The snare triggers, and Phoney approaches the Great Red Dragon, caught in the trap. The Dragon admits to seeing the trap, thinking Phoney needed a dragon to fool the townspeople. The villagers tie the Dragon's head down, and force a knife into Phoney's hand, threatening to kill him if he doesn't kill the Dragon. He is interrupted by Thorn, who demands to know what is happening. She orders Wendell to free the dragon and get the villagers ready to face the rat creatures. As they are arguing, one spots fire coming from their town, and mistakes it for the dragons. A group of rat creatures approach the crowd and Thorn faces them, accompanied by the four hooded figures who returned her sword. They push the rat creatures back, and Phoney frees the dragon who chases them off. Thorn orders the villagers to get their supplies, and takes off with Phoney to find Lucius back in the burning village. The shocked villagers prepare for war.


Monday, July 13, 2020

The Kingdom ★☆☆☆☆


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: The Kingdom
Series: Elseworlds
Author: Mark Wade
Rating: 1 of 5 Stars
Genre: Graphic Novel
Pages: 232
Words: 23K




Synopsis:

From Wikipedia

20 years after the events of Kingdom Come, a survivor of the Kansas disaster is granted power by four members of the Quintessence (Shazam, Ganthet, Zeus, and Izaya Highfather), who dub him Gog. The power drives him mad, and he takes out his anger on Superman, killing him and carving his "S" shield on the ground. He then travels a day backward in time and kills him again...and again. A shadowed figure vaguely resembling the Phantom Stranger, the fifth Quintessence member, opposes this action, as Gog now intends to accelerate the Kansas Holocaust, but the other four are prepared to let things unfold; Shazam hopes that Captain Marvel will no longer have to die, Ganthet hopes that Green Lantern will avert the catastrophe and become more renowned than Superman, Zeus hopes that the ancient gods may be 'worshiped' once more as Earth seeks something to believe in, and Highfather feels that a new war may fracture Earth in a manner similar to New Genesis and Apokolips.

As Gog travels closer to the modern DC Universe, the Linear Men panic when they see that their ordered index of time is unraveling; Superman is dead in the 21st century, yet alive in the 853rd, and their instruments register no error. When Rip Hunter, acting upon the orders of the shadowed figure, tries to stop Gog from killing Superman on the day his and Wonder Woman's child is born (that being a day when 'anything seemed possible'), Gog manages to steal the infant (named Jonathan), whom he plans to raise and name Magog (in issue #2, this was revealed to be a red herring. The child did not grow up to become Magog; instead, he became the shadowed figure, whose true identity is then revealed to be Hyperman, a Hypertime-traveling superhero wearing a costume based on the costumes of his parents and his godfather, Batman).

Although the other Linear Men object to the idea of the heroes of that time travelling back to defeat Gog, Rip Hunter recruits Superman, Batman, and Wonder Woman from the Kingdom Come era to stop Gog in 1998, the heroes concluding that, since innocent people will die if they do or do not take action, they will take the heroic option and go back despite the apparent loss of their own reality by having them interfere in their own pasts in such a manner. Four young heroes-Kid Flash, Offspring, Nightstar, and Ibn al Xu'ffasch-come together to try stopping Gog on their own, and are recruited by Rip Hunter to assist in his plan. When Jonathan is seemingly erased from existence soon after being rescued, Superman, Batman, and Wonder Woman team up with their 'past selves' and battle Gog to a final confrontation in a "Planet Krypton" restaurant outside of reality, where they use various weapons gathered from across Hypertime against Gog. During the fight, the future Wonder Woman reveals to the Superman of the present why Gog is after him, and Superman vows that the timeline of Kingdom Come will never happen in his universe, as he strikes back at Gog, finishing the battle once and for all. As the heroes return to their proper places in time, Hyperman reveals himself, assuring the future heroes that his infant self actually hid himself within the stream of Hypertime upon being rescued from Gog, and Rip Hunter explains the existence of timelines, so the Kingdom Come reality still exists, but it will no longer be the future of the DC Universe.



