Bookstooge's Reviews On the Road

Saturday, March 23, 2024

Might As Well Be Dead (Nero Wolfe #27) 4Stars

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Title: Might As Well Be Dead
Series: Nero Wolfe #27
Author: Rex Stout
Rating: 4 of 5 Stars
Genre: Mystery
Pages: 179
Words: 59K

I enjoyed this. That about sums it up. Go read the synopsis and save yourself the trouble. Because you’re not good enough to truly appreciate a Nero Wolfe mystery, not like “I” appreciate them…

★★★★☆

From Wikipedia:

As the book opens, James R. Herold, prosperous businessman from Omaha, Nebraska, consults Wolfe about re-establishing contact with his son, whom he had (as it eventually transpired) falsely accused of theft eleven years before. The son, Paul Herold, had consequently broken almost all ties with the family, changed his name and moved to New York City. Even the latter meagre information was only known because Paul has recently sent his sister a birthday card postmarked NYC. The father has already taken obvious steps such as an ad in the newspaper and consulting the Missing Persons Dept of NYPD.

Although the present name of Paul Herold is unknown, Wolfe suspects that he has at least retained the same initials, and therefore places an advertisement in the newspapers the following day advising PH that he is innocent of the crime of which he was once suspected.

Needless to day, more than one person with those initials thinks he his falsely accused of a crime, and the advertisement attracts many telephone calls to Wolfe’s office the next day.

The advertisement is also silent about the crime of which the man is innocent.

Meanwhile, a man known as Peter Hays has been on trial for murder, and the case is already with the jury, and a verdict is expected soon. Wolfe and Archie Goodwin are sufficiently distracted by enquiries about Peter Hays being the man named in the advertisement (and that he is by implication innocent of the murder for which Hays is currently being tried) that Wolfe dispatches Archie to visit the court room to hear the verdict against Hays. By comparing the man he sees in court to photos supplied by the father, Archie tentatively identifies the two names as referring to the same man.

This sets up a confrontation with Hays’ attorney, Albert Freyer, who suspects Archie of duplicity (since Archie earlier told Freyer, among others, that the advertisement referred to a different crime, not the murder of Michael Molloy for which Hays has just been tried), but Wolfe and Freyer, after some discussion, quickly come to an agreement on how to proceed to the best advantage of all concerned:

Although Wolfe might collect a substantial fee by immediately notifying his client that his son has been found (albeit in mortal jeopardy), Archie’s identification is still not certain, and Wolfe’s client would be more satisfied if he was able to deliver the son as a free man.
Peter Hays has refused to give his lawyer any information on his background, something that counted against him with the district attorney, and seems depressed to the point of hopelessness, using the novel’s title Might as well be dead to describe how he feels. This tends to validate Archie’s tentative identification, but a personal meeting of Archie with Hays would be needed to be sure.
Peter Hays has limited funds, and although Freyer is convinced of his client’s innocence, it would be vastly preferable to have help both in the form of Wolfe’s assistance and the financial backing of the father.
Therefore, Freyer will start an appeal (initial steps are not costly) and meanwhile Wolfe will work on clearing Hays/Herold, and delay informing Wolfe’s client for the time being.

Later on, Wolfe sends some of his operatives, including Johnny Keems, to investigate some of the friends and associates of Michael Molloy. The next day, the body of Johnny Keems is found killed by a hit-and-run driver. Since his pockets lack $100 in money Archie gave him to bribe potential witnesses, Wolfe and Archie consider it to be linked the Molloy murder, but the authorities make no such connection since the apparent murderer of Molloy has already been convicted. But as more persons connected to Molloy are found dead, Wolfe and Archie must find the evidence to free Hays before the murderer, now no more than a maniac, can eliminate everyone who might expose the truth.

All My “Nero Wolfe” Reviews

Friday, March 22, 2024

60,000 Comments Under the Sea

I reached one of those milestone moments in March. Back in 2020 I reached the 20,000 comment mark and made a post about that:

20,000 Comments Under the Sea

I was pretty proud, I must admit. Commenting is the GOAL of this blog. Not likes, not attention from big sponsors who want to exchange my spit for gold, not even knowing that I have stuck it to WordPress.com and made them suffer nigh-immortal torment. No, my goal is to have lots and lots and lots AND LOTS of fun comments with people. And so on I went, tripping merrily along my little way.

