Have started a buddy read with Dave and Markus. We’re reading Farsight by Phil Kelly, a novella about the Tau from the Warhammer 40K universe. We’re going to wrap things up by November 25th, so lots of time. If you have any interest in joining us, leave a comment and we’ll work out the details! Otherwise, shut up, sit back and be jealous of how awesome we are 😉
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: Foundation
Series: Foundation #1
Authors: Isaac Asimov
Rating: 5 of 5 Stars
Genre: SF
Pages: 234
Words: 70K
Foundation is one of those books/series that I read in highschool, then again in Bibleschool and then yet again as an adult. When I read Foundation back in ‘08. I only gave it 3stars. Looking at my review, I don’t give any indication of why. I suspect I was expecting some sort of epiphany experience and when that didn’t happen, I blamed it on the book.
This time around I had more experience with a wider range of Asimov’s work. I’d seen him at the top of his form and I’d seen some of his better left forgotten stuff too. This was a collection of very dependent short stories and I loved every single second of it.
With just a few words Asimov sets the stage for 1000 years of future history. We meet Harri Seldon for all of 4, maybe 5 paragraphs and yet when his hologram appears again, he’s one of the most real characters in the stories. Trantor, the planet city, the Empire itself, are all sketched in with a very light touch and yet we are told enough that our imaginations can fill in all the gaps (well, if your imagination hasn’t atrophied in todays bookish culture).
Asimov’s strength has always been “The Idea” and he works that to the fullest here. I loved it.
★★★★★
From Wikipedia
Called forth to stand trial on Trantor for allegations of treason (for foreshadowing the decline of the Galactic Empire), Seldon explains that his science of psychohistory foresees many alternatives, all of which result in the Galactic Empire eventually falling. If humanity follows its current path, the Empire will fall and 30,000 years of turmoil will overcome humanity before a second empire arises. However, an alternative path allows for the intervening years to be only 1,000 if Seldon is allowed to collect the most intelligent minds and create a compendium of all human knowledge, entitled the Encyclopedia Galactica. The board is still wary, but allows Seldon to assemble whomever he needs, provided he and the “Encyclopedists” be exiled to a remote planet, Terminus. Seldon agrees to these terms – and also secretly establishes a second foundation of which almost nothing is known, which he says is at the “opposite end” of the galaxy.
After 50 years on Terminus, and with Seldon now dead, the inhabitants find themselves in a crisis. With four powerful planets surrounding their own, the Encyclopedists have no defenses but their own intelligence. At the same time, a vault left by Seldon is due to automatically open. The vault reveals a pre-recorded hologram of Seldon, who informs the Encyclopedists that their entire reason for being on Terminus is a fraud, insofar as Seldon did not actually care whether or not an encyclopedia was created, only that the population was placed on Terminus and the events needed by his calculations were set in motion. In reality, the recording discloses, Terminus was set up to reduce the dark ages based on his calculations. It will develop by facing intermittent and extreme “crises” – known as “Seldon Crises” – which the laws governing psychohistory show will inevitably be overcome, simply because human nature will cause events to fall in particular ways which lead to the intended goal. The recording reveals that the present events are the first such crisis, reminds them that a second foundation was also formed at the “opposite end” of the galaxy, and then falls silent.
The Mayor of Terminus City, Salvor Hardin, proposes to play the planets against each other. His plan is a success; the Foundation remains untouched, and he becomes its effective ruler. Meanwhile, the minds of the Foundation continue to develop newer and greater technologies which are more compact and powerful than the Empire’s equivalents. Using its scientific advantages, Terminus develops trade routes with nearby planets, eventually taking them over when its technology becomes a much-needed commodity. The interplanetary traders effectively become diplomats to other planets. One such trader, Hober Mallow, becomes powerful enough to challenge and win the office of Mayor and, by cutting off supplies to a nearby region, also succeeds in adding more planets to the Foundation’s control.