My Thoughts:

Well, after my experience with Kingdom Come you'd think I'd have learned my lesson. I guess I'm either really stupid, a glutton for punishment, a Completist or A Genius the Likes of Which the World has Never Yet Seen. I'll leave it up to you to pick the, ahem, correct interpretation.

While I had none of the problems from the previous comic, I had a whole new bunch to contend with. This was not an actual miniseries by one writer and artist. It was bookended by The Kingdom and then had a bunch of new DC titles that were all #1's in the middle, and all were the children of other superheroes. Considering this was in '98, that was at the tail end of the Comic Boom in the 90's and it was easy to tell that DC was trying to get some more comics into circulation and grab what cash they could. I don't think it was considered an Elseworlds story until after the fact. None of the titles took off, nor did they deserve to.

The art was also atrocious. Well, maybe not atrocious, but pretty sad. With each book being a different title, obviously the artists changed and hence the artwork, but it never improved,it was all uniformly junk. The only exception I noticed was the Kid Flash comic. That seemed pretty sleek.

The story could have been interesting. Gog, the main villain, looked just like Magog, the villain from Kingdom Come. He was trying to kill all the possible Supermen throughout all of time. Now doesn't that sound like it has a ton of potential? Sadly, it was all wasted as the intervening comics were just as much about trying to introduce the new kids on the block as they were about advancing the storyline. Plus, it dealt with a multiverse and ever since the New52 I feel like DC over uses the reset/reboot button way too often. So my bitterness about the new direction of DC bled over into this older story. Surprise!

Kingdom Come I found abhorrent. The Kingdom was simply a bore.

★☆☆☆☆



Monday, July 06, 2020

Kingdom Come ★☆☆☆☆


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Kingdom Come
Series: Elseworlds
Author: Mark Wade
Artist: Alex Ross
Rating: 1 of 5 Stars
Genre: Graphic Novel
Pages: 232
Words: 23K




Synopsis:


From Wikipedia

In this Elseworlds story, Superman and the Justice League abandon their roles as superheroes after the rise and strong public support of a superhero named Magog, who has no qualms about killing—notably the Joker, on his way to trial for the mass murder of the Daily Planet staff, including Lois Lane. In the ensuing years, a newer generation of superpowered metahumans arise; they engage each other in destructive battles with little distinction between "heroes" and "villains." The narrator, a minister named Norman McCay, receives apocalyptic visions of the future from a dying Wesley Dodds. The Spectre appears to McCay and recruits him to help pass judgment on the approaching superhuman apocalypse.

An attack on the Parasite, led by Magog, goes awry when Parasite tears open Captain Atom. As a result, much of the American Midwest is irradiated, killing millions and destroying a large portion of the United States's food production. Coaxed back into action by Wonder Woman, Superman returns to Metropolis and re-forms the Justice League.

He recruits new heroes along with older ones. The most prominent exception is the Batman, who resents Superman for leaving the world 10 years ago. Batman warns Superman that his idealist notions are outdated and his interference will only exacerbate the world's problems, insisting that strategy is required, not force. In response to Superman's Justice League, Batman activates his network of agents called the "Outsiders", made up largely of the younger second and third-generation heroes, while trusted veterans, such as Green Arrow and Blue Beetle, are chosen as lieutenants. Lex Luthor has organized the "Mankind Liberation Front". The MLF is secretly a group of Golden Age villains, including Catwoman, the Riddler, and Vandal Savage, as well as third-generation villains like Ra's al Ghul's successor, Ibn al Xu'ffasch, who is Bruce Wayne and Talia al Ghul's son. The MLF works to take control of the world from the heroes.