Until sometime in March when I needed to check a stat in the old “classic” view. And the number of comments popped up, the EXACT number, not the flipping rounded number that the new view uses. And whammo, bammo, I was over the 60,000 mark!!!!!!!! 25K of those are mine, but that means you all have blabbed here 35,000 times since the inception of the blog in 2013 (yes, I have backdated posts to 2000, but I have only been here since ’16). Which means you all are a big fat bunch of blabber mouths!

I LOVE IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Your comments mean the world to me, no matter how silly, serious, confrontational or even plain spambot’y. I might write the posts (or post the art images) but you all are the ones that make posts pop. Thank you, thank you very much from the bottom of my heart. I know you don’t have to comment and I respect the choice of those of you who don’t, but I want those of you who do comment to know that you feed my soul every time you drop those words on my blog. I once heard a lady I respected very much say that Beauty Feeds the Soul. I don’t disagree, but would personalize it to Words Feed Bookstooge’s Soul.

SO FEED THE BEAST!!!!!!!!

Thursday, March 21, 2024

Cthulhu Cymraeg (Cthulhu Anthology #16) 3Stars

Title: Cthulhu Cymraeg
Series: Cthulhu Anthology #16
Editor: Mark Jones (ed)
Rating: 3 of 5 Stars
Genre: Cosmic Horror
Pages: 127
Words: 47K

I had my fears about this collection, as it had a forward by ST Joshi, a so-called “authority” on the Cthulhu mythos. I say “so called” not because he doesn’t know his stuff, but because the Cthulhu mythos isn’t worthy of anyone spending as much time on it as Joshi has. It’s like studying a pile of poop and then calling yourself an authority on poop in your backyard. You can do it, but it’s a complete waste of time and talent. And then if you have the ego that Joshi apparently has, you expect “respect” for being an “authority”. What I’d like to do is kick his teeth in. But all I’ve got is this stupid blog that is being destroyed by the company hosting it. Isn’t that right WordPress.com? I’d like to kick their teeth in too.

Other than that generalized expression of violence, I should be done now.

So, Joshi’s introduction didn’t mean this was a skank collection of wanktards writing out of their asses, like most of the stuff headed by Joshi. I’m guessing that’s because Jones was the editor. On the flip side, he included some really wacked out stories, ones that were supposed to be humorous, but in that bizarro way that’s not actually amusing. Then it would rocket over to the more typical cosmic horror’y side of things with death, despair and violence.

That schizophrenic approach is why this only got 3stars and not any more. It wasn’t a bad collection but it wasn’t a very good collection either. And that’s how I’m going to end this review.

★★★☆☆

Table of Contents:

FOREWORD
S. T. Joshi
INTRODUCTION
Mark Howard Jones & Steve Upham
WHAT OTHERS HEAR
John Llewellyn Probert
THE BICYCLE-CENTAUR
Rhys Hughes
THE CAWL OF CTHULHU
Bob Lock
PILGRIMAGE
Mark Howard Jones
SONG OF SUMMONING
Brian Willis
THE NECRONOMICON
Charles Black
UN-DHU-MILHUK WOULD (IF HE COULD)
Liam Davies
PERIPHERY
Paul Lewis
STRANGER CROSSINGS
Adrian Chamberlin

All of My “Cthulhu Anthology” Reviews

Wednesday, March 20, 2024

Author Index - It Is Finished

Well ok, to be honest, it has some touchups that need to be done, but my Author Index project is essentially finished.

I started this Project back in October of ’22 and have been slowly working on it. I am now done the bulk of the work and just have to add all the “new” authors that I’ve read since I started. So I’ll have to comb over my Calibre library and play catch up. It also means that I need to do monthly maintenance and add new authors at the end of each month. That is MUCH easier than doing the 900+ from scratch. I can handle that easily.

What this means though? Between this and Hotel Bookstooge, it means I’ve put more work into Bookstooge.blog than I have into any other blog I’ve had over the years, to the point where I feel extremely possessive of this site and can only imagine one scenario where I would disappear it. Sadly, this does mean that I am tied down to WordPress.com for the quite foreseeable future. So expect me to rage and rattle my chains and then do nothing because the reality is that I’m here and I cannot abandon this much effort. It would kill me to do that.

