Showing posts with label Short Story Collection. Show all posts
Showing posts with label Short Story Collection. Show all posts

Wednesday, December 13, 2023

Cthulhu’s Daughter and Other Horror Stories 1Star DNF@50%

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Cthulhu’s Daughter and Other Horror Stories
Series:
Author: Rhiannon Frater
Rating: 1 of 5 Stars /DNF@50%
Genre: Horror
Pages: 103 / 52
Words: 35K / 18K






I was going to add this to the Cthulhu Anthology series, but once I opened this up and found only the first story was Cthulhu related, I put paid to that.

The rest of what I read was so wrapped up in mommy issues that I wondered why the author hadn’t sought out professional help. It was that bad.

Then I got to the lesbian vampire story and that put paid to the book. I wasn’t sad about stopping, that’s for sure.

★☆☆☆☆


Table of Contents

The Old Ones / Cthulhu's Daughter

The Monster with the Human Face

The Vampires

The Werewolves

The Mummy

The Zombies

The Monsters from Beyond


Wednesday, November 29, 2023

The Chromatic Court (The King in Yellow Anthology #11) 1Star

 This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission


Title: The Chromatic Court
Series: The King in Yellow Anthology #11
Author: Peter Rawlik (ed)
Rating: 1 of 5 Stars
Genre: Cosmic Horror Anthology
Pages: 284
Words: 107K





This collection of short stories starts off with some modern sexual perversions and insanities masquerading as personal choices, so while that type of thing usually ends in an immediate DNF, I decided to finish the collection.

Sadly, this was as much a Cthulhu collection as it was a King in Yellow collection. I even hesitated to put this into the King in Yellow side of things, but I did and decided to just call this book a complete loss.

What a way to end the month, sigh.

★☆☆☆☆


From the Publisher and Table of Contents

The Color of Things © Peter Rawlik

When Lavender is in Bloom © Christine Morgan

Love and Treachery © Joseph S. Pulver Sr.

The Grey Queen © Paul StJohn Mackintosh

The Man in Purple Tatters © Rick Lai

The Green Muse © Jon Black

The Songs of Burning Men © John Linwood Grant

Curse of the White Inferno © Glynn Owen Barrass

The Blues of the Endless Sky © Simon Bucher-Jones

Tatterdemalion in Grey © Micah S. Harris

The Frieze of Helmsly Ainsworth © David Bernard

The Matron in the Wood © Logan Noble

The Duke of Rust © Matt Laughlin


Have you ever been haunted by a work of art?

You may not be merely captured by the craft, but by something that lies in the work's depths. Something admiring you as you admire it.

Do you know the King in Yellow? The Sepia Prince? The Duke of Rust? Have you heard their whispers coming to you from dried up parchment and faded photographs? Maybe another member of the King's court has lit upon your life, casting shadows and doubts. Do you worship them, fear them, revere them, or simply seek to understand them? These hallowed nobles who hold court around the King.

Each noble holds an artform in their wavelength. For their color to shine, that art must practiced. There are no older or younger members of the court. Each has existed since before time was a concept they entertained. All of culture has evolved to suit their needs.

Art is in the eye of the beholder, and color is only an abstract concept. The Chromatic Court is very real, you reading this has assured that...



Wednesday, November 08, 2023

I am Curious (Bloody) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: I am Curious (Bloody)
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 144
Words: 55K




Another good collection from the Alfred Hitchcock magazine back in the day. Once again we run the gamut from disturbing stories (in the Accidental Widow a man seeks the prize of a rich woman and kills off her husbands, only to find that once he’s won her, he likes the killing more than he likes her) to the incompetent oaf (The Skim is about a married low level gangster falling in love with another woman and getting caught by his wife and his brother-in-law, the head mobster) to an almost-happy ending (The Heir has a street hoodlum killing a drug addict and taking his place in his mother’s affections, and will).

Now, there was one story that I wasn’t sure what the ending meant. It was called Holiday by Hal Ellson. I’m going to include it here under the details tag, peruse it if you’d like and give me your interpretation. I’ll say more about it in the next paragraph:



Blue light trembled above the hotel; guests were already sitting in the open dining room beyond the pool when a girl appeared on the upper terrace. Down the stone stairway she came, sandals clacking, white bathing suit startling in the dusky light.


She was another lone female tourist, but different from the others. At the pool-edge she adjusted her cap and plunged in. Twice she swam the length of the pool, then floated on her back, sensuously. Roger watched her casually; no point in getting excited when she’d never more than nodded to him.


Footsteps made him turn. The hotel manager smiled. “Not dining again, Mr. Peters?”


“No appetite in this heat.”


The girl in the water swam to the pool-edge, and the manager turned to her. “Enjoying a dip, Miss Boyd?”


“Yes, the heat in the city was dreadful. Isn’t it ever cool there?”


“Never. By the way, may I join you at your table this evening?”


“You could, but I’m not dining.”


“I’m disappointed. Reconsider?”


Miss Boyd climbed from the pool, asked for a cigarette. The manager felt his pockets, shrugged, and Roger offered his pack and a light. The manager introduced them. A moment later he was called to the desk. Annoyed, he started away, stopped. “A dance at the Royal Palm tonight. I hope to have the pleasure. . .”


“Sorry, I’m not going.”


“I’m more than sorry.” The manager shrugged and walked away. Miss Boyd removed her rubber cap, shook her hair. “He really is sorry,” she said to Roger.