Superman's Justice League gathers more captives than converts, and his prison (nicknamed "the Gulag") is filled to capacity almost as soon as it is built. Superman works to persuade the inmates that their methods are wrong-headed and dangerous, but his entreaties fall upon deaf ears. With hostile heroes and villains locked up together, pressure builds. Meanwhile, Superman learns that Wonder Woman's ardent militant stance may be influenced by her recent exile from Paradise Island: in the eyes of the Amazons, her mission to bring peace to the outside world has failed, and she has thus been stripped of her royalty. Batman and his Outsiders seem to enter into an alliance with the MLF as a united front against the Justice League. Luthor plans to exacerbate the conflict between the League and the inmates of the Gulag; the ensuing chaos will afford Luthor an opportunity to seize power. Batman uses the Martian Manhunter to discover that an adult Billy Batson is under Luthor's control. Batson, as Captain Marvel, is the only metahuman capable of matching Superman's power. When the Gulag's inmates riot and kill Captain Comet, Luthor unwittingly reveals to Batman he intends to use the brainwashed Batson to break open the Gulag. Batman's forces ambush Luthor and his conspirators, but they are unable to restrain Batson, who transforms into Marvel and flies off. While Wonder Woman leads the Justice League to the superhuman prison riot, Superman confronts Batman. Batman tries to justify inaction, saying the world would be better off if all the metahumans destroyed each other. Superman points out that if all human life is sacred, then logically that includes superhuman life. Superman knows that Batman will act, because his entire crimefighting life is based upon the desire to prevent the loss of human life.

Moved by Superman's sentiments, Batman tells Superman that Captain Marvel is under Luthor's control and is on the way to the Gulag. Superman races to the Gulag, but upon arrival is struck down by Captain Marvel. The Gulag is breached, freeing the population, and inciting war between Wonder Woman's Justice League and the metahuman prisoners. The Spectre and Norman look on as Wonder Woman's League engages with the prisoners and Superman is kept at bay by Captain Marvel. Batman's army arrives on site as an intervening third party. Batman is unable to stop Wonder Woman from killing the supervillain Von Bach, which increases the fury of the riot.

As conditions worsen, United Nations Secretary General Wyrmwood authorizes the deployment of three tactical nuclear warheads, hardened against metahuman powers. In the middle of their fight, Batman and Wonder Woman see the incoming stealth bombers piloted by the Blackhawk Squadron. They break off fighting and manage to stop two bombs, but miss the third. Captain Marvel uses his magic lightning bolt as a weapon against Superman. Superman manages to grab Marvel and allow the bolt to transform him into Billy. Holding Batson's mouth shut, Superman tells him he is going to stop the remaining bomb, and Batson must make a choice: either stop Superman and allow the warhead to kill all the metahumans, or let Superman stop the bomb and allow the metahumans' war to engulf the world. Superman tells Batson he must be the one to make this decision, as he is the only one who lives in both worlds: a man (as Batson) and a god (as Marvel). Batson, his mind now clear of Luthor's influence, turns back into Captain Marvel. He flings Superman to the ground and flies after the missile. Marvel intercepts the missile and shouts "Shazam!" three times in rapid succession, detonating the bomb prematurely, and killing Batson in the process.