What this means for you? Not much really, unless you use an index a lot. My experience has shown me that not a lot of people do and only the outliers tend to. But do be happy for me, because it’s another Blogging Project under my belt. I think I’m going to take a nice long break from such projects. Unless someone suggests something that catches my fancy, then all bets are off.

Tuesday, March 19, 2024

Mort (Discworld #4) 4Stars

Title: Mort
Series: Discworld #4
Author: Terry Pratchett
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 265
Words: 73K

This was my 3^rd time reading this. And I once again bumped it up half a star. So another 8 years and I suspect I’ll be bumping it up again, hahahahaa 🙂

In this, we are introduced to yet another sub-series (or set of characters) in the Discworld. This time it is Death. Death takes on an apprentice who royally messes things up and in the end Death fixes it all.

Death is a jolly good fellow. Definitely shows what Pratchett’s thoughts on THAT matter were (if his suicide wasn’t enough to convince you). It works for a light and fluffy fantasy series. Which is all this is. Except it isn’t. Does that make sense? Pratchett is not trying to have his cake and eat it too with the Discworld series, he IS having his eat and eating it. He gets to tell funny stories AND he gets to spout off his own personal philosophies. It doesn’t get much better than that for an author.

Thankfully, as a reader, I too can pick and choose whether I want to read this lightly or seriously. If I had been in grumpy mood I would have read this seriously and taken Pratchett’s points about death apart one by one, showing that his ideas were nothing but an illogical mishmash of every other religions’ ideas on death and how he contradicted himself at every turn. But I was in a good mood so I just ignored all that and enjoyed Mort making a complete hash out of being Death’s apprentice.

Hash can be good, especially with beets. That’s called Red Flannel Hash here in New England. A can of corned beef hash, a can of purple beets, a frying pan and voila, a delicious meal that is healthy because obviously the beets are vegetables and so that outweighs all the fat from the corn beef hash.

In ending, you should read this book if for no other reason than I said so and that it will be the literary equivalent of adding some beets to your corn beef hash reading diet.

★★★★☆

From Wikipedia.org

Synopsis – Click to Open

As a teenager, Mort has a personality and temperament that makes him unsuited to the family farming business. Mort’s father Lezek takes him to a local hiring fair in the hope that Mort will land an apprenticeship; not only would this provide a job for his son, but it would also make his son’s propensity for thinking someone else’s problem. Just before the last stroke of midnight, Death arrives and takes Mort on as an apprentice (though his father thinks he has been apprenticed to an undertaker). Death takes Mort to his domain, where he meets Death’s elderly manservant Albert, and his adopted daughter Ysabell. Mort later accompanies Death as he travels to collect the soul of the King of Sto Lat, who is due to be assassinated by the scheming Duke of Sto Helit. After Mort unsuccessfully tries to prevent the assassination, Death warns him that all deaths are predetermined, and that he cannot interfere with fate.

Later on, Death assigns Mort to collect the soul of Princess Keli, daughter of the murdered king, but he instead kills the assassin the Duke had sent after her. Keli lives, but shortly after the assassin’s death people begin acting as if something had happened without knowing why, namely what would be funeral preparations and acts of mourning. She soon finds that the rest of the world no longer acknowledges her existence at all unless she confronts them and even then only in a confused manner which is forgotten immediately after. She subsequently employs the wizard Igneous Cutwell, who is able to see her as he is trained to see things that are invisible to normal people (like death) to make her existence clear to the public. Mort eventually discovers that his actions have created an alternate reality in which Keli lives, but he also learns that it is being overridden by the original reality and will eventually cease to exist, killing Keli. While consulting Cutwell, Mort sees a picture of Unseen University’s founder, Alberto Malich, noting that he bears a resemblance to Albert.

