Thursday, February 13, 2025

Faust: A Story in Nine Letters (The Russians) 2Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Faust: A Story in Nine Letters
Series: (The Russians)
Author: Ivan Turgenev
Translator: -----
Rating: 2 of 5 Stars
Genre: Classic
Pages: 57
Words: 16K

This novella turned my stomach. The main character sets about to seduce his married neighbor. Before it can be consummated though, she dies and the main character moves away and hides from it all.

Disgusting.

It still surprises me (even though it shouldn’t) at how evil mankind really is on just a general every day level. The MC wanted something, so he went after it, with no regard for anything or any thought if it was right or wrong. He was willing to destroy Vera’s married life with nary a thought of how it would affect her or everyone associated with her.

Now, maybe Turgenev wasn’t advocating this kind of behavior, but considering how he wrote this, he really wasn’t advocating against it either. There’s a way to write reprehensible characters and behaviors without dragging your readers down into that cesspit and Turgenev chose not write that way.

I came out of this novella feeling soiled and dirty. One more story like this from Turgenev and I’ll be done with him.

★★☆☆☆


From Wikipedia

In a series of letters to his friend Semyon Nikolayevich, Pavel Alexandrovich narrates the events that take place after returning to his childhood home in the Russian countryside, starting from June 1850. Returning after a nine year absence, he reflects on the changes in the house, the garden, and the people. While going through the house and looking at the book collection, he becomes engrossed in reading Goethe's Faust, which triggers memories of his student days.

The next day, Pavel encounters an old university classmate, Priimkov, who is now married to Vera Nikolaevna. He recalls meeting 16 year old Vera and her mother Mrs. Yelstova when he was spending a summer at his cousin's estate in the Perm Governorate back in the 1830s. Mrs. Yelstova had an obsession with protecting her daughter's imagination from any outside influences, going to great lengths to ensure Vera's innocence. He recounts his growing attachment to Vera and his desire to marry her, although her mother objected and didn't let it happen. The news of Vera's proximity rekindles his curiosity and decides to meet her at Priimkov's estate.

The narrator is surprised to see that Vera has hardly changed at age 28, despite having given birth to three children. Mrs. Yelstova had long since passed away but somehow, Vera had not deviated much from the manner in which she was raised. The conversation turns to the subject of literature, where the narrator learns that Vera Nikolaevna has never read novels, poems, or any form of fictional literature, even after her late mother removed all restrictions on Vera after her marriage. He offers to introduce her to literature, beginning with Goethe's Faust. For these readings, visits to Priimkov's estate become common across the next few months.

During their readings, the narrator observes Vera closely and is captivated by her reactions. At first the narrator denies his romantic interest in Vera however it becomes quite obvious that he is infatuated with her. He admits to kissing Vera's hand while reading Eugene Onegin, however Vera seems firm on her boundaries. Besides literature, the narrator discusses several topics with Vera, such as their dreams, Vera's Italian heritage, and her fear of ghosts.

By the end of August, the narrator finally admits to being in love with Vera, despite his age and despite her marriage to Priimkov. He struggles to keep his emotions in check. Semyon seems disturbed by this and suggests visiting the narrator. The narrator quickly writes to stop him from coming and assures him that he will be contain himself.

The final letter is dated March 1853, 2 years after the events of the past eight letters, sent from a different location. Since the last letter, Vera confessed her feelings for him, and they shared a secret kiss. Vera then asked him to meet her secretly near their garden gate, to which he agreed eagerly. However, on the appointed day, Vera didn't show up. Instead, he noticed activity at her house, with her family still awake. Deciding not to intrude, he left and tried to resume his normal life. He later learned that Vera had fallen seriously ill, suffering from an undiagnosed condition. She had claimed to see her mother's ghost in the garden, which seemed to trigger her illness. Vera passed away in less than two weeks from the day they were supposed to meet. In her delirium, she repeatedly mentioned "Faust" and referred to her mother as either Martha or Gretchen.