Despite Marvel's sacrifice, most of the metahumans are obliterated in the explosion. Superman is unharmed, but does not realize that there are any other survivors. Enraged at the tremendous loss of life, Superman flies to the U.N. Building and threatens to bring it down atop the delegates as punishment for the massacre. The surviving metahumans arrive, but McCay is the one who talks him down, pointing out how his appearance and behavior are exactly the sort of reasons that normal humans fear the superpowered. Superman immediately ceases his rampage. He is handed Captain Marvel's cape, and tells the U.N. that he will use his wisdom to guide, rather than lead, humankind. Superman ties Captain Marvel's cape to a flagpole and raises it among the flags of the member nations of the U.N., suggesting that this role of guidance will be more political and global in nature than the classic crime-busting vigilantism of the past.[6] In the epilogue, the heroes strive to become fully integrated members of the communities. Wonder Woman's exile from Paradise Island ends, and she becomes an ambassador for super-humanity, taking the survivors of the Gulag to Paradise Island for rehabilitation. Batman abandons his crusade and becomes a healer, rebuilding his mansion as a hospital to care for those wounded by the destruction of the Gulag. He reconciles with both Dick Grayson/Red Robin and his son, Ibn al Xu'ffasch. Superman begins the task of restoring the Midwestern farmlands devastated in Magog's attempt to capture the Parasite. He comes to terms with his past as Clark Kent by accepting a pair of glasses from Wonder Woman, and shares a kiss with her before she returns to Paradise Island. Norman McCay resumes pastorship of his congregation, preaching a message of hope for humanity. Among the congregation is Jim Corrigan, the Spectre's human host.



My Thoughts:

Where do I start? I liked the idea and the presentation.

But the damnably perverted and shallow philosophy absolutely killed this for me. I knew this wasn't going to go well right from the introduction by Elliot Maggin when he starts talking about us all being modern gods and how he takes inspiration from Gandhi saying he would be a Hindu, Muslim, Jew, Christian or Buddhist, the idea being that he would do anything to advance his generic ideals even to the profanation of the very religions he's claiming to want to represent.

Then we get the main narrator, a Christian pastor. Unfortunately, this “pastor” is of the
God is just a name and simply represents a higher power to help us become better” variety. He's not a Christian, he's a Unitarian. Not once was the name of Christ mentioned. Even during the many, many, MANY out of context quotes from the book of Revelation (which by the way is the Revelation of Jesus Christ) God as a Force was what was shoved down the readers' throats. I am finding that the older I get, the less patience I have for misrepresentations of Christianity. I'm not talking about differences of opinion of a hard to interpret Scripture, but blatant misuses of Scripture to forward a storyline while claiming TO represent Christianity. Sadly, most of these misrepresentations come from real life people doing the misrepresentation. Can anyone say Jim Bakker or Joel Osteen?

Next, you have Superman, Batman and Wonderwoman. All are portrayed as having been broken by the events of a new world. One thing that really stuck out was the various stances shown on superheroes taking lives. Superman and Batman are known for their stance on not taking lives. It is one of the defining characteristics of who they are. The authors here use that and the new heroes willingness to take lives at the drop of a hat. Unfortunately, killing, for any reason, even by the lawful authorities is show as something evil. One of the villains, Magog, killed the Joker in the past and that is portrayed on the same level as him killing Captain Atom and pretty much nuking the American midwest and killing MILLIONS of people. Things are just not that simplistic and I HATE when something serious is portrayed so unreasonably. This got into Message Territory instead of good story telling.

Then the ending. Everyone pretty much just agrees to get along. Pollyana much? I mean, the whole freaking story wouldn't have happened if the characters had acted in the beginning like they did at the end. But there was no real mechanism to propel their changes.

Everything, from beginning to end, got my goat. This was an Elseworlds story that could have been great, could have been fantastic but completely failed in its execution and was completely bogged down by Message Politics.

You know what is really funny though? I read a review of this on another site where the person went off the rails because they were convinced this was all right wing politics, because it featured a “Christian” main character, had Superman, Batman and Wonderwomen as the good guys. They also claimed it was pro-gun, pro-life and pro-death sentence. Oh, oh, they also stated that from this they figured Wade was a Republican and thus this was a complete piece of garbage. Isn't that awesome? I have no idea how they came to the conclusions they did but it made me do a little happy dance inside. Call me sick, but seeing someone else being miserable just made my day.

Just so you can get an alternate take, ie, a more positive one, feel free to visit's Lashaan Review.


