Thursday, July 18, 2024

And Four To Go (Nero Wolfe #30) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: And Four To Go
Series: Nero Wolfe #30
Author: Rex Stout
Rating: 3.5 of 5 Stars
Genre: Mystery
Pages: 206
Words: 65K


I enjoyed these four stories. It is kind of hard to call them straight up “short stories” because they’re fifty pages each, but they don’t quite seem like novella length either.

Wolfe is pretty much at his most cantankerous and Archie is at his needle’ist (in terms of how he deals with Wolfe) and murders get solved.

This was a good sit back and let the stories flow over you kind of book. I wasn’t blown away but I wasn’t bored, I didn’t feel like I wanted to stop reading and do something else, I didn’t want to get up to get a snack to take a break. I just read and that tells me it was good stuff if it can keep me engrossed like that.

I realize this isn’t a long review, or even much of a book report, but most of my reviews are like that. And considering this is #30 in the series, at this point you’re either all in or you are out. If you have not read any Nero Wolfe stories by Rex Stout, then go read the first book, Fer-de-Lance. I read that in ‘21 and I’m still going strong with the series, no breaks. That should tell you something too.

★★★✬☆


Table of Contents:

  • Christmas Party
  • Easter Parade
  • Fourth of July Picnic
  • Murder is No Joke

Synopses from Wikipedia:

Synopses – click to open

The Christmas Party

Nero Wolfe occasionally riles Archie when he takes Archie’s services too much for granted. On Wednesday he tells Archie to change his personal plans of two weeks standing so that he can drive Wolfe to Long Island for a meeting on Friday with an orchid hybridizer. After counting ten, Archie explains that he cannot and will not chauffeur Wolfe on Friday. He has promised his fiancée that he will attend her office Christmas party, at a furniture design studio. To substantiate his claim, Archie shows Wolfe a marriage license, duly signed and executed: the State is willing for Archie Goodwin and Margot Dickey to wed.

Wolfe is incredulous, but hires a limousine to take him to Long Island as Archie attends the party. There, a conversation between Archie and Margot reveals that Margot has been trying to get her employer and paramour, Kurt Bottweill, to quit procrastinating and marry her. She has suggested to Archie, who is no more to her than a friend and dancing partner, that a marriage license might motivate Bottweill to propose and follow through. Archie gave her the license on Thursday, and now Margot tells him that the plan worked perfectly, that she and Bottweill are to marry.

Also attending the party are Bottweill; his business manager Alfred Kiernan; an artisan named Emil Hatch who turns Bottweill’s designs into marketable merchandise; Cherry Quon, an East Asian who is the office receptionist; and Mrs. Perry Jerome and her son – Mrs. Jerome is a wealthy widow who is the source of Bottweill’s business capital. The Bottweill-Jerome business relationship is apparently based on intimacy, which her son Leo is bent on disrupting. Santa Claus is also present, tending bar.

Bottweill starts to toast the season but before he can do so Kiernan interrupts. Everyone has champagne, but Bottweill’s drink is Pernod – he keeps an entire case of it in his office. Kiernan brings Bottweill a glass of Pernod. Bottweill finishes his toast, tosses back the Pernod, and promptly dies of cyanide poisoning.

As Archie is issuing instructions – call the police, don’t touch anything, nobody leave – he notices that Santa has already left. Hatch says no one has left via the elevator, and the only other exit is to Bottweill’s office. There’s nothing unusual there, and Archie pushes a button that calls Bottweill’s private elevator. When it arrives, Archie finds Santa’s wig, mask, jacket and breeches on its floor.

The police arrive, led by Sergeant Purley Stebbins, and after several hours of questioning he dismisses the partygoers. Purley’s first task is to try to find Santa, and if that approach leads nowhere then he’ll start after the others. Archie heads back to the brownstone, where Wolfe, having returned from his errand, is eating dinner. Wolfe has heard on the radio a report of Bottweill’s death, and after discussing it briefly, Wolfe sends Archie to his room to bring him a book. Archie finds the book, and also finds, draped over it, a pair of white gloves that appear to be identical to the gloves that Santa was wearing while tending bar.

Stunned at first, Archie works it out that Wolfe was the bartender in a Santa costume. He must have arranged the charade in order to judge for himself whether Archie and Margot were genuinely involved or the marriage license was flummery. For Wolfe to have gone to such an extreme must mean that Wolfe regarded the situation as potentially desperate. Finally, Wolfe left the gloves for Archie to find so that he would reason it all out for himself, thus sparing Wolfe the necessity of admitting how much he depends on Archie.

Archie returns to the office and, skipping the issue of Wolfe’s motives, reports on the events that followed Wolfe’s escape. Stebbins has established that all the partygoers knew that Bottweill drank Pernod and kept a supply in his office. All knew that a supply of cyanide was kept in the workshop one floor down from the studio: Hatch uses it in his gold-plating work. Any of them could have found an opportunity to get some cyanide from the workshop and, unobserved, put it in Bottweill’s current bottle of Pernod. But none of them ran when Bottweill died. Only Santa ran, and the police are concentrating for the moment on finding whoever played Santa. Wolfe gives Archie a brief summary about his meeting with Bottweill that afternoon preparing to become Santa, including Botteill’s having a drink, in Wolfe’s presence, from the same Pernod bottle that was later poisoned – a fact the police would love to have.

When Archie finishes reporting, the doorbell rings. It’s Cherry Quon, without appointment, wanting to speak with Wolfe. It comes out that Cherry recently became engaged to marry Bottweill. She is convinced that Margot murdered Bottweill in a rage at being thrown over for Cherry. And she delivers a bombshell: she knows it was Wolfe who played Santa at the party. Bottweill had told her that morning at breakfast.

Cherry has a demand: she wants one of Wolfe’s men to confess to having played Santa. As he was putting on the costume, in the bathroom attached to Bottweill’s office, Wolfe’s man heard something, peeked out, and saw Margot putting something in the Pernod bottle. Cherry is not blatant about it, but she implies strongly that if Wolfe does not comply with her demand she will tell the police that Wolfe himself was Santa.