Following her funeral, the narrator left everything behind and settled in a remote wilderness, where he would spend the rest of his days, haunted by the guilt of being the cause of Vera's loss of innocence and her untimely death. He echoes the motto of renunciation from Goethe's Faust



Wednesday, February 12, 2025

The Upper Ranks Gather (Demon Slayer #12) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Upper Ranks Gather
Series: Demon Slayer #12
Author: Koyoharu Gotouge
Rating: 3.5 of 5 Stars
Genre: Manga
Pages: 190
Words: 9K

Since Tanjiro broke his last sword, he has to get a new one. Only thing is, the guy who is supposed to be his swordsmith is a big baby and throws a tantrum. This forces Tanjiro to go to the village where the swordsmiths all live to get a new sword. He finds a new ally and finds an old sword. Also, two of the upper rank demons find the village and prepare to attack it.

This volume gave us more interactions with two of the Hashira (top tiered demon slayers), one the Love Hashira and the other the Mist Hashira. The love hashira is a ditzy busty girl and there was a lot of room for fanservice, which the manga-ka avoided. Good on him. I’ve noted before how he draws in such a manner as to “suggest” something without actually being suggestive or lewd. I do suspect that I will not be watching the anime on that account. One scene has the love hashira coming out of a hot springs buck naked, and it was fine. At the same time, he’s not being a prude. He’s showing good taste and discretion.

The mist hashera is a total jerk. He’s the kind of guy that would inhabit the Warhammer 40K world and while part of the Empire of Man fighting demons, would be just as bad as the demons. He’s the cure, but he’s as bad if not worse than the disease. Of course Tanjiro tries to befriend him and fight him and succeeds at neither. We’ll see what the future holds for them. I hope the mist hashira dies because he’s alienated everyone around him, that’s what he deserves.

We also get an extended scene between the main bad guy demon and his upper rank demons. Man, he treats them like total dirt. I hope he gets his too. He more than deserves it.

For some reason, this just felt very filler’ish, even though I can’t actually point to anything that would make that so. I guess maybe because it was mainly about Tanjiro recovering after his last battle? Slow, that would be a better word than filler.

★★★✬☆


From Wikipedia

"The Upper Ranks Gather"

"Someone's Dream"

"Go to the Village!"

"A Secret"

"Hello, Tokito"

"Yoriichi Type Zero"

"Kotetsu"

"Something Came Out"

"Enemy Attack"


After recovering from the previous battle, Tanjiro departs to the village of Swordsmiths to have his sword restored. Once there, he discovers an ancient, but well crafted old sword that his personal swordsmith, Haganezuka decides to reforge for him. Meanwhile, Hantengu and Gyokko, two of the Upper Ranks, discover the location of the village and prepare to attack it.


Tuesday, February 11, 2025

Veruchia (Dumarest #8) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Veruchia
Series: Dumarest #8
Author: EC Tubb
Rating: 3.5 of 5 Stars
Genre: SF
Pages: 159
Words: 46K


This was a good adventure story. Earl makes a quick exit from one planet where he was looking for clues to Earth’s location and in the process got the attention of somebody bad. He runs for another and because he used up all his money, has to go fight in the arena against giant killer chickens. From the description in the book, I think they were more raptor like than dragon like as shown on the cover. That wasn’t glossed over, but was the actual introduction for him to meet Veruchia. The fight was well described and I enjoyed it.

The owner of the planet dies (of poison) and the guy who thinks he has things all locked up (and he’s directed by the cyclans) must contest with Veruchia about who is to become the ruler of the planet. It all comes down to who was the captain of the starship when the colonists first landed hundreds of years ago. The ship has been lost and Veruchia has been hellbent on finding it before this, but now her very life depends on it.

There was a lot of water action in this. The spaceship ends up being on a continental shelf and Earl uses the ability of the mind control thingy that his ring has given him to use a kraken to bring the ship back to the surface. Obviously, there is a lot more than just that, but that’s the gist. Lots of underwater monsters to contend with as well as sea-quakes.

Earl and Veruchia over come all and she becomes the owner. She asks Earl to stay with her as her consort, and to my complete surprise, agrees. There’s nothing on the planet to help him in his quest, so in essence he’s giving up his quest to be with this woman. I thought he should have done that a LONG time ago. Sadly, since there are many more books in this series, I know something will happen between books to propel him onward in the next book. Not really looking forward to that, to be honest. Earl needs to learn to be content with what he has.