★☆☆☆☆



Friday, August 31, 2018

Path of Doom (Superman Action Comics #1) ★★★★☆


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Path of Doom
Series: Superman Action Comics #1
Author: Dan Jurgens
Artist: Patch Zircher, et al
Rating: 4 of 5 Stars
Genre: Comics
Pages: 144
Format: Paper Edition





Synopsis:

Some dummkopfs are holding some people hostage and Lex Luther, wearing an armored suit emblazoned with an “S” comes to the rescue. He is then confronted by the real Superman, father of Jon and husband of Lois. The REAL Superman. They begin to duke it out when suddenly Doomsday appears from a container and begins his rampage from almost 30 years ago all over again. Lex and Superman team up and manage to get Doomsday out of Metropolis. Lex is left behind to help the citizenry in need and Wonder Woman shows up to help.

Superman has learned from his last fight to the death with Doomsday, at least so he says. But basically it turns into yet another slugfest. Jon is watching on tv and gives a super shout that alerts Doomsday to another Kryptonian and Doomsday sets off to hunt down Jon. Supes convinces Wonder Woman to take Lois and Jon to Watch Tower, the JLA space fortress while he has a plan to deal with Doomsday.

Before he can enact his plan though, a group of humans with some sort of super tech appear, open a gate and begin using energy weapons to push Doomsday through the gate. They almost succeed but then Doomsday simply rips through them all like tissue paper.

With some timely intervention by Wonder Woman, Supes manages to get Doomsday into the path of a Phantom Zone Projector and the world is safe. Or so everyone thinks.

During all of this, a mysterious narrator has been watching everything on screens and at the end, he intercepts the Phantom Zone Projector and captures Doomsday for himself. Who he is, what he wants and pretty much everything about him is a mystery.


My Thoughts:

Well, I'd like to first thank Bookwraiths for reviewing this book this last year. Gave me some hope that maybe DC hadn't totally destroyed Superman. Superman: Doomed was truly an epic fail in the saga of Superman and left me reeling.

This was a return to the Superman who was and always should have been. This was the Superman who fought Doomsday to a standstill and gave his life for those he loved. This is the Superman who clawed his way back from death and kicked the ass of every single other Pretender. This was a Superman who was facing death again and yet would NOT turn away. I have to admit, I almost cried.

So while I loved this return to form for Superman and I had no problems whatsoever believing he and Lois now have a son, the rest of the DC comic world has moved on and made some huge changes and I just can't accept those changes and enjoy them. This whole multiverse thing? That was supposed to have been dealt with back in the 80's with Crisis on Infinite Earths. The fact that DC has hashed things up so badly that they have just as convoluted a multiverse AGAIN doesn't tell me anything good about the state of the plan for storytelling.

The second thing is that I am used to getting a completed story arc in a graphic novel. If you can't tell a complete story arc in one book, then you have no business telling that story at all. It's DC's new business model of selling a whole years worth of comics and all associated comics to get a complete story. I won't buy into that practice.

I think this is going to be my last comic for the foreseeable future. It used to be that comics were in our world and if you knew the origin of the Hero you could pretty much slot into whereever you started reading. Not any more. With things like Flashpoint, New52, Rebirth, things are so complicated that you can't just jump on board.

I enjoyed this particular set of comics a LOT and feel like it is an almost circle in regards to Superman and Doomsday. But with everything else I stated, I can't and won't be continuing.

Adios Kal. You've always been the example of True Manhood to me throughout the years and I'm glad to see you being returned to that state. The world nowadays needs real heroes and I hope you can survive our worlds current penchant for destroying heroes with a sneer and glib mockery.



★★★★☆









Monday, April 09, 2018

Batman: Under the Red Hood (Batman/Robin #5) ★★★☆☆



This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Batman: Under the Red Hood
Series: Batman/Robin #5
Author: Judd Winick
Artist: Doug Mahnke
Rating: 3 of 5 Stars
Genre: Comics
Pages: 384
Format: Paper Edition









Synopsis:

A vigilante, wearing a Red Hood, begins taking out various crime syndicates in Gotham. Unfortunately, he's just as willing to kill as the badguys. This brings him to Batman's attention but he's able to outwit Batman. It is revealed, quite early on I might add, that the Red Hood is Jason Todd and he's back for revenge against the Joker and to show Batman that his scruples against killing just won't work anymore. That story ends with Batman, Red Hood and the Joker all facing off against each other and the Joker stabbing a huge block of c4 and blowing the building to kingdom come.