“What does that mean?”


“All the men are in this place. They’ve only one thing in mind.”


“Perhaps because there’s nothing else to do.”


Miss Boyd laughed. “I suppose one can’t blame them. Do you think it’s the climate?”


“They’re probably trying to prove they’re men and lovers.”


“Well, making love is one way of proving it.”


“Not necessarily. And certainly not when one is married, like Mr. LaFarge.”


“He doesn’t miss a trick, but you sound married, or perhaps you’re a prude.”


“Neither one nor the other.”


“But you object to Mr. LaFarge’s activities?”


“I don’t give a damn about him and his activities.” Miss Boyd smiled. “You’re from New York?”


“Who here isn’t?”


“True. I came down to get away from the place, and everybody I’ve run into is from the big town.”


“Disappointed?”


“In that respect, but the island’s beautiful.”


“Too hot and too lush. I prefer a cooler climate, but doctor’s orders. I needed a rest. I can’t say I haven’t rested.”


“So I’ve noticed.”


“Really? I didn’t think you knew I existed.”


“The only male who hasn’t made some kind of pass. I thought you might be queer.”


“No such problem,” Roger smiled. “As for you, I had my own thoughts.”


“You thought I was?”


“Oh, no, just a bit of a snob, but at least you’re not like the other loners, all hunting for a man.”


“Anything wrong in that?”


“No, but most of them will go home disappointed.”


“And yourself?”


“Me? I came for a rest, remember?”


“Oh, yes. Then I don’t suppose you’re permitted to drink?”


“A glass or two wouldn’t bother me,” he admitted encouragingly.


“Could we have one out here?”


“Of course.” A drink would be just the thing. A white-jacketed boy brought them, bowed and walked away. Water splashed into the pool from the mouths of three green nymphs, a murmuring came from the dining room; otherwise, there was no sound.


“No music this evening,” Roger observed. “Some thing big going on elsewhere?”


“Nothing unusual. Gambling at the Casino, a dance at the Royal Palm. Do you gamble, Mr. Peters?”


“Not even for fun, and I don’t particularly care for nightclubs.”


“You’ll be lonely this evening.”


He caught the suggestion and looked directly at her. “You’re going dancing—without an escort?”


“Would you care to take me?” Miss Boyd smiled, and he realized he’d walked into a trap, but what difference?


“Glad to take you,” he said.


The night blackened and grew cooler, the pool lay quiet. Roger emptied his glass, glanced toward the dining room. Empty and dark; a single small light burning at the bar and no one there. The guests had fled, the hotel was deserted. He arose on unsteady legs, went to the railing, looked down. The hill below dropped swiftly away, thin trees raised dark hands toward him; the jungle below. Chilled, he turned away, for down there was the real island with its hidden terrors and violence which the tourists never saw. Now he wondered about himself. Why had he accepted Miss Boyd’s proposal? Would she be like the others? He resented the thought, for it cheapened her and, by the same token, made her available.


Three potent rum cocktails in him and he felt a little reckless. But where was she? A half-hour gone since she went to dress. He entered the hotel and asked at the desk for her room number. The clerk obliged and sent him a sly smile. They must smell it, Roger thought.


A series of dim passages brought him to Miss Boyd’s room—but was it hers? He struck a match. Number seven on the door. He knocked, heels clicked on tile, the door opened and she stood before him.


“I’m almost ready. Coming in?”


The invitation unexpected, he hesitated, stepped in.


“Sorry I took so long, Roger, but those drinks we had. . .I had to lie down.” She smiled, a different person from the one at the pool, eyes softer, body relaxed. “It’s so quiet. I don’t hear anyone.”


“I doubt if any guests are about,” he said, and eyed the room. “Big,” he commented.


“And so isolated.”


“A hard time finding it.”


“But you did.”


“Had to,” he said, and she stepped close, her arms encircled his neck, her mouth found his. Stunned, he couldn’t move at first and, when he did, it was too late. She escaped and ran to the bathroom. Out again, she donned a white shawl, walked toward him, pressed her room key into his hand, saying, “We’ll need this later.”


A single taxi waited under the carport. The driver assisted them in. A rumbling over cobblestones, wide turn on a descending curve and the car leaped for ward into the dark. Roger felt he was moving through a void. Anything can happen, he thought, feeling the key in his hand and recalling the start of the evening, Miss Boyd descending the steps to the pool, the casual introduction by Mr. LaFarge.


Simple and ordinary. . .but was it? He slipped the key into his pocket. Later, after the necessary rituals of the dancing and drinking, he’d have use for it. Nothing else remained between the formalities and the cool sheets of Miss Boyd’s bed. Is she like the others? He wondered, and she spoke.


“You’re not saying anything. What’s wrong?” she asked him.


“I don’t like this road in the dark.”


“The drivers know it with their eyes shut.” She took his hand. A sharp curve and she was thrown against him. There was an odor of rum on her.


“Those drinks were stronger than I thought,” he remarked. “Smell the rum?”


“A bottle in my bathroom—I had a quick drink before we left.”


Strange. Earlier, she’d complained about the cock tails. But what matter? The car rushed on.


Twenty minutes later it stopped in front of the Royal Palm. The nightclub was dimly lit, crowded, the native band playing a Meringue. A waiter found them a table. The band paused, took up with another Meringue and Miss Boyd arose. “Shall we?”