That’s the last thing Wolfe wants – Cramer would lock him up as a material witness and possibly for withholding evidence, and the publicity would be humiliating. But Wolfe refuses to go along with Cherry’s script. Instead, he sends notes to all the partygoers, inviting the murderer to identify himself.

Easter Parade

When Nero Wolfe’s envy is aroused he’ll go to any length to satisfy it. He embarrassed Archie in his pursuit of Jerome Berin’s recipe for saucisse minuit, and he strongarmed Lewis Hewitt to get those black orchids. Now he’s learned that Millard Bynoe has hybridized a pink Vanda orchid, a unique plant. He wants to examine one and Bynoe has turned him down.

Wolfe has also learned that Mrs. Bynoe will sport a spray of the pink Vanda at this year’s Easter parade in New York, and wonders if Archie knows anyone who would steal it from her. Archie does have a suggestion, a shifty character nicknamed Tabby, who would probably commit petty larceny in public for a couple of hundred bucks. Archie suggests that in addition to arranging for Tabby’s services, it might be wise to get a photograph of the orchids. Archie offers to attend the parade too, with Wolfe’s new camera.

So it’s decided: Tabby will position himself outside the church where Mr. and Mrs. Bynoe will attend Easter services and will try to snatch the orchid corsage from her shoulder as they exit the church. Archie will be across the street with the camera, attempting to get a good photo of the corsage in case Tabby’s attempted theft fails.

Easter morning arrives. Both Tabby and Archie are in place – Archie’s sharing some wooden crates with several other photographers so as to see over the crowd. One of them is a comely young woman named Iris Innes, who is there as a staff photographer for a magazine.

The Bynoes exit the church in the company of another man. Tabby tries to grab the orchids but the Bynoes’ companion wards him off. So Tabby ducks away into the crowd and begins to stalk them as the three walk up the avenue. Archie has been able to capture much of the action on film.

Suddenly, Mrs. Bynoe collapses. As her companions try to help her, Tabby dashes up to them, snatches the orchid corsage, and sprints away. Archie takes off after him, and catches up just as Tabby gets into a cab. Archie joins him, hushes him, and tells the cabbie to take them to 918 West 35th.

Only after Wolfe has had time to examine the orchids, and to announce that he would pay $3,000 (in 1958) for the full plant, does Archie get a chance to point out that if necessary the police will identify and track Tabby down, and that inevitably Tabby will give up Wolfe and Archie. Archie phones Lon Cohen and learns that Mrs. Bynoe is dead. Wolfe wants to avoid any public mention of his association with the incident, and offers Tabby $10 a day to remain incommunicado at the brownstone. After trying unsuccessfully to raise the per diem, Tabby accepts.

Archie prudently removes the film from the camera, and his foresight soon pays off when Inspector Cramer arrives. A needle containing strychnine has been found in Mrs. Bynoe’s abdomen, and the theory is that the needle was shot from a spring-loaded mechanism such as a camera. Cramer appropriates the camera, but doesn’t ask whether the film is still in it. Monday morning, Archie takes the film to a camera store to be developed.

Then he spends much of the day trying futilely to reach the other photographers, including Miss Innes.[1] Archie spends the remaining hours at the District Attorney’s office, answering questions and refusing to answer questions that he contends are immaterial to the investigation of Mrs. Bynoe’s murder. He is dismissed in time to get the developed pictures from the store and return to the brownstone before dark.

There he finds Mr. Bynoe, Inspector Cramer, DA Skinner and several others, including the photographers Archie’s been looking for. Wolfe asks to see the photos. He arranges a re-enactment of the scene in front of the church, and shows Cramer how the photos that Archie took demonstrate the murderer’s identity.

Fourth of July Picnic

A restaurant workers’ union is having a Fourth of July picnic in a remote meadow on Long Island. Time has been set aside during the afternoon for a few speeches from prominent figures in the restaurant business, and also one from Nero Wolfe. Wolfe has been the trustee for Rusterman’s Restaurant since the death of his old friend Marko Vukcic, and because the restaurant is so highly regarded the union wants Wolfe to speak. As an added inducement, the union has also promised to stop trying to get Fritz, Wolfe’s personal chef, to join.

Wolfe and Archie arrive at the meadow and work their way through a tent to a raised platform from which the speakers will address the thousands of union members. One of the organizers, Phil Holt, has eaten some bad snails and is lying in misery on a cot in the tent. He has been seen by a doctor but is too weak to participate in the festivities. He is shivering and Wolfe tells Archie to tie the tent flap closed, to help stop the draft blowing through.

One by one, as the scheduled speakers address the throng, those on the speakers’ platform go back into the tent to see to Holt. Eventually Wolfe goes to check on Holt and shortly calls to Archie to join him. Holt is dead, lying on the cot, covered by a blanket that conceals the knife in his back.

It is Wolfe’s habit, when he is away from home and confronted by a murder, to tell Archie to take him back to the brownstone immediately, before the police arrive. It is Archie’s habit to refuse and he does so now, pointing out that they would simply be hauled back to Long Island. Wolfe concedes the point and returns to the platform to deliver his speech.

Archie has noticed that the tent flap is no longer tied shut. He glances out the back of the tent and sees a woman sitting in a car parked by the tent. Archie gets her name, Anna Banau, and asks her if she has seen anyone enter the tent since the speeches started. Mrs. Banau says that she has not. Archie is impressed by her calm certainty, and concludes that no one entered the tent from the back. Someone must have gone in from the platform, stabbed Holt, and then opened the rear flap to make it appear as though the killer came from that direction, not from the platform.

The body is soon discovered and the police are called. It’s clear that the local District Attorney would love to hold Wolfe and Archie as material witnesses, but he can’t find a legitimate reason, so Wolfe returns home after all. The next day, though, Mr. Banau comes calling. He knows of his wife’s discussion with Archie on the prior afternoon, and cannot understand why the papers report that the police are proceeding on the assumption that the murderer entered the tent from the rear. His wife saw no one enter the tent from that side, and that is what she told Archie – surely Archie passed that along to the police. When Wolfe tells Banau that Mrs. Banau’s information was not passed along, Banau becomes upset and leaves the brownstone, stating that he must tell the police.