Mort and Ysabell travel into the Stack, a library in Death’s domain that holds the biographies of everyone who has ever lived, in order to investigate Albert, eventually discovering that he is indeed Malich. They further learn that Malich had feared monsters waiting for him in the afterlife, and performed a reversed version of the Rite of AshkEnte in the hope of keeping Death away from him. However, the spell backfired and sent him to Death’s side, where he has remained in order to put off his demise. During this time, Death, yearning to relish what being human is like, travels to Ankh-Morpork to indulge in new experiences, including getting drunk, dancing, gambling and finding a job. Mort in turn starts to become more like Death, adopting his mannerisms and aspects of his personality, while his own is slowly overridden.

Death’s absence forces Mort to collect the next two souls, who are both located on separate parts of the Disc (in the Agatean Empire and Tsort, respectively), and due to die on the same night that the alternate reality will be destroyed. Before he and Ysabell leave to collect the souls, Mort uses the part of Death within him to force Albert to provide a spell that will slow down the alternate reality’s destruction. After Mort and Ysabell leave, Albert returns to Unseen University, under the identity of Malich. His eagerness to live on the Disc is reinvigorated during this time, and he has the wizards perform the Rite of AshkEnte in the hope of finally escaping Death’s grasp. The ritual summons both Death and the part of Death that had been taking Mort over, restoring him to normal. Unaware of Albert’s treachery, Death takes him back into his service, the Librarian preventing the wizard’s escape.

Mort and Ysabell travel to Keli’s palace, where the princess and Cutwell have organised a hasty coronation ceremony in the hope that Keli can be crowned queen before the alternate reality is destroyed. With the reality now too small for Albert’s spell, Mort and Ysabell save Keli and Cutwell from being destroyed with the alternate reality. They return to Death’s domain to find a furious Death waiting for them, the latter having learned of Mort’s actions from Albert. Death dismisses Mort and attempts to take the souls of Keli and Cutwell, but Mort challenges him to a duel for them. Though Death eventually wins the duel, he spares Mort’s life and sends him back to the Disc.

Death convinces the gods to change the original reality so that Keli rules in place of the Duke, who was inadvertently killed during Death and Mort’s duel due to the destruction of his lifetimer. Mort and Ysabell – who have fallen in love over the course of the story – get married, and are made Duke and Duchess of Sto Helit by Keli, while Cutwell is made the Master of the Queen’s Bedchamber. Death attends Mort and Ysabell’s wedding reception, where he warns Mort that he will have to make sure that the original Duke’s destiny is fulfilled, and presents him with the alternate reality he created, now shrunk to the size of a large pearl, before the two part on amicable terms.

Monday, March 18, 2024

Divine Transformation - MTG 4E

Sunday, March 17, 2024

Lives of Christopher Chant (Chrestomanci #4) 5Stars

Title: Lives of Christopher Chant
Series: Chrestomanci #4
Author: Diana Jones
Rating: 5 of 5 Stars
Genre: Middlegrade Fantasy
Pages: 241
Words: 88K

Now why can’t DWJ have written the rest of the Chrestomanci books like this one? This was fun, engaging, lively, with just the right amount of drama and even the badguys weren’t unpleasant jerks. They were just bad. Here’s a longer quote from the book that encapsulates the “feel” of the book.