Once again, really liked this cover. And as a bonus, there’s no spacesuit bubble helmet :-D

★★★✬☆


From the Publisher & Bookstooge
Earl Dumarest, trans-galactic soldier of fortune, is still seeking his birthplace, the fabled planet Earth.
On the distant, decadent planet Dradea, he meets the mysterious, mutant woman Veruchia. She selected him from the gladiators’ arena to become her servant. . . and more.
Soon, Dumarest discovers that she too is engaged in a quest – and that the fate of her planet hangs in the balance. Fascinated, compelled, he agrees to help her.
But then he must face bizarre perils which make the gladiatorial arena seem a haven of safety.

Veruchia completes her quest, becomes ruler of her world and Earl decides to settle down with her and stay on the planet and give up his quest for Earth.



Monday, February 10, 2025

The Finality Problem (Warlock Holmes #5) 5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Finality Problem
Series: Warlock Holmes #5
Author: Gabriel Denning
Rating: 5 of 5 Stars
Genre: Fantasy Parody
Pages: 248
Words: 96K



This book is analogous to Arthur Conan Doyle’s The Memoirs of Sherlock Holmes, as that was the book where Doyle “killed” off Holmes, only to bring him back years later and write three more books worth of stories about him. In this book Warlock takes the plunge over Reichenbach Falls with Moriarty, who has possessed Watson’s wife Mary.

I knew going into this that this was how things ended AND that this was written back in late 2020. With no new published Warlock Holmes book since. I thought I might be upset about that. I wasn’t, not one tiny bit. It fit perfectly as the parody that this series is and if we don’t get any more Warlock Holmes books, I will be disappointed, but not devastated; nor will it set me off on a rant and make me castigate myself for ever reading the first book. I already plan on re-reading this series at some point; I had that much fun with it.

I had two little niggles with this book, which I think need airing. First, the relationship between John and Mary. I know that Denning really mocks everything in this series, but I found it extremely hard to stomach his mocking marriage that way. They HATE each other but because of “magic” have to be with each other. It’s the very definition of a toxic relationship and I hated it. The second was Watson’s continued blathering about the end of the world due to a demon invasion/apocalypse. He’s gone on about that ever since the first book, but I’ve seen zero evidence of it. Just because demons exist doesn’t mean that without Warlock our dimension will be invaded. The world survived until Warlock was born after all. So there you go, two niggles. And I won’t even charge you a nickle!

Once again, being familiar with the Sherlock Holmes canon will help your enjoyment of these stories tremendously. Each story IS amusing on its own, but if you know the original, you can see how Denning has twisted things and that makes it just that much more amusing. I suspect you have to have a particular kind of humor to appreciate it though. I definitely have that.

Finally, I’d like to thank Mogsy (again) for introducing me to this series. If it weren’t for her, I’d never have heard of this nor would I have had the inclination to try these. I had so much fun that I am extremely thankful for that intersection on the bookish highway. Here is her review of The Finality Problem. At the end of her review she has links to all her reviews of the previous books, if you are interested. I too have included links to my previous reviews down below.

★★★★★


From the Publisher

The famous duo has been split! Watson has been banished from Holmes's company. Despite the interference of his horrible wife, Mary, Watson tirelessly insinuates himself into every magical adventure he can. Together, he and Holmes face a man with a twisted... everything, some very questionable juice-drinking Germans, Garrideb the Devourer and the estimable Irene Adler. Yet, nothing can prepare them for Moriarty's new form and the terrible moment they must face their Finality Problem at the edge of the Reichenbach Falls.


Ghost Ship - MTG 4E

 


Regenerate is a mechanic (game ability) wherein a player can pay the cost (in this case, three blue mana) and at the end of his turn, if his creature was going to die, it won't. It will be on the field of battle, ready to go again. Which fits with the theme of a ghost ship perfectly. Can't kill it, and it just keeps coming back.

But another reason I've been posting these cards and looking back is because it brings into stark contrast the power creep that has happened over the years. This is an expensive card in terms of mana (4 to cast it and then 3 dedicated blue to regenerate it) and by today's standards, it is completely unplayable. That is just sad because Magic's game play was predicated on the idea of new cards being thoughtfully created to synergize with ALL of the old cards and not to simply replace them. Wizards of the Coast hasn't done that. They have simply increased the power of cards and decreased costs because that is an easier way to sell cards than to come up with good, well balanced cards. It takes time and money to do Magic cards right and Hasbro (Wizards of the Coasts' alcoholic abusive stepdad) is only interested in pimping Magic out for the money it can bring in every 3 months.

