Sunday, February 11, 2024

Enemy of the State (Mitch Rapp #16) 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Enemy of the State
Series: Mitch Rapp #16
Author: Vince Flynn & Kyle Mills
Rating: 3 of 5 Stars
Genre: Thriller
Pages: 331
Words: 103K





The US President is tired of the Saudi’s continuing to fund terrorism while taking our money to supposedly fight it themselves. So he sends Mitch Rapp on a mission to start killing the Saudi Royalty as a way to show they can no longer be safe as terrorist proxies. Things go south and Rapp becomes disavowed by the US government. One of his old enemies is co-opted by a corrupt Saudi working for ISIS to hunt Rapp down. And just in case that isn’t enough, Rapp’s new girl wants to start working the logistics side of supporting him in the field.

Kennedy, the Director of the CIA and Rapp’s boss, is barely in this story. I don’t think Mills knows how to truly utilize her and so he just has pushed her to the background. He’s also turned Mitch Rapp into the crazy killing machine everyone thought he was (but wasn’t) when the original author Vince Flynn was writing him. Mills has a much heavier hand and there’s no nuance or suggestion. It’s not a terrible change but it makes Rapp a much less interesting character and limits the scope of what he is capable of.

The action/adventure side of things is definitely all there. It was good. It is what is keeping this series from descending into mediocre territory since Mills just can’t seem to handle Mitch Rapp as a character. I’m going to continue to read these book, I’m going to continue to enjoy them but I am definitely going to continue to complain about Mills’ handling of the characters.

After writing that, I thought about it for a bit. I realized that it isn’t so much that Mills doesn’t “get” Rapp, but that he doesn’t have the same sense of the political that Flynn did. It feels like Mills is colorblind in this regards while Flynn had an eye for various shades of the same color, thus able to subtly bring out aspects you’d never expect. Mills simply can’t do that because of his limitations. Part of me thinks I shouldn’t pick on the poor gimpo, but he is the one who chose to pick up the brush of the master and try to continue his work. I am never going to compare Mills to other books by Mills because I have zero interest in his other works. I will always be comparing him to Flynn, because Flynn started this and created a masterful canvas to work on. Mills just isn’t as good an author as Flynn was. In his defense, he never whines or complains in the forwards or afterwards. He has a cash cow and he’s thankful for every squeezing it gives him.

I just wish he’d make some of that wonderful caramalized onion cheddar instead of the straight up sharp cheddar.

★★★☆☆



From Kylemills.com/books/enemy-of-the-state/


In the #1 New York Times bestselling series’ latest installment, Mitch Rapp finds himself alone and targeted by a country that is supposed to be one of America’s closest allies.

After 9/11, the US made one of the most secretive and dangerous deals in its history—the evidence against the powerful Saudis who coordinated the attack would be buried. In return, King Faisal would promise to keep the oil flowing and deal with the conspirators in his midst.

When the king’s own nephew is discovered funding ISIS, the president suspects that the Saudis never intended to live up to their agreement. He decides that the royalty needs to be sent a message and that Mitch Rapp is just the man to deliver it. The catch? America can’t be seen moving against an ally. Rapp will be on his own.

Forced to make a decision that will change his life forever, Rapp quits the CIA and assembles a group of independent contractors to help him complete the mission.

They’ve barely begun unraveling the connections between the Saudi government and ISIS when the brilliant new head of the intelligence directorate discovers their efforts. With Rapp getting too close, he threatens to go public with the details of the post-9/11 agreement between the two countries.

Facing an international incident that could end his political career, the President orders America’s intelligence agencies to join the Saudis’ effort to hunt the former CIA man down.

Rapp, supported only by a team of mercenaries with dubious allegiances, finds himself at the center of the most elaborate manhunt in history. It’s only a matter of time before he’s caught or killed. Will it be enough to turn the tables on the Saudis and clear his name?




Thursday, February 08, 2024

The Doctor and The Kid (Weird West Tales #2) 2.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: The Doctor and The Kid
Series: Weird West Tales #2
Author: Mike Resnick
Rating: 2.5 of 5 Stars
Genre: Steampunk
Pages: 235
Words: 77K





Another lacklustre series by Resnick. This was Book #2 in the Weird West Tales series and you might wonder why I read and reviewed this instead of the first book, The Buntline Special. I would recommend you sit down. If you have a weak heart or are given to vapors, please, stop reading now. I didn’t read the first book BECAUSE, da da dum, it wouldn’t open on my kindle oasis.

Shock

Gasp

Wince

Vapors!

I know, I know. It shocked me to the core as well. I even reconverted the azw3 file with calibre and it still wouldn’t open. Since I had stopped caring about Resnick since his pathetic outing on the John Justin Mallory series, I pre-emptively didn’t care about book 1 of this series either. So on to book 2 it was.

Sadly, I made the right choice in pre-emptively not caring.

Doc Holliday is a bastard, pushing away everyone near to him. At one point he deliberately says some really nasty things about his best friend’s wife just because he’s feeling ornery. And Holliday even likes the poor lady. He’s just the worst that humanity has on tap.

Resnick does his patented “He said, He did” style of writing and what could have been a real interesting idea (Geronimo and other Indian shamans have kept the US bottled at the Mississippi River and the US Government has hired Thomas Edison and Ned Buntline to try to find a way to break their magic using technology coupled with Doc Holliday taking down Billy the Kid) turned into a drunken, consumptive asshole killing some people and telling everyone he meets he can’t wait to die.

Inspiring stuff! I was thrilled beyond belief.

It wasn’t terrible. It just wasn’t any good. But I have given Resnick enough passes and so I am done with him as an author.

Next!

