I am working backwards in time with these various S&S screen adaptations. First up is this 2008 tv miniseries adaptation by the BBC. It is 3 episodes long and is 2hrs and 50’ish minutes long. Round it to 3hrs.
The first thing I’d like to address is that lascivious cover. Marianne does not go around with her bosom showing off like that at all. That was a concern of mine that was thankfully never realized. That being said, the director starts off the show with the seduction of Colonel Brandon’s young ward. It is not graphic but is very frank about what is going on. Sensual is the word. That does continue for this miniseries. The music, the period clothing, it all is very sensual.
The characters, I was pretty pleased with their portrayal over all. Elinor was calm, cool headed and very practical. Yet she also was able to show her distress with her face and her eyes in the scenes requiring it. Marianne, while not being at all silly, was VERY emotionally driven. The actress did an excellent job of showing a smart young woman who wasn’t stupid but had her faults, mostly of age. Colonel Brandon was serious, mature and yet not shy or withdrawn. He came across as fully self-assured and confident. Edward Ferrars. Now, I always pronounced his last name Fair-Ars. In the movie, they pronounced Fair-iss. In the book his actions and manner were always halting and awkward. There was none of that here. While he was no voluble gentleman of ease, there was nothing that made you think he was in any way uncomfortable. Thankfully, he plays such a small part on screen that it wasn’t a big problem. All of the minor characters didn’t stand out, which is how it should be. On a purely personal note, I was thankful that this BBC production didn’t use the regular crew of ugly people like a lot of BBC productions do. Call me shallow, but I want to see good looking people on the screen. And I got that here.
Storywise, this stuck to the plot rather closely. I’m always a fan of that. Shows the director doesn’t get above himself (looking at YOU, Wheel of Time director, who I hate with the dull red hatred of a fired spoon). There were scenes expanded upon, but they were mentioned in the book and so I didn’t have a real problem with their expansion. If Austen couldn’t/wouldn’t expand, then whatever the director decided was a-ok by me. The scene between Marianne and Willoughby in London was excellently done. The heartbreak was palpable and I liked the addition of Colonel Brandon stepping in to catch her as she fell, it was tone perfect. I’m a sucker for Damsels in Distress and Protectors.
I enjoyed this but it felt a tad too long. I know it had to be that way because of the story but I was ready for it to end. This was a great start to this month of Sense and Sensibility. I just hope the movies, with their abbreviated length, won’t be too abbreviated.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Sense and Sensibility Series: ———- Author: Jane Austen Rating: 5 of 5 Stars Genre: Classic Pages: 258 Words: 120K
What a difference 17 years makes. When I first read and reviewed this back in ‘06, I gave it 3 stars. Whether that was because it didn’t have the same emotional impact on me as did Persuasion, or if it was simply because I was a callow youth of 28 (oh, how the character of Marianne in this book would laugh at that. At 17, anyone over 25 is ancient and already just waiting for the grave) or some other reason, I do not know. But this time around, I could not only appreciate the story from a different perspective (having gotten married in ‘08 changed my perspective on a lot of things) but also the writing itself.
The writing was complex, almost, but not quite, convoluted. It was not a ten lane highway but a back country road that is still gravel, has hairpin turns and occasionally washes out at the creek. In other words, the writing had character and it wasn’t just about getting the reader from Beginning to Middle to End. That being said, at first I still tried to read this like I was in my Porsche 911. After banging up the oil pan and puncturing one of the tires, I gave that up and jumped into my Model T and tut tutted down the road, at just the right speed. As it was meant to be read.
My initial reaction back in ‘06 was that Elinor, the older sister who showcases “Sense”, was the better of the two sisters. While I think that Austen is advocating for self-control with the character of Elinor, I also felt that she was inadvertently showing the downsides to that. As an uptight, self-controlled kind of person myself, I have found that throwing off the traces every once in a while is very good for me. While emotions DO need to be controlled, they should be guided into their proper channels, not just controlled for control’s sake (or for culture’s sake, as Elinor seems to do). That is not a slam on Elinor’s character at all, as she is all of 19 or 20 and most young people need MORE control of their emotions, not less, at that time of life. They’d make a fool of themselves a lot less anyway and save themselves and others a world of hurt and pain.
Starting to look at things that way, I found myself (now at the wise, old and ancient age of 45) agreeing with Marianne’s viewpoint a lot more. She doesn’t care what other people, or “society” thinks. The older I get, the less I care what you think. Doesn’t mean I want to be a jackass and trample all over you, but in many areas, I have my ideas firmly set and I won’t give way on them and if that hurts someone feelings, that’s too bad. Maybe they should stop being a pansy and put on their boot cut jeans instead of wearing those girly skinny jeans. Ooops, see, that is being a jackass. You go right ahead and wear those girly skinny jeans. I won’t mock you at all, at least not if you’re a woman.
