Wednesday, February 14, 2024

Pride and Prejudice 5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Pride and Prejudice
Series: ———-
Author: Jane Austen
Rating: 5 of 5 Stars
Genre: Classic
Pages: 275
Words: 124K


This will be a bit different from my usual review. Lashaan and I did a buddy read of this and we used a series of questions I found online to help us talk about the book. There were 11 questions in total and I chose to answer 7 of them. I found the other 4 stupid, insipid, insulting or just plain not a subject I cared one whit for. After the questions I have some general thoughts. And I’ve included a link to Lashaan’s review at the end. Please visit his review when it goes live to see another whole take on this book 😀

1. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This first line has become one of the most famous in English literature. In addition to setting the narrative in motion, how does this line alert us to the tone of the novel and our role, as readers, in appreciating it? What does the line imply about women?

I’ll work backwards on this. Addressing that last question first.

When you talk about the opening line, you have to also use the second to put it into context:
“However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.”

So what the opening implies about women, and then about men, is that they are both playing pieces for their elders. It’s not about gender (despite what the questioner is trying to force into this). Both are pawns are on the chessboard of marriage.

The role of the reader is whatever the reader wants it to be. It doesn’t matter what the author thinks, or tries to do. The reader is an independent being and a good author acknowledges this and simply writes their story without forcing their reader into the slavery of being “in a role”. Only Message writers do that.

As for the tone of the novel, I’d say it it sets a jolly good tone! Funny, amusing and yet acknowledging the foibles of the culture the author is living in.

So there we go. My first set of ranty answers to the first question 😀

2. Elizabeth is upset to learn that Charlotte has accepted Mr. Collins’s marriageproposal. Do you think Charlotte should have married Mr. Collins? Did she choose him or did he choose her? What do you think influenced her decision to accept him? Is Charlotte a romantic? Is Elizabeth?

At 27, being plain, poor and unconnected, Charlotte didn’t have much choice if she didn’t want to end up being a burden to her family. While I suspect she will regret in the future her choice of Mr Collins, tempermentally she seems fit to deal with his particular brand of pride and false-humility. And now she is mistress of her own establishment with greater things to come. Her children won’t be in her circumstances and thus will hopefully be able to have more choices open to them.

I’d say Charlotte definitely chose Mr Collins. He was just wafting around like a butterfly, looking for the first open flower. She saw him coming a mile away. Besides, Mr Collins seems to stupid to do any real choosing 😀

I think my answer to the first question also answers this. Material stability goes a long way towards making a relationship stable. Charlotte knew what her future held and so she did what she had to to change it, for the better.

I don’t see Charlotte as romantic at all.  She’s just super realistic. Elizabeth on the other hand is fully infected with the “Love is Our Guiding Light” idea. Of course, given what Elizabeth sees between her father and mother, one can forgive her for wanting some genuine love in a relationship.

3. How does Pemberley play a role in Elizabeth’s change of heart? Does she really fall in love with Darcy after seeing his estate? Trace the development of her feelings for him. Why is Darcy attracted to Elizabeth? Trace the development of his feelings for her.

I think this question is a bit too “school report” like for my taste. Plus, you know, feelings. Seeing Pemberley was just another check mark in the positive side for Darcy. Not because it was all big and rich, but because of the character it displayed and thus by extension, Darcy’s character. You can tell a lot about a person by their living quarters. And by the people they keep around them. So it simply helped Elizabeth begin to change her feelings towards Darcy. She saw another side of him displayed through Pemberley. She was discerning enough to see that and to look beyond the wealth itself.

4. What might have happened if Elizabeth had accepted Darcy’s first proposal? Do you think he really expected her to accept? How does the first proposal change their feelings for, and opinions of, each other?

I think their marriage would have ended in disaster. He wouldn’t have respected her and she never would have loved him him. They both needed to change themselves and see the other in a more accurate light before their marriage could have worked.

I do think Darcy expected an acceptance. I’m pretty sure when they are talking about it later he says something like “you had everything to gain and nothing to lose by accepting my proposal. At least that is how I saw it at the time”.