★★☆☆


From the Publisher

Welcome to a West like you've never seen before! With the O. K. Corral and the battle with the thing that used to be Johnny Ringo behind him, the consumptive Doc Holliday makes his way to Deadwood, Colorado. But when a gambling loss drains his bankroll, Doc aims for quick cash as a bounty hunter. The biggest reward? Young, 20-year-old desperado known as Billy the Kid. With a steampunk twist on these classic characters, nothing can be as simple as it seems.



Wednesday, February 07, 2024

Bar the Doors 3Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Bar the Doors
Series: ----------
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 198
Words: 59K





The subtitle for this book is “13 Great Tales of Terror by Masters of the Macabre”. This collection uses a lot of short stories that didn’t appear in Hitchcock’s own mystery magazine and it shows. Not that they are in any way bad, but they don’t have that “curated by Hitchcock” feel that I get from other collections.

Also, while I have kept this in the “crime fiction” fiction, the tales of terror subtitle is much more accurate. Not all are supernatural. Some are blatantly physical, such as The Storm, in which a woman comes home a week early only to find her husband is out. And she finds a woman’s body in a moving trunk with a distinctive ring on it’s finger. The story ends with her being gaslit by her husband and seeing that same ring on his finger. It was just plain creepy but nothing supernatural. Then you have Pollock and the Porroh Man which is ALL about the supernatural. A man takes a voodoo man’s woman and then tries to kill the voodoo man and in the process gets cursed. He then kills the voodoo man, so there is no way to lift the curse. The head of the voodoo man follows him back to England and haunts him until he goes insane and he kills himself. Lovely, eh?

I was particularly interested in this collection because of the inclusion of two authors, Ambrose Bierce and Augustus Derleth. Both were small time contributors to the King in Yellow and Cthulhu mythologies and I was hoping that these stories would give me a taste of what they were like. I was not impressed. Derleth’s story, The Metronome, was a simple ghost story about a murdered boy murdering the step-mother who had killed him. I actually had to go and read the story again before writing this because I had completely forgotten what it was about a mere week after reading it. It wasn’t bad but there wasn’t a single memorable thing about it. Bierce’s The Damned Thing, was about an invisible monster that killed a man in front of his friend the story is the friend relating it all at the inquest. The inquest ends with the jury deciding the man who was killed was killed by a mountain lion. While nothing spectacular, it did have that fatalistic feel of “nothing I say or does matters” which I’ve come to associate very strongly with Cosmic Horror.

I did have a bad scan of this, as it was quite apparent that someone had simply scanned the pages from the original paperback and sent it out into the wild without cleaning it up at all. So there would be random “Authors Name Page X” or “Story Name Page X” scattered throughout the text. That detracted from the flow of reading through this smoothly. Kind of like hitting a nail in tree while chopping it down using a chainsaw. If you’ve ever had that experience, you’ll know exactly what I mean.

Finally, the cover. The version I had originally came with some lame picture of Hitchcock in a rain coat in the rain at a doorway about to enter. It was blasé. I chose this cover because it’s very creepy looking and is actually semi-related to the story “The Kill”.

★★★☆☆


Table of Contents:

  • SPEAKING OF TERROR Alfred Hitchcock

  • POLLOCK AND THE PORROH MAN H. G. Wells

  • THE STORM McKnight Malmar

  • MOONLIGHT SONATA Alexander Woollcott

  • THE HALF-PINT FLASK DuBose Heyward

  • THE KILL Peter Fleming

  • THE UPPER BERTH F. Marion Crawford

  • MIDNIGHT EXPRESS Alfred Noyes

  • THE DAMNED THING Ambrose Bierce

  • THE METRONOME August Derleth

  • THE PIPE-SMOKER Martin Armstrong

  • THE CORPSE AT THE TABLE Samuel Hopkins Adams

  • THE WOMAN AT SEVEN BROTHERS Wilbur Daniel Steele

  • THE BOOK Margaret Irwin


Tuesday, February 06, 2024

Three Witnesses (Nero Wolfe #26) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission


Title: Three Witnesses
Series: Nero Wolfe #26
Author: Rex Stout
Rating: 4 of 5 Stars
Genre: Mystery
Pages: 176
Words: 66K





Knowing this was going to be a collection of short stories, I deliberately set out to enjoy myself and to focus on the positives instead of whining about what wasn’t there. And it worked. I enjoyed the daylights of these stories.

Having three shorter stories really fit my mood this time around. I enjoyed the brisk pace of it all. Instead of meandering along while Archie casually pinches the police’s snozz, he does a quick snatch and grab and dashes off again to slap some hysterical broad.

Wolfe doesn’t get as much time to complain either. It’s like getting concentrated Wolfe in pill form.

I wouldn’t click the synopsis open if I were you. It’s close to 2000 words long.

★★★★☆


From Wikipedia:


The Next Witness

Nero Wolfe and Archie Goodwin are in court, having been subpoenaed to testify for the prosecution in a murder trial. Leonard Ashe has been accused of trying to hire Bagby Answers, Inc., a telephone answering service, to eavesdrop on his wife's calls, and of killing employee Marie Willis when she refused to cooperate. The prosecutor intends to call Wolfe and Archie to testify that Wolfe turned down Ashe's attempt to hire them to spy on his wife, actress Robina Keane.

Clyde Bagby, owner of the business, testifies that Marie had complained to him about Ashe's request and was planning to tell Robina. Bagby tried unsuccessfully to dissuade Marie; later that same night, he learned from the police that she had been strangled to death at her switchboard. Wolfe abruptly exits the courtroom, followed by Archie, who reminds him that they are under subpoena and will almost certainly be charged with contempt of court for leaving. Wolfe, however, is convinced of Ashe's innocence and wants to have no part in convicting him.

