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Title: A Rainbow to Heaven DNF@21%
Series: -----
Author: Barbara Cartland
Rating: 1.5 of 5 Stars
Genre: Romance
Pages: 134 / 28
Words: 52K / 11K
Publish: 1934
Chapter 1
We are introduced to our heroine, Diana Headley, as she prepares to go to a party. We learn that she's a thorough socialite but well off and sought after by the newspapers to have her picture taken. At the same time we're reassured she's not a vapid, empty headed numpkin but a woman of taste and talent, albeit one who is fast approaching that line of "tired" that overtakes many in the upperclasses.
We are also introduced to Lord Hugo Dalk, a 37 year old Lord who is independently wealthy and has decided that Diana is the woman for him. They get along well, like a pair of friends and Diana doesn't appear that she wants more than that, as something deep inside doesn't feel that Dalk is the one. Yet Dalk proposes to her in a casual, off hand manner that seems to imply he at least feels they are the only ones worthy of the other.
We also meet the hosts of the party, the Schnibers. They come from new money, as Mr Schniber made his fortune in "hooks and eyes", so I'm guessing women's undergarments? He's not comfortable nor are his wife and daughter, but they so want to be part of the "crowd" that even throwing a society party for complete strangers is not out of bounds.
The contrast between Diana, Hugo and Mr Schniber is well sketched. Diana is a worldly woman but not yet taken over by ennui. Hugo has all the hallmarks of a socialite bored with life itself while Schniber is the prototypical "country bumpkin", wide eyed and convinced all the socialites are better people than he.
Chapter 2
Diana doesn't want to deal with Hugo's proposal. She's very attracted to him but is contrary enough to not want him out of hand. She comes across some old friends, the Standish's and finagles a visit down to their home, thus giving her space and time from Hugo. Hugo is understandably upset but self-centered enough to think Diana will say yes eventually.
The Standish's introduce us to Barry Dunbar, "one of the most brilliant men" the Standish's have ever met as well as being "one of the greatest young intellects in Europe today." He's deep into Eastern mysticism and spends his days seeking out old scrolls to bring them to the eyes of Europe. Barry is convinced that Eastern Mysticism is the key to the spiritual salvation of Europe. We find out that the Standish's have given a part of their home over to Barry and he runs it like a tyrant, ie, his rules, his way. They admire him so much that they give way on everything.
Diana heads down to Standish Castle, still wondering why she hasn't accepted Hugo's proposal. Lots of garbage is thrown around but it amounts to "I just don't want to, so there".
I am not liking Barry from the get-go. Hugo is an arrogant ass, but I understand him. Barry is all second hand introduction and the way the Standishes fawn over him makes me sick. Plus, anyone who thinks that Eastern Mysticism is going to solve any problems is about as empty and shallow as possible. It's a new bauble, that is all and they are entranced by the shininess of it. I despise people like that.
Chapter 3
We start out with a background sketch of how Mrs Standish became Mrs Standish and how fulfilled she is now that she is married to Jack Standish. This gives her "spiritual" weight so her thoughts and pronouncements about and to Diana aren't just the blatherings of a busybody. But they are. Mrs Standish is presented as a "good person" because she tries to help others. This excuses any behavior by her, because "she is a good person". Then we get some more secondhand Barry praise and how deeply spiritual and philosophical he is, thus ALSO making him "a good person".
Diana meets Barry at dinner and is impressed that he's not a society bore and a shallow jackass (my words obviously) like her other acquaintances. Barry "only talks about important things" and this also impresses Diana while at the same time making her feel her inferiority, to which feeling she is not used to. After dinner Barry and Diana have a little one on one talk and Barry makes it quite clear that he considers her and her kind the bane of England and the beginning of the end for England's greatness.
This is a shallow romance and it touches on theology and philosophy, but sadly, in the same trite, pathetic and non-thinking way that it deals with romance. You do not treat theology that way. Theology, whether you like it or not, is what sets the boundaries of your world and defines everything you do for your whole life.
I should not have chosen this book. It was a big mistake considering how high of a regard I hold my theology in. I felt like Cartland spit in my face and then wondered what the big fuss was about. I am dnf'ing this now and this is my review. I sincerely apologize to anyone else who chose to read this and thought there would be several more weeks of lighthearted fun to be had. To expiate my literary sins, I will now commit seppuku, the practice of which people like Barry Dunbar are apparently fully in favor of. So screw that. I’m seppuku’ing Barry Dunbar. That’s him under the motorcycle helmet, not me!
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