I think Darcy’s proposal opened Elizabeth’s eyes to the fact that Darcy did love her. He wasn’t just attracted to her, but he loved her. That allowed her to realize that her feelings of prejudice might need to change. And Darcy got a good earful from Elizabeth and he needed that to set him on the path of seeing her as an equal in any marriage endeavor and not just an emotional and sexual outlet.

7. Mr. and Mrs. Bennet do not agree on very much, especially when it comes to their daughters’ futures. Who is the better parent—Mr. or Mrs. Bennet? What role does family play in this novel?

Neither of them is the better parent. Mr Bennet is the least worst though. Lydia is exactly like her mother, so it shouldn’t have come as any surprise to anyone at her running away with Wickham and not caring at all about getting married. Mr Bennet could have helped guide his wife’s character growth at the beginning of their marriage but chose not to fight that battle and he reaped the harvest with a selfish, vain, silly woman for a wife.

Family plays a huge role! The Bennetts. Darcy’s sister and Aunt. Mr Bingley’s sister. Elizabeth’s Aunt and Uncle. Even Wickham is a pseudo-family of the Darcy’s. You can’t go very far without a family interaction.

8. Darcy says that Wickham tried to elope with Georgiana for revenge. Does revenge play a part in his elopement with Lydia?

I don’t think it does at all. I think Wickham needed an out and Lydia provided the easiest and most comfortable out. I have to admit, Wickham running away with Lydia still puzzles me.

11. Why is this novel so popular? Why do readers keep coming back to it, even after the original suspense is gone and they know how it ends?

Because it’s a girly romance and there are more women in the world than men. 

Is my off the cuff, flippant remark, hahahahaa.

My serious answer would be that the Initially Thwarted Romance between Jane and Mr Bingley and the Enemies to Lovers Romance between Elizabeth and Mr Darcy speaks to a lot of women. “I” like it because it’s a romantic story that shows some real human foibles and it’s some very fine writing.

I skipped a bunch of questions because they pissed me off. I hate social media so wanted to nothing to do with that question. I disliked the leading question about Irony because I don’t like being led down a certain path by somebody else. Finally, I don’t care two figs for what it might have been originally titled. It is called Pride and Prejudice and that’ that. It’s overthinking things for the sake of overthinking to do any more on the title.

Bookstooge’s General Thoughts:

I must admit, I did not like this format of Question and Answer. I felt stifled, hemmed in and like I was back in highschool with a teacher looking over my shoulder. While it made writing a review much easier (I pasted/copied the questions and my answers from my emails to Lashaan), I totally did not enjoy the reading process itself. My brain did not have the freedom to wander down the byways because I was focused on trying to “pay attention” to the story so I could answer the questions.

It’s not that the Q&A is a bad way of doing things, especially for younger people who haven’t been trained to think for themselves yet. It gives them a framework within which to work, otherwise they’d be left floundering and their thoughts would be “I liked this” or “I didn’t like this” without any further explanation. But I am not a kid any more. Sadly, I haven’t been for a long time and I have much vaster reading experience now than I did back when I was a teenager (even as well read as I was then). For me, the reading experience itself is part of the process. I simply flow into the story, absorb it and let it knock around my brain like a pair of dice. Then I release it and see what happens. That’s how I read and review now. It’s been quite the revelation to me to come to that realization.

I am also glad that “I” am the one that chose the questions, that way I have nobody but myself to blame, hahahaahahaa.

Overall, while this Q&A was quite the different approach, and one that I’m happy to have applied, it won’t be happening again.

★★★★★

Lashaan’s Review


Complete Set of Questions:

Click to Open

1. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This first line has become one of the most famous in English literature. In addition to setting the narrative in motion, how does this line alert us to the tone of the novel and our role, as readers, in appreciating it? What does the line imply about women? (From the Chicago Public Library’s One Book, One Chicago pamphlet on Pride and Prejudice, 2005)

2. Elizabeth is upset to learn that Charlotte has accepted Mr. Collins’s marriage proposal. Do you think Charlotte should have married Mr. Collins? Did she choose him or did he choose her? What do you think influenced her decision to accept him? Is Charlotte a romantic? Is Elizabeth?