They visit the premises of Bagby Answers, finding the business to be located in an apartment with a bedroom for each operator due to employment regulations. Wolfe makes himself as obnoxious as possible in order to see how much incivility the employees will tolerate, and the detectives take notice of an original Van Gogh painting on a wall and a stack of racing forms on a table while questioning operators Bella Velardi and Alice Hart. From them, Wolfe and Archie learn that Helen Weltz, another operator, is spending the afternoon at a cottage in Westchester that she has rented for the summer.

Arriving at the cottage, they find a new Jaguar parked in front. Helen is accompanied by Guy Unger, an acquaintance of several of Bagby's employees. Unger describes himself as a broker, but gives only a vague description of the business he transacts. Helen privately admits to Archie that she wants to get out of an uncomfortable situation, but is too frightened of Unger to give details. Archie persuades her to call Wolfe's office that evening, then learns from Wolfe that Unger tried to pay him to drop the investigation into Marie's murder.

Wolfe and Archie return to the city, but cannot go to the brownstone because a warrant has been issued for their arrest. They take shelter at Saul Panzer's apartment for the night, and Wolfe meets with Robina to persuade her to visit Ashe and take him with her. She agrees, promising not to tell Ashe's attorney. Archie gets a call from Helen, relayed to him by Fritz Brenner, and picks her up from Grand Central Station in order to interview her out of Unger's presence. Wolfe and Robina meet with Ashe shortly before the trial resumes the following morning.

Once called to the witness stand, Wolfe tricks the prosecutor into asking a question that both allows him to explain his theory of the crime and forces the judge to dismiss the contempt charge. Based on the operators' behavior during his visit and the evidence of their lavish spending, he concluded that Bagby and Unger were using the answering service to blackmail clients by having the employees listen in on calls and gather compromising information. Helen had confirmed these facts to Archie the previous night. However, the plan would only succeed if every operator took part; anyone who showed hesitation could potentially expose the scheme. When Marie acted against Bagby's orders and turned down Ashe's request to spy on his wife, one of her co-workers strangled her to keep her quiet. Wolfe suspected Bagby of committing the murder and luring Ashe to the office so that he would be found with the body and arrested.

Bagby, Unger, Helen, Bella, and Alice are detained for questioning, Ashe is acquitted, and Bagby is ultimately convicted of Marie's murder without the need of any further testimony from Wolfe. Archie reflects that Wolfe's exit from the courtroom may have been motivated less by a desire to see justice done than by the discomfort of having to sit next to a woman wearing too much perfume.


When A Man Murders

Sidney Karnow has returned from the dead. In 1951 he enlisted in the Army and was sent to Korea as a soldier in the infantry. Injured in battle, he was left for dead by retreating American forces, but in fact was only stunned. Karnow was taken prisoner by the enemy, but after a couple of years he escaped to Manchuria and lived there in a village until the truce. Then he made his way to South Korea and was sent home by the Army.

Unusual enough by itself, but Karnow was also a millionaire. He had inherited money from his parents but felt that he should serve in the military. Before enlisting, he had met and married Caroline, who now calls on Wolfe along with her new husband, Paul Aubry. Caroline and Paul are in a terrible spot: Karnow's return from the dead apparently voids their marriage, and they have spent a large portion of Caroline's inheritance to set Paul up in business as a car dealer. They have decided to offer what is left of the inheritance, plus the dealership, to Karnow in return for his consent to a divorce.

Paul has gone to Karnow's hotel room to put the proposition to him, but got cold feet before knocking on the door. He discusses the situation once again with Caroline, and they decide to come to Wolfe for help. Wolfe explains that he is a detective, not a lawyer, but Aubry replies that "We want you to detect a way of getting Karnow to accept our proposition."

Ignoring Aubry's diction, Wolfe sends Archie, along with Aubry and Caroline, to the Hotel Churchill to put the proposition to Karnow. Archie leaves the clients in the bar and goes upstairs to Karnow's room, gets no answer to his knock, tries the doorknob and finds it unlocked. When he enters, he finds Karnow, shot dead, and a gun lying a few feet away. Archie leaves the room as he found it, collects the clients and returns to the brownstone, where Purley Stebbins soon shows up. Archie, Paul and Caroline were seen at the hotel where Karnow's body was just found.

Stebbins takes Paul and Caroline for questioning (although Wolfe and Archie insist that he do so from the sidewalk: Wolfe will not tolerate a client, even a potential client, being taken into custody inside his house). Archie follows shortly thereafter, and as he is waiting to meet with the DA, he encounters Caroline's in-laws: Karnow's Aunt Margaret, cousins Anne and Richard, and Anne's husband Norman Horne. With them is Jim Beebe, Sidney's lawyer and executor. Archie learns nothing from them except that Anne Horne has a facetious sense of humor.

Archie has no information for ADA Mandelbaum and Inspector Cramer, and shortly after he returns home Caroline rings the doorbell. She brings the news that the police have arrested Paul for Karnow's murder, and she wants to hire Wolfe to clear him. Wolfe accepts, but needs to knows more about Karnow's relatives. They had received bequests in Karnow's will, stood to lose those bequests when he turned up alive, and therefore had motive. Caroline knows little about them except that they had always depended on Karnow's support, and have not managed their inheritances prudently. Wolfe sends Archie to bring them to the office.

Archie tries Beebe first but can't corral him, and has no better luck with Karnow's Aunt Margaret and his cousin Richard. When he calls on cousin Anne, he gets more of her persiflage. Trying to draw her out, he lets her read his palm – and then her husband Norman returns to their apartment. Anne slows Archie down just enough that Norman, unencumbered, can clip Archie in the jaw. Then Archie decks Norman, and leaves.