“Why not?” He escorted her to the floor. Dance? She pressed too close, used her body a bit too much. Back at their table she emptied her drink in a swallow, and he looked around. An excess of men, some tables occupied solely by them, natives, each with the look of a hungry predator. They drank and watched the women who sat out the dances. Some times they got up and approached them. None came to Roger’s table, but they watched, one in particular. Roger noticed him, Miss Boyd didn’t; the drinks reaching her? He saw it in her eyes, felt it in the way she clung to him and used her body while they danced. She was beginning to draw attention. At the announcement of the floor show, he felt relieved. At least he didn’t have to dance the Meringue for a while. He mentioned that.


“It’s the craze here,” Miss Boyd countered.


“Yes, like dope. Let yourself go with it and you can’t stop.”


She lifted her glass. “Isn’t that why we came, to let ourselves go?”


How far? he wanted to say, and a loud drumming intervened. Out went the lights, silence; a white beam knifed across the dance floor, focused on an all but naked female. A slow rhythmic beat of bongos and she began to writhe. Conversation died. The dancer held all eyes till she finished. Applause followed, a group took the floor, waiters moved among the tables. Ice clinked in glasses. Roger had already lost count of the drinks he’d had. The waiter brought new glasses. Warn Miss Boyd to be careful? A bit late; her eyes were already glazed.


The near naked female dancer again in solo, the rhythm of the bongos wilder, dancer’s movements more suggestive. A burst of applause greeted her as she finished. The lights went on, the band began another Meringue.


Miss Boyd jumped up, ready to dance. Roger hesitated. As the tall man at the other table stared, he led Miss Boyd to the floor. She held him tightly, head bobbing loosely, hips everywhere; her dress slipped from her shoulders and she refused to adjust it.


Three successive dances, back to the table and the tall man appeared, bowed, smiled at Roger. “Do you mind?” Quickly he turned to Miss Boyd and asked for a dance. Smiling, she rose unsteadily and was taken by the arm.


Roger watched them on the floor, finally lost them in the crowd. They returned when the music stopped. The tall man bowed, left, and Miss Boyd flopped into her chair. “He’s a marvelous dancer,” she said. “Did you at all notice?”


“I did, but take care, he’s had his eye on you all evening.”


“Anything wrong in that?”


“Not if he just looks.”


“Jealous, or just being stuffy?”


“Neither, but I brought you here, I feel responsible.”


“Oh, come on. What can happen on a dance floor?”


“Nothing, I suppose, but just be careful. He’ll be back for more.”


“You don’t want me to dance with him?”


“I can’t stop you,” he said.


Later, the tall one appeared at their table again. A bow, a smile, and off he swept Miss Boyd to the far side of the floor. His strategy? Roger lifted his glass. The drink was as mild as water. Was the wait er cheating, thinking he was drunk? Still, his lips were completely numb, a looseness had invaded his body and he felt ready to do something reckless.


A bottle crashed and he turned, saw a stout middle-aged woman being helped from the floor by a man half her age. Maudlin drunk, she tried to kiss him. He held her off, gave her a familiar pat, filled her glass.


Roger turned away. A sudden change was taking place, the music louder, wilder, dancers less restrained. The almost stilted, formalized steps of the Meringue no longer held the women. Their hips were freer now as they abandoned themselves to the music.


Some minutes later the tall man returned to his table and tossed off a drink. Where was Miss Boyd? Gone to the powder room? Roger waited, finally got up and went to the other table. The tall one arose, bowed stiffly from the hips. “Miss Boyd? Another gentleman asked her to dance.”


Roger turned away, searched for her, and went back to the table where the tall man sat with his friends. He looked up and smiled. “Ah, back again. You didn’t find your partner? Too bad.”


“What happened to her?”


“Who knows? Perhaps she went off with the other gentleman.”


There was no point in continuing. The tall one lit up, his friends grinned. Appeal to them? Roger turned away, again searched the huge room and found the waiter who’d served him. He knew nothing. Perhaps the manager could help. That one shrugged. “The lady must have decided to leave.”


“She didn’t leave on her own. Something happened to her.”


“Here? Impossible. Perhaps—”


“There’s no sense discussing it with you people. Where do I find the police?”


“It’ll do you no good to go to them. The Captain won’t be at headquarters, I can assure you.”


“He’s the whole force?”


“No, but his subordinates would only refer the matter to him in the morning—if he appears.”


“If he appears?”


“Yes. You see, he’s not always there.”


“Then where can I reach him?”


A shrug and Roger went out the door. The taxi driver who’d brought them stepped up. “Ready to go back to the hotel, sir?”


“No. Something happened to the young lady I brought here. Take me to police headquarters.”


“I wouldn’t advise that, sir.”


“I’m not asking for advice.”


“As you wish, but the Captain—”


“Won’t be there till morning? Okay, the hotel.” The driver started the car. It was late now. No light shone, nothing stirred. Roger sat back. “What happens when a crime is committed on the island?” he asked.


“Sir?”


“Suppose someone is murdered, kidnapped, raped? Must you wait till morning for something to be done about it?”


The driver glanced back and grinned. “There are no kidnappings here. Rape?” He shook his head. “One doesn’t have to use force where love comes so easy. Ah, but in your country it’s different, I understand. As for murder, occasionally a man may kill another over a woman.”


“And the Captain comes around in the morning to clear up the matter?”