Sunday, February 09, 2025

The Book Titles Tag



 I found these lists at Emma's site. The idea is to answer each question with the title of a book you read from the previous year. Emma did this with just her 2024 list. I was tempted to just use ALL of my titles from 2000 to now, but much like an expert gamer, wanted to make this just a bit harder on myself. So I too am limiting my answers to 2024. Unless it gets really hard, in which case I'll use a cheat code, just like I use to do in Heretic and Hexen ;-)

– When I was younger I was  Vainglorious
– People might be surprised to discover that I am  an Alpha
– I will never be  The Gambler
– At the end of a long day I need  a Pound of Flesh
– Right now I’m feeling Triumphant
– Someday I want to (be)  Human and Demon
– At a party you’d find me  (wishing I could) Bar the Doors
– I’ve never (seen) Mrs Pollifax on Safari
– I really don’t enjoy  Champagne for One
– In my next life I want (to be) The Ronin

– If you could go anywhere, where would you go:  Sanditon
– Your favorite form of transportation:  Pyramids
– Your best friend is  Mostly Harmless
– You and your friends are  Dead Men Walking
– What’s the weather like:  Under Twin Suns
– Favorite time of day:  Making Love Last Forever
– If your life was Weaponized
– What is life to you:  Might as well be Dead
– Your fear:  Betrayal
– What is the best advice you have to give:  Spies!
– Thought for the Day:  If It Bleeds...
– How I would like to die:  Trading Blows at Close Quarters
– My soul’s present condition:  Crisis of Faith

I began the day with Wishes
On my way to work, I saw The Sign of Nine
and walked by The Web of Spider
to avoid the Neuromancer
but I made sure to stop at The Watsons
In the office, my boss said, A Man Lay Dead
and sent me to research My Grave Ritual
At lunch with Mary Poppins in the Park
I noticed Doctor Syn on the High Seas
under (the) False Flag
then went back to my desk, a Lethal Agent
Later, on the journey home, I bought The Book of Cthulhu
because I have The Weapon from Beyond
Then settling down for the evening, I picked up The Killer's Payoff
and studied  The Amulet
before saying goodnight to The Hellhound of the Baskerville's

Holy smokes, that was tough! I'd recommend each section as tag for anybody else. Unless you're as tough as Emma and me.
*cracks knuckles
Have at it folks! ;-)

Friday, February 07, 2025

[Journal] Maya Angelou: I Know Why the Caged Bird Sings

 




I'd never heard of this person or that phrase. Turns out she was an author and it is a title of her most famous work.

I just like it because it's all yellow and gold. It is a very rich looking cover. Not much else to say really. Of course, given my recent slowdown in journaling, it will probably be quite some time before I ever get to this.


Thursday, February 06, 2025

Love and Friendship 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Love and Friendship
Series: ----------
Author: Jane Austen
Rating: 3 of 5 Stars
Genre: Juvenilia short story
Pages: 28
Words: 10K


This is my first foray, ever, into Jane Austen’s juvenilia work, ie, the works she wrote as a child and teenager that were never published. I enjoyed my time with this short story, but there is a reason they were never published publicly during her lifetime.

This is a series of letters from an older woman to her friend’s daughter detailing the “hardships” of her life. This is very much a parody and it is obvious from the get-go that Laura (the older woman doing the letter writing) is an empty headed idiot who makes one bad decision after another and is the epitome of selfishness.

It’s amusing because while Laura is sure she is imparting “wisdom” to Marianne, it is obvious that Isabella (the mother of Marianne and friend to Laura) is using it to show Marianne what will happen if she makes the same decisions as Laura did in her younger days. So in a way, Laura IS imparting wisdom, just not in the way she thinks :-)

I enjoyed this little tidbit. While it comes in at 28 pages, that’s mainly because there was a page break after the end of each letter, increasing the page count quite a bit. The upside is that I read through this in a snap.

★★★☆☆


From Wikipedia.org

Letter The First

From Isabel to Laura

This presents a glimpse into the life of Laura from Isabel's perspective. Isabel asks Laura to tell the "misfortunes and adventures" of her life to Isabel's daughter Marianne (Austen 516). Isabel argues that because Laura is turning 55, she is past the danger of "disagreeable lovers" and "obstinate fathers" (Austen 516). This initial letter sets up the rest of Austen's narrative through Laura's letters to Marianne.