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: The Insulted and Humiliated
Series: (The Russians)
Author: Fyodor Dostoyevsky
Translator: Garnett
Rating: 4.5 of 5 Stars
Genre: Classic
Pages: 534
Words: 145K
This was probably the most Russian of the Russian novels I’ve read to date. A fiance dumps the guy for some rich prince, but not because he’s a prince but “because she loves him”. And the main character helps them both. He becomes the shoulder for the woman to cry on when things go hard, he listens to the princeling when he is at his stupidest (all the time), the princeling has zero will of his own and completely lives his life in the moment and by his emotions, the parents of the girl and princeling are suing each other and the main character finds and befriends a sick orphan girl, who dies in the end. The princeling marries someone else and the girl and the main character are left knowing too much has happened for them to ever return together.
Oh man, how can you NOT love something like that? It was distilled misery, like Grade AAA Maple Syrup, but Misery instead. It was glorious and I found myself, on several occasions, pumping my fist in the air and mentally exclaiming, YES, that’s a new low, how can you beat that? And Dostoyevsky must have heard me from the grave, because he kept one upping me.
The story itself is very slow and this was all about the characters interacting. If you want interesting characters, read this. Dostoyevsky knew people and what’s more, he knew how to translate that to the written word. This reminded me very much of a Dickens’ story and I daresay that Dostoyevsky is just as good as Dickens about creating characters and situations.
While I am not sure I would recommend this as an introduction to someone who wants to get into Classic Russian Literature, I would recommend it just to see if they can handle the misery. This book is like a stress test to see if someone can handle CRL in general and not necessarily a test to see if they like CLR. There’s a difference and you need to be able to differentiate between what you can handle and what you like.
★★★★✬
From Wikipedia.org
Natasha leaves her parents’ home and runs away with Alyosha (Prince Alexey), the son of Prince Valkovsky. As a result of his pain, her father, Nikolai, curses her. The only friend that remains by Natasha’s side is Ivan – her childhood friend who is deeply in love with her, and whom Natasha has rejected despite their being engaged. Prince Valkovsky tries to destroy Alyosha’s plans to marry Natasha, and wants to make him marry the rich princess Katerina. Alyosha is a naïve but lovable young man who is easily manipulated by his father. Following his father’s plan, Alyosha falls in love with Katerina, but still loves Natasha. He is constantly torn between these two women, too indecisive and infatuated with both to make a decision. Eventually, Natasha sacrifices her own feelings and withdraws in order for Alyosha to choose Katerina. Meanwhile, Ivan rescues an orphan girl, Elena (known as Nellie), from the clutches of a procuress and learns that her mother ran away from her father’s (Jeremy Smith’s) home with her sweetheart, a man who abandoned her when Nellie’s mother gave birth. It is later revealed that Prince Valkovsky is Nellie’s father. Her parents were legally married, but Prince Valkovsky persuaded his young and innocent wife to rob her father, Jeremy. After moving to Petersburg, Nellie’s mother asks her father for forgiveness, but he rejects them. Before dying, Nellie’s mother makes Nellie promise to never go to her real father, whose name is on a document she leaves her daughter. In an attempt to make Nikolai (Natasha’s father) reconcile with Natasha, Ivan persuades Nikolai and his wife to adopt Nellie. By telling them her life story, Nellie makes Nikolai’s heart soften and he forgives Natasha and removes his curse, and they are reunited. Natasha’s family plans to move from Petersburg, but just before they leave Nellie dies from a chronic heart condition; the little girl makes it clear to Ivan she does not forgive her father for his cruel treatment of her mother. She also tells him he should marry Natasha. The story ends with Nikolai and Natasha considering what a waste everything has been to that point and how they can never be togetherl.
Instead of just watching X-Men: Origins: Wolverine (my goodness, what idiot thought that mashed potato filled title was a good idea?) like I intended, I ended up watching all three of the Wolverine movies. They are:
(all titles above link to the Wikipedia pages. I’m not going to waste time putting up synopses for these) I am glad to have gotten them all out of the way. After Logan, I was left gnashing my teeth, almost foaming at the mouth and fully decided to watch no more X-Men movies.