Wolfe sees that he and Archie will be arrested and must make their getaway. They head for Saul Panzer’s apartment, where they have arranged to meet with the others who were on the speakers’ platform. Wolfe as yet has no idea who the murderer is, nor the motive for the crime. But when the principal suspects arrive at Saul’s, Wolfe finds it important that he and Archie share autobiographical sketches with them. Then he bluffs the murderer into identifying himself.

Murder Is No Joke

Alec Gallant was a member of the French Resistance during World War II and at that time married another member, Bianca. After the war, he learned that his wife and her two brothers had been traitors to the Resistance. He murdered both men, but Bianca escaped him.

Gallant came to the United States in 1945 and rejoined his sister Flora, who had immigrated from France several years earlier. Gallant became a highly regarded couturier (as Wolfe later terms him, “an illustrious dressmaker”) with a studio employing several staff, including Flora. A successful Broadway actress, Sarah Yare, is a valued customer, one who is well liked by all of Gallant’s employees.

Into this happy mix comes Bianca. She has changed her surname to Voss and insinuated herself into Gallant’s operation, making decisions about company strategy, apparently with Gallant’s approval. Gallant has kept information about his past with Bianca to himself, hiding it not only from the staff but also from his sister, Flora. Everyone at Alec Gallant Incorporated is mystified that Gallant is putting up with Bianca’s odd and counterproductive decisions, particularly because she seems to have no formal title or position at the company.

Fearing for her brother’s career, Flora calls at Nero Wolfe’s office and asks him to investigate the situation. She has only $100 to pay Wolfe’s fee, but she says that her brother would be grateful to be rid of Miss Voss, and he is a generous man. Wolfe points out, though, that it’s not Mr. Gallant who would be hiring him. Flora suggests that they phone Bianca, and invite her to Wolfe’s office where he can ask questions of her, and then, “We shall see.” In reporting this exchange, Archie Goodwin claims that it is Flora’s choice of phrasing, instead of an informal “We’ll see” or “We will see,” that moves Wolfe to acquiesce.

Flora uses Archie’s phone to call Miss Voss, and gives Archie the handset as Wolfe picks up his own phone. After identifying himself to Miss Voss, Wolfe becomes the target of a string of insults hurled by Miss Voss – “You are scum, I know, in your stinking sewer.” – and then both Wolfe and Archie hear a thud, a groan, a crash, and a dead phone line.

Archie calls Gallant’s offices back, and asks for Miss Voss. Archie and Wolfe learn that Miss Voss has just been found dead in her office. When they inform Flora, she seems stunned, and hurries from the office.

Later, discussing the situation with Inspector Cramer, Wolfe agrees it’s very neat that Wolfe and Archie were on the phone with Miss Voss just as she was being assaulted, and thus can fix the time of the attack within a minute or two. That makes it difficult, because everyone at Gallant’s studio has a strong alibi for that time.

The next day, Archie is summoned to the District Attorney’s office to go over his statement once again. When he returns to the brownstone, he is astonished to see that Wolfe has exerted himself to the point of getting the phone book from Archie’s desk and taking it to his own. Wolfe has no explanation of the phone book for Archie, but he does have instructions.

Wednesday, July 17, 2024

Cthulhu Reloaded (Cthulhu: Harrison Peel #1) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Cthulhu Reloaded
Series: Cthulhu: Harrison Peel #1
Editor: David Conyers
Rating: 3.5 of 5 Stars
Genre: Short Story Collection
Pages: 240
Words: 94K


I enjoyed this collection of Cthulhu oriented stories, but with some big ol’ caveats. And they are big enough that I seriously considered dinging this down to 3stars instead of the 3.5 I ended up giving it.

First off, this is a collection of short stories all centered about the adventures of one Australian, Harrison Peel. He’s special forces and gets inducted into a secret agency that fights intrusions of the cosmic horror into our reality. And that is where my first caveat comes in. They are great horror stories. Wonderful in fact. But Peel sails through them all with nary a mind break in sight. What he sees affects him, but not any more than how veteran cops are affected after a life time of seeing the worst of humanity. And that is why I didn’t give this the “Cosmic Horror” tag. Peel should have been broken like an egg dropped from a sky scraper and he was barely scratched, not even cracked and totally not broken. In both the Introduction by Peter Clines and the Forward by the author, they mention how they don’t understand why people want to read stories about the main characters failing or breaking and thus Conyers created Harrison Peel as a character to combat that idea. Which just goes to show that Conyers doesn’t understand Cosmic Horror at it’s fundamental, foundational level. THE WHOLE POINT IS THAT CTHULHU AND HIS ILK ARE INIMICAL TO HUMANITY WITHOUT EVEN TRYING TO BE, THEY SIMPLY ARE. When you depart from that premise, you can have some great horrific stories but they aren’t cosmic horror. So that is my first and biggest caveat.

My second caveat is almost a sub-caveat to the first one. A lot of side characters DO go mad or get destroyed or totally lose it in one way or another. But not Peel. He keeps surviving through each and every short story. That is inimical (love that word!) to Cosmic Horror. It makes the stories simply adventure stories and if you’re looking for that, you’ll get your fill of some really good ones here. I was pretty impressed overall with the quality, but the author does admit that he went back and reworked many of these stories to fit together better and to polish them up. I had no problem with that and considering this collection came together, I’m happy he did that.

My final caveat is that there is a King in Yellow story and man, was I disappointed. It all springs from the idea that Peel doesn’t crack, so of course I was disappointed. The Yellow King never attempts to destroy someone until they have been sufficiently worked on so that they will destroy themselves. The King in Yellow would not offer me a harem, because he would know I was committed to Mrs B. But what he would do is to work against that love and loyalty that I have for Mrs B for my entire life until I WAS ready to accept a harem. And he would work it so that I would give myself heart and soul to him for just that chance. But once again, not Peel. He gives Peel the option to have something he truly wants, but it is offered without the ground work being laid so of course Peel walks away from it and the King in Yellow just lets him go. Bologna! That is NOT how the King in Yellow stories work. If he knows you are insusceptible, he won’t tempt you. Now, the story itself, dealing with the side characters, was a great KiY story and I enjoyed that part of it, a lot. But the inclusion of Peel and his “shrug it all off” attitude destroyed my enjoyment.