The only downside to this story, which wasn’t much so I didn’t even bother to knock a half star off of my rating for it, was that Marianne’s falling in love with Colonel Brandon happened like that:
~snaps fingers~
In my Currently Reading and Quote post from last month, Marianne made it evident what she thought of “older” men. Of course, in that post I laughed my head off because Colonel Brandon is all of 35. But to have Marianne change not only her opinion but her feelings so drastically and so quickly, while not out of the realm of possibility at all, didn’t ring quite true to me. It felt very “Authorial Fiat”.
I actually ended up reading this novel twice, within a week. The first time I was trying to drive that Porsche I mentioned and while I switched to the Model T partway through, I felt like I had lost something at the beginning, so I waited a week and then re-read it using the Model T from the get-go. Part of that, I must admit, was because I had formed the idea of watching four different screen adaptations and I wanted a SOLID grounding in the text, so that I wouldn’t get things from the movies and miniseries mixed into this book review. I feel that I have done that more than adequately. So prepare yourselves, the next four Sunday’s will be filled with more Sense and Sensibility than you can shake a stick at.
Finally, the synopsis hidden away by the details arrow is almost 1500 words long. Open that at your own peril.
★★★★★
From Wikipedia.org
Henry Dashwood, his second wife, and their three daughters live for many years with Henry’s wealthy bachelor uncle at Norland Park, a country estate in Sussex. That uncle decides to leave only a life interest in the Norland Park estate to Henry, so that upon Henry’s death the property must pass to John Dashwood, Henry’s son by his first marriage, and thence to Harry Dashwood, the four-year-old son of John. The uncle dies, but Henry lives just a year after that and is unable in such short time to save enough money for the future security of his second wife Mrs Dashwood, and their daughters, Elinor, Marianne, and Margaret, who are left only a small income. On his deathbed, Henry extracts a promise from his son John to take care of his half-sisters. But John’s wife, Fanny, persuades her husband to renege on the promise, appealing to his concerns about diminishing his own son Harry’s inheritance, despite the fact that John is already independently wealthy thanks to both his inheritance from his mother and his wife’s dowry. Henry’s love for his second family is also used by Fanny to arouse her husband’s jealousy, and persuade him not to help his sisters financially.
John and Fanny move in as the new owners of Norland, where the Dashwood women are treated as unwelcome guests by Fanny. Mrs Dashwood seeks somewhere else to live. Meanwhile, Fanny’s brother, Edward Ferrars, visits Norland and is attracted to Elinor. Fanny disapproves of their budding romance, and offends Mrs Dashwood by implying that Elinor must be motivated by his expectations of coming into money.
Mrs Dashwood moves her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton. Their new home is modest, but they are warmly received by Sir John and welcomed into local society, meeting his wife, Lady Middleton; his mother-in-law, the garrulous but well-meaning Mrs Jennings; and his friend, Colonel Brandon. Colonel Brandon is attracted to Marianne, and Mrs Jennings teases them about it. Marianne is not pleased, as she considers the thirty-five-year-old Colonel Brandon an old bachelor, incapable of falling in love or inspiring love in anyone.
While out for a walk, Marianne gets caught in the rain, slips, and sprains her ankle. John Willoughby sees the accident and assists her, picking her up and carrying her to her home. Marianne comes to admire his good looks and his similar tastes in poetry, music, art, and love. His attentions, and Marianne’s behaviour, lead Elinor and Mrs Dashwood to suspect that the couple are secretly engaged. Elinor cautions Marianne against her unguarded conduct, but Marianne refuses to check her emotions. Willoughby engages in several intimate activities with Marianne, including taking her to see the home he expects to inherit one day and obtaining a lock of her hair. When the announcement of an engagement seems imminent, Willoughby instead informs the Dashwoods that his aunt, upon whom he is financially dependent due to his debts, is sending him to London on business, indefinitely. Marianne is distraught.
Edward Ferrars pays a visit to Barton Cottage, but seems unhappy. Elinor fears that he no longer has feelings for her, but she will not show her heartache. After Edward departs, sisters Anne and Lucy Steele, vulgar cousins of Mrs. Jennings, come to stay at Barton Park. Lucy informs Elinor in confidence of her secret four-year engagement to Edward Ferrars that started when he was studying with her uncle. Elinor realises Lucy’s visit and revelations are the result of her jealousy and cunning calculation. This helps Elinor understand Edward’s recent sadness and behaviour towards her. She acquits Edward of blame and pities him for being held to a loveless engagement to Lucy by his sense of honour.