Finally Wolfe hears from Saul Panzer, who has been investigating a different side of the problem. Wolfe has Archie phone Inspector Cramer, and gives him the choice of bringing all involved to Wolfe's office, or declining to cooperate and letting Wolfe work through the DA's office. Cramer chooses the former option. In the traditional meeting with the suspects in Wolfe's office, Wolfe makes public what Saul has turned up: an unwitting but crucial witness to the motive for Karnow's murder.


Die Like A Dog

It's a rainy day in Manhattan, and Richard Meegan has grabbed the wrong raincoat after getting the brushoff from Nero Wolfe. Meegan came to the brownstone to hire Wolfe, apparently on the sort of marital matter that Wolfe won't touch. Now Archie Goodwin wants to get his raincoat back: it's newer than the one Meegan left behind.

As Archie approaches Meegan's small apartment house on Arbor Street[1] in the Village, he sees police near the front, including Sgt. Purley Stebbins. Opting for discretion, Archie starts back home when he realizes he's being tailed by a friendly black Labrador. It's windy enough that Archie's hat blows off his head and across the street, but the dog risks its life retrieving it. After that, Archie can't bring himself to shoo the dog, so he takes him back to the brownstone.

And there, in the office, Archie discovers that Wolfe likes dogs. With what passes in Wolfe for fondness, he recalls that he had a mutt in Montenegro, one with a rather narrow skull. This Labrador has a much broader skull – Wolfe asserts that it's for brain room, and decides that the dog is to be named Jet. Then Fritz reports that Jet has excellent manners in the kitchen. Wolfe has one-upped Archie once again: he would enjoy keeping the dog, but can blame Archie for any problem it causes.

Now Cramer appears at the front door, wanting to know about a dog. A man named Philip Kampf was murdered in the Arbor Street apartment house. Kampf had owned a black Labrador, and a policeman noticed that the dog left with Goodwin. Hence Cramer's questions: Meegan, who saw Wolfe that morning, lives in the apartment house where Kampf was murdered, and Archie has Kampf's dog. Wolfe and Archie describe the day's events for Cramer, who wants more but will wait until the next day.

That evening, looking for a rationale to keep Jet, Wolfe sends Archie for Richard Meegan. But Meegan doesn't answer the buzzer, and when another man leaves the apartment house, Archie follows him.

Archie catches up, introduces himself, and points out that the man's being followed by a police detective. Grateful, the man introduces himself as Victor Talento. Archie wants to know where he's going, and Talento tells him that he's meeting a young woman. Her name is Jewel Jones, and Talento asks Archie to go in his place, and tell her that Talento couldn't make it – Talento doesn't want the police to see them meet.

Archie agrees, meets up with Miss Jones, and since he can't bring Meegan to Wolfe, brings her instead. When they enter Wolfe's office, all three get a surprise: Jet, who has been keeping Wolfe company, runs to Miss Jones and stands in front of her, wagging his tail.

So she knows Jet, and therefore Kampf, and Wolfe pries it out of her that she knew him intimately – and in fact lived for almost a year in the Arbor Street apartment house where Kampf was killed. She knows, less well, three of the men who live there: Talento, Jerome Ã…land, and Ross Chaffee.

Archie interviews Ã…land, Meegan and Chaffee separately. From Meegan he learns more about his reason for seeing Wolfe: Meegan comes from Pittsburgh, and his wife left him – completely disappeared – about a year earlier. Not long ago Meegan saw a painting of a woman in a Pittsburgh museum, and he's sure it was his wife. He tracked down the artist, Ross Chaffee, and asked him about the model he used. Chaffee couldn't remember the model, but Meegan did not believe him and, to stay close by, rented the empty apartment in the Arbor Street building where Chaffee lives.

Archie takes a blind, but successful, stab at finding the painting and learns that it belongs to a Manhattan collector. He calls on the collector, gets a look at the painting, and sees in it a woman who looks a lot like Jewel Jones. Archie brings her to the office. Informed that she sat for the painting, and is therefore Meegan's missing wife, Wolfe speaks with Chaffee by phone. He threatens to turn Miss Jones over to the police but gives Chaffee the option of bringing the other three tenants with him to Wolfe's office.

With the Arbor Street residents collected, Wolfe zeros in on the murderer, and along the way explains the dog's strange behavior, particularly that it followed Archie from the apartment house.



Sunday, February 04, 2024

Shotguns V Cthulhu (Cthulhu Anthology #15) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Shotguns V Cthulhu
Series: Cthulhu Anthology #15
Editor: Robin Laws
Rating: 4 of 5 Stars
Genre: Cosmic Horror
Pages: 242
Words: 94K





This was how my final King in Yellow book should have gone! This had shivers running up my spine. This had my mind revolting. This had me questioning why I enjoyed the twisted stories so much. It was everything I expect in a Cosmic Horror story.

Now, I had read a King in Yellow anthology edited by Robin Laws and it wasn’t very good. So I went into this with lowered expectations. Thankfully, I was disappointed in my expectations.

And that’s all I write because I’m tired of writing right now.

★★★


Table of Contents:

  • Robin D Laws Preface: Save a Barrel for Yourself

  • Kyla Ward Who Looks Back?