3. How does Pemberley play a role in Elizabeth’s change of heart? Does she really fall in love with Darcy after seeing his estate? Trace the development of her feelings for him. Why is Darcy attracted to Elizabeth? Trace the development of his feelings for her.

4. What might have happened if Elizabeth had accepted Darcy’s first proposal? Do you think he really expected her to accept? How does the first proposal change their feelings for, and opinions of, each other?

5. Several letters are reproduced in full in the text. What is the effect on you as a reader when you read a letter instead of getting the information contained in it from the 3rd person narrator? Why do you think Austen might have used letters so often in this novel? (There are 59 references to letters in the book.)

6. How does the title Pride and Prejudice relate to the original title Jane Austen used for the novel, First Impressions? Do you think Pride and Prejudice is a better title? Why? How does it relate to Elizabeth? Darcy? Does it relate to other characters in the novel?

7. Mr. and Mrs. Bennet do not agree on very much, especially when it comes to their daughters’ futures. Who is the better parent—Mr. or Mrs. Bennet? What role does family play in this novel?

8. Darcy says that Wickham tried to elope with Georgiana for revenge. Does revenge play a part in his elopement with Lydia?

9. Lady Catherine’s visit to Elizabeth to persuade her not to marry Darcy actually has the opposite effect and propels them toward the final conclusion, their marriage. What is it about this use of dramatic irony that is so appealing to readers? What other examples of irony do you find in the novel?

10. The novel has many universal themes that make it relevant today and inspire contemporary spin-offs and adaptations. Imagine the Facebook pages of each of the Bennet daughters. Who would be most active on Facebook? How would their entries differ from each other? Would any of them choose not to be on Facebook?

11. Why is this novel so popular? Why do readers keep coming back to it, even after the original suspense is gone and they know how it ends?


From Wikipedia.org

Synopsis – Click to Open

In the early 19th century, the Bennet family live at their Longbourn estate, situated near the village of Meryton in Hertfordshire, England. Mrs Bennet’s greatest desire is to marry off her five daughters to secure their futures.

The arrival of Mr Bingley, a rich bachelor who rents the neighbouring Netherfield estate, gives her hope that one of her daughters might contract an advantageous marriage, because “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife”.

At a ball, the family is introduced to the Netherfield party, including Mr Bingley, his two sisters and Mr Darcy, his dearest friend. Mr Bingley’s friendly and cheerful manner earns him popularity among the guests. He appears interested in Jane, the eldest Bennet daughter. Mr Darcy, reputed to be twice as wealthy as Mr Bingley, is haughty and aloof, causing a decided dislike of him. He declines to dance with Elizabeth, the second-eldest Bennet daughter, as she is “not handsome enough”. Although she jokes about it with her friend, Elizabeth is deeply offended. Despite this first impression, Mr Darcy secretly begins to find himself drawn to Elizabeth as they continue to encounter each other at social events, appreciating her wit and frankness.

Mr Collins, the heir to the Longbourn estate, visits the Bennet family with the intention of finding a wife among the five girls under the advice of his patroness Lady Catherine de Bourgh, also revealed to be Mr Darcy’s aunt. He decides to pursue Elizabeth. The Bennet family meet the charming army officer George Wickham, who tells Elizabeth in confidence about Mr Darcy’s unpleasant treatment of him in the past. Elizabeth, blinded by her prejudice toward Mr Darcy, believes him.

Elizabeth dances with Mr Darcy at a ball, where Mrs Bennet hints loudly that she expects Jane and Bingley to become engaged. Elizabeth rejects Mr Collins’ marriage proposal, to her mother’s fury and her father’s relief. Mr Collins instead proposes to Charlotte Lucas, a friend of Elizabeth.

Having heard Mrs Bennet’s words at the ball and disapproving of the marriage, Mr Darcy joins Mr Bingley in a trip to London and, with the help of his sisters, persuades him not to return to Netherfield. A heartbroken Jane visits her Aunt and Uncle Gardiner in London to raise her spirits, while Elizabeth’s hatred for Mr Darcy grows as she suspects he was responsible for Mr Bingley’s departure.