I really debated about including this as part of my Cthulhu Anthology “series” and wondered if it would be better served as it’s own little thing, but in the end I did include it because I feel that anything Cthulhu related should stay together to make it easier for others to find out about it. There are two more Harrison Peel collections and I plan on reading them both, but I will approach them quite differently than I did this time and hopefully that will help mitigate some of the dislike I felt for this author and his deliberate misinterpretation of the “Cosmic Horror” genre.

★★★✬☆


Table of Contents:

  • Introduction -Peter Clines
  • Forward – David Conyers
  • Made of Meat
  • Driven Underground
  • Impossible Object
  • False Containment
  • Tears in Yellow
  • The Weaponized Puzzle
  • Weapon Grade
  • The Elder Codex

Tuesday, July 16, 2024

Triumphant (Genesis Fleet #3)(Lost Fleet) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Triumphant
Series: Genesis Fleet #3 (Lost Fleet)
Author: Jack Campbell
Rating: 3.5 of 5 Stars
Genre: Mil-SF
Pages: 266
Words: 103K


Much better than the previous two books. Lots less detailed politic’ing and lots more fighting. Don’t read that wrong, there is some politics going on, but it is almost skated over, as if Campbell realized that the readers of his books aren’t necessarily armchair socio-political theoreticians. Give the people what they want Mac, which is ships blowing each other up and space marines fighting tooth and nail to the bitter end.

That is what I want out of a Jack Campbell/Lost Fleet book. Space action, whether ship to ship or groundpounders beating the stuffing out of each other. Give me that and nine times out of ten I’ll be satisfied.

I do feel that the trilogy got off to a shaky start with the first book but it has ended strong here. Not a place I’d recommend for Lost Fleet newbs though. There are too many references to family names that are recognizable to veteran readers of the Lost Fleet that will simply have zero meaning for anyone who hasn’t read the series up to this point.

★★★✬☆


From Jack-Campbell.com & Bookstooge.blog

Synopsis – Click to Open

The recently colonized world of Glenlyon has learned that they’re stronger when they stand with other star systems than they are on their own. But after helping their neighbor Kosatka against an invasion, Glenlyon has become a target. The aggressive star systems plan to neutralize Glenlyon before striking again.

An attack is launched against Glenlyon’s orbital facility with forces too powerful for fleet officer Rob Geary to counter using their sole remaining destroyer, Saber. Mele Darcy’s Marines must repel repeated assaults while their hacker tries to get into the enemy systems to give Saber a fighting chance.

To survive, Glenlyon needs more firepower, and the only source for that is their neighbor Kosatka or other star systems that have so far remained neutral. But Kosatka is still battling the remnants of the invasion forces on its own world, and if it sends its only remaining warship to help will be left undefended against another invasion. While Carmen Ochoa fights for the freedom of Kosatka, Lochan Nakamura must survive assassins as he tries to convince other worlds to join a seemingly hopeless struggle.

As star systems founded by people seeking freedom and autonomy, will Kosatka, Glenlyon and others be able to overcome deep suspicions of surrendering any authority to others? Will the free star systems stand together in a new Alliance, or fall alone?

Of course, they stand together, defeat the bad guys and form the beginning of the entity known as The Alliance.

Monday, July 15, 2024

Energy Tap - MTG 4E

If you can cheat in a big creature, you suddenly have access to a massive amount of mana and can pull some serious shenanigans with this card. IF being the operative word. Blue was always tricky but fragile.

Sunday, July 14, 2024

Book Recommendations I

Please read the Intro Post if you haven’t already. It explains pretty much everything (except how to use your microwave. Nobody can explain that!) Given how many responses I got from the Get-Go, my plans to collect responses over several months fell by the wayside. I’m able to start right away! That makes me pretty happy.

Recommendations & Responses

Alex Good recommended the 23 Volume Encyclopedia Britannica. I had read a 1988 version of either Colliers or the Americana version between 1988-1997. Yes, I was one of those kids 🙂

Fraggle recommended the Jason Trapp series by Jack Slater. That’s a big fat Checkaroo and it’s already on my kindle!

Will suggested A Green and Ancient Light by Fred Durbin. I gave it some serious thought, but after reading the reviews, all of which contained key words that I dread hearing about a book, I decided to say “That’s a negatory, Ghost Rider!”.

Chartreuse Flag Hall of Shame

Eddie, otherwise known as the Film-Authority to his enemies, immediately suggested I read all 700+ romance novels by Barbara Cartland. He knew exactly what he was doing, so he immediately got One Chartreuse Flag.

Dawie mock suggested A Haunted Vagina. We’d joked about it on on Whatsapp, but even still, it gets him One Chartreuse Flag! Even Netnanny doesn’t approve…

Maddalena suggested I try the My Little Pony: Friendship is Magic series. Didn’t even have to think about that to assign her One Chartreuse Flag

The Most Important Part

Recommend me some more books!!!! Leave a comment with your recommendation of books you think I should respond to. I have the list of all the recommendations so far, so don’t you worry, I’ll be getting to them all eventually. And I had a lot of fun doing this 🙂

Saturday, July 13, 2024

Book Reviews ≠ Book Reports

I’ve been mulling over book reviews and what they are good for over the past several years. I’ve written several drafts and most of them descended into rage fueled rants that I was simply not comfortable with. So it’s just been an idea floating around inside my head.

Until today.

For me, a book review is simply a blog post with my thoughts (random, scattered, tangential OR completely ordered) on the book as I read it, as I thought about it beforehand and afterwards. As you get to know me and see how I rate and write about various books, you begin to learn the ins and outs of what I’m looking for or not in a book. My book reviews are tiny little snapshots of me as a whole person, glimpses into my soul as it were. I’ve always known this and operated this way, but hadn’t mentally codified it.

A book report on the other hand, is a medium by which you the reader hope to convince someone else, probably a tyrannical evil stepmother, that you have read the book and comprehended the basic plot and perhaps some of the deeper meanings if the author was the kind of jerkwad who thought their words were akin to gold.