The book ends with a 2part storyline about how Todd came back to life. Apparantly some of the shenanigans pulled by DC with Superman allowed “time changes” and such baloney and so Todd was miraculously alive. He was then put in a Lazarus Pit by Talia Al'Ghul and sent on his way to revenge himself.


My Thoughts:

This book had some really deep moments, like where Todd's philosophy of death is pitted against Batman's and then some just plain stupid points, like the end story about how Todd came back to life.

This book explores why Batman is one of the good guys. It isn't just that he doesn't kill but the whole reasoning behind it. Batman still believes in the Justice System. He believes in the duly constituted authority of the police and the like. He apprehends the criminals because somebody needs to and provides evidence against them but he realizes that he is NOT judge, jury and executioner. He is not above the Law even while working outside the framework of the law. Ultimately, he serves the purposes of Law.

Todd, on the other hand, is just as much a piece of trash as he was back in “Death in the Family”. He's an arrogant, pompous and now, truly dangerous psychopath. He doesn't believe in the underpinnings of Law and Order and hence, has absolutely no regard for even trying to play by the rules. At times I found myself almost agreeing with his assessment of how Batman's way doesn't seem to work. His accusations against the Joker, about the thousands he has killed, the thousands that could have been saved if Batman had only killed the Joker, rang true in my ears. Until I stopped and thought. I do believe that the Joker should have been killed but not by Batman. He should have been executed by the Government for his crimes. And that is what is so seductive about these comics. They provide half truths as full truths. They purport to show that ANY killing is somehow bad. So only badguys do the killing and goodguys don't kill, including the Government. Even though death is sometimes the only punishment that fits the crime.

However, that gets into the whole role of government and ethics and where you get your ideas from. That is a MUCH deeper and more complicated issue than can be adequately done justice to in a comic book. Plus, it doesn't help that a lot of comic people are leftist commie pinkos who are as deluded as Hitler ever was so to ever expect something right and decent from them is like expecting me to start reading those bodice ripper books and think they're great literature. It just isn't going to happen.

The thing that really knocked this down for me was the whole explanation for how Todd came back. It had something to do with the Flashpoint storyline or the New52 or something. I got a 2page spread showing a Superman who looked like he was 18, breaking something or other and somehow that all mystically made it happen. I HATE SuperKid. The New52 Superkid needed his bottom paddled and told to grow up. He's called phracking Super MAN for a reason so make him look like a man. And make him somebody kids want to emulate and look up to, not a teen displacement fantasy. There are enough superheroes who already do that * frowny face *

Also, there was zero mention of Tim Drake. Near the beginning there is a brief mention of some girl who also died who was close to being a fourth Robin, but nary hide nor hair of Tim Drake. I had to go to Wikipedia to see a history of Tim and found out he was branching out into the Red Robin character at this point. But Nightwing got facetime in this book and even had his city blown up, so why Drake wasn't included is beyond me. Bunch of Jealous Haters is my guess.

Overall, I am pretty pleased with this Robinverse read. From the death of Jason Todd to his return, I think these 4 Robin related graphic novels are all worth owning. While they are a bit topsy turvy due to DC doing reboots every decade or less, you learn a lot about the Robin personna and get various takes on it. That being said, I will not be hunting down any of the Red Robin graphic novels or continuing any of the storylines left open in this book. I've got a Superman graphic novel still on tap but I think I'm going to wait a month or two before diving into it.