Letter The Second

Laura to Isabel

This consists of a reply from Laura to Isabel. Laura initially disagrees with Isabel's assessment that she is safe from "misfortunes" simply because of her advanced age (Austen 516). Laura agrees to write to Marianne and detail her life experiences to "satisfy the curiosity of Marianne" and to teach her useful lessons (Poplawski 183). The useful lessons are lessons learned from the misfortunes caused by "disagreeable lovers" and "obstinate fathers" (Poplawski 183). Poplawski highlights the importance of the relationship between females and their lovers and also between females and their fathers as a means through which Austen is able to criticise stereotypical female behaviour. As seen throughout the work, these two relationships are constantly criticised by satirical anecdotes. Janetta's relations with her father and with her lover, Capitan M’Kenzie, in the twelfth letter, show Austen mocking the fickleness of family ties and romantic relationships.

Letter The Third

Laura to Marianne

Laura's narrative to Marianne begins in the third letter and continues through to the 15th letter. In the 3rd, Laura gives a brief overview of the origins of her parents, her birth in Spain, and her education in a convent in France. At 18, Laura returns to her parents' home in Wales. Laura pauses to describe herself at this age. She emphasises her "accomplishments", which in that period would have been things that made a woman a better companion for her future husband (Austen 516). Laura ends the letter by posing the idea that her misfortunes in life "do not make less impression... than they ever did", but that her accomplishments have begun to fade (Austen 517). The uncertainty of Laura's memory causes Austen's work to resemble a fairy tale in its qualities of ambiguity.

Letter The Fourth

Laura to Marianne

Here Austen reveals the connection between Laura and Isabel. Laura tells Marianne that Isabel was one of her few neighbours in Wales and that Isabel resided in the neighbourhood due to "indigent circumstances" and for "economic motives" (Austen 517). Laura depicts Isabel as having fewer accomplishments and less beauty than herself, but being better travelled. Isabel warns Laura of the "insipid vanities and idle dissipations" of London, Bath and Southampton, while instilling in Laura a desire to explore the world (Austen 517).

Letter The Fifth

Laura to Marianne

Here Laura recalls a night in December when a strange man and his servant, who were lost, stopped at her home in need of shelter. Upon hearing a knock at their door, Laura and her family converse about the character of the knock and the knocker's intention. Laura depicts her initial attraction to the young gentleman, claiming him to be the "most beauteous and amiable youth" she had ever seen (Austen 518). Austen's character Laura's instant and "undying attachment" to the stranger mocks the romantic notion of friendship as an overused cliché (Deresiewicz 103). Deresiewicz shows Austen's satirical view of love and friendship by illuminating the idea that romantic notions of these themes are oversimplified and stereotypical.

Letter The Sixth

Laura to Marianne

This consists of a dialogue in which the stranger, named Lindsay, tells Laura and her family of his experiences before arriving at their house. Coming from an aristocratic family, Lindsay, referred to as Edward, describes his father as "seduced by the false glare of fortune and the deluding pomp of title" (Austen 518). His father wanted Lindsay to marry Lady Dorothea but Edward refused as he did not want to oblige his father. So Edward embarked on a journey to his aunt's house but having taken the wrong direction, ended up at Laura's instead. The letter ends with the hasty marriage of Edward and Laura performed by her father, which mocks the sensibility of Austen's characters (Sahney 130). Sahney's analysis shows how Austen's views of sensibility differed from those of the romantic novels she is likely to have read in her youth. While sensibility may have been a value that was pushed upon women of Austen's time, Sahney makes the point that Austen's use of exaggerated hasty decision-making in her novels shows that Austen knows the romantic notion of sensibility is a myth.

Letter The Seventh

Laura to Marianne

Here Laura and Edward travel to his aunt's house in Middlesex. Edward's marriage to Laura is a surprise to his aunt and to Edward's sister Augusta. Laura notes the "disagreeable coldness and forbidding reserve" with which Augusta greets her (Austen 519). Laura overhears a conversation between Augusta and Edward in which Augusta expresses concern about Edward's "imprudent" marriage and consequently of their father's reaction (Austen 520). A discourse ensues in which Edward and Augusta work out just how many years Edward has been defying his father. It is through Edward and Augusta's dialogue that Austen questions the motives of romantic sentimentality (Southam 26). Lady Dorothea briefly visits and Laura does not take kindly to her.