I can understand why book reports exist. Kids need to be forced to do certain things and reading books is one of those things. They might not comprehend everything in the book, but their minds are like rubber, it must be stretched. If you just give it stuff that doesn’t challenge it, it will never grow.

But once you start reading for pleasure, all that changes. Once you start reviewing, the reasons that drive you onward, while not infinite, are so much greater that trying to nail it down to even a handful is a fool’s errand. Why I review and more importantly, HOW I review are going to vastly different from you.

That is why I had to leave the site Goodreads (which I now refer to as Devilreads). They enforced a certain way of writing a review that was more akin to a book report than an actual book review. When everyone says the same thing about a book, with just tiny, minor variations, it makes for a very bland experience. The whole point of having a place with thousands of different people is to get thousands of different views and thoughts and ideas.

That is why I have always used my blog as my main book review outlet. Here I can say what I want, how I want and any old thing that enters my head is perfectly acceptable in my review. If I’m reviewing “How to BBQ a Raccoon” and I end up spending the whole post talking about a camping trip the book made me think of, that’s my choice. Now, if you don’t like that, the wonderful thing about blogging is that you can stop following me at any point.

Give me the freedom to speak my mind as I wish.

Friday, July 12, 2024

My Week IV

The other week I, along with various other people on wordpress.com, experienced a very strange issue wherein you couldn’t type the letter “i” on wordpress.com sites. It lasted between 24-48hrs and then inexplicably cleared up. I wrote about it HERE.

I had contacted “support” and this week got back the following response:

Hi there!

WordPress.com is a web application and does not have control over how individual letters or characters behave on your keyboard or browser. The problem you’re experiencing with the letter “I” seems to be an issue outside of WordPress.com’s functionality.

Here are a few troubleshooting steps you can try:

1.  Clear Browser Cache and Cookies: Sometimes, cached data can cause unexpected behavior. Clear your browser’s cache and cookies and see if the issue persists.
2.  Try a Different Browser: Check if the problem occurs on a different web browser. This can help determine if it’s a browser-specific issue.
3.  Disable Browser Extensions: Certain browser extensions can interfere with web applications. Disable any extensions one by one to see if any of them are causing the problem.
4.  Update Your Browser: Ensure that your browser is up to date. Sometimes, outdated versions can cause issues with web applications.
5.  Check Keyboard Settings: Make sure your keyboard settings are correct and there are no issues with the physical keyboard itself.

This problem ONLY happened on wordpress.com managed sites and no where else. But that is what WP Support does these days. First it denies, then it blames, then it ignores. And if you keep on persisting, you get banned, first from the forums and then I suspect you get your site taken down for alleged TOS violations.

Wednesday I woke up at 3am with some pressure on my lower left abdomen. Got through work and then went to Urgent Care at 4pm. The dr there poked me, told me I needed a CT scan and sent me off to the ER. I got there at 5pm. I didn’t get out until 2am. It was a horrible experience of waiting and doing nothing. I got the CT scan, had blood work done and was told there it was just a general inflammation and to eat the BRAT diet and take acetaminophen (tylenol) until it went away. And if it didn’t go away, to contact my primary care doctor and get an appointment with a GI specialist. When you’ve been waiting for 8hrs, being told there is nothing they will do feels pretty crushing. Got home and slept until past noon. So now I’m on the BRAT diet through the weekend in an attempt to help my guts get uninflamed. The BRAT stands for Bananas, Rice, Applesauce and Toast(dry).

That’s all on top of the busy’ness of the end of last week and the beginning of this. Sometimes I feel like I’m losing control of events in my personal life and letting it get too busy. Most of that feeling is because I’m still tired from my ER time. Give me a week or two or normalcy and I’ll be feeling just fine.

Thursday, July 11, 2024

Currently Reading & Quote: Monster Hunter International

On one otherwise normal Tuesday evening I had the chance to live the American dream. I was able to throw my incompetent jackass of a boss from a fourteenth-story window.
~ Opening Sentence, Chapter One

Now, how can you not love a book that starts that way? I couldn’t resist it when I read it 12 years ago and I couldn’t resist this time either 😀 I just hope the rest of the book is as good.

Wednesday, July 10, 2024

Crime and Punishment (The Russians) 5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Crime and Punishment
Series: (The Russians)
Author: Fyodor Dostoyevsky
Translator: Richard Pevear
Rating: 5 of 5 Stars
Genre: Classic
Pages: 667
Words: 224K


I still rated this 5stars, just like I did in 2012 (2012 Review) but I did not enjoy this read nearly as much as I did 14 years ago. I’ll enumerate those reasons and then talk about the reasons why this still gets 5stars anyway 😀

First, I read a more modern translation. Previously, I had read the free Garnett translation, and she was of a concurrent time as Dostoyevsky and so her English context and syntax was of an older variety. This Pevear guy did his translation in 1992 and there was a significant difference. I really felt like I was reading a modern novel and you know what? I did not like that feeling one bit, not one tiny bit. While I can understand a need for an accurate translation, I am not big on changing usage, as that changes meaning itself.

I think the biggest change, from trying to remember from 14 years ago, was that in the previous translation Raskolnikov came across as a fairly normal young man who descended into madness after committing the murder. In this translation, he was an already mentally unhinged arrogant jackass from before we ever meet him. It completely changed the trajectory of the story and not for the better.

I still enjoyed this immensely though. When you deny reality, it breaks your mind on one level or another. It might be a gradual breakage or a quick sharp snap. Much like today in fact. A whole generation is growing up denying basic biological reality. Not just on a philosophical level, but at the deepest part of their being and as such, their minds are breaking. They think they are unicorns and pentasexuals and that women are the exact same thing as men. And as a result, they are breaking in droves. The teen suicide rate is skyrocketing here in the US. In a time where the reality is that most people are living in a level of comfort, opulence and plenty that no one in the history of the world has ever experienced. Don’t get me wrong, it’s not just that “one” issue, but it is the one that most easily springs to mind.