Elinor and Marianne accompany Mrs Jennings to London. On arriving, Marianne writes several personal letters to Willoughby, which go unanswered. When they meet by chance at a dance, Willoughby is with another woman. He greets Marianne coldly, to her distress. She leaves the party distraught. Soon Marianne receives a curt letter enclosing their former correspondence and love tokens, including the lock of her hair. Willoughby is revealed to be engaged to Miss Grey, a young lady with a large fortune. Marianne is devastated. After Elinor reads the letter, Marianne admits to her that she and Willoughby were never engaged. She behaved as if they were because she knew she loved him and thought that he loved her.
As Marianne grieves, Colonel Brandon visits and reveals to Elinor that Willoughby seduced, impregnated, then abandoned Brandon’s young ward, Miss Eliza Williams. Willoughby’s aunt subsequently disinherited him, and so, in great personal debt, he chose to marry Miss Grey for her money. Eliza is the illegitimate daughter of Brandon’s first love, also called Eliza, a young woman who was his father’s ward and an heiress. She was forced into an unhappy marriage to Brandon’s elder brother, in order to shore up the family’s finances, and that marriage ended in scandal and divorce while Brandon was abroad with the Army. After Colonel Brandon’s father and brother died, he inherited the family estate and returned to find Eliza dying in a pauper’s home, so Brandon took charge of raising her young daughter. Brandon says Marianne strongly reminds him of the elder Eliza for her sincerity and sweet impulsiveness. Brandon removed the younger Eliza to the country, and reveals to Elinor all of these details in the hope that Marianne could get some consolation in discovering Willoughby’s true character.
Meanwhile, the Steele sisters have come to London. After a brief acquaintance, they are asked to stay at John and Fanny Dashwood’s London house. Lucy sees the invitation as a personal compliment. It is actually a slight to Elinor and Marianne who, being family, should have received such an invitation first. Too talkative, Anne Steele betrays to Fanny Lucy’s secret engagement to Edward Ferrars. As a result, the sisters are turned out of the house, and Edward is ordered by his wealthy mother to break off the engagement on pain of disinheritance. Edward, still sensitive of the dishonour of a broken engagement and how it would reflect poorly on Lucy Steele, refuses to comply. He is disinherited in favour of his brother, Robert, which gains Edward respect for his conduct and sympathy from Elinor and Marianne. Colonel Brandon shows his admiration by offering Edward the clerical living of the Delaford parsonage, to enable him to marry Lucy after he is ordained.
Mrs Jennings takes Elinor and Marianne to the country to visit her second daughter, Mrs. Charlotte Palmer, at her husband’s estate, Cleveland, on their way back to their home in Devonshire. Marianne, still in misery over Willoughby’s marriage, goes walking in the rain and becomes ill. She is diagnosed with putrid fever, and it is believed that her life is in danger. Elinor writes to Mrs. Dashwood to explain the gravity of the situation, and Colonel Brandon volunteers to go and bring Marianne’s mother to Cleveland to be with her. In the night, Willoughby arrives and reveals to Elinor that his love for Marianne was genuine and that losing her has made him miserable. He elicits Elinor’s pity, but she is disgusted by the callous way in which he talks of Miss Williams and his own wife. He also reveals that his aunt said she would have forgiven him if he married Miss Williams but that he had refused.
Marianne recovers from her illness, and Elinor tells her of Willoughby’s visit. Marianne realizes she could never have been happy with Willoughby’s immoral, erratic, and inconsiderate ways. She values Elinor’s more moderated conduct with Edward and resolves to model herself after her courage and good sense. Edward later arrives and reveals that, after his disinheritance, Lucy jilted him in favour of his now wealthy younger brother, Robert. Elinor is overjoyed. Edward and Elinor marry, and later Marianne marries Colonel Brandon, having gradually come to love him. The two couples live as neighbours, with sisters and husbands in harmony with each other. Willoughby considers Marianne as his ideal but the narrator tells the reader not to suppose that he was never happy.
How come we don’t have awesomely cool covers like this anymore? Thankfully, we can still find them and the awesomeness of cool covers aren’t lost in the dust bins of history.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: The Black Mountain Series: Nero Wolfe #24 Author: Rex Stout Rating: 3 of 5 Stars Genre: Mystery Pages: 176 Words: 66K
I think this was the first Nero Wolfe book that I would have been ok if I had never read it. This was very much a post-worldwar two spy novel but not quite a cold war thriller. It felt like it was the worst of both.
Wolfe’s adopted daughter does something incredibly stupid and gets killed for it. And Wolfe goes traipsing off to his homeland to find the killer, not to kill him, but to apprehend him and bring him to justice in the American court system.