The driver ignored the remark. “As a matter of fact, we have very little crime, no gangsters, nothing like you have back in the States.”


End of theme; silence reigned till they reached the hotel. “If you’re going into the city in the morning, sir. . .”


No answer for him. Roger went up the steps, entered the hotel. A sleepy-eyed clerk lounged behind the desk. Ask him if Miss Boyd had returned? No. He went to her room, opened the door, flicked the light. A hollow room.


Light slipped through the blinds, laughter sounded below the balcony, the black night of the island gone. Roger went to Miss Boyd’s room and knocked, then used the key. An empty room. He went off, found the manager and explained the events of the previous evening.


“You think something happened to Miss Boyd?” The manager looked at his nail. “Most likely she went off with someone for the evening and slept over. After all, that’s been known to happen here.”


“No doubt, but that’s not the answer.”


“You might wait and see if she turns up. It’s early yet,” he placated.


“I’ve waited long enough.”


“In that case, you’ll want to see the police, but please sit down. Unfortunately, the Captain sleeps late. He may not be up before noon.”


“No one else can do anything?”


“I’m afraid not. Coffee, Mr. Peters?”


An hour later Roger drove away from the hotel. The sun blazed, the road stayed empty all the way into town. The taxi stopped in front of police head quarters. He went inside. The Captain? Not in yet. When would he arrive? Later.


The sum of later, noon—and the Captain? One and the same as the tall man of the previous evening. “Yes, what can I do for you?” he grinned.


“It’s about—”


“The young lady you were looking for last evening. You didn’t find her?”


“You know damned well—”


The grin faded, the Captain’s hand came up. “Enough of that. You were drinking last night, and I made allowances. Now you’re sober, and I have a headache.”


Heed the warning? The hell with him. “Where’s Miss Boyd? You don’t frighten me.”


“Perhaps not. So you want the young lady? Too bad. She left the island.”


“There was no plane out of here last night, as you very well know.”


“She left this morning. A little trouble with a gentleman she danced with last night. Too much to drink, so she was detained.”


“Where?”


“In our jail, of course.”


“For what reason? You haven’t made that clear enough.”


“I’ve made it as clear as I intend to, and now if you will please leave. . .When you have the facts? Ah, perhaps you’d like to try our jail? I can hold you on several charges, and it would be most difficult for you to do anything about it. A month or so in a dirty cell. . .”


A bluff? No. He left, climbed into the taxi and it moved off.


“The young lady’s safe?” the driver asked.


“She’s supposed to have left on the morning plane.”


“That’s right. I drove her to the airport this morning.”


“How could you? She wasn’t at the hotel, she was in jail.”


“Jail? Oh, no. She spent the night at the Captain’s house. You see, it’s always the same. Someone takes his fancy, she’s arrested, held overnight and—”


“Put on the plane in the morning,” Roger said. Reaching into his pocket then, he found Miss Boyd’s key and flung it out the window.

</details>



I don’t know what to make of that. Did the police chief murder her and use his position to sweep it under the rug? Was she a whore who was hired to play a role involving the main character to boost the police chief’s ego? Or was it just as it said, the woman was used and then shipped off? That interpretation just doesn’t fit with the the main character getting angry and throwing the woman’s keycard away. I don’t know what to make of it. And that is the first time that has happened to me in one of these Hitchcock collections. I could be overthinking everything though, that’s been known to happen on occasion too.

Another thing that bugged me, as in that I didn’t understand, is the title itself. I know “bloody” is a British curse akin to the American f-word but it should be used as an adjective as in “I am Bloody Curious”, so why does it come at the end, in parenthesis? At first I thought I had some bad meta-data for the ebook, but looking at the cover itself, you can see that nope, it is correct. I realize I’ve probably asked more questions than anything in this review, but these are the thoughts I thought as I read this.

I was pretty happy with this read because even the questions I had didn’t detract from my enjoyment, they just didn’t allow me to enjoy things as much as I could have.

★★★✬☆


Inside Blurb & Table of Contents:


ALFIE, THE DOVE

Alfred Hitchcock simply can’t stand war. He knows he may be considered old-fashioned, but mechanical kinds of death utterly revolt his delicate taste.

Alfie firmly believes that nothing can best individual craftsmanship. A murder really isn’t worth enjoying without that unmistakable personal touch.

To prove his point, Alfie has assembled thirteen expert practitioners of the fine art of homicide. Their body counts may not be as high as figures in the newspaper—but quality, not quantity, is their aim. You’ll find thrills tailored perfectly to your chilling reading pleasure in—

Alfred Hitchcock’s

I AM CURIOUS (BLOODY)


  • ONE-ARMED BANDIT

  •      Dan Sontup

  • NEVER KILL FOR LOVE

  •      C. B. Gilford

  • THESE DAISIES TOLD

  •      Arthur Porges

  • CANINE ACCOMPLICE

  •      Grover Brinkman

  • THE ACCIDENTAL WIDOW

  •      Robert Colby

  • TWILIGHT THUNDER

  •      Edward D. Hoch

  • IMAGES

  •      Michael Brett

  • THE SKIM

  •      Richard Deming

  • ONE WAY

  •      John Lutz

  • THAT GUY WHAT LAUGHS LAST

  •      Phillip Tremont

  • THE PRIVATE EYE OF IRVING ANVIL

  •      Richard Hardwick

  • HOLIDAY

  •      Hal Ellson

  • THE HEIR

  •      Talmage Powell


Thursday, October 26, 2023

Foundation (Foundation #1) 5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Foundation
Series: Foundation #1
Authors: Isaac Asimov
Rating: 5 of 5 Stars
Genre: SF
Pages: 234
Words: 70K





Foundation is one of those books/series that I read in highschool, then again in Bibleschool and then yet again as an adult. When I read Foundation back in ‘08. I only gave it 3stars. Looking at my review, I don’t give any indication of why. I suspect I was expecting some sort of epiphany experience and when that didn’t happen, I blamed it on the book.