This time around, I found the character of Svidrigailov to be of the most interest. He’s a wretch of the first order and yet appears to have it all under control right up until he doesn’t. When he has nightmares and blows his brains out with a pistol. Svidrigailov tries to seduce Raskolnikov’s sister, had gotten into jail for ginormous gambling debts, poisons his wife and has some stuff in his past that makes him to be the kind of creep you’d want to stay far away from. There’s no redemption for him. He tries to redeem himself by doing a few good deeds but they are as a dirty dishrag wiping a bloody corpse. I think I was intrigued by him because the older I get, the more I see the brokenness of humanity in myself. But instead of making me more disgusted with humanity, it makes me more sympathetic. Don’t get me wrong, I’m not saying I enjoy the depravity more, or that I want to be that way, but until you realize that you are in the same exact boat as everybody else, there is too great a chance of thinking you are innately better than them. We can see in today’s world where that path leads.

Finally, mainly so as not to end on such a sad note, we do have redemption. It’s not the final and full redemption of Raskolnikov, but it is the beginning. It gives hope to someone who was hopeless, someone who didn’t even WANT hope. It was by the power of another. It is good to be reminded that we can’t always do it all by ourselves. We can’t save ourselves by our own bootstraps.

★★★★★


From Wikipedia

Synopsis – Click to Open

Part 1[edit]

Rodion Romanovich Raskolnikov, a former law student, lives in extreme poverty in a tiny rented room in Saint Petersburg. Isolated and antisocial, he has abandoned all attempts to support himself and is brooding obsessively on a scheme he has devised to murder and rob an elderly pawnbroker. On the pretext of pawning a watch, he visits her apartment, but he remains unable to commit himself. Later in a tavern, he makes the acquaintance of Semyon Zakharovich Marmeladov, a drunkard who recently squandered his family’s little wealth. Marmeladov tells him about his teenage daughter, Sonya, who has become a prostitute in order to support the family. The next day, Raskolnikov receives a letter from his mother in which she describes the problems of his sister Dunya, who has been working as a governess, with her ill-intentioned employer, Svidrigailov. To escape her vulnerable position, and with hopes of helping her brother, Dunya has chosen to marry a wealthy suitor, Luzhin, whom they are coming to meet in Petersburg. Details in the letter suggest that Luzhin is a conceited opportunist who is seeking to take advantage of Dunya’s situation. Raskolnikov is enraged at his sister’s sacrifice, feeling it is the same as what Sonya felt compelled to do. Painfully aware of his own poverty and impotence, his thoughts return to his idea. A further series of internal and external events seem to conspire to compel him toward the resolution to enact it.

In a state of extreme nervous tension, Raskolnikov steals an axe and makes his way once more to the old woman’s apartment. He gains access by pretending he has something to pawn, and then attacks her with the axe, killing her. He also kills her half-sister, Lizaveta, who happens to stumble upon the scene of the crime. Shaken by his actions, he steals only a handful of items and a small purse, leaving much of the pawnbroker’s wealth untouched. Due to sheer good fortune, he manages to escape the building and return to his room undetected.

Part 2[edit]

In a feverish and semi-delirious state Raskolnikov conceals the stolen items and falls asleep exhausted. He is greatly alarmed the next morning when he gets summoned to the police station, but it turns out to be in relation to a debt notice from his landlady. When the officers at the bureau begin talking about the murder, Raskolnikov faints. He quickly recovers, but he can see from their faces that he has aroused suspicion. Fearing a search, he hides the stolen items under a large rock in an empty yard, noticing in humiliation that he hasn’t even checked how much money is in the purse. Without knowing why, he visits his old university friend Razumikhin, who observes that Raskolnikov seems to be seriously ill. Finally he returns to his room where he succumbs to his illness and falls into a prolonged delirium.

When he emerges several days later he finds that Razumikhin has tracked him down and has been nursing him. Still feverish, Raskolnikov listens nervously to a conversation between Razumikhin and the doctor about the status of the police investigation into the murders: a muzhik called Mikolka, who was working in a neighbouring flat at the time, has been detained, and the old woman’s clients are being interviewed. They are interrupted by the arrival of Luzhin, Dunya’s fiancé, who wishes to introduce himself, but Raskolnikov deliberately insults him and kicks him out. He angrily tells the others to leave as well, and then sneaks out himself. He looks for news about the murder, and seems almost to want to draw attention to his own part in it. He encounters the police official Zamyotov, who was present when he fainted in the bureau, and openly mocks the young man’s unspoken suspicions. He returns to the scene of the crime and re-lives the sensations he experienced at the time. He angers the workmen and caretakers by asking casual questions about the murder, even suggesting that they accompany him to the police station to discuss it. As he contemplates whether or not to confess, he sees Marmeladov, who has been struck mortally by a carriage. He rushes to help and succeeds in conveying the stricken man back to his family’s apartment. Calling out for Sonya to forgive him, Marmeladov dies in his daughter’s arms. Raskolnikov gives his last twenty five roubles (from money sent to him by his mother) to Marmeladov’s consumptive widow, Katerina Ivanovna, saying it is the repayment of a debt to his friend.

Feeling renewed, Raskolnikov calls on Razumikhin, and they go back together to Raskolnikov’s building. Upon entering his room Raskolnikov is deeply shocked to see his mother and sister sitting on the sofa. They have just arrived in Petersburg and are ecstatic to see him, but Raskolnikov is unable to speak, and collapses in a faint.

Part 3[edit]

Razumikhin tends to Raskolnikov, and manages to convince the distressed mother and sister to return to their apartment. He goes with them, despite being drunk and rather overwhelmed by Dunya’s beauty. When they return the next morning Raskolnikov has improved physically, but it becomes apparent that he is still mentally distracted and merely forcing himself to endure the meeting. He demands that Dunya break with Luzhin, but Dunya fiercely defends her motives for the marriage. Mrs Raskolnikova has received a note from Luzhin demanding that her son not be present at any future meetings between them. He also informs her that he witnessed her son give the 25 rubles to “an unmarried woman of immoral behavior” (Sonya). Dunya has decided that a meeting, at which both Luzhin and her brother are present, must take place, and Raskolnikov agrees to attend that evening along with Razumikhin. To Raskolnikov’s surprise, Sonya suddenly appears at his door. Timidly, she explains that he left his address with them last night, and that she has come to invite him to attend her father’s funeral. As she leaves, Raskolnikov asks for her address and tells her that he will visit her soon.