Letter The Eighth

Laura to Marianne, in continuation

After Lady Dorothea leaves, Sir Edward unexpectedly visits. Knowing Sir Edward came to admonish Edward for his marriage to Laura, Edward, "with heroic fortitude", defends his marriage (Austen 521). Edward says it is his "greatest boast" to have displeased his father. Again Austen mocks the romantic motives of Edward and Laura's marriage (Austen 521). At once Edward and Laura take Sir Edwards carriage and travel to the home of Edward's friend Augustus who is married to Sophia. Upon meeting Sophia, Laura praises Sophia's, "sensibility and feeling," as positive characteristics of her mind (Austen 521). The two women "instantly" vow to be friends forever and share their deepest secrets (Austen 521). Edward and Augustus create an "affecting scene" when they meet causing both Sophia and Laura to faint "alternately" on the couch (Austen 521). By using the words "instantly" and "alternately," Austen shows her mastery of language and the ability of these words to serve as adverbs and also to function satirically (Lambdin 185–86).

Letter The Ninth

From the same to the same

Laura and Edward receive a letter from Philippa saying that Sir Edward and Augusta went back to Bedfordshire abruptly after the married couple departed. Philippa also desires to see Edward and Laura again and asks them to return after their visit with Augustus and Sophia. A few weeks later Philippa is married to a fortune-hunter and Laura and Edward remark at the imprudence and insensibility of her decision. Laura recounts how perfect and happy their stay was with Sophia and Augustus until Augustus is arrested for unpaid debts. Augustus and Sophia had also defied their parents and Augustus had run out of the money he had taken from his father's escritoire when he left to marry Sophia. Laura describes Augustus's arrest as "treachery" and "barbarity" (Austen 522). With Augustus facing a seizure of the House, Laura, Edward, and Sophia do the only thing they can do. They sigh and faint on the sofa. The theme of rebellion and revolution reappears throughout Austen's work and can be considered conventional (Copeland 92).

Letter The Tenth

Laura in continuation

After Laura, Sophia and Edward recover, Edward sets off to town to see his imprisoned friend. Laura and Sophia have a "mature deliberation" and decide to leave the house before the Officers of Justice take possession (Austen 523). They wait for Edward who doesn't return. After fainting, Laura decides to take Sophia and set out for London to see Augustus. Once in London, Laura asks every person they pass "If they had seen… Edward," but can get no replies since the carriage they are riding in is moving too quickly (Austen 523). Sophia tells Laura that seeing Augustus in distress would "overpower [her] sensibility," especially since hearing of his misfortune is already shocking (Austen 523). So Laura and Sophia resolve to return to the country. Laura then tells Marianne that her mind never wandered to thoughts of her parents, who she forgot to mention had died two weeks after she left their cottage.

Letter The Eleventh

Laura in continuation

Sophia and Laura decide to travel to Scotland to stay with a relation of Sophia's. At first they are hesitant because Laura is unsure whether the horses will be able to make the journey; the postilion (driver) agrees. They resolve to change horses at the next town and continue the journey. At an inn a few miles from Sophia's relation, they decide to stop. Not wanting to arrive unannounced, the women write an elegant letter detailing their misfortunes and desire to stay with the relative. As soon as they send the letter, they begin to step into their own carriage to follow right behind it. At that moment, another coach arrives and an elderly gentleman emerges and goes into the inn. Laura is overwhelmed with the feeling that this person is her grandfather so she throws herself to her knees in front of him and begs him to acknowledge their relation. He exclaims that she is in fact his granddaughter.[1] Sophia then enters and the elderly man exclaims that Sophia is also his granddaughter descended from another of his daughters. As they are all embracing each other, a young man appears and the elderly man, Lord St. Clair, claims he is also one of his grandchildren. Another youth comes into the room and exclaims that he is the grandchild of Lord St. Clair's fourth daughter. Lord St. Clair writes each of the four grandchildren banknotes and immediately leaves.