Origins, as the title declares, is the origin story of Wolverine. It’s not canon, it’s not even inline with the previous X-Men films, but I enjoyed this a lot. It was a comic book super hero movie and it leaned into that unabashedly. From stupid, face-palming one liners to scenarios so outrageous that your brain has to stop, this was fun from top to bottom.
The Wolverine was a bit darker, had Famke Jannsen as Jean Grey haunting Wolverine’s mind and ended up with a battle between Wolverine and a giant Mecha made out of adamantium. That Wolverine destroys with a heated adamantium super sword. Yakuza, kidnappings, corruption, like I said, darker. But at the same time, it felt like it was trying to be more serious than Origins but it was just as comic book’y. But it was trying to play it straight. It almost worked, but whereas I found myself just accepting stuff in Origins, for this movie I kept thinking “That’s stupid. That doesn’t make sense. How would that EVEN work?” Those are not questions I should be asking if I want to enjoy a movie.
Then we come to Logan. An old Wolverine is taking care of an insane and incontinent Professor X and there’s some new breed of Mutant X warriors, blah, blah, blah. This was rated R (where the previous two were pg-13) and boy did they run with that rating. Logan AND Professor X swear worse than sailors, the hopelessness of everything just oozes off the screen and in a move that I found rather despicable, Logan spends five minutes screaming at the little girl (X23?) about how comic books are lies and not real and should be ignored. That is when I decided to mentally check out. Comic books have never claimed to be real or “like the real world”. The whole flipping point is to give some kids an escape for a couple of minutes and to show them something good. There is a reason they used to be about Super HEROES, and not just about super powered individuals. Hope, comic books offered hope to kids in a form they could understand. And this movie took that hope, mind raped it, gouged its eyeballs out, cut its legs off and then sat back and smugly said “So, where is your hope now, puny human?” I was sickened, disgusted and totally put off by the message.
So I’m done with the X-Franchise. To be perfectly honest, Logan affected me enough that I’m considering not reviewing another movie until after new years.
When it comes to books, I refuse to be one of the yapping drones parroting the same lines about the same books about the same authors that 1000 other bloggers are yapping about all at the same time. Yap, yap, yap…
Which is why I will read the books I do, in the very faint hope that just maybe ONE of those brainless drones will take a chance and try one of the books that nobody else reads any more and begin their own unique reading adventure through life.
STEP OUT OF LINE AND READ SOMETHING NONE OF YOUR PEERS ARE READING!!!
Of all the sorts of people in the world, I would have thought book readers would be the first to go their own way and do their own thing. Instead, all I see is a mass of faceless non-entities. Bowls of oatmeal, without even flavor to distinguish one from the next. Even their bowls are all exactly the same.
If I have to be a bowl of oatmeal, I will be a bowl of oatmeal like this:
Thankyou for listening. Just needed to get that out of my system. Crabby old hermit mode is powering down now. Normal functions will resume in 3….2….1….
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission
Title: The Colour of Magic
Series: Discworld #1
Author: Terry Pratchett
Rating: 4 of 5 Stars
Genre: Fantasy
Pages: 270
Words: 89K
This is the 3rd time “officially” that I’ve read this. And I still really enjoy it. The humor is right up my alley and it tickles my funny bone. Definitely not for everyone. Rincewind the Wizzard isn’t everyone else’s favorite Discworld character, but he makes me laugh my head off.
This wasn’t so much one singular story as a series of adventures by Rincewind and Two Flowers, a tourist from the Counter-Weight Continent. They burn down Ankh-Morpork and then proceed across the land landing into trouble everywhere they go. It’s insane, crazy, discombobulated and you can tell Pratchett was writing for the pure joy of being silly. I loved it!
I was apprehensive about doing this re-read of Discworld, but this wonderful start has put my mind at ease and while I know I’m not going to enjoy every single book, I do think I am going to enjoy the series as a whole.