At Raskolnikov’s behest, Razumikhin takes him to see the detective Porfiry Petrovich, who is investigating the murders. Raskolnikov immediately senses that Porfiry knows that he is the murderer. Porfiry, who has just been discussing the case with Zamyotov, adopts an ironic tone during the conversation. He expresses extreme curiosity about an article that Raskolnikov wrote some months ago called ‘On Crime’, in which he suggests that certain rare individuals—the benefactors and geniuses of mankind—have a right to ‘step across’ legal or moral boundaries if those boundaries are an obstruction to the success of their idea. Raskolnikov defends himself skillfully, but he is alarmed and angered by Porfiry’s insinuating tone. An appointment is made for an interview the following morning at the police bureau.

Leaving Razumikhin with his mother and sister, Raskolnikov returns to his own building. He is surprised to find an old artisan, whom he doesn’t know, making inquiries about him. Raskolnikov tries to find out what he wants, but the artisan says only one word – “murderer”, and walks off. Petrified, Raskolnikov returns to his room and falls into thought and then sleeps. He wakens from an eerie nightmare about the murder of the old woman to find another complete stranger present, this time a man of aristocratic appearance. The man politely introduces himself as Arkady Ivanovich Svidrigailov.

Part 4[edit]

Svidrigailov indulges in an amiable but disjointed monologue, punctuated by Raskolnikov’s terse interjections. He claims to no longer have any romantic interest in Dunya, but wants to stop her from marrying Luzhin, and offers her ten thousand roubles. Raskolnikov refuses the money on her behalf and refuses to facilitate a meeting. Svidrigailov also mentions that his wife, who defended Dunya at the time of the unpleasantness but died shortly afterwards, has left her 3000 rubles in her will.

The meeting with Luzhin that evening begins with talk of Svidrigailov—his depraved character, his presence in Petersburg, the unexpected death of his wife and the 3000 rubles left to Dunya. Luzhin takes offence when Dunya insists on resolving the issue with her brother, and when Raskolnikov draws attention to the slander in his letter, Luzhin becomes reckless, exposing his true character. Dunya tells him to leave and never come back. Now free and with significant capital, they excitedly begin to discuss plans for the future, but Raskolnikov suddenly gets up and leaves, telling them, to their great consternation, that it might be the last time he sees them. He instructs the baffled Razumikhin to remain and always care for them.

Raskolnikov proceeds to Sonya’s place. She is gratified that he is visiting her, but also frightened of his strange manner. He asks a series of merciless questions about her terrible situation and that of Katerina Ivanovna and the children. Raskolnikov begins to realize that Sonya is sustained only by her faith in God. She reveals that she was a friend of the murdered Lizaveta. In fact, Lizaveta gave her a cross and a copy of the Gospels. She passionately reads to him the story of the raising of Lazarus from the Gospel of John. His fascination with her, which had begun at the time when her father spoke of her, increases and he decides that they must face the future together. As he leaves he tells her that he will come back tomorrow and tell her who killed her friend Lizaveta.

When Raskolnikov presents himself for his interview, Porfiry resumes and intensifies his insinuating, provocative, ironic chatter, without ever making a direct accusation. With Raskolnikov’s anger reaching fever pitch, Porfiry hints that he has a “little surprise” for him behind the partition in his office, but at that moment there is a commotion outside the door and a young man (Mikolka the painter) bursts in, followed by some policemen. To both Porfiry and Raskolnikov’s astonishment, Mikolka proceeds to loudly confess to the murders. Porfiry doesn’t believe the confession, but he is forced to let Raskolnikov go. Back at his room Raskolnikov is horrified when the old artisan suddenly appears at his door. But the man bows and asks for forgiveness: he had been Porfiry’s “little surprise”, and had heard Mikolka confess. He had been one of those present when Raskolnikov returned to the scene of the murders, and had reported his behavior to Porfiry.

Part 5[edit]

Raskolnikov attends the Marmeladovs’ post-funeral banquet at Katerina Ivanovna’s apartment. The atmosphere deteriorates as guests become drunk and the half-mad Katerina Ivanovna engages in a verbal attack on her German landlady. With chaos descending, everyone is surprised by the sudden and portentous appearance of Luzhin. He sternly announces that a 100-ruble banknote disappeared from his apartment at the precise time that he was being visited by Sonya, whom he had invited in order to make a small donation. Sonya fearfully denies stealing the money, but Luzhin persists in his accusation and demands that someone search her. Outraged, Katerina Ivanovna abuses Luzhin and sets about emptying Sonya’s pockets to prove her innocence, but a folded 100-ruble note does indeed fly out of one of the pockets. The mood in the room turns against Sonya, Luzhin chastises her, and the landlady orders the family out. But Luzhin’s roommate Lebezyatnikov angrily asserts that he saw Luzhin surreptitiously slip the money into Sonya’s pocket as she left, although he had thought at the time that it was a noble act of anonymous charity. Raskolnikov backs Lebezyatnikov up by confidently identifying Luzhin’s motive: a desire to avenge himself on Raskolnikov by defaming Sonya, in hopes of causing a rift with his family. Luzhin is discredited, but Sonya is traumatized, and she runs out of the apartment. Raskolnikov follows her.

Back at her room, Raskolnikov draws Sonya’s attention to the ease with which Luzhin could have ruined her, and consequently the children as well. But it is only a prelude to his confession that he is the murderer of the old woman and Lizaveta. Painfully, he tries to explain his abstract motives for the crime to uncomprehending Sonya. She is horrified, not just at the crime, but at his own self-torture, and tells him that he must hand himself in to the police. Lebezyatnikov appears and tells them that the landlady has kicked Katerina Ivanovna out of the apartment and that she has gone mad. They find Katerina Ivanovna surrounded by people in the street, completely insane, trying to force the terrified children to perform for money, and near death from her illness. They manage to get her back to Sonya’s room, where, distraught and raving, she dies. To Raskolnikov’s surprise, Svidrigailov suddenly appears and informs him that he will be using the ten thousand rubles intended for Dunya to make the funeral arrangements and to place the children in good orphanages. When Raskolnikov asks him what his motives are, he laughingly replies with direct quotations of Raskolnikov’s own words, spoken when he was trying to explain his justifications for the murder to Sonya. Svidrigailov has been residing next door to Sonya, and overheard every word of the murder confession.