“The trouble was, school had also taught him that girls were a Complete Mystery and quite different from boys. He had no idea what books girls liked. He was forced to consult Oneir, who had an older sister.
“All sorts of slush,” Oneir said, shrugging. “I can’t remember what.”
“Then could you come down to the bookshop with me and see if you can see some of them?” Christopher asked.
“I might,” Oneir agreed. “What’s in it for me?”
“I’ll do your geometry tonight as well as your algebra,” Christopher said.
On this understanding, Oneir went down to the bookshop with Christopher in the space between lessons and tea. There he almost immediately picked out The Arabian Nights (Unexpurgated). “This one’s good,” he said. He followed it with something called Little Tanya and the Fairies, which Christopher took one look at and put hastily back on the shelf. “I know my sister’s read that one,” Oneir said, rather injured. “Who’s the girl you want it for?”
“She’s about the same age as us,” Christopher said and, since Oneir was looking at him for a further explanation and he was fairly sure Oneir was not going to believe in someone called the Goddess, he added, “I’ve got this cousin called Caroline.” This was quite true. Mama had once shown him a studio photo of his cousin, all lace and curls. Oneir was not to know that this had nothing whatsoever to do with the sentence that had gone before.
“Wait a sec then,” Oneir said, “and I’ll see if I can spot some of the real slush.” He wandered on along the shelf, leaving Christopher to flip through The Arabian Nights. It did look good, Christopher thought. Unfortunately he could see from the pictures that it was all about somewhere very like the Goddess’s own Anywhere. He suspected the Goddess would call it educational. “Ah, here we are! This is sure-fire slush!” Oneir called, pointing to a whole row of books. “These Millie books. Our house is full of the things.”
Millie Goes to School, Christopher read, Millie of Lowood House, Millie Plays the Game. He picked up one called Millie’s Finest Hour. It had some very brightly colored schoolgirls on the front and in small print: “Another moral and uplifting story about your favorite schoolgirl. You will weep with Millie, rejoice with Millie, and meet all your friends from Lowood House School again . . .”
“Does your sister really like these?” he asked incredulously.
“Wallows in them,” said Oneir. “She reads them over and over again and cries every time.”
Though this seemed a funny way to enjoy a book, Christopher was sure Oneir knew best. The books were two and sixpence each. Christopher chose out the first five, up to Millie in the Upper Fourth, and bought The Arabian Nights for himself with the rest of the money. After all, it was his gold sovereign.”
~page 65

I laughed my head off at that. And rest of the book had that fun tone as well. Yes, there was some really dangerous things going on and Christopher wasn’t in the best of circumstances and he doesn’t always act like a good boy, but the thrust of the novel was all that was good instead of focusing on the unpleasant and nasty, as was done in Witch Week. This is what I want from a middle grade story.

I think it helped that Christopher is going to be the next Chrestomanci and how it turns his world upside down and inside out. Chrestomanci, as a position, is front and center and you can see how the responsibility of it weighs down on both the young and the old. But nonetheless, each bearer takes it up at the proper time and does their duty. Ahhhh, that’s good stuff! Responsibility, putting others above your own self, protecting the weak and helpless, facing down evil, people NEED that in their fiction, especially nowadays. And kids? It’s essential, sigh.

Anyway, this was the best Chrestomanci book so far and it showed just what a splendid writer DWJ could be when she wanted. Highly recommended.

★★★★★

From Wikipedia:

Click to Open Summary

The novel tells the story of Christopher Chant’s childhood in a magic filled Victorian style era. Although both of his parents are powerful practitioners of magic, the two are constantly at loggerheads; his father (an enchanter, the strongest type of magic-user) is entirely devoted to his work, to such a degree that the young Christopher is afraid that he would not recognise him should the two meet in public. On the other hand, his mother (a sorceress, the second-strongest type of magic-user) is a social climber, and is apparently only married to his father for his social connections. Christopher finds solace in his uncle Ralph, but due to his travelling job they rarely see each other.

The only escape that Christopher has is through his dreams, in which he is able to escape to other worlds. While he is not the only person with this ability, seemingly no one is able to do it so easily as he. Christopher is able to bring items with him into the real world, and after one of his many nannies discovers his hoard of items and accuses him of stealing, he tells Uncle Ralph of his power. Uncle Ralph is intrigued by this and has Christopher go on a ‘test’ to see what he can bring back. In the place between worlds, which takes the form of a valley, Christopher meets Tacroy who is supposed to guide him on his uncle’s orders, however the two discover that whilst Tacroy is projecting his mind there Christopher is physically going into the other worlds; something which is impossible.

Christopher and Tacroy go on several of these trips, and on one to World 10 they get separated. Christopher meets ‘The Living Asheth’ a girl his age who is a vessel for Asheth, the Goddess of her world. He makes a deal with her for one of her magic temple cats, Throgmorten, but as she helps him escape he is speared by one of her many guards. After waking up in his bed with Throgmorten, Christopher accidentally causes a curtain rod to fall down and spear him through the heart, although he survives. This experience prompts his parents to send him to a boarding school where Christopher forgets to travel in his dreams because he enjoys it so much. Several ordinary months go by and Christopher decides to become a professional cricketer whilst his parents divorce. His friend accidentally hits him in the head with a cricket back, killing him. He wakes up confused in the morgue, where he then falls asleep in the hospital. The current Chrestomanci named Gabriel De Witt visits him, but disbelieves claims of him being an enchanter. Christopher’s father takes Christopher to several witches and discovers that a silver coin Ralph insisted he always carry on him was stopping him from doing magic.