My rating of this book went all over the place from 2 stars to 4 star and even while writing this review I found myself going back and forth. So I settled on a 3star, as it means I was ok with the read but wasn't wow'd.

★★★☆☆ 







Thursday, March 08, 2018

Robin: Tragedy & Triumph (Batman/Robin #4) ★★★★☆


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Robin: Tragedy & Triumph
Series: Batman/Robin #4
Author: Chuck Dixon & Alan Grant
Artist: Norm Breyfogle & Tom Lyle
Rating: 4 of 5 Stars
Genre: Comics
Pages: 192
Format: Paper Edition









Synopsis:

This graphic novels entails 2 different stories that aren't related.

The first story, entitled Rite of Passage, is the backstory of the tragedy surrounding Tim Drake's parents. How his mom died and his dad was totally incapacitated. They were multimillionaires, investors and their plane was hijacked. They were held for ransom by the Obea Man in Haiti but he had planned to kill them along no matter what. Batman rescues them but not before they drink poisoned water, which kills Mrs Drake and puts Mr Drake into a coma. While all of this is going on, Tim is back in Gotham tracking down a computer hacker who has been stealing from Gotham banks and depositing the funds into peasants accounts across the world.

The second story is the Robin II set of comics that introduces the new Robin as his own character. Batman is out of town, the Joker escapes and it is mid winter with a huge storm coming in. The Joker kidnaps a computer programmer and takes over the city and demands Batman deliver him a billion dollars. The Joker blows the truck up to kill Batman and in the ensuing confusion (As Robin has set things up) Robin takes down the Joker and puts him back in Arkham. Thus he puts to rest any doubts he has about being capable of being Batman's partner.


My Thoughts:

I can understand why they put these 2 stories together, but they really didn't mesh well. The tragedy surrounding Tim's parents is only touched upon in Robin: A Hero Reborn so it is good to get the full story. It is amazing how the birth of a hero always seems catapulted by some sort of deep tragedy in their own lives. Nobody, as far as I can tell, just wakes up in Comic World and decides to fight crime for the fun of it. I obviously haven't read every about superhero, nor do I have that desire, but Motivation seems to half the battle when it comes to creating a “hero”. Nothing beats a good old death of mum n dad to help someone along the path.

The Robin II storyline, with Tim facing off against the Joker, was your stereotypical comic book storyline. A whole city helpless, only one man, or boy in this case, can save the day. The Authorities completely stymied, every person in power panic'ing and their brains nullified. It is the dream of every teen. It also showcased how comics in the 90's were still grounded in our world. None of this alternate reality, science fiction, fantasy kaka I see nowadays. Once a Superhero moves out from “our” world, they become just another character, no longer a Superhero.

This Robin book didn't impress me as much as the previous book. It wasn't as good but it also wasn't as ridiculous. It was a comic book about a teenager (Drake's only 14 for goodness sake!) for teenagers. I've been looking around at other Tim Drake/Robin books and I think I'll be leaving them alone. Drake's origin and first real mission, that's a good place to stop.

I've got one more Batman/Robin graphic novel coming up, Under the Red Hood, which deals with the return of Jason Todd. I have no idea if Drake is involved or not, but either way, I'm ok with this little bit I already own and have no real desire to chase down more.


★★★★☆ 





Sunday, February 18, 2018

Robin: A Hero Reborn (Batman/Robin #3) ★★★★☆


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Robin: A Hero Reborn
Series: Batman/Robin #3
Author: Chuck Dixon & Alan Grant
Artist: Norm Breyfogle & Tom Lyle
Rating: 4 of 5 Stars
Genre: Comics
Pages: 192
Format: Paper Edition









Synopsis:

Tim Drake has been helping out Batman after the death of Tim's mother and his father's incapacitation by poison at the hand of the Obea Man. Batman refuses to allow Tim to don the Robin costume and tells Tim that disobediance in that regard will be where their partnership ends. Batman is dealing with with random people putting on skull masks and then committing crimes of whim. He tracks down the mastermind but is captured by the Scarecrow and subjected to several of his potions. Tim figures out what is going on and decides that he has to help Batman even if it means he can't ever be Robin. Tim saves Batman and Vicki Vale and Batman realizes and acknowledges that Tim IS capable of being the next Robin. A new suit is revealed and Tim becomes the next Robin.