  • Rob Heinsoo Old Wave

  • Dennis Detwiller Lithic

  • Chris Lackey Snack Time

  • Dan Harms The Host from the Hill

  • Steve Dempsey Breaking Through

  • A. Scott Glancy (based on an idea by Bret Kramer) Last Things Last

  • Chad Fifer One Small, Valuable Thing

  • Nick Mamatas Wuji

  • Natania Barron The One in the Swamp

  • Kenneth Hite Infernal Devices

  • Dave Gross Walker

  • Robin D. Laws And I Feel Fine

  • Larry DiTillio Welcome to Cthulhuville

  • Ekaterina Sedia End of White



Thursday, February 01, 2024

Witch Week (Chrestomanci #3) 2.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission


Title: Witch Week
Series: Chrestomanci #3
Author: Diana Jones
Rating: 2.5 of 5 Stars
Genre: Middlegrade Fantasy
Pages: 185
Words: 73K






I have heard the question “Why isn’t DWJ as famous as JK Rowlings” punted about over the years. It might seem like a legitimate question, but I think this book answers it quite aptly.

Namely, this was a scary book for kids about bullies, meanness and very unlikeable people. None of the beautiful people are nice, none of the adults (except Chrestomanci, when he shows up for the last 10%) are decent and even the main characters are some really nasty pieces of work. Some of this might be VERY true to life and some kids might be able to identify with it all, but that’s not the goal. It’s not enough to just identify with a character, but to have characters that your readers want to emulate to be better people. This is DWJ’s failure in this book.

Until Chrestomanci shows up and begins setting things aright, I was questioning why DWJ even bothered to write this and why I was continuing to read this. While I know intellectually this so called “Chrestomanci Series” really isn’t, I do wish that that DWJ had made more of an effort to weave him into the overall story instead of making him such a small part. It’s as lame as calling Jubilee from the X-Men a real superhero (she can throw sparkles or something from her hands, whooooo).

I guess I will have to change my expectations for the rest of the series but if I come across any more that are as unlikeable as this, I’ll just stop this series and start in on my next middle grade read, the Westmark trilogy by Lloyd Alexander.

★★✬☆☆


From Wikipedia:


Witch Week is set in an alternative modern-day Great Britain, identical to our world except for the presence of witchcraft. Despite witches being common, witchcraft is illegal and punishable by death by burning, policed by a modern-day Inquisition.

At Larwood House, a boarding school where many of the children of executed witches are sent, a note claiming "Someone in this class is a witch" is found by a teacher. This launches an internal investigation of the more unpopular students at the school (Nan Pilgrim and Charles Morgan), who are gradually coming to terms with the fact that they are witches. Mayhem gradually ensues as magic is used to make birds appear in the classroom, to rain shoes, to curse a classmate into having his words always be true, and other pranks. When the magic gets totally out of control, one of the students runs away, leaving notes that blame the witch for controlling him. The headmistress of the school calls in an Inquisitor to find the missing student and locate the source of the trouble.

Four more of the students flee the school and two seek help from an "underground railroad" system that is known to save witches by sending them to a world where they are not persecuted. Instead they are given a spell to summon unknown help and all five students converge where they are able to use it, summoning the enchanter Chrestomanci. He and the children conclude that their world diverged from 12B (ours) by a particular historical accident. They work to outwit the local inquisition and to merge their history, thus their world, with ours. It turns out that most of the schoolchildren are witches and all must lose any such powers by revising history in that way.



- All of My “Diana Jones” Reviews

Tuesday, January 30, 2024

Equal Rites (Discworld #3) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Equal Rites
Series: Discworld #3
Author: Terry Pratchett
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 162
Words: 67K







When I first read this in 2007, I was fresh off the Rincewind books and was expecting more of the same. Equal Rites is the first of the Witches sub-series and as such, while humorous, IS different and I wasn’t ready for that difference back then. Instead of the insane, zany and just plain ridiculous humor that typifies Rincewind, The Witches series is much more sardonic and relies on the humor inherent in opposites. All of that was just to say that I enjoyed my read this time much more than I did 16 years ago.

I also did this as a buddy-read with Dave. He had a lot of other stuff going on at the time, so there wasn’t a lot of back and forth on the book as we read along. I’ll be linking to his review after the star rating and before the synopsis.

I enjoyed this on a completely different level from the previous two books. Granny Weatherwax (the main character despite this being about the little girl Esk) isn’t silly and stupid but she’s also not some omniscient Paragon of Everything. Pratchett is definitely poking fun at the genders (male and female) and Granny isn’t a bra burning feminazi. She’s crotchety, gets things mixed up, makes bad decisions but ultimately has the good of Esk in mind. She’s a wonderful character in fact. I loved reading about her. It is almost scary to me how 16 years of life experience can make that kind of change in me. I still like Rincewind and the complete chaos that he is, but I now appreciate Granny much more than I could have back then. That’s good. We should change as we mature and get older.

I have talked about this before (Why I Re-Read from ‘18) but that change in perspective is the EXACT reason why I am such a re-reader. What I experienced reading Equal Rites this time around I simply could not have back in ‘07. And if I had never re-read it now, I would be stuck with that ‘07 memory of it. Which isn’t bad, but it’s not as full and rich as my memories of the book now. As a serious reader, growing is important. A reader should be a tree, ever growing, not a karesansui garden (one of those japanese gravel gardens) which stays static unless an outside force acts upon it. A reader’s growth should be from within, affecting the outside, not the outside affecting the growth within. It is the difference between an oak tree and a bonsai tree. One acts upon the landscape while the other is acted upon.

So to end. I am VERY happy I re-read this. I enjoyed it more than I originally did and I am thankful I have a better memory of the book now.

★★★★☆

Dave’s Review


From Wikipedia.org


The wizard Drum Billet knows that he will soon die and travels to a place where an eighth son of an eighth son is about to be born. This signifies that the child is destined to become a wizard; on the Discworld, the number eight has many of the magical properties that are sometimes ascribed to seven in other mythologies. Billet wants to pass his wizard's staff on to his successor.