Letter The Twelfth

Laura in continuation

After Lord St. Clair leaves, Laura and Sophia faint. When they wake up, both the male grandchildren are gone and so are Sophia and Laura's banknotes. Sophia's cousin, Macdonald, who they first perceive as amiable and sympathetic, offers to take them to Macdonald-Hall. They ride with Macdonald's daughter Janetta, who is to be wed to Graham, a man Macdonald has chosen, once they return to Macdonald-Hall. Laura and Sophia see through Macdonald's character and no longer perceive him as well disposed. Laura and Sophia decide Graham is not fit to marry Janetta because Graham has no soul, hasn't read The Sorrows of Werther, and does not have auburn hair (Austen 525). Laura and Sophia ask Janetta if she has ever felt affection for Graham or any other man and soon convince Janetta of her love for a man named Captain M’Kenzie. After analysing Captain M’Kenzie's actions concerning Janetta, Laura and Sophia declare he must be in love with her despite overwhelming evidence to the contrary. They decide to write Captain M’Kenzie a letter encouraging him to confess his attachment to Janetta and secretly marry her. Captain M’Kenzie replies that it was only modesty which kept him from acting sooner and thus Janetta and M’Kenzie leave for Gretna-Green to celebrate their nuptials. Austen's continuous ridicule of love at first sight expresses scepticism about the spontaneous feelings and the truth or lack of truth which those feelings possess (Walder 229).

Letter The Thirteenth

Laura in continuation

Here Sophia finds banknotes in a private drawer in Macdonald's library. Laura and Sophia plan to take a banknote or two each time they pass through the room because it would be "proper treatment for so vile a wretch" (Austen 527). However, on the day that Janetta escapes, Sophia is caught by Macdonald in the act of stealing his money. Macdonald verbally reprimands Sophia and in response she informs him of Janetta's elopement as revenge. Laura enters into the library and both women are offended by Macdonald's "ill-grounded" accusations (Austen 527). Macdonald tells the women they must leave in half an hour and Laura and Sophia agree to do so. After walking a mile or so, they settle next to a stream to rest. Sophia expresses distress over the situation Augustus was in when they left. On the road near where they are sitting, an accident causes a gentleman's phaeton to overturn. Laura and Sophia rush to help and discover it is Edward and Augustus on the ground bleeding. Sophia faints and Laura shrieks and runs madly about. After more than an hour, Edward regains consciousness and Laura asks what has happened since Augustus was taken to jail. Edward said he will tell her, but after a deep sigh, dies. The women again become frenzied and finally walk to a white cottage. A widow leads them into her house, where Sophia and Laura meet her daughter Bridget.

Letter The Fourteenth

Laura in continuation

Next morning Sophia complains of severe pain in her limbs. Gradually, the pain got worse and it turned into a "galloping consumption" or tuberculosis (Austen 530). As Sophia dies, she tells Laura that she dies a "martyr to [her] grief for the loss of Augustus" (Austen 531). Sophia dies, and Laura takes to walking out of the village. She gets into a stagecoach which she decides to take to Edinburgh. As it is dark when she gets in, Laura does not know who she is riding with and becomes upset that the travellers in the carriage fail to speak to her. At daylight, she realises she is travelling with Sir Edward, Augusta, Lady Dorothea, Philippa, Philander and Gustavus. After Laura tells them that Edward is dead, Augusta realises she is the heiress of Sir Edward's fortunes.

Letter The Fifteenth

Laura in continuation

The coach stops for the travellers to have breakfast. Laura seeks out Philander and Gustavus and talk with, but does not ask about the banknotes that disappeared in their presence. At 15, Philander and Gustavus took 900 pounds and ran away. They divided the money into parcels to be spent on various things. They went to London and spent the money in seven weeks. They joined a theatre and began performing in plays. Philander and Gustavus went to their grandfather for money and left once they had obtained the banknotes. The journey continues to Edinburgh. Sir Edward decides to give Laura 400 pounds a year because she is the widow of his son. Laura moves to the Highlands of Scotland and lives in "melancholy solitude" mourning the death of her family, husband, and friend (Austen 534). Augusta marries Graham. Sir Edward marries Lady Dorothea in hopes of gaining her estate. Philander and Gustavus moved to Covent Garden and perform under the names Lewis and Quick. Philippa's husband continues to drive the stagecoach from Edinburgh to Sterling.



Wednesday, February 05, 2025

Shadowline (Starfishers #1) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Shadowline
Series: Starfishers #1
Author: Glen Cook
Rating: 3 of 5 Stars
Genre: SF
Pages: 311
Words: 94K



It’s been about four years since I last visited Cook (the last Garrett, PI book in fact) but considering how that series whimpered out, I’m not surprised I took so long to return. At some point in the near future (defined now as within two years) I plan on re-reading his Black Company, as that is probably my favorite of his stuff. Before I do that however, I want to broaden my view of his writings. I’ve read 33 books/stories by him so far, so I feel like I’ve got a decent grasp on him but am always looking to learn more.