Chrestomanci realises Christopher is a nine-lived enchanter and brings him to his castle to train to be the next Chrestomanci. He absolutely hates living there and disobeys all of the rules even actively going against them. He returns to travelling with Tacroy for his uncle and returns the deal with The Living Asheth; giving her a series of books about a girl named Millie at boarding school. The two become close friends and she insists he call her Millie instead. Christopher dies multiple times during these trips and always wakes up in his own world only to die in freak accidents similar to the prior ones. Millie discovers that when she grows to old for Asheth to use her she is going to be sacrificed to her. Christopher sacrifices one of his lives so that Millie can travel to his own world to hide.

Christopher discovers that Chrestomanci is investigating a smuggler named ‘The Wraith’ who somehow manages to bring illegal items from other worlds. Chrestomanci reveals to every person in the castle that their close friend Mordecai Roberts was working for the Wraith, and Christopher is shocked to find Mordecai is actually Tacroy. Tacroy pretends not to know Christopher and reveals to him that his uncle is the Wraith. Ralph manages to kill Chrestomanci by taking his lives and scattering them across worlds so nobody could find him. Christopher uses Throgmorten to trap Ralph before Millie is able to subdue him. Millie discovers that Asheth is too vain to actually give a mortal girl magic and she is in reality one of the most powerful enchantresses in existence.

Learning that Mordecai is enchanted to work for Ralph, Christopher and Millie travel to world 11 which is a mysterious place that only has one timeline. Christopher and Millie are both able to outwit the ruler of World 11 and free Mordecai, who willingly becomes a servant of Chrestomanci. However, Christopher sacrifices another one of his lives. Christopher’s parents reveal to him they are getting back together, but this time for love, and Christopher decides to continue living at the castle with the newly revived Chrestomanci and Millie. However, as Christopher attempts to travel he discovers he no longer can, as he only has two lives remaining.

– All of My “Diana Jones” Reviews

Saturday, March 16, 2024

Notes from Underground (The Russians) 1Star / DNF@10%

Title: Notes from Underground
Series: (The Russians)
Author: Fyodor Dostoyevsky
Translator: Garnett
Rating: 1 of 5 Stars / DNF@10%
Genre: Fiction
Pages: 186/19
Words: 50K/5K

I cannot stand when authors write nonsense and expect the readers to parse sense out of it. Dostoyevsky was writing this novel in response to some other popular philosophy book/idea at the time but he couched it in a way that I hated.

So I’m not going to waste my time wading through deliberate nonsense when he could have just stated “Reason X because of reasons 1, 2 and 3”. I dnf’d this at the 10% mark when it became evident what a sham this was. If you would like to waste your time deciphering this, be my guest.

★☆☆☆☆

From Wikipedia.org

The novella is divided into two parts. The title of the first part—”Underground”—is itself given a footnoted introduction by Dostoevsky in which the character of the ‘author’ of the Notes and the nature of the ‘excerpts’ are discussed.

Part 1: “Underground”

The first part of Notes from Underground has eleven sections:

Section I propounds a number of riddles whose meanings are further developed as the narration continues.
Sections 2, 3, & 4 deal with suffering and the irrational pleasure of suffering.
Sections 5 & 6 discuss the moral and intellectual fluctuation that the narrator feels along with his conscious insecurities regarding “inertia”—inaction.
Sections 7, 8, & 9 cover theories of reason and logic, closing with the last two sections as a summary and transition into Part 2.

The narrator observes that utopian society removes suffering and pain, but man desires both things and needs them in order to be happy. He argues that removing pain and suffering in society takes away a man’s freedom. He says that the cruelty of society makes human beings moan about pain only to spread their suffering to others.

Unlike most people, who typically act out of revenge because they believe justice is the end, the Underground Man is conscious of his problems and feels the desire for revenge, but he does not find it virtuous; the incongruity leads to spite towards the act itself with its concomitant circumstances. He feels that others like him exist, but he continuously concentrates on his spitefulness instead of on actions that would help him avoid the problems that torment him. The main issue for the Underground Man is that he has reached a point of ennui[7] (boredom) and inactivity.[8] He even admits that he would rather be inactive out of laziness.