First, I didn’t feel bad about the daughter dying. We’ve met her in previous books and man, was she a real witch. She also managed to manifest every single trait that I despise, so her getting killed was a cause of rejoicing for me. So Wolfe trying to get her killer brought no joy to the main occupant of Bookstoogeville, ie, me.
Second, reading about Wolfe traipsing around Europe holds as much appeal to me as drinking a quart of motor oil. I realize Stout was trying to get them out of the familiar, both in terms of setting and even storyline, but it didn’t work for me. It was like watching some actor who has spent his whole life being a failed comedian suddenly take on a role of an action star. It just doesn’t work. Finally, Wolfe’s absolute insistence on bringing the killer to justice. The killer wasn’t American, didn’t kill an American and was allied with anti-American forces and it wasn’t logical at all what Wolfe wanted.
Even with all that, it was still excellently told and totally worthy of 3stars. Rex Stout is that good.
★★★☆☆
From Wikipedia:
As Archie is about to leave the brownstone for a basketball game, Sergeant Purley Stebbins calls with news that Wolfe’s old friend Marko Vukcic has been shot and killed. After Archie identifies the body, Wolfe joins him at the morgue and insists on being taken first to the crime scene and then Rusterman’s Restaurant, owned by Marko.
Wolfe and Inspector Cramer question the employees there, and Wolfe and Archie return to the brownstone to find a surprise visitor: Wolfe’s adopted daughter Carla. She and Marko have been involved in a movement to secure Montenegro’s independence from Yugoslavia, and she is furious at Wolfe’s refusal to support the effort. Wolfe tries to question her, but she is reluctant to give any information, since she believes that he may be in league with the government of Yugoslavia or the Soviet Union.
During the three weeks following the murder, Wolfe pursues various lines of investigation and gets a second visit from Carla, enraged that the police are now looking into the movement’s background. Following this meeting, he gets three updates from Paolo Telesio, an informant in Bari, Italy. The first states that Carla has returned to Bari and crossed the Adriatic Sea into Montenegro; the second is a cryptic message on the killer’s location — “the man you seek is within sight of the mountain”; the last states that Carla has been killed. Realizing that “the mountain” must be Lovćen in Montenegro, Wolfe makes immediate plans to go there and find Marko’s killer, accompanied by Archie.
The two fly to Europe, making their way to Bari and taking temporary shelter in a house owned by one of Telesio’s friends. Telesio arranges for a guide to ferry them across the Adriatic; from there, the two hike through the foothills of Lovćen and eventually secure a ride to Rijeka Crnojevića and then Podgorica. Jubé Bilic, a college student, drives them to Podgorica and drops them off at the office of Gospo Stritar, the local police chief. Wolfe gives a fake name and passes himself off as a Montenegro native who has lived abroad for many years and is now returning to decide which side to support in the struggle over Yugoslavia’s future, and Archie as his American-born son (to explain his inability to speak Serbo-Croat).
Although Stritar is skeptical of Wolfe’s explanation, he allows the two to go about their business, but dispatches Jubé to follow them. Wolfe and Archie travel to the home of Marko’s nephew Danilo, who had passed the messages on to Telesio and who has been helping Marko and Carla smuggle weapons and supplies in from the United States. Danilo learns of Jubé’s surveillance and has him killed, then reluctantly agrees to take Wolfe and Archie into the mountains for a meeting with Josip Pasic, one member of a guerrilla team in the independence movement. From Pasic, Wolfe learns that Carla had begun to suspect that a spy had infiltrated the group; she slipped into Albania to infiltrate a Russian-controlled fort and gather information, only to be killed instead.
Wolfe and Archie sneak into the fort, where they hear screams coming from one room. Inside, they discover Peter Zov, a man they had previously seen in Stritar’s office, being tortured by three Russians. Their leader berates Zov for going to New York and killing Marko on Stritar’s orders, hampering Russia’s goal of taking over Yugoslavia if the Tito regime is overthrown. Carla had gained the favor of the other two Russians; when they realized who she was, they killed her.
Wolfe and Archie storm the room, and Archie kills the Russians and frees Zov. The gun he used to kill Marko is found elsewhere in the fort, and Wolfe makes up his mind to take him back to New York to face justice rather than exact revenge immediately. Once the three have returned to Podgorica, Wolfe pretends to have decided to commit himself to the Tito regime and offers Stritar a large bribe in support of it. Stritar produces a letter (a fake sent by Telesio as a red herring) which states that “Nero Wolfe” will be remaining in New York and sending funds to support the independence movement. Zov is dispatched to assassinate him as an associate of Marko.