In the spring, Elizabeth visits Charlotte and Mr Collins in Kent. Elizabeth and her hosts are invited to Rosings Park, Lady Catherine’s home. Mr Darcy and his cousin, Colonel Fitzwilliam, are also visiting Rosings Park. Fitzwilliam tells Elizabeth how Mr Darcy recently saved a friend, presumably Bingley, from an undesirable match. Elizabeth realises that the prevented engagement was to Jane.

Mr Darcy proposes to Elizabeth, declaring his love for her despite her low social connections. She is shocked, as she was unaware of Mr Darcy’s interest, and rejects him angrily, saying that he is the last person she would ever marry and that she could never love a man who caused her sister such unhappiness; she further accuses him of treating Wickham unjustly. Mr Darcy brags about his success in separating Bingley and Jane and sarcastically dismisses the accusation regarding Wickham without addressing it.

The next day, Mr Darcy gives Elizabeth a letter, explaining that Wickham, the son of his late father’s steward, had refused the “living” his father had arranged for him and was instead given money for it. Wickham quickly squandered the money and tried to elope with Darcy’s 15-year-old sister, Georgiana, for her considerable dowry. Mr Darcy also writes that he separated Jane and Bingley because he believed her indifferent to Bingley and because of the lack of propriety displayed by her family. Elizabeth is ashamed by her family’s behaviour and her own prejudice against Mr Darcy.

Months later, Elizabeth accompanies the Gardiners on a tour of Derbyshire. They visit Pemberley, Darcy’s estate. When Mr Darcy returns unexpectedly, he is exceedingly gracious with Elizabeth and the Gardiners. Elizabeth is surprised by Darcy’s behaviour and grows fond of him, even coming to regret rejecting his proposal. She receives news that her sister Lydia has run off with Wickham. She tells Mr Darcy, then departs in haste. After an agonising interim, Wickham agrees to marry Lydia. She visits the family and tells Elizabeth that Mr Darcy was at her wedding. Though Mr Darcy had sworn everyone involved to secrecy, Mrs Gardiner now feels obliged to inform Elizabeth that he secured the match, at great expense and trouble to himself.

Mr Bingley and Mr Darcy return to Netherfield. Jane accepts Mr Bingley’s proposal. Lady Catherine, having heard rumours that Elizabeth intends to marry Mr Darcy, visits her and demands she promise never to accept Mr Darcy’s proposal, as she and Darcy’s late mother had already planned his marriage to her daughter Anne. Elizabeth refuses and asks the outraged Lady Catherine to leave. Darcy, heartened by his aunt’s indignant relaying of Elizabeth’s response, again proposes to her and is accepted.

Tuesday, February 13, 2024

Making Love Last Forever 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Making Love Last Forever
Series:
Author: Gary Smalley
Rating: 4 of 5 Stars
Genre: Non-Fiction
Pages: 304
Words: 99K


First, lets get the elephant in the room out of the room. That cover is pure 90’s Self-Help and it doesn’t do the book any favors whatsoever. I know that Smalley is not a vain man (more than any other man I mean) but this makes him look like some greased up shyster on a used car lot. It is too bad because this is a very helpful book on a lot of levels. I also have thought ALL these years that Smalley was the author of one of the books that changed my life, The Five Love Languages, so I gave him a lot of leeway. Upon finishing this book I realized that a “Gary Chapman” had written that book and that Smalley had nothing to do with it. Oh, what a let down that was.

Smalley is a professional counselor and does/did counseling in an office, in seminars, through video series and in books. He set out to reach as many people as he could and I think he succeeded in his mission.

Smalley is a Christian but his principles are general-use and while geared towards those who believe in Jesus, are still effective and ecumenical enough for anyone. He also only brings God into things as a “and if you want it to work even better, try….”. I never felt that he was a pushy Evangelical writing a theological treatise under the guise of a self-help book. Smalley genuinely cares for people and couples and wants what is best for them.