Part 6[edit]

Razumikhin tells Raskolnikov that Dunya has become troubled and distant after receiving a letter from someone. He also mentions, to Raskolnikov’s astonishment, that Porfiry no longer suspects him of the murders. As Raskolnikov is about to set off in search of Svidrigailov, Porfiry himself appears and politely requests a brief chat. He sincerely apologises for his previous behavior and seeks to explain the reasons behind it. Strangely, Raskolnikov begins to feel alarmed at the thought that Porfiry might think he is innocent. But Porfiry’s changed attitude is motivated by genuine respect for Raskolnikov, not by any thought of his innocence, and he concludes by expressing his absolute certainty that Raskolnikov is indeed the murderer. He claims that he will be arresting him soon, but urges him to confess to make it easier on himself. Raskolnikov chooses to continue the struggle.

Raskolnikov finds Svidrigailov at an inn and warns him against approaching Dunya. Svidrigailov, who has in fact arranged to meet Dunya, threatens to go to the police, but Raskolnikov is unconcerned and follows when he leaves. When Raskolnikov finally turns home, Dunya, who has been watching them, approaches Svidrigailov and demands to know what he meant in his letter about her brother’s “secret”. She reluctantly accompanies him to his rooms, where he reveals what he overheard and attempts to use it to make her yield to his desire. Dunya, however, has a gun and she fires at him, narrowly missing: Svidrigailov gently encourages her to reload and try again. Eventually she throws the gun aside, but Svidrigailov, crushed by her hatred for him, tells her to leave. Later that evening he goes to Sonya to discuss the arrangements for Katerina Ivanovna’s children. He gives her 3000 rubles, telling her she will need it if she wishes to follow Raskolnikov to Siberia. He spends the night in a miserable hotel and the following morning commits suicide in a public place.

Raskolnikov says a painful goodbye to his mother, without telling her the truth. Dunya is waiting for him at his room, and he tells her that he will be going to the police to confess to the murders. He stops at Sonya’s place on the way and she gives him a crucifix. At the bureau, he learns of Svidrigailov’s suicide, and almost changes his mind, even leaving the building. However, he sees Sonya (who has followed him) looking at him in despair, and he returns to make a full and frank confession to the murders.

Epilogue[edit]

Due to the fullness of his confession at a time when another man had already confessed, Raskolnikov is sentenced to only eight years of penal servitude. Dunya and Razumikhin marry and plan to move to Siberia, but Raskolnikov’s mother falls ill and dies. Sonya follows Raskolnikov to Siberia, but he is initially hostile towards her as he is still struggling to acknowledge moral culpability for his crime, feeling himself to be guilty only of weakness. It is only after some time in prison that his redemption and moral regeneration begin under Sonya’s loving influence.

Tuesday, July 09, 2024

Kalin (Dumarest #4) 3.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Kalin
Series: Dumarest #4
Author: EC Tubb
Rating: 3.5 of 5 Stars
Genre: SF
Pages: 155
Words: 45K


Earl Dumarest ends up on yet another bad world that seems intent on killing him, runs into another hot and sexy psychic chicky-boo, runs into the Cyclans and loses said chicky-boo.

I have begun wondering, if traveling seems to be pretty much blind (every story involves travelers getting stranded in bad places because they didn’t know it was bad), then how does mankind stay together and not totally fracture? I mean, if everybody learns that World X is a really bad place and you’re going to be enslaved, then who would go there? I suspect both Tubb’s view and my own are formed from our own perspectives on data. Tubb was in the isolation era, where you might be lucky to know something about the State next to yours whereas I live in the Information Age where I can converse with bloggers from Zimbabwe without even thinking about it (Hi Beaton!). I “expect” civilization to be able to share data from one end to the other whereas Tubb didn’t even consider it as a possibility. It just goes to show that your surroundings and settings do affect your thought processes.

Tubb’s writing can be a bit opaque at times. It wasn’t until I saw an alternate cover that was emblazoned with “Dumarest and Dinosaurs!” (or some close approximation) that I realized the creatures Tubb describes Earl as hunting were dinosaurs. It didn’t detract from my enjoyment of the adventure to not realize that, but once I saw those words, my mental image of the various scenes were clarified greatly.

The Cyclans are once again presented as a great menace but we don’t learn anything new about them. I suspect they will be the “standard” background villain in most of these books. The Universal Brotherhood gets some extra facetime but basically we learn that they are a “Feel Good and be an Ascetic” kind of organization. There is nothing spiritual about them whatsoever beyond the mystical new age “we are all gods” kind of mumbo jumbo you’d expect from a “universal” organization.

To end, it would almost be easier if Dumarest wasn’t searching for Earth. Besides the issues I’ve talked about in previous reviews, the whole data thing applies to this as well. It shouldn’t be so hard to track down Earth, but it is because of Tubb’s world view when he wrote this. If he were alive today, he’d have to come up with a different reason for why Earth is so unknown.

I’m also including a large version of the cover again. These things are great!

★★★✬☆


From the Publisher

Click to Open

Many times, Dumarest’s dream of Earth has almost cost him his life. As he journeys from world to world, restlessly moving outwards towards the edge of the galaxy where his goal lies, Dumarest must be alert, watchful. For there are new dangers – forces more powerful than man – which threaten his dream. On a planet where violence and superstition hold sway, Dumarest forges a bond with the prophetess Kalin. And now, more than ever, he needs her. Kalin. The mutant girl whose mysterious talent for seeing into the future has already saved him from Bloodtime on Logis, from space-disaster, from slavery on desolate Chron. Kalin. Who can foretell the terrors yet to come.