The three return to Italy, where Wolfe and Archie arrange a trans-Atlantic ship voyage under their assumed names and Zov comes aboard as a steward. Wolfe insists on having Zov brought to the brownstone so that he can reveal himself on the spot. When the ship pulls into the New York harbor, though, a news photographer spots Wolfe on the deck and calls his name. Zov draws his gun and shoots Wolfe, wounding him in the leg before being tackled by the rest of the staff. Satisfied that both murders can now be closed, Wolfe tells Archie to call Cramer.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission
One of my biggest issues with the Cthulhu mythology has always been that it never actually happens. Either the elder gods are staved off by heroic human intervention (in most cases it is simply the elders not caring enough and waiting) or they do break through and that is the end of the story. I’ve always asked myself, so what is the logical conclusion to this mythology? What happens next?
This book answers that, in spades.
The story that stuck in my mind the most was “The New Pauline Corpus”. It was a Catholic priest/monk who had gone insane trying to reconcile the Bible with the events of Cthulhu’s coming. It was very weird because parts would be repeated, but subtly changed and incorporating the previous “questions” as now stated fact. The author, Matt Cardin, at least knew his doctrine enough to not make a complete fool of himself. That I can appreciate it. Didn’t actually care for the story, but that’s kind of to be expected what with me being a Christian.
“Spherical Trigonometry” was a story about an occultic rich genius who figured out that if he lived in a house with no angles, that he could survive the apocalypse. He brings his wife and the architect of the place and her husband to this new “ark”. It seems to be working. But he’s a complete jerk and nobody likes him. The husband of the architect is the narrator of the story and tells how his wife is locked out one day because the genius thinks he saw one of the monsters and won’t take a chance that it might get inside. So the architect dies, poor woman. This obviously sets the husband against the rich occult guy and the rich wife hates her husband, because he ignores her. Thus the husband and the rich wife carry on an affair. And the story ends with the eldrich forces invading the ark and eating them all because they had formed a “love triangle”. It was a terrible play on words and I laughed my head because everbody died. Which is how a good Cthulhu story should end.
The final story I want to talk specifically about is “Her Acres of Pastoral Playground” by Mike Allen. That has a man who invoked the Necronomicon to save himself, his wife and his daughter by creating a parallel dimension that they could reside in when the elder gods came. Problem is, it didn’t quite work right. His daughter is now just a disembodied voice, his wife is actually a tentacle monster who he forces to be in the form of his wife and he had to cut out all of his own memories of how he sacrificed his daughter to make it happen. He occasionally sees outside and that the elder gods are just waiting. As time has no meaning for them, his end has already come. The story ends with him finding himself infected by the tentacle monster and thus he knows his time is short. It was deliciously horrific.
Overall, I felt that each story stuck to the theme of “what comes next” very well. Nobody wandered off the reservation and told a story about their “pet cause”, as I’ve seen happen in other Cthulhu anthologies. I’m going to say that Darrell Schweitzer, the editor, kept a tight hand on the helm of this book and it really shows. I’m impressed. And as you all know, impressing The Bookstooge is what all editors and authors live for.
★★★✬☆
Table of Contents:
Introduction by Darrell Schweitzer
“The Walker in the Cemetery,” by Ian Watson
“Sanctuary,” by Don Webb
“Her Acres of Pastoral Playground,” by Mike Allen
“Spherical Trigonometry,” by Ken Asamatsu.
“What Brings the Void,” by Will Murray
“The New Pauline Corpus,” by Matt Cardin
“Ghost Dancing,” by Darrell Schweitzer
“This is How the World Ends,” by John R. Fultz
“The Shallows,” by John Langan
“Such Bright and Risen Madness in Our Names,” by Joseph E. Lake, Jr.
Foundation – 5stars of remembering why this book is an SF Classic
Movie:
The Wolverine trilogy got worser and worser and I hated the experience overall. Definitely put me off re-watching any other superhero movies for quite some time, even ones I know are good, like Spiderman or Captain America.
I had planned to scale back on blogging for October and lo and behold, it actually happened. Now, you as a reader might not have noticed the difference between 25 posts and 31 posts, but as the poor schlub slaving away behind the scenes, unappreciated, underpaid and not getting my fair share of everything that is totally owed me, I appreciated the break. Despite what I may say sometimes about that bloke Bookstooge, he’s alright in my books. In fact, he’s so nice you should probably say something nice to him too, just to let him know you appreciate him letting me take a break.
The Pumpkin Festival was a great kickoff to the month. Temperatures definitely moved into Fall territory and I found myself wearing my hoodie to work in the mornings. Worked zipped along and there’s no new guy in sight, so I’m stuck with the guy I have been since August. Time to suck it up and just accept the fact.
