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Title: Kingfisher
Series: ----------
Author: Patricia McKillip
Rating: 4.5 of 5 Stars
Genre: Fantasy
Pages: 302
Words: 87K
Series: ----------
Author: Patricia McKillip
Rating: 4.5 of 5 Stars
Genre: Fantasy
Pages: 302
Words: 87K
Synopsis: |
From Tor.com &
authored by Alyx Dellamonica
Pierce Oliver lives in a
world that fuses our high-tech present day with the top-down
political structure of a high fantasy medieval kingdom. It’s the
kind of place where limousine-riding kings preside over jousts, where
the court magicians argue over the academic citations and feminist
interpretations of their ancient texts, and where the bastard princes
are doing well if they manage to stay out of the tabloids. The
country’s biggest ongoing problem is keeping its surplus of
troublesome knights from taking it into their heads to overthrow the
government.
When Pierce is a young
man this hardly matters, because he lives in a small town far removed
from the capital, a backwater whose existence is known to but a few.
His home is in fact concealed by magic, an enchantment wielded by
Pierce’s somewhat clingy mother, Heloise, a retired witch living
incognito as a slow foods restaurateur. One day three knights stumble
through town by accident, and by the time they’ve moved on, Pierce
has decided to strike out on his own, seeking information on the
father he never knew and–perhaps as importantly–cutting the apron
strings that have bound him so tightly to his mother’s chosen
refuge.
Packing up his car and
charging his cell phone, Pierce heads down the road and almost
immediately stumbles into–rather surprisingly–another restaurant,
this one in a dilapidated hotel called the Kingfisher, a place that
has fallen on hard times. There he encounters Carrie, a hard-working
chef who also dreams of escaping her particular Nowheresville of a
community. Pierce partakes of a peculiarly ritualistic fish fry
there, before spending the night in one of their rooms. On his way
out the door, he gives in to an irresistible not-quite-whim to filch
a cooking knife from the place.
The theft, of course, is
less a failure of moral fiber than a magical imperative, and by the
time Pierce makes it to the capital, the effects of his minor act of
banditry are reverberating throughout the land. The King has decided
to declare a nationwide quest for… well, definitely for something.
A grail? A relic? A fountain of youth? Whatever the Object in
question is, his upstart knights will surely know it when they see
it. In the meantime, if their motoring forth and scouring the kingdom
keeps them from getting up to revolutionary scale trouble, so much
the better.
The problem with this
scheme is it isn’t entirely a PR scam. The quest Object is real
enough, and the mere idea of seeking it sets off a feud between two
major religions, a fight that breaks down more or less on gender
lines: there’s a cult with masculine, metal-dominated values and a
male god, and a watery, priestess-led faith centered in the ladies’
birthing chamber. Both sides are absolutely, positively sure that the
quest’s Object belongs to their patron deity. And for at least some
of the men and women on the hunt, this ambiguity is awesome, simply
because it means they have a license to stampede around the whole
countryside, kicking over lesser shrines, sifting through their
relics, and beating on anyone who might object.
Carrie and Pierce have
other problems too, in the form of a third restaurant owner, a
slippery figure called Stillwater who is almost certainly in the know
about whatever it is that has blighted the Kingfisher Inn. Now he has
his sights set on Carrie herself, and is tempting her with job offers
she definitely ought to refuse.
Publishers Blurb &
Me
Hidden away from the
world by his mother, the powerful sorceress Heloise Oliver, Pierce
has grown up working in her restaurant in Desolation Point. One day,
unexpectedly, strangers pass through town on the way to the legendary
capital city. “Look for us,” they tell Pierce, “if you come to
Severluna. You might find a place for yourself in King Arden’s
court.”
Lured by a future far
away from the bleak northern coast, Pierce makes his choice. Heloise,
bereft and furious, tells her son the truth: about his father, a
knight in King Arden’s court; about an older brother he never knew
existed; about his father’s destructive love for King Arden’s
queen, and Heloise’s decision to raise her younger son alone.
As Pierce journeys to
Severluna, his path twists and turns through other lives and
mysteries: an inn where ancient rites are celebrated, though no one
will speak of them; a legendary local chef whose delicacies leave
diners slowly withering from hunger; his mysterious wife, who steals
Pierce’s heart; a young woman whose need to escape is even greater
than Pierce’s; and finally, in Severluna, King Arden's youngest
son, who is urged by strange and lovely forces to sacrifice his
father’s kingdom.
Things are changing in
that kingdom. Oldmagic is on the rise. The immensely powerful
artifact of an ancient god has come to light, and the king is
gathering his knights to quest for this profound mystery, which may
restore the kingdom to its former glory—or destroy it.
In the end, Stillwater is
recaptured by the women of Ravenshold, Prince Damion brings peace
between Ravenshold and Wyvernshold, the magic is brought back in
balance to the Kingfisher and the Holy Grail is revealed to be a
magic cooking pot used at the Kingfisher.
My Thoughts: |
The reason this still only gets 4.5stars instead of 5 is because of
the cover. I'm sorry, but Kinuko Craft covers are the physical
embodiment of the stories that McKillip tells. This bland, no-nothing
cover is a blot. Now, that is the fault of the publishers, so I don't
blame McKillip one iota but it still plays a part. Penguin, and their
imprint Ace, should be heartily ashamed of themselves. In fact, I
would gladly volunteer to help them commit seppuku for this
disastrous, face shaming act they committed against this great book.
Now, there are some differences from her previous books. This takes
place in “modern” times even while magic is in existence. There
is also a much larger cast of characters. There are also several
concurrent storylines instead of just the one or two. These various
differences, while not bad, definitely contributed towards this
feeling like a highly embroidered neckerchief instead of a wall
scroll with one central picture. Smaller in scope but more “things”
going on to keep one occupied.
I was thinking this was the last McKillip I had on my re-read journey
and was pretty sad about that. It was coloring this whole read until
about half-way through I realized I still had a collection of short
stories to go through entitled Harrowing the Dragon. Then the
sun came out, the birds began chirping and cherries fell directly
into my mouth, already pitted. Life was wonderful again :-D
★★★★½
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