However, the newborn child is actually a girl, Esk (full name Eskarina Smith). Since Billet notices his mistake too late, the staff passes on to her. As Esk grows up, it becomes apparent that she has uncontrollable powers, and the local witch Granny Weatherwax decides to travel with her to Unseen University in Ankh-Morpork to help her gain the knowledge required to properly manage her powers.

But a female wizard is something completely unheard of on the Discworld. Esk is unsuccessful in her first, direct, attempt to gain entry to the University, but Granny Weatherwax finds another way in; as a servant. While there, Esk witnesses the progress of an apprentice wizard named Simon, whom she had met earlier, on her way to Ankh-Morpork. Simon is a natural talent who invents a whole new way of looking at the universe that reduces it to component numbers.

Simon's magic causes a hole to be opened into the Dungeon Dimensions while he is in Esk's presence. The staff, acting to protect Esk, strikes Simon on the head, closing the hole but trapping his mind in the Dungeon Dimensions. Esk throws the staff away, believing that it attacked Simon. While attempting to rescue him, Esk ends up in the Dungeon Dimensions. The extreme cold there causes the staff, now washed out to sea, to create a huge ice sheet, causing a storm that floods the university as well as the surrounding city.

Esk and Simon discover the weakness of the creatures from the Dungeon Dimensions—if you can use magic, but don't, they become scared and weakened. With the help of Granny Weatherwax and Archchancellor Cutangle, who have retrieved the staff, they both manage to transport themselves back into the Discworld. Esk and Simon go on to develop a new kind of magic, based on the notion that the greatest power is the ability not to use all the others.




Saturday, January 27, 2024

Second Foundation (Foundation #3) 5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Second Foundation
Series: Foundation #3
Author: Isaac Asimov
Rating: 5 of 5 Stars
Genre: SF
Pages: 200
Words: 72K





What a masterpiece of storytelling. The Foundation Trilogy absolutely deserves all the plaudits it has received over the decades. When I read this trilogy in ‘08 and only gave it 3stars, I suspect most of that had to do with the fact that I was in the midst of thralldom to the Sandersonization of the SFF genre. Now I’m not and so can appreciate it better. Which in turns means that those who are addicted to the chunksters of SFF today probably won’t enjoy the Foundation either. That’s too bad, but that’s how it all shakes out.

Structure-wise, Second Foundation follows the same formula of the previous book, in having two novellas comprising the one book. Each novella in turn is broken down into “chapters” that read much more like a short story than just a chapter from a whole. That kind of structure works very well for me and as Asimov was a genius in terms of writing short stories, I think it works well for how the book is made up.

Story-wise, this wraps things up just fine. The First Foundation is still alive and working on it’s destiny to unite the galaxy in a second empire in a couple of hundred years and the Second Foundation is safely in the background, guiding things along. Seldon’s Plan is back on track after the disruption of The Mule and humanity seems to be riding the right track.

And I can see why people keep reading the later Foundation novels. I ended this and my first thought was “I want more”. I read Foundation’s Edge and Foundation and Earth back in highschool and hated them. But that was almost 30 years ago now and I wonder if my tastes and opinions have changed enough that I wouldn’t hate them this time around. Considering how much I loved this trilogy this time round, I am hesitant to do anything to mar that pleasure. But at the same time, I am a reader. I read books, lots and lots of books (say that in your best Neo voice please)


(But this is not a post about my decision making skills or abilities. That’s for another time. That’s a threat, count on it!)

I enjoyed reading this book, and this trilogy and I found it tantalizing, well done and once again, worthy of all the praise it has received over the years. I highly recommend this, even if you end up not liking it nearly as much as I do. The Foundation Trilogy is foundational to SF and once you’ve read it, you’ll see it peeping out everywhere in the SF genre.

★★★★★


From Wikipedia.org


Part I: Search By the Mule

Part I is about the Mule's search for the elusive Second Foundation, with the intent of destroying it. The executive council of the Second Foundation is aware of The Mule's intent and, in the words of the First Speaker, allows him to find it—"in a sense". The Mule sends two of his people on a search for the Second Foundation: Han Pritcher, who had once been a captain and a member of the underground opposition prior to being Converted to the Mule's service, and Bail Channis, an "Unconverted" man (one who hasn't been emotionally manipulated by the Mule to join him) who has quickly risen through the ranks and impressed the Mule.

Channis reveals his suspicions about the Second Foundation being located on the planet Tazenda, and takes the ship there. They first land on Rossem, a barren planet controlled by Tazenda, and meet with its governor, who appears ordinary. Once they return to the ship, Pritcher confronts Channis and believes him to have been too successful with the search. The Mule, who had placed a hyper-relay on their ship in order to trace them through hyper-space, appears, and reveals that Channis is a Second Foundationer. Pritcher's emotional bonds to the Mule are broken in the ensuing exchange between Channis and the Mule, and he is made to fall into deep sleep. With only the two of them left, the Mule reveals that he has brought his ships to Tazenda and has already destroyed the planet, and yet senses that Channis's dismay is only pretense. He forces Channis to reveal that Rossem is actually the Second Foundation, and that Tazenda is only a figurehead.

The First Speaker for the Second Foundation appears and reveals to the Mule that his rule is over; neither Tazenda nor Rossem is the Second Foundation, and Channis's knowledge had been falsely implanted to mislead the Mule. Second Foundation agents are headed to Kalgan and the Foundation worlds to undo the Conversions of the Mule, and his fleet is too far away to prevent it. When the Mule experiences a moment of despair, the First Speaker is able to seize control of and change his mind; he will return to Kalgan and live out the rest of his short life as a peaceful despot.