Though his detective skills are up to snuff, the physical side of things aren't as well taken care off so Tim heads off to France to train under the last surviving Sensei of a martial art. While out one evening he sees a girl being harassed by a gang and tries to intervene. He gets his butt kicked, badly. He tracks them down and ends up rescuing Clyde Rawlins, a rogue DEA agent who is after the killers of his family. The gang leads back to Edmund Dorrance, aka the King Snake, the most dangerous man in the world, at least according to Lady Shiva.

Robin takes some street brawling lessons from Rawlins, finds out that Dorrance has gotten ahold of some manmade Bubonic Plague and plans to release it in Hong Kong so the mainland Chinese will get nothing when they take over Hong Kong in a few years. Lady Shiva is involved because she wants to pit herself against the King Snake. Robin takes some lessons from Shiva as well and eventually all 3 of them head to Hong Kong. They assault Dorrance's HQ where the plague is stored and stop it from being released. Rawlins' dies at the hands of the King Snake and Robin fights against him as well. Shiva has been playing a long game and tries to turn Robin into a killer and make him her protege, hence one-upping Batman. Robin refuses to murder Dorrance, so Shiva tosses Dorrance off of a 50story building.

Robin returns to Gotham and stops the gang that has transported all of Dorrance's fortunes. He cleans house and Batman tells him he did a good job and that he's truly ready to be Robin now.


My Thoughts:

Before I actually review anything. Buying books is dangerous. When I reviewed the 2 previous Batman/Robin books, I thought that I didn't own them so I read them in digital format. Well, when I went to pick this volume off of my shelf, low and behold, I saw that I DID own them. Sigh. I didn't buy it from Amazon, as it's not in my order history, so I'm guessing I bought it some time with a Barnes&Noble giftcard some Christmas. I just can't remember. So beware your bookshelves, they might have hidden surprises!!!

There is a quote from Clyde Rawlins that I feels sums this book up perfectly:

But this is getting too freaky. Killer bimbo's, nazi plague bombs...
...I feel like I'm living out a National Enquirer headline.”


This was released soon after Jason Todd's death, as it was felt that Batman really did need a sidekick. So this is chockful of the 90's. The proto-EU is talked about, the ChiCom's takeover of Hong Kong, the styles, it was all good! I'm not sure how a young person of today would view that, or if it would just be something they pass over. But for me, it was a good trip down memory lane.

Now, that being said, I was probably 14 or 15 when I originally bought this Robin graphic novel and the next. I can see why I liked it so much. However, since I've changed just a little bit since then (my 40th is coming up this year) my outlook has a bit more perspective to it now. The whole training thing? Packing 3 different styles in doesn't take weeks, it would take years. In comics, that is how it works though, but it was pretty obviously a “flaw” to me this time around. The billionaire blind super martial artist schtick was also on the gimmicky side.

However, I still really liked this. Tim Drake is a careful, introspective teenager who thinks before he reacts and plans as much as he can for the unknown. He doesn't allow himself to be overcome by his emotions and doesn't allow vengeance to be his driving force. In short, he is everything that a sidekick of the Batman needs.

The whole coloring side of things worked for me as well. I'm a big fan of bright and splashy costumes and the yellow and greens and reds were outstanding in the new suit. And thankgoodness no more short pants for Robin! It was very much a complimentary suit to Batman's in regards to what it was capable of.

This was a fun, fast paced adventure of the new Robin coming into his own. I'd highly recommend it to teens and recommend it to any fan of the Robins if they wanted a history lesson.


★★★★☆