The first part also gives a harsh criticism of determinism, as well as of intellectual attempts at dictating human action and behavior by logic, which the Underground Man discusses in terms of the simple math problem: two times two makes four (cf. necessitarianism). He argues that despite humanity’s attempt to create a utopia where everyone lives in harmony (symbolized by The Crystal Palace in Nikolai Chernyshevsky’s What Is to Be Done?), one cannot avoid the simple fact that anyone, at any time, can decide to act in a way that might not be considered to be in their own self-interest; some will do so simply to validate their existence and to protest and confirm that they exist as individuals. The Underground Man ridicules the type of enlightened self-interest that Chernyshevsky proposes as the foundation of Utopian society. The idea of cultural and legislative systems relying on this rational egoism is what the protagonist despises. The Underground Man embraces this ideal in praxis, and seems to blame it for his current state of unhappiness.[9]

Part 2: “Apropos of the Wet Snow”[edit]

The title of Part 2 is an allusion to the critic Pavel Annenkov’s observation that “damp showers and wet snow” were indispensable to writers of the Natural School in Petersburg.[10] Following the title there is an epigraph containing the opening lines from Nekrasov’s poem “When from the darkness of delusion…” about a woman driven to prostitution by poverty. The quotation is interrupted by an ellipsis and the words “Etc., etc., etc.”[10]

Part 2 consists of ten sections covering some events from the narrator’s life. While he continues in his self-conscious, polemical style, the themes of his confession are now developed anecdotally.

The first section tells of the Underground Man’s obsession with an officer who once insulted him in a pub. This officer frequently passes him by on the street, seemingly without noticing his existence. He sees the officer on the street and thinks of ways to take revenge, eventually borrowing money to buy an expensive overcoat and intentionally bumping into the officer to assert his equality. To the Underground Man’s surprise, however, the officer does not seem to notice that it even happened.

Sections II to V focus on a going-away dinner party with some old school friends to bid farewell to one of these friends—Zverkov—who is being transferred out of the city. The Underground Man hated them when he was younger, but after a random visit to Simonov’s, he decides to meet them at the appointed location. They fail to tell him that the time has been changed to six instead of five, so he arrives early. He gets into an argument with the four of them after a short time, declaring to all his hatred of society and using them as the symbol of it. At the end, they go off without him to a secret brothel, and, in his rage, the underground man follows them there to confront Zverkov once and for all, regardless if he is beaten or not. He arrives at the brothel to find Zverkov and the others already retired with prostitutes to other rooms. He then encounters Liza, a young prostitute.

The remaining sections deal with his encounter with Liza and its repercussions. The story cuts to Liza and the Underground Man lying silently in the dark together. The Underground Man confronts Liza with an image of her future, by which she is unmoved at first, but after challenging her individual utopian dreams (similar to his ridicule of the Crystal Palace in Part 1), she eventually realizes the plight of her position and how she will slowly become useless and will descend more and more, until she is no longer wanted by anyone. The thought of dying such a terribly disgraceful death brings her to realize her position, and she then finds herself enthralled by the Underground Man’s seemingly poignant grasp of the destructive nature of society. He gives her his address and leaves.

He is subsequently overcome by the fear of her actually arriving at his dilapidated apartment after appearing such a “hero” to her and, in the middle of an argument with his servant, she arrives. He then curses her and takes back everything he said to her, saying he was, in fact, laughing at her and reiterates the truth of her miserable position. Near the end of his painful rage he wells up in tears after saying that he was only seeking to have power over her and a desire to humiliate her. He begins to criticize himself and states that he is in fact horrified by his own poverty and embarrassed by his situation. Liza realizes how pitiful he is and tenderly embraces him. The Underground Man cries out “They—they won’t let me—I—I can’t be good!”

After all this, he still acts terribly toward her, and, before she leaves, he stuffs a five ruble note into her hand, which she throws onto the table (it is implied that the Underground Man had sex with Liza and that the note is payment). He tries to catch her as she goes out to the street, but he cannot find her and never hears from her again. He tries to stop the pain in his heart by “fantasizing.”