Part II: Search By the Foundation

Part II takes place 60 years after the first part, 55 years after the Mule's death by natural causes. With the Mule gone his former empire falls apart and the Foundation resumes its independence. Because of their enslavement at the hands of the Mule and their wariness of the Second Foundation (who possess similar abilities to the Mule) the Foundation began studying the mental sciences.

A secret cabal is formed within the Foundation to root out the Second Foundation after evidence of the latter's manipulation is found through mental analysis of the former society's key figures. They send one of their own, Homir Munn, to Kalgan to search for clues to the Second Foundation's location. Munn is followed to Kalgan by Arcadia, Dr Darell's daughter.

Since the death of the Mule, the Second Foundation has worked to restore the Seldon Plan into its proper course. In the organization's secret location, the First Speaker discusses the state of the galaxy with a student. The Student is concerned that the Foundation's now tangible knowledge of the Second Foundation's existence would have negative effects upon the former which would then further destabilize the Seldon Plan. The First Speaker reassures the Student that a plan has been put in place by their organization in order to address his very concerns.

In Kalgan, a man named Stettin has assumed the Mule's former title as First Citizen. He believes that the Mule's actions have made the Seldon Plan irrelevant and declares war upon the Foundation, intending to usurp their role in the formation of the Second Empire. He's unconcerned with the possible intervention of the Second Foundation.

Arcadia escapes from Kalgan to Trantor with the help of a Trantorian trader named Preem Palver. With his help, she passes information to her father regarding the location of the Second Foundation.

Kalgan eventually loses the war against the Foundation as the specter of the Seldon Plan adversely affects the performance of the Kalganians every bit as much as it bolsters the morale of the Foundationers.

The Foundation cabal reconvenes to discuss what they've learned about the Second Foundation. Munn believes that the Second Foundation never existed while Pelleas Anthor believes they're in Kalgan. Dr Darell states that the Second Foundation is in Terminus itself based on information supplied by Arcadia. He also reveals he has created a device capable of emitting mind static, which is harmful to individuals with mental abilities similar to that of the Mule and the Second Foundation. Activating the device in the presence of the cabal reveals Anthor to be a Second Foundationer, and further interrogation leads to the discovery of the rest of his comrades who are subsequently detained indefinitely.

Unsatisfied with the ease by which the Second Foundation has been defeated and suspecting Arcadia's information to be planted through mental tampering, Dr Darell runs tests on his daughter to determine if she has been compromised. Both are relieved when the tests' results are negative. Dr Darell basks in the realization that with the Second Foundation gone, the Foundation are the sole inheritors of the Seldon Plan and the Second Empire.

It is then revealed that the Second Foundation are not only intact but also the mastermind behind the recent major events. The Foundation's conflict with Kalgan and their subsequent victory was meant to restore the former's self-esteem after the Mule enslaved them. Anthor and his comrades were in fact martyrs meant to mislead the Foundation into believing they had eliminated the Second Foundation, thereby shrouding the Second Foundation in secrecy once more and restoring the Seldon Plan to its proper course. Arcadia was unknowingly working for the Second Foundation, having been mentally adjusted shortly after her birth in order to prevent detection. The Second Foundation is actually located at the planet Trantor, the seat of the previous Galactic Empire.

The story closes with the revelation that the First Speaker of the Second Foundation is Preem Palver, who is satisfied that the galaxy is now forever secure.




Thursday, January 25, 2024

A Confession (The Russians) 3.5Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: A Confession
Series: (The Russians)
Author: Leo Tolstoy
Translator: Aylmer Maude
Rating: 3.5 of 5 Stars
Genre: Nonfiction novella
Pages: 83
Words: 25K





The synopsis from Wikipedia is filled with wild surmises and assumptions that I totally disagree with, especially all the crap about Tolstoy somehow viewing God from a pantheistic viewpoint. Someone with an axe to grind wrote that instead of someone who just wanted to factually write what the novella was about. This is why I don’t trust Wikipedia, it’s a damn cesspit. But it is easier to copy/paste that than to try to write out my own synopsis, so this is just a disclaimer that I’m using their synopsis, but under very loud and vociferous protest. But mainly because I’m lazy.

This was the journey of one man who went from a children’s belief in Christianity, to Unbelief, to Church Orthodoxy to his own belief in Jesus Christ.

Really, this was just a slightly updated version of the book of Ecclesiastes (from the Bible). In that, The Preacher (most people figure it is King Solomon) talks about his loss of faith and how useless life is and how he sets out to find the meaning of life. Tolstoy does the same thing, but in a very russian way.

My biggest issue with this was how he almost never references the Bible itself in his searchings. He goes to all these various teachers and dogmas, but not the Bible itself, which the teachings and dogmas are based on. Or if he does, he doesn’t mention it but it really doesn’t seem like he goes to the source. Another part is that I don’t have the same experience as him. I took my Christianity very seriously from the time I was twelve. By the time I was sixteen I knew that I wanted to follow Jesus Christ whole heartedly and by the time I was twenty-two I knew I was on the correct path. The last 20+ years have been my various trials, tribulations, rejoicings and victories as I’ve continued to trod that path. Tolstoy didn’t have the same foundation and thus had to travel a very different path from me. I suspect this novella might speak much louder to someone who is in the midst of their own doubts about the meaning of life.

The translator, Aylmer Maude, added several footnotes that I found very helpful. While I have no idea if his translation is correct or not (I would hope so, as he was translating some very complex theological ideas), the fact his footnotes were clear, concise, to the point and were actually helpful makes me think his translation was a good one.

To end, while I am not a subscriber to various catechisms, I do think they have their place. And in this regards, this particular catechist(?) is apropos:

What is the chief end of man? Man's chief end is to glorify God, and to enjoy Him for ever.