This time around I had more experience with a wider range of Asimov’s work. I’d seen him at the top of his form and I’d seen some of his better left forgotten stuff too. This was a collection of very dependent short stories and I loved every single second of it.

With just a few words Asimov sets the stage for 1000 years of future history. We meet Harri Seldon for all of 4, maybe 5 paragraphs and yet when his hologram appears again, he’s one of the most real characters in the stories. Trantor, the planet city, the Empire itself, are all sketched in with a very light touch and yet we are told enough that our imaginations can fill in all the gaps (well, if your imagination hasn’t atrophied in todays bookish culture).

Asimov’s strength has always been “The Idea” and he works that to the fullest here. I loved it.

★★★★★


From Wikipedia

Called forth to stand trial on Trantor for allegations of treason (for foreshadowing the decline of the Galactic Empire), Seldon explains that his science of psychohistory foresees many alternatives, all of which result in the Galactic Empire eventually falling. If humanity follows its current path, the Empire will fall and 30,000 years of turmoil will overcome humanity before a second empire arises. However, an alternative path allows for the intervening years to be only 1,000 if Seldon is allowed to collect the most intelligent minds and create a compendium of all human knowledge, entitled the Encyclopedia Galactica. The board is still wary, but allows Seldon to assemble whomever he needs, provided he and the "Encyclopedists" be exiled to a remote planet, Terminus. Seldon agrees to these terms – and also secretly establishes a second foundation of which almost nothing is known, which he says is at the "opposite end" of the galaxy.

After 50 years on Terminus, and with Seldon now dead, the inhabitants find themselves in a crisis. With four powerful planets surrounding their own, the Encyclopedists have no defenses but their own intelligence. At the same time, a vault left by Seldon is due to automatically open. The vault reveals a pre-recorded hologram of Seldon, who informs the Encyclopedists that their entire reason for being on Terminus is a fraud, insofar as Seldon did not actually care whether or not an encyclopedia was created, only that the population was placed on Terminus and the events needed by his calculations were set in motion. In reality, the recording discloses, Terminus was set up to reduce the dark ages based on his calculations. It will develop by facing intermittent and extreme "crises" – known as "Seldon Crises" – which the laws governing psychohistory show will inevitably be overcome, simply because human nature will cause events to fall in particular ways which lead to the intended goal. The recording reveals that the present events are the first such crisis, reminds them that a second foundation was also formed at the "opposite end" of the galaxy, and then falls silent.

The Mayor of Terminus City, Salvor Hardin, proposes to play the planets against each other. His plan is a success; the Foundation remains untouched, and he becomes its effective ruler. Meanwhile, the minds of the Foundation continue to develop newer and greater technologies which are more compact and powerful than the Empire's equivalents. Using its scientific advantages, Terminus develops trade routes with nearby planets, eventually taking them over when its technology becomes a much-needed commodity. The interplanetary traders effectively become diplomats to other planets. One such trader, Hober Mallow, becomes powerful enough to challenge and win the office of Mayor and, by cutting off supplies to a nearby region, also succeeds in adding more planets to the Foundation's control.



Tuesday, October 03, 2023

Mirror of the Night and Other Weird Tales 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Mirror of the Night and Other Weird Tales
Series: ----------
Author: Edwin Tubb
Rating: 3 of 5 Stars
Genre: Horror Anthology
Pages: 148
Words: 59K






I was talking with somebody, at some time (I think it was Snapdragon Alcove) and she asked if I’d ever read anything by E.C Tubb. I hadn’t, so I decided to rectify that situation with this standalone collection of short stories by him.

Tubb was quite interested in the supernatural and more specifically, the occultic supernatural. But he was also just fine writing about messed up humanity.

One of the stories is about an older man who has had a stroke. He is convinced his wife has been taken over by an alien and in the end kills her. Only the reader knows everything the narrator is seeing and thinking has been corrupted by the stroke he had. That was the non-occultic kind of scary.

Then you have a story about a guy who robs a cultic temple and takes the jewel from the idol’s forehead. It is a snakegod and he convinces a friend to help him get back to Britain. On the ship ride back, he is mysteriously crushed to death in a locked cabin. The friend returns the jewel and becomes an adherent of the snake god cult.

Tubb is better known (or so I gather) for a science fiction series called Dumarest. I don’t know a thing about it, but after this collection, I’m going to track down a couple and see how they compare. While I wasn’t particularly wowed by this collection, it kept my interest and made me want to check out more by Tubb.