And isn’t it better, won’t it be better?… Insult—after all, it’s a purification; it’s the most caustic, painful consciousness! Only tomorrow I would have defiled her soul and wearied her heart. But now the insult will never ever die within her, and however repulsive the filth that awaits her, the insult will elevate her, it will cleanse her…

He recalls this moment as making him unhappy whenever he thinks of it, yet again proving the fact from the first section that his spite for society and his inability to act makes him no better than those he supposedly despises.

The concluding sentences recall some of the themes explored in the first part, and he tells the reader directly, “I have merely carried to an extreme in my life what you have not dared to carry even halfway.”

At the end of Part 2, a further editorial note is added by Dostoevsky, indicating that the ‘author’ couldn’t help himself and kept writing, but that “it seems to us that we might as well stop here”.

Thursday, March 14, 2024

Lockdown Tales #2 (Polity #23) 4Stars

Title: Lockdown Tales #2
Series: Polity #23
Author: Neal Asher
Rating: 4 of 5 Stars
Genre: SF
Pages: 337
Words: 150K

I read the first set of Lockdown Tales in ‘21. It was a strictly Polity universe set of stories and I enjoyed them. This time around, not every story was in the Polity universe. I’m still including this in my Polity numbering for the series, but there are one or two that aren’t Polity.

In his intro, Asher really lets loose against Civil Authorities overstepping the boundaries setup for them and how people just let them. He sounded very much like me in fact, or I sound like him (he’s older, so age before me). It made me laugh and cry because I completely agreed and yet a majority of the world didn’t, as they let fear, lies and manipulation determine their fate instead of taking it into their own hands.

I went into this collection thinking I would try to take notes on each story and write up my review that way, the way Marzaat (and others) do. However, that resolution didn’t last very long. With nine stories, each is a bit longer than just a “short story”, so I had to pay attention. I can’t read, pay attention, take notes AND enjoy the story all at the same time. So something had to give. Obviously, I just decided to not enjoy the stories and sacrifice my enjoyment for your edification. Because nobody is as important as you.

And if you believe that, you need some serious help. No, seriously, get some professional help. You rank about the same as monkey poop to me. Honest.

Therefore the notes went right out the window.

Xenovore was VERY similar to the previous book Weaponized and Asher even mentions that in his introduction. I was glad he did or else I would have felt very gypped. It wasn’t the same story but had enough of the same elements that I wished it had been shorter.

An Alien on Crete was a non-Polity story about an alien coming to Earth to awaken Earth’s guardian, blah, blah, blah. It didn’t engage me at all.

Skin was a story about a Polity citizen getting a new skin from a doctor who had run up against Polity rules. Of course, things go horrifically wrong and the skin ends up slithering away to the ocean. It was awesome.

Antique Battlefields was a tale of the Quiet War, when the AI’s took control. For me, this has always been the achille’s heel of the Polity Universe. I regularly overlook it every time I read a Polity book. The idea is that the AI’s are better than us without our corruption. We created them and thus they are inherently broken. That doesn’t fit Asher’s world view and so he just ignores it. It was interesting to see a quick snapshot of the war, but it really brought the aforementioned issue to my mind and so I just couldn’t ignore it.

Ha, would you look at that? I did ALL that without a single flipping note. My brain is awesome, that’s all I have to say. Suck it AI, you’ll never be anywhere near as talented in so many fields as I am.

There was one story where Asher lets loose his hatred of religion, but it was all of one sentence and in many ways felt more of an obligatory thing than because he actually feels that way. I think he does, but the fire is going out.

And that’s enough out of me. This is over 700 words now. Nobody needs to write or read something that long!

★★★★☆

Table of Contents:

LOCKDOWN TALES II An Introduction

XENOVORE

AN ALIEN ON CRETE

THE TRANSLATOR

SKIN

EELS

THE HOST

ANTIQUE BATTLEFIELDS

MORAL BIOLOGY

LONGEVITY AVERAGING

Wednesday, March 13, 2024

Currently Reading: Systematic Theology

Systematic Theology by Wayne Grudem.

At over 1200 pages, and being my lunch break book, I have a feeling this is going to take me a year or so. Therefore, don’t expect a review any time soon, hahahahahaaa.