★★★★☆
From Wikipedia.org
The story begins in Ankh-Morpork, the biggest city on the Discworld. The main character is an incompetent and cynical wizard named Rincewind, who is hired as a guide to naive Twoflower, an insurance clerk from the Agatean Empire who has come to visit Ankh-Morpork. Thanks to the abundance of gold in his homeland, Twoflower, though only a clerk, is immensely rich compared to inhabitants of Ankh-Morpork. Initially attempting to flee with his advance payment for agreeing to be Twoflower’s guide, Rincewind is captured by the Patrician of Ankh-Morpork, who forces him to protect Twoflower, lest the tourist’s death provoke the Agatean Emperor into invading Ankh-Morpork. After Twoflower is kidnapped by a gang of thieves and taken to the Broken Drum tavern, Rincewind stages a rescue alongside the Luggage, an indestructible, enchanted and sentient chest belonging to Twoflower. Before this, Twoflower convinces the Broken Drum’s landlord to take out a fire insurance policy; the landlord subsequently attempts to burn down the tavern to claim the money, but ends up causing a fire that destroys the whole of Ankh-Morpork. Rincewind and Twoflower escape in the chaos.
Rincewind and Twoflower travel towards the city of Quirm, unaware that their adventures on this journey are actually the subject of a boardgame played by the Gods of the Discworld. The pair are separated when they are attacked by a mountain troll summoned by Offler the Crocodile God. The ignorant Twoflower ends up being led to the Temple of Bel-Shamharoth, a being said to be the opposite of both good and evil, while Rincewind ends up imprisoned in a dryad-inhabited tree in the woods, where he watches the events in Bel Shamharoth’s temple through a magical portal. The pair are reunited when Rincewind escapes into the temple through the portal, and they encounter Hrun the Barbarian, a parody of heroes in the Swords and Sorcery genre. The trio are attacked and nearly killed by Bel-Shamharoth, but escape when Rincewind accidentally blinds the creature with Twoflower’s magical picture box. Hrun agrees to travel with and protect Twoflower and Rincewind in exchange for heroic pictures of him from the picture box.
The trio visit the Wyrmberg, an upside-down mountain which is home to dragon-riders who summon their dragons by imagining them, and are separated when the riders attack them. Rincewind escapes capture but is forced by Kring, Hrun’s sentient magical sword, to attempt to rescue his friends. Twoflower is imprisoned within the Wyrmberg, and because of his fascination with dragons, is able to summon one greater than those of the Wyrmberg riders, who he names Ninereeds, allowing him to escape captivity and save Rincewind from being killed in a duel with one of the three heirs of the Wyrmburg. Twoflower, Rincewind and Ninereeds snatch Hrun, but as they attempt to escape into the skies, Twoflower passes out from the lack of oxygen, causing Ninereeds to disappear. Hrun is saved by Liessa, but Rincewind and Twoflower find themselves falling to their deaths. In desperation, Rincewind manages to use the Wyrmberg’s power to temporarily summon a passenger jet from the real world, before he and Twoflower fall into the ocean.
The two of them are taken to the edge of the Discworld by the ocean currents and nearly carried over, but they are caught by the Circumfence, a huge net built by the nation of Krull to catch sea life and flotsam washed in from the rest of the Discworld. They are rescued by Tethis the sea troll, a being composed of water who had fallen off the edge of his own world and onto the Discworld, where he was subsequently enslaved by the Krullians. Rincewind and Twoflower are then taken by the Krullians to their capital, where they learn that the Krullians intend to discover the sex of Great A’Tuin by launching a space capsule over the edge of the Disc, and plan to sacrifice Rincewind and Twoflower to get the god Fate to smile on the voyage, Fate insisting on their sacrifice after they caused him to lose the earlier game. Rincewind and Twoflower attempt to escape, but end up stealing the capsule, which is launched with Twoflower inside, the tourist wishing to see the other worlds of the universe. Rincewind is unable to get into the capsule in time, and falls off the Disc alongside it, the Luggage following them soon after.
The story segues into the beginning of The Light Fantastic
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards...