★★★☆☆




Table of Contents:

MIRROR OF THE NIGHT


THE ANCIENT ALCHEMIST


THE ARTIST’S MODEL


SNAKE VENGEANCE


THE ENEMY WITHIN US


STATE OF MIND


SELL ME A DREAM


THE WINNER


THE WITCH OF PERONIA


SENTIMENTAL JOURNEY

Sunday, September 24, 2023

Mortal Errors 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Mortal Errors
Series: ----------
Editor: Alfred Hitchcock
Rating: 3.5 of 5 Stars
Genre: Crime Fiction
Pages: 229
Words: 105K




Despite what the cover says about “30 Stories”, in this edition there are only 23. That’s the weird thing about these Alfred Hitchcock collections, they were released and released with different names, different number of stories, etc. I can’t imagine readers were very happy with that kind of treatment by publishers back then. Of course, looking at readers today, they put up with a ton more horse caca from publishers and sometimes it feels like they’re eating it with both hands :-( Ok, grumpy old grump complaining time is over. Now get off my virtual lawn!

One of these I recognized from a previous collection. The story was “A Padlock for Charlie Draper”. It’s a good story but the reveal at the end about the reward loses its impact on a re-read. The rest of the stories ran all over the place from bad guys doing bad things and getting away with, to bad guys getting their just desserts to good guys doing the right thing and getting the badguy.

I just sat back and soaked it in. That seems to be the best way to enjoy these kinds of stories.

★★★★☆




Table of Contents:


WHERE’S MILO - Fletcher Flora

THE WASTEBASKET - Jack Ritchie

DEAD GAME - Harold Q. Masur

POLTERGEIST - W. Sherwood Hartman

A CHOICE OF WITNESSES - Henry Slesar

ONE BAD WINTER’S DAY - William Link and Richard Levinson

A MATTER OF EXPERIENCE - Wyc Toole

AN EASY SCORE - Al Nussbaum

FOOL’S GOLD - Gil Brewer

VOICES IN DEAD MAN’S WELL - Donald Honig

THE ARTIFICIAL LIAR - William Brittain

A PADLOCK FOR CHARLIE DRAPER - James Holding

THE VERY BEST - John Lutz

GIVE-AND-TAKE - Dan J. Marlowe

IF A BODY - Stephen Wasylyk

THE WEB - Bill Pronzini

ONE STEP TO MURDER - Jamie Ellis

THE CHOICE - Mark Sadler

DREAMING IS A LONELY THING - Edward D. Hoch

SCENTS IN THE DARK - Edward Wellen

LESSONS FROM A PRO - George Kipp

THE NIGHT HELEN WAS KILLED - Pauline C. Smith

A CASE FOR QUIET - William Jeffrey




Friday, September 22, 2023

Three Men Out (Nero Wolfe #23) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Three Men Out
Series: Nero Wolfe #23
Author: Rex Stout
Rating: 3.5 of 5 Stars
Genre: Mystery
Pages: 130
Words: 59K



First off, I couldn’t easily get rid of the links in the synopsis below. I use LibreOffice to write my initial reviews and there is an option to remove all formatting from copied text. I assumed that would take care off it, but it didn’t. I didn’t care enough to go through and individually de-link everything. Which is stupid, because linking is as much a format issue as font size, type and spacing is. Oh well, whatever. I’m not real happy with libreoffice right now. I feel like it stabbed me in the back.

I enjoyed this collection of 3 stories, just like I expected I would. I might have even given it 4stars except for two things.

First, the final story is about baseball and I find baseball deadly boring. If it had been the first story, I probably would have forgotten about it and it wouldn’t have influenced me. But it was the last story and so that was the note I went out of the book on. Not necessarily bad, but not good like I wanted.

Secondly, Nero Wolfe keeps leaving his bloody house. I have commented on it before, but Stout really breaks the “Wolfe doesn’t leave the house” rule all the time. Too many times for me. In two of the three stories here he leaves the house! No, no, no! If you have rules, you obey them and only break them once every 7 or 8 books. Otherwise it’s like a piscetarian claiming they are a vegetarian, ie, it’s utter balderdash.

I know that’s a lot of complaining. But I still like these stories and highly recommend them. It’s more like going to a high class restaurant and being irritated that your waiter didn’t put “quite enough” shredded parmesan on your plate of capellini with artisan tomato sauce :-/ So let me tell you, this waiter is NOT going to be getting a big tip from me today.

★★★✬☆




Table of Contents & Synopses from Wikipedia


"Invitation to Murder":

Herman Lewent offers to pay Wolfe $1,000 to solve a problem regarding his family's finances. Lewent's father left his entire estate to his daughter Beryl in his will 20 years earlier, with a provision that she should look after Lewent's needs. She sent him $1,000 per month until her death one year ago, leaving the estate to her husband, Theodore Huck. Lewent has tried to persuade Huck to give him a portion of the money, to no avail; Huck intends to keep sending him only the $1,000 monthly payment. Now, Lewent is concerned that one of Huck's three attractive female employees is trying to seduce him into cutting Lewent off, and he wants Wolfe to find out which one it is. When Wolfe rejects the case as a family squabble, Lewent mentions that Beryl died of ptomaine poisoning at Huck's house; he believes that one of the three women murdered her. Wolfe turns the case over to Archie, who accepts and travels to Huck's mansion, where Lewent also lives.