The book is filled with anecdotes from his own life, from people he has counseled and from other situations he has been in. While he might seem to go on tangents at time, he is always very good about bringing things right back to the theme of that particular chapter. He also has very good generalized advice and everything is aimed at the reader of the book. It’s not about trying to change your spouse, or make “them” better. Smalley says Love starts with us and it is our responsibility to carry out the duties of Love even if things are bad. This delves a lot into attitudes and stuff going on inside of a person. Which I must admit sometimes annoyed me because I wanted a Concrete List of things To Do. And what do you know, at the end of each chapter he has a list of things that Forever Love does, or does not do, that tie into the theme of that chapter. By the end of the book there were close to 150 bullet points in the list. That is exactly what I wanted.

I liked the fact that was so focused on the reader. In my marriage, the only thing I can truly change is myself. I can try to control Mrs B, or our circumstances or events, but that will destroy things quicker than anything. Plus, it’s exhausting trying to live two people’s lives. Smalley brings out that it simply isn’t viable, besides the fact that it goes against everything that Love actually is. So what can I do in my marriage to make things better? Focus on those things and don’t worry about what you can’t. I’m sure other people reading the book will get different things, but that is what stood out to me.

I’ve written about Love (Smalley uses the term Forever Love) here but wanted to define just what that is. Otherwise it becomes a nebulous “whatever” that can be manipulated. The following comes from the first book of Corinthians, chapter 13:

Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice at wrongdoing, but rejoices with the truth. Love bears all things, believes all things, hopes all things, endures all things.Love never ends.

★★★★☆


From the Publisher

Click to Open

For years Gary Smalley has helped millions of couples throughout North America enrich their relationships and deepen their bonds of love and companionship. In this extraordinary book, he shows you how to stay in love through all the stages of life. From first attraction to lifelong commitment, Gary’s proven techniques and practical advice show you how to pursue and keep the love you want, and how to energize your relationship with enduring, passion-filled love.

In this book you’ll learn how to:

  • Understand and use love’s best-kept secret
  • Deal with the number one enemy of love
  • Turn headaches into more love
  • Increase your energy to keep loving
  • Find the power to keep on loving your spouse
  • Use normal conflicts as doorways to intimacy
  • Read a woman’s built-in marriage manual twelve ways
  • Divorce-proof your marriage
  • Develop the five vital signs of a healthy marriage
  • Respond to your partner’s number one request
  • Find the powerful secret to great love
  • Bring out the best in your maddening mate

With humor, empathy, and insight, Gary Smalley inspires you to fall in love with life and enjoy the deep satisfaction of a lifelong love. Down-to-earth examples, touching personal experiences, and inspiring spiritual principles will motivate you to bring about positive changes in your marriage-whether or not your mate is a willing participant. You’ll learn how to tap resources at hand to help you follow through with your journey-and make your love last forever.

Sunday, February 11, 2024

Enemy of the State (Mitch Rapp #16) 3Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Enemy of the State
Series: Mitch Rapp #16
Author: Vince Flynn & Kyle Mills
Rating: 3 of 5 Stars
Genre: Thriller
Pages: 331
Words: 103K


The US President is tired of the Saudi’s continuing to fund terrorism while taking our money to supposedly fight it themselves. So he sends Mitch Rapp on a mission to start killing the Saudi Royalty as a way to show they can no longer be safe as terrorist proxies. Things go south and Rapp becomes disavowed by the US government. One of his old enemies is co-opted by a corrupt Saudi working for ISIS to hunt Rapp down. And just in case that isn’t enough, Rapp’s new girl wants to start working the logistics side of supporting him in the field.

Kennedy, the Director of the CIA and Rapp’s boss, is barely in this story. I don’t think Mills knows how to truly utilize her and so he just has pushed her to the background. He’s also turned Mitch Rapp into the crazy killing machine everyone thought he was (but wasn’t) when the original author Vince Flynn was writing him. Mills has a much heavier hand and there’s no nuance or suggestion. It’s not a terrible change but it makes Rapp a much less interesting character and limits the scope of what he is capable of.

The action/adventure side of things is definitely all there. It was good. It is what is keeping this series from descending into mediocre territory since Mills just can’t seem to handle Mitch Rapp as a character. I’m going to continue to read these book, I’m going to continue to enjoy them but I am definitely going to continue to complain about Mills’ handling of the characters.