That folks, is the meaning of your life and the only way to do that is through the Son of God, Jesus Christ.

★★★✬☆


From Wikipedia.org


The book is a brief autobiographical story of the author's struggle with a mid-life existential crisis. It describes his search for the answer to the ultimate philosophical question: "If God does not exist, since death is inevitable, what is the meaning of life?" Without the answer to this, for him, life had become "impossible".

The story begins with the Eastern fable of the dragon in the well. A man is chased by a beast into a well, at the bottom of which is a dragon. The man clings to a branch that is being gnawed on by two mice (one black, one white, representing night and day and the relentless march of time). The man is able to lick two drops of honey (representing Tolstoy's love of his family and his writing), but because death is inevitable, he no longer finds the honey sweet.

Tolstoy goes on to describe four possible attitudes towards this dilemma. The first is ignorance. If one is oblivious to the fact that death is approaching, life becomes bearable. The problem with this for him personally is that he is not ignorant. Having become conscious of the reality of death, there is no going back.

The second possibility is what Tolstoy describes as Epicureanism. Being fully aware that life is ephemeral, one can enjoy the time one has. Tolstoy's problem with this is essentially moral. He states that Epicureanism may work fine and well for the minority who can afford to live "the good life," but one would have to be morally empty to be able to ignore the fact that the vast majority of people do not have access to the wealth necessary to live this kind of life.

Tolstoy next states that the most intellectually honest response to the situation would be suicide. In the face of the inevitability of death and assuming that God does not exist, why wait? Why pretend that this vale of tears means anything when one can just cut to the chase? For himself, however, Tolstoy writes that he is "too cowardly" to follow through on this most "logically consistent" response.

Finally, Tolstoy says that the fourth option, the one he is taking, is the one of just holding on; living "despite the absurdity of it," because he is not willing "or able" to do anything else. So it seems "utterly hopeless" - at least "without God".

So Tolstoy turns to the question of God's existence: After despairing of his attempts to find answers in classic philosophical arguments for the existence of God (e.g. the Cosmological Argument, which reasons that God must exist based on the need to ascribe an original cause to the universe), Tolstoy turns to a more mystical, intuitive affirmation of God's presence. He states that as soon as he said "God is Life," life was once again suffused with meaning. This faith could be interpreted as a Kierkegaardian leap, but Tolstoy actually seems to be describing a more Eastern approach to what God is. The identification of God with life suggests a more monistic (or panentheistic) metaphysic characteristic of Eastern religions, and this is why[citation needed] rational arguments ultimately fall short of establishing God's existence. Tolstoy's original title for this work indicates as much, and his own personal "conversion" is suggested by an epilogue that describes a dream he had some time after completing the body of the text, confirming that he had undergone a radical personal and spiritual transformation.



Tuesday, January 23, 2024

Weaponized (Polity #22) 4Stars

 

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Weaponized
Series: Polity #22
Author: Neal Asher
Rating: 4 of 5 Stars
Genre: SF
Pages: 481
Words: 163K







It’s been almost two years since I read Jack Four, the previous Polity book by Asher. I still vividly recall that book though because of all the pooping. Thankfully, in Weaponized, Asher moves away from that. However, what he moves into is as close to body horror as I ever want to get. I’ll talk more on that later.

This novel takes place before and around the beginning of the Prador War. We follow one Ursula as she moves into the ennui stage of life (somewhere around the 200 year mark for most humans, kind of like a very deadly puberty phase of life), then beyond it and then into the present, where she is trying to colonize a world outside of Polity control. Asher slices the story up into Past, Near Past and Present and slices each time line up and interweaves them. So for Chapter 1, you’ll have Present, about Ursula fighting on the planet. Then we’ll switch to Near Past about the colonists discovering whatever they are fighting in the Present. Then we’ll go to the Past which starts with her going through the military and getting kicked out because of the ennui. While it was handled well, I didn’t like it. It was very different from his previous novels and I suspect he did it just to see if he could but I sure hope he’s done with that little “phase”.

The pace here was just as unrelenting and furious as in Jack Four. Which leads into the body horror. This was also a Jain tech novel. By now, fans of Asher know how horrible Jain tech is, how pervasive, twisting and overpowering it is. But instead of the jain changing the colonists over a period of years, it happens within months, days and even hours. They change from humans to whatever is needed to survive, not only physically but also mentally and emotionally. It was degradation on every level. What made it worse is that they chose it, even if they were under the influence of the jain tech. It became so bad that a Polity golem sacrificed herself to set off the entire CTD arsenal in a prador dreadnaught. Ursula STILL managed to survive and the novel ends with her entity being taken to a Polity AI to be studied. It was brutal. Asher does a great job of showing that the Polity is not some benevolent technocracy but just a series of programs weighing what is the best outcome for the greatest number. There have been times it felt like he was promulgating the idea that they were truly benevolent, but either my perceptions have changed or his writing has changed. Either way, it feels much more inline with my worldview and I for one am ok with whatever the reality of the change actually is.

Another fantastic journey into the heart of a future as envisioned by Neal Asher. I continue to recommend this Polity series.

★★★★☆


From the Publisher


With the advent of new AI technology, Polity citizens now possess incredible lifespans. Yet they struggle to find meaning in their longevity, seeking danger and novelty in their increasingly mundane lives.

On a mission to find a brighter future for humanity, ex-soldier Ursula fosters a colony on the hostile planet Threpsis. Here, survival isn’t a given, and colonists thrive without their AI guidance. But when deadly alien raptors appear, Ursula and her companions find themselves forced to adapt in unprecedented ways. And they will be pushed to the very brink of what it means to be human.

As a desperate battle rages across the planet, Ursula must dig deep into her past if she is to save humanity’s future.