Huck's declining health has confined him to a wheelchair, which is motorized and outfitted with various conveniences. The three employees Lewent suspects are secretary Dorothy Riff, nurse Sylvia Marcy, and housekeeper Cassie O'Shea. Archie questions Huck, using the pretense that Beryl might have hinted at entrusting one of them with part of her father's estate to be turned over to Lewent, in an attempt to draw out information on them. Huck sees through the deception and even believes it might be part of a blackmail scheme on Lewent's part, so Archie questions the women instead, as well as Huck's nephew Paul Thayer, who lives in the mansion and who warned Lewent about the women's possible designs on the money. Stopping at Lewent's room, Archie finds him lying dead on the floor inside, the base of his skull caved in. However, the skin is not broken, there is no blood on the floor, and the blow appears to have been delivered at an upward angle. The geometry of the room leads him to believe that Lewent was killed elsewhere and his body moved to this location.

Archie calls Wolfe with an update, then continues his questioning of the household members without revealing his knowledge of Lewent's death to any of them. He is thrown off by Huck's decision to present Dorothy, Sylvia, and Cassie each with an expensive jeweled wristwatch. Finding himself stumped after dinner that evening, Archie calls Wolfe and tricks him into coming to the mansion by faking an attack on himself. Wolfe is furious that Archie would stoop to such methods, but prepares to question the household about both Lewent's allegations and Beryl's death. He learns that Beryl had died after eating pickled artichokes at a party; since she had taken them all and no other guests became ill, it was assumed that the artichokes had been poisoned.

Wolfe offers Huck a deal: for $100,000, he will investigate and use what he finds to persuade Lewent that his suspicions are groundless, with the caveat that no one will ever tell Lewent of this arrangement. Huck accepts the terms and everyone agrees to keep them secret, and Wolfe and Archie excuse themselves to speak with Lewent in his room. Only after Wolfe has examined the body and the scene does he allow Archie to call the police and tell the others of the murder. Inspector Cramer and his men soon arrive to question the household members; while this is going on, Archie suddenly realizes that he knows how Lewent's body was transported without attracting attention.

Wolfe identifies Huck as the murderer and explains that he tricked Lewent into bending over to pick something up off the floor, then struck him with a spherical paperweight. The smooth surface would not break the skin, and Lewent's posture would make it appear that the blow was delivered upward. Huck then put the body in his lap, covered it with the quilt he always used to keep his legs warm, and drove his wheelchair to Lewent's room to dump the body. He was eager to accept Wolfe's $100,000 offer because he knew that Lewent would never hear of the results, and he had earlier poisoned Beryl in order to inherit her fortune. Cassie provides further motive, saying that Huck had been having an affair with her; when Beryl found out about it, Huck made up his mind to kill her.

Sylvia removes her wristwatch and puts it in Huck's lap as Cramer prepares to take him into custody. Even though he is eventually convicted, Archie does not know if Dorothy or Cassie ever returned theirs.


"The Zero Clue":

Leo Heller, a mathematics expert who uses his knowledge of probability to assist his clients with their problems, tries to hire Wolfe for a difficult case. He believes that one of his clients may have committed a crime, but does not want to tell the police of his suspicions without evidence to back them up. Wolfe angrily refuses the job, remembering a past incident in which he lost a client to Heller, but Archie offers to stop by the next day for a preliminary discussion.

The following morning, Archie goes to Heller's private office at the agreed-on time but finds it empty, with the door open. Taking note of several pencils lying in an unusual pattern on the desk, he asks the five clients in the waiting room if any of them have seen Heller in person, but all of them say no. That evening, Inspector Cramer arrives at the brownstone with news that Heller has been found dead, shot through the heart and stuffed into his office closet. Accounts of Heller's movements suggest that he was killed shortly before Archie entered the office.

Cramer demands to know Wolfe's involvement in the case for two reasons: an envelope in Heller's desk, marked with Wolfe's name and containing $500 cash; and the pencils, whose pattern he re-creates as best he can. Archie corrects it slightly, tearing the eraser off one pencil and placing it in the middle of the pattern. Cramer is convinced that they stand for Wolfe's initials when viewed from the side, even though one grouping has too many strokes to form a W. Wolfe dismisses Cramer's claims, keeps the $500, and briefly looks through a book from his shelves before locking it in a desk drawer. He asks Cramer to bring in Heller's five clients as well as Susan Maturo, a woman who had left Heller's building just as Archie entered to meet with him, and urges Cramer to watch for instances of the number six.

Wolfe and Cramer question these six people one by one, learning of their various reasons for wanting to see Heller. They take a particular interest in Susan, a nurse who had worked in a hospital where a bomb exploded a month earlier, killing 302 people. She had thought of hiring Heller to find the culprit, but changed her mind at the last minute and began to think of hiring Wolfe instead. The number six figures in every person's account, but a remark by one client – about Heller's winning tip on a racehorse named Zero – prompts Wolfe to have everyone brought back to his office.

With the pencils laid out on his desk as they were on Heller's, Wolfe explains that the book he consulted earlier was on the history of mathematics. The two groups of pencils were arranged to symbolize a three and a two, and he originally assumed that the eraser between them stood for multiplication; hence his focus on the number six. However, the mention of the horse's name made him realize that the eraser was meant to stand for a zero. Before he was killed, Heller had laid out the pencils to form the number 302 – the death toll in the hospital bombing.

Aside from Susan, the only client with any substantial connection to that hospital is Jack Ennis, an inventor who had unsuccessfully tried to persuade the staff to use a new X-ray machine he had designed. Wolfe conjectures that he set the bomb as revenge for this rejection, learned that Heller might have become suspicious enough to call in Wolfe, and killed him. As Ennis is placed under arrest, Archie reassures Susan that he is guilty, and a jury reaches the same conclusion at his trial two months later.