After writing that, I thought about it for a bit. I realized that it isn’t so much that Mills doesn’t “get” Rapp, but that he doesn’t have the same sense of the political that Flynn did. It feels like Mills is colorblind in this regards while Flynn had an eye for various shades of the same color, thus able to subtly bring out aspects you’d never expect. Mills simply can’t do that because of his limitations. Part of me thinks I shouldn’t pick on the poor gimpo, but he is the one who chose to pick up the brush of the master and try to continue his work. I am never going to compare Mills to other books by Mills because I have zero interest in his other works. I will always be comparing him to Flynn, because Flynn started this and created a masterful canvas to work on. Mills just isn’t as good an author as Flynn was. In his defense, he never whines or complains in the forwards or afterwards. He has a cash cow and he’s thankful for every squeezing it gives him.

I just wish he’d make some of that wonderful caramalized onion cheddar instead of the straight up sharp cheddar.

★★★☆☆


From Kylemills.com/books/enemy-of-the-state/

Click to Open

In the #1 New York Times bestselling series’ latest installment, Mitch Rapp finds himself alone and targeted by a country that is supposed to be one of America’s closest allies.

After 9/11, the US made one of the most secretive and dangerous deals in its history—the evidence against the powerful Saudis who coordinated the attack would be buried. In return, King Faisal would promise to keep the oil flowing and deal with the conspirators in his midst.

When the king’s own nephew is discovered funding ISIS, the president suspects that the Saudis never intended to live up to their agreement. He decides that the royalty needs to be sent a message and that Mitch Rapp is just the man to deliver it. The catch? America can’t be seen moving against an ally. Rapp will be on his own.

Forced to make a decision that will change his life forever, Rapp quits the CIA and assembles a group of independent contractors to help him complete the mission.

They’ve barely begun unraveling the connections between the Saudi government and ISIS when the brilliant new head of the intelligence directorate discovers their efforts. With Rapp getting too close, he threatens to go public with the details of the post-9/11 agreement between the two countries.

Facing an international incident that could end his political career, the President orders America’s intelligence agencies to join the Saudis’ effort to hunt the former CIA man down.

Rapp, supported only by a team of mercenaries with dubious allegiances, finds himself at the center of the most elaborate manhunt in history. It’s only a matter of time before he’s caught or killed. Will it be enough to turn the tables on the Saudis and clear his name?

Saturday, February 10, 2024

[Art] A Valentine Wolf

As Valentines Day is coming up in just a few days, I wanted to showcase art directly related and not just a happy drawing like last week’s Lover’s First Date. 

Even Beasts have hearts that beat with love for another. Whether handsome and debonair, or ill-visaged and rough, the same heart beats within both. Remember that Love is no respecter of persons. It strikes when and where it will.

Thursday, February 08, 2024

The Doctor and The Kid (Weird West Tales #2) 2.5Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission


Title: The Doctor and The Kid
Series: Weird West Tales #2
Author: Mike Resnick
Rating: 2.5 of 5 Stars
Genre: Steampunk
Pages: 235
Words: 77K


Another lacklustre series by Resnick. This was Book #2 in the Weird West Tales series and you might wonder why I read and reviewed this instead of the first book, The Buntline Special. I would recommend you sit down. If you have a weak heart or are given to vapors, please, stop reading now. I didn’t read the first book BECAUSE, da da dum, it wouldn’t open on my kindle oasis.

Shock

Gasp

Wince

Vapors!

I know, I know. It shocked me to the core as well. I even reconverted the azw3 file with calibre and it still wouldn’t open. Since I had stopped caring about Resnick since his pathetic outing on the John Justin Mallory series, I pre-emptively didn’t care about book 1 of this series either. So on to book 2 it was.

Sadly, I made the right choice in pre-emptively not caring.

Doc Holliday is a bastard, pushing away everyone near to him. At one point he deliberately says some really nasty things about his best friend’s wife just because he’s feeling ornery. And Holliday even likes the poor lady. He’s just the worst that humanity has on tap.