One thing I learned with this is that I do not care for Cook’s science fiction. His only other SF book I’ve read (to date) is The Dragon Never Sleeps. I gave that 3.5stars but it didn’t make me want to read more if it had been part of a series. This book was exactly the same. I didn’t hate the time, but I wasn’t experiencing Book Nirvana of any sort. I already have the rest of the trilogy on my ereader though which is why I’ll finish it off. I can’t say exactly WHY I don’t care for his SF, whether it is the characters or the plot or what. I’d like to think it is his writing, but until I re-read Black Company and see how the writing is, I don’t feel comfortable stating it is that. But man, this doesn’t “feel” like the same guy who wrote BC.

Anyway. This story is about a mercenary company that is family run, near the end of the galactic era of mercenaries. Betrayal, revenge and old fashioned stupidity are the points of this story. The “Starfishers” that this series takes its name from are mentioned and they show up to act as go-betweens for about 2-3 paragraphs. Beyond the fact that they are humans living on giant fleets that scoop up material, I don’t know a thing about them. I sure hope the next two books deal more directly with them.

This is really close to a 2 ½ star rating in terms of enjoyment in reality, but it didn’t quite dip that low so I kept it at a 3. However, if the next two books are similar in terms of enjoyment, I’ll definitely take the rating down. Don’t say I’m not generous!

I’ll end things by showing the older cover and the newer one. While the newer one is slick and semi-eye catching, it has no soul, no emotion, nothing that grabs you and makes you want to read this book. The older cover at least has some character. It’s bit more honest about the contents. You know you’re getting some groundpounder reading instead of Starfisher Space Action. It might not be the best cover ever, but at least it’s got some soul and isn’t just some slop like the new cover.




★★★☆☆


From the Publisher

The vendetta in space had started centuries before "Mouse" Storm was born, with his grandfather's raid on the planet Prefactlas, the blood bath that freed the human slaves from their Sangaree masters. But one Sangaree survived - the young Norborn heir, the man who swore vengeance on the Storm family and their soldiers, in a carefully mapped plot that would take generations to fulfill. Now Mouse's father Gneaus must fight for an El Dorado of wealth on the burning half of the planet Blackworld. As the great private armies of all space clash on the narrow Shadowline that divides inferno from life-sheltering shade, Gneaus' half- brother Michael plays his traitorous games, and a man called Deeth pulls the deadly strings that threaten to entrap them all


Tuesday, February 04, 2025

The Further Adventures of Doctor Syn (Doctor Syn #4) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Further Adventures of Doctor Syn
Series: Doctor Syn #4
Author: Arthur Russell Thorndike
Rating: 3 of 5 Stars
Genre: Historical Fiction
Pages: 109
Words: 51K



This felt like a proper “Scarecrow of Romney Marsh” story and not necessarily a Doctor Syn story. Even if they are the same person. While I rated this the same as previous Doctor Syn stories, I think I enjoyed it a bit more.

First, because it has been five months since my last read of the character. Giving me a break really helps my enjoyment of something that I’m on the fence about.

Second, this was as much about the Scarecrow and smuggling as it was about Doctor Syn. The Scarecrow begins creating his legend in these stories and I like that.

Third, because this was basically a collection of short adventure stories and not one novel with a main point. That helped break things up for me.

Fourth, and finally, Doctor Syn isn’t presented as much of a pastor as he has been in previous books. His hypocrisy is downplayed and that allowed me to enjoy the Scarecrow more.

One thing that stood out to me and took me a bit to wrap my head around, was that the characters use the word “tubs” when referring to smuggled liqueur. It wasn’t until I looked at the cover that I realized the author meant “kegs”. That completely changed things. A tub is a broad, shallow thing meant for washing clothes, vegetables or people in. It is open faced and very ungainly. A keg is a closed container that contains drink, or perhaps dwarves if you are reading the Hobbit instead of this story ;-)

This is a tub:




This is a keg:




★★★☆☆


From Wikipedia

The novel is a highly episodic series of adventures as Syn, in his guise as the Scarecrow outwits the king's agents and keeps his band of Dymchurch smugglers out of prison. Set in 1776.