"This Won't Kill You":

Wolfe and Archie honor a house guest's request to see a baseball game by taking him to the final game of the World Series at the Polo Grounds. The tickets come courtesy of Emil Chisholm, part-owner of the New York Giants, but Wolfe is in no mood to enjoy the game or the surroundings. The Giants fall far behind the Boston Red Sox due to inept fielding on the part of several players, and Archie notices that Nick Ferrone, a talented rookie, is not part of the day's lineup. He and Wolfe are summoned to the Giants' clubhouse by Chisholm, where they meet manager Art Kinney, team doctor Horton Soffer, and talent scout Beaky Durkin. Soffer has discovered that four of the Giants players have been drugged, by drinking beverages laced with a sedative before the game. Suspicion immediately falls on the absent Ferrone, and Archie finds him dead in another room of the clubhouse, his skull fractured with a baseball bat.

The Giants lose the game and the Series, and the police arrive to question everyone on the team at length. They begin to focus on catcher Bill Moyse, who had previously confronted Ferrone over his interest in Moyse's wife Lila. As the questioning comes to an end, Wolfe asks that the four players who were drugged remain behind, along with Kinney, Soffer, Durkin, and Chisholm, and comments that one fact has come to light and drawn his attention. Realizing that he had previously seen Lila seated in the stands and looking pleased at the Giants' poor play, Archie leaves the stadium and finds her and a friend sitting in her parked car a few blocks away. He claims that her behavior may lead the police to think that Moyse was paid to drug the drinks and fix the game, but learns from her friend that she was angry at Moyse being left on the bench throughout the entire Series and had taken pleasure in their loss.

Lila insists that Moyse had nothing to do with the drugging or the murder, but admits that the two of them had been approached by someone who wanted Moyse to fix the game: her uncle, Dan Gale. She drives Archie to Gale's drugstore in an attempt to persuade Gale to tell the police and clear Moyse's name. Instead, Gale threatens to disfigure her with sulfuric acid; Archie recognizes that he is trying to buy time for his associates to arrive and deal with their intrusion. Gale, a compulsive gambler, lost ownership of the drugstore but had been offered a chance to reclaim it by fixing the Series on behalf of organized crime.

Archie and Lila subdue Gale, spilling the acid but not injuring him or themselves, and Archie calls the police to come pick him up and look for his accomplices. Upon Archie's return to the stadium, Wolfe confronts the eight men who have remained in the clubhouse and notes that the assumption that Ferrone drugged the drinks is implausible. Brought into the Giants' organization by Durkin, Ferrone had performed so well that his next year's salary would be increased and he would receive a large bonus if the team won the Series. Instead, Wolfe conjectures that Ferrone caught someone else drugging the drinks and was killed to keep him quiet.

The fact that drew his attention is that Durkin had been sitting in the stands from the starting lineup announcement until the time he was called into the clubhouse. Wolfe considers it highly unlikely that a scout who had brought such a promising young player onto the team would not become angry over learning that he was not going to play in a pivotal championship game. Wolfe asserts that Durkin acted as he did because he had killed Ferrone, but he has no proof until Kinney and the players intimidate Durkin into admitting his guilt. He had accepted a bribe to fix the game as a way to pay off his gambling debts; when Ferrone confronted him over a bet he had placed against the Giants, Durkin panicked and killed him. The money is found hidden in a radio, and one of the players knocks Durkin unconscious when he tries to flee.

Just before Archie can call the police to inform them of Durkin's capture, they call the clubhouse with news that Gale has confessed to paying him off. Wolfe and Archie find themselves at odds with each other over whether they or the police can take credit for solving the murder.



Wednesday, August 23, 2023

13 More Stories They Wouldn’t Let Me Do On TV 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: 13 More Stories They Wouldn’t Let Me Do On TV
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 180
Words: 70K



I had already read The Most Dangerous game several times, but I found myself reading it again anyway. It is really that good of a story.

There was a story by Roald Dahl here and I must say, it got this collection the “disturbing” tag. While Dahl might be a fantastic children’s author, when he lets his mind run unbridled, like he does with this adult stories, it is not a pretty sight. It wasn’t some sort of supernatural grotesquerie, but a case of one human acting in the most abominable way towards another. I don’t think I could have ever of thought of a story like this. It disturbs me that someone could imagine that.

The final story is one translated from a russian fellow and it was just as disturbing as anything else. It felt like a shoddy story but I suspect that shoddy translation work was more to blame. Either way, it was a typical russian story ending in madness and death. Andreyev was no master though and there’s a reason his name isn’t proclaimed alongside Dostoyevsky, etc.

Overall, this balanced out to a decent but not wonderful read.

★★★☆☆




Table of Contents:

  • The Moment of Decision—STANLEY ELLIN

  • A Jungle Graduate—JAMES FRANCIS DWYER

  • Recipe for Murder—C. P. DONNEL, JR.

  • Nunc Dimittis—ROALD DAHL

  • The Most Dangerous Game—RICHARD CONNELL

  • The Lady on the Grey—JOHN COLLIER

  • The Waxwork—A. M. BURRAGE

  • The Dumb Wife—THOMAS BURKE

  • Couching at the Door—D. K. BROSTER

  • The October Game—RAY BRADBURY

  • Water’s Edge—ROBERT BLOCH

  • The Jokester—ROBERT ARTHUR

  • The Abyss—LEONID ANDREYEV