Resnick does his patented “He said, He did” style of writing and what could have been a real interesting idea (Geronimo and other Indian shamans have kept the US bottled at the Mississippi River and the US Government has hired Thomas Edison and Ned Buntline to try to find a way to break their magic using technology coupled with Doc Holliday taking down Billy the Kid) turned into a drunken, consumptive asshole killing some people and telling everyone he meets he can’t wait to die.

Inspiring stuff! I was thrilled beyond belief.

It wasn’t terrible. It just wasn’t any good. But I have given Resnick enough passes and so I am done with him as an author.

Next!

★★✬☆☆


From the Publisher

Click to Open

Welcome to a West like you’ve never seen before! With the O. K. Corral and the battle with the thing that used to be Johnny Ringo behind him, the consumptive Doc Holliday makes his way to Deadwood, Colorado. But when a gambling loss drains his bankroll, Doc aims for quick cash as a bounty hunter. The biggest reward? Young, 20-year-old desperado known as Billy the Kid. With a steampunk twist on these classic characters, nothing can be as simple as it seems.

Wednesday, February 07, 2024

Bar the Doors 3Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Bar the Doors
Series: ———-
Editor: Alfred Hitchcock
Rating: 3 of 5 Stars
Genre: Crime Fiction
Pages: 198
Words: 59K


The subtitle for this book is “13 Great Tales of Terror by Masters of the Macabre”. This collection uses a lot of short stories that didn’t appear in Hitchcock’s own mystery magazine and it shows. Not that they are in any way bad, but they don’t have that “curated by Hitchcock” feel that I get from other collections.

Also, while I have kept this in the “crime fiction” fiction, the tales of terror subtitle is much more accurate. Not all are supernatural. Some are blatantly physical, such as The Storm, in which a woman comes home a week early only to find her husband is out. And she finds a woman’s body in a moving trunk with a distinctive ring on it’s finger. The story ends with her being gaslit by her husband and seeing that same ring on his finger. It was just plain creepy but nothing supernatural. Then you have Pollock and the Porroh Man which is ALL about the supernatural. A man takes a voodoo man’s woman and then tries to kill the voodoo man and in the process gets cursed. He then kills the voodoo man, so there is no way to lift the curse. The head of the voodoo man follows him back to England and haunts him until he goes insane and he kills himself. Lovely, eh?

I was particularly interested in this collection because of the inclusion of two authors, Ambrose Bierce and Augustus Derleth. Both were small time contributors to the King in Yellow and Cthulhu mythologies and I was hoping that these stories would give me a taste of what they were like. I was not impressed. Derleth’s story, The Metronome, was a simple ghost story about a murdered boy murdering the step-mother who had killed him. I actually had to go and read the story again before writing this because I had completely forgotten what it was about a mere week after reading it. It wasn’t bad but there wasn’t a single memorable thing about it. Bierce’s The Damned Thing, was about an invisible monster that killed a man in front of his friend the story is the friend relating it all at the inquest. The inquest ends with the jury deciding the man who was killed was killed by a mountain lion. While nothing spectacular, it did have that fatalistic feel of “nothing I say or does matters” which I’ve come to associate very strongly with Cosmic Horror.

I did have a bad scan of this, as it was quite apparent that someone had simply scanned the pages from the original paperback and sent it out into the wild without cleaning it up at all. So there would be random “Authors Name Page X” or “Story Name Page X” scattered throughout the text. That detracted from the flow of reading through this smoothly. Kind of like hitting a nail in tree while chopping it down using a chainsaw. If you’ve ever had that experience, you’ll know exactly what I mean.

Finally, the cover. The version I had originally came with some lame picture of Hitchcock in a rain coat in the rain at a doorway about to enter. It was blasé. I chose this cover because it’s very creepy looking and is actually semi-related to the story “The Kill”.

★★★☆☆


Table of Contents:

  • SPEAKING OF TERROR Alfred Hitchcock
  • POLLOCK AND THE PORROH MAN H. G. Wells
  • THE STORM McKnight Malmar
  • MOONLIGHT SONATA Alexander Woollcott