I did a lot of work on my blog. Got the Author Index done through the B’s, so I am currently working on the “A”s now. I started this project about a year ago, so it is going pretty good. Once I get the A’s done, then it will be going through each letter to add authors that I missed while working on the Index. After that, it will just be a monthly maintenance kind of thing. I can easily do that 😀
Relieved some stress with the rant post but like those things always are, the relief was simply temporary. The man who invents a permanent stress reliever that has no negative side effects will be a rich man indeed. I’d buy one in a heart beat.
I went up and down emotionally all month long. It was exhausting and I am seriously hoping that the rest of the year evens out a bit. Little and big things, it didn’t seem to matter, it sent the pendulum swinging and I just had to hang on and ride it out.
Plans for Next Month:
1: I plan to start reviewing the Jane Austen novels, starting with Sense & Sensibility. 2: I plan to watch and review four different versions of S&S, ranging in dates from 1971 to 2008. 3: Magic and Artwork will continue as normal. 4: Groo will continue, for the foreseeable future, to be the only regular comic/visual medium I read. 5: I plan to start closing the gap between my reading and reviewing. Right now I have over 3 weeks buildup between and I’d like to draw that down to 1 week by year’s end. I’ll either read less or review more, no idea which right now 🙂 You won’t notice a difference but it is something going on in the background. 6: REAL Thanksgiving is coming and I need to do a Thankful Post. 7: Finish up the Buddyread of Farsight with Dave and Markus by the 25th.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Charmed Life Series: Chrestomanci #1 Author: Diana Jones Rating: 3.5 of 5 Stars Genre: Middlegrade Fantasy Pages: 195 Words: 70K
While I thoroughly enjoyed this, I can see why it didn’t take off like a certain young wizard with a scar on his forehead. Cat doesn’t start off as the main character and even when he’s pushed to the forefront by circumstances, he is a very passive guy and just lets things happen to him. I thought his older sister was going to be the main character, but she turns out to be a main villain and is so bad that she’s willing to sacrifice her brother for her own ends. That’s some bad family dynamics right there.
Chrestomanci is a magician of great power with a wonderful wife and two children Cat’s age and he’s the obligatory powerful good adult in the stories. While The World of Howl books are still middle grade, they are ostensibly about the adults. Here, the children are the main characters. That changes the dynamics of the story. Part of that is that Jones allows her children characters to BE children, to think and act like children, which means they do some really stupid things even when they are trying to do the right thing. At times it was very frustrating for me, as an adult, to watch Cat do exactly the wrong thing but it fit so I just gritted my teeth and held on. And it all turned out ok in the end, as good middlegrade fantasy should.
When I posted the Currently Reading & Quote post last month, the humor hit me just right. The Howl books were semi-humorous and I enjoyed them, but I wasn’t sure if it would work in another series. While not exactly a laughathon, the humor displayed in the CR&Q post was indicative of what the story contained as a whole and it really worked for me. I didn’t give this the “humor” tag because everything wasn’t funny (like say, the Discworld books were meant to be) but there was humor interwoven so nothing was too drear and dark.
On a final note, the synopsis behind the details code is almost 1600 words. Read at your own risk. I know I wouldn’t!
★★★✬☆
From Dianawynnejones.fandom.com/wiki
While on a summer outing with their parents, Cat and Gwendolen Chant are orphaned when the ferry their family is riding crashes. The two siblings are among the few survivors; Cat believes this is because Gwendolen is a witch, so she can’t drown, and Cat himself clung to Gwendolen. The town sets up a trust fund for them, and they are taken in by Mrs. Sharp, a kindly older woman who lived downstairs from them. Mrs. Sharp is an Certified Witch, and she senses Gwendolen’s innate talent. They go through the siblings’ parents’ belongings and find three letters from Chrestomanci, which Mrs. Sharp barters to Mr. Nostrum, the necromancer next door, for magic lessons for Gwendolen.
Gwendolen excels in her studies and becomes the darling of the neighborhood, who dote on her and give her presents. Cat takes violin lessons to balance Gwendolen’s magic lessons, but his playing is horrible and Gwendolen turns his violin into a cat the neighborhood adopts and calls Fiddle. A Fortune-Teller reads Gwendolen her fortune and predicts she’ll rule the world someday if she goes about it the right way. Miss Larkins, the neighborhood favorite before Gwendolen, tries to predict Cat’s fortune out of jealousy. She goes into a trance, and a man’s voice tells Cat how glad he is to have found him, but that he must be more careful: four are gone already, and he’s in danger from at least two directions. That evening, Gwendolen writes to Chrestomanci.
Soon after, Chrestomanci himself comes in person and expresses a wish to have Gwendolen and Cat come live with him in his castle. Gwendolen is exultant, believing she’s off to rule the world; Cat, who loves his home in Wolvercote, is morose. They set off a week later by train in grand style and travel to the far countryside, where they’re greeted by a man named Michael Saunders, who introduces himself as their tutor. Michael drives them from the platform to Chrestomanci Castle, where he brings them through a side door and hands them off to the housekeeper, Miss Bessemer. That evening they dine with the Family and meet Chrestomanci’s wife, Millie, and their children, Roger and Julia.
Next morning, Cat and Gwendolen begin lessons with Roger and Julia. Gwendolen and Julia get into a small magic duel over breakfast, after which lessons commence. Cat, who is left-handed, does as usual and pretends to be right-handed when Michael isn’t looking, and Gwendolen shows she knows next to nothing about anything that isn’t magic. Michael loses his temper when he discovers Cat writing with his right hand, and dismisses them both from the schoolroom before lunch so Roger and Julia can have their magic lesson: Chrestomanci, he says, has forbidden them both from learning magic for the time being.
Gwendolen, feeling she’s not begin given the attention she deserves, grows steadily more and more furious and determines to make Chrestomanci notice her. On Wednesday, when they get their pocket money and a free afternoon to go down to the village, Gwendolen visits a seedy magic provisions supplier named Mr. Baslam to buy magic ingredients and some illegal dragon’s blood. During dinner, she summons ghouls to loom at the windows, but Chrestomanci merely asks the butler to close the curtains.
Gwendolen declares magical war on Chrestomanci and casts one problematic spell after another as the days pass, but still no one acknowledges even that. She receives a letter from Mr. Nostrum, only to find that Chrestomanci already opened and read it, to her further fury. Her feud with Julia turns into a second war when she turns Julia’s skirt to snakes during supper. On Sunday, when the go to church, Gwendolen bespells the figures and saints in the stained glass windows to run from pane to pane, causing mischief and raising a disturbance among the congregation. Chrestomanci still pays her no mind, but Millie is furious.
That Wednesday, Gwendolen’s dragon’s blood arrives in time for Chrestomanci’s dinner party. The children eat dinner separately and are told to stay in their rooms. Gwendolen obliges and returns to her room, where she uses her dragon’s blood to grow insects to monstrous sizes, summon skeletons, and conjure the same ghouls from before, and send them all to interrupt the party. Chrestomanci and Michael force their way into her room before she finishes; Chrestomanci boxes Cat’s ears for not interfering, and Michael spanks Gwendolen and strips her of her magic.
Next morning, Cat wakes up and goes to Gwendolen’s room, only to find that Gwendolen has disappeared and left an exact look-alike in her place. This strange girl, Janet, comes from a parallel world that has no magic and is much more modern. Terrified of what Chrestomanci will do or say when he discovers what Gwendolen has done, Cat and Janet agree to keep the switch a secret. Janet relies on Cat as struggles to pretend to be Gwendolen, and they both must deal with the messes Gwendolen has left behind: a spell turning the maid Euphemia into a toad, twenty pounds owed to Mr. Baslam for illegal dragon’s blood, an outstanding feud with Julia, and a secret plan of the Nostrums in which Gwendolen and Cat are both involved.
Janet and Cat resolve to run away to Janet’s world, where Janet promises Cat he can live with her and her parents as her brother. As they make their plans, Janet discovers a matchbook tucked among Cat and Gwendolen’s parents’ belongings and deduces the nine matches held inside are Cat’s nine lives. Cat, in disbelief, attempts to prove her wrong by striking one of the matches. Before Janet can stop him, Cat erupts into flames, and Janet does the only thing she can think to do: call for Chrestomanci. He arrives immediately and douses the fire, then explains to Cat that he did, in fact, have nine lives, but now he only has three. Cat realizes it was Chrestomanci’s voice he heard Miss Larkins speaking with back in Wolvercote.
The next day, Sunday–two weeks after Gwendolen and Cat arrived at the Castle–Cat and Janet stay home while the rest of the Castle Family and staff go to church. They take the opportunity to filch a bit of dragon’s blood from Michael Saunders’s workshop, then sneak into Chrestomanci’s garden, which serves as a gateway to other worlds. At the center there is an arch, and when they sprinkle a bit of dragon’s blood before it, its middle become window-like, displaying an image of Gwendolen as queen in another world. She notices them, but before Cat and Janet can escape to Janet’s world, the Nostrums appear in the garden using Cat’s signature from one of his school essays to teleport to his exact location. They are followed by more witches and warlocks, many of whom Cat recognizes from Wolvercote, and once they’re all arrived, the Nostrums summon Chrestomanci.
Chrestomanci appears instantly, and immediately the Nostrums seize upon him and bind him with silver, his weakness, preventing him from using magic. They immobilize Cat and tie him to the stone before the arch, revealing that their plan with Gwendolen is to kill an innocent child–Cat–before the arch, breaking Chrestomanci’s magic and opening the way to other worlds. But before they can kill Cat, Janet vanishes, and Gwendolen appears in her place. Gwendolen reveals to the Nostrums that Cat has nine lives and recounts what she did with some of them, explaining that they’ll have to kill him several times; this infuriates the Nostrums, because it means Cat is a powerful enchanter in his own right, and to kill him they’ll first need to discover his weakness. Before Gwendolen offers to leave so they can use her double, Chrestomanci tells them the cat, Fiddle, which Gwendolen had turned from a violin using one of Cat’s lives, is in the garden. All the witches and warlocks set off through the maze-like garden to search for the cat, leaving Chrestomanci and Cat alone at the center.
Cat is shocked and heartbroken by his sister’s betrayal and at how very little she cares for him. Chrestomanci galvanizes him to action, telling Cat how to use his magic to break them both free of their restraints. Cat manages to free Chrestomanci just as they’re discovered, and Chrestomanci holds the returning witches and warlocks off and begins to summon the Family and Castle staff. Cat realizes Gwendolen is using his magic against them, preventing Chrestomanci from summoning Millie. He takes his magic back and joins in the battle as Millie arrives.
The Family round up the members of the conspiracy, but Gwendolen escapes and seals herself off from the rest of the world, dragging Janet back into the garden in her place. The Family holds an impromptu picnic in the garden. Chrestomanci explains that they brought Cat there to train him as the next Chrestomanci, but they didn’t know if Cat knew of his magic or not, or whether he was just as amoral as his sister, which was why they’d kept him out of the loop. He offers to find a way to send Janet back to her world, but Janet says the double who replaced her was happier there than in her own world, and Chrestomanci admits that the rest are just as better off in their new worlds. He and Millie offer to adopt Janet and let her remain at Chrestomanci Castle as their legal ward.
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Title: The Innocent Series: ———- Author: Harlan Coben Rating: 3 of 5 Stars Genre: Fiction Pages: 338 Words: 105K
This wasn’t nearly as complicated as Gone for Good, and I’m very thankful for that. But at the same time, it is very obvious that Coben has a list of “include these plot points” and he just rolls a couple of dice to figure out which ones to put into the story. While not exactly recycled, there are just too many similar points for such a reader as myself. Not to brag (which usually means the person is about to brag), but I’ve read enough books, both good, bad, really good and really bad, to see this kind of thing coming from a mile away. And I wear glasses. ~buffs nails
At the same time, I’ve decided that I will start reading a series with a central main character instead of these standalone stories. They might work fine for those who read 5 books a year, but I’m sorry, I’m way out of those peoples’ league. And I need Coben to write at my level, not theirs. ~buffs nails again
Yep, letting my reading snob show here. I don’t care. I have standards. I really do my best to keep that snobbery from showing when it comes to other people, but when it is about the books “I” read on “my” blog, well, I get sick and tired of holding it in all the time. Darn this curse of good taste, it is a real burden on my shoulders. ~buffs both set of nails
Ok, I’m done now. The snobbery can go back in its box for another year or two. Maybe three if I can get on a good roll.
★★★☆☆
From Wikipedia.org
Matt Hunter is a seemingly ordinary man in suburban New Jersey with a pregnant wife, Olivia. But Matt’s past is not so ordinary. In his late teens, Matt tried to break up a fight involving his friend, and wound up unintentionally killing the other fighter. While his friends spent time in college, Matt was behind bars serving time for negligent manslaughter. Now nine years after being released from prison, Matt is a paralegal in his brother’s law firm and his life is looking up. However, the past won’t seem to go away. As Matt and Olivia try to buy a house in his old neighborhood, neighbors and local authorities make it clear he is not welcome. After Matt receives disturbing photos from his wife’s phone, a man who is tailing Matt ends up dead. Matt soon learns that Olivia also has a past that she’d like to forget. Unable to trust anyone, Matt and Olivia are forced to work outside the law to save themselves and their future.
Have started a buddy read with Dave and Markus. We’re reading Farsight by Phil Kelly, a novella about the Tau from the Warhammer 40K universe. We’re going to wrap things up by November 25th, so lots of time. If you have any interest in joining us, leave a comment and we’ll work out the details! Otherwise, shut up, sit back and be jealous of how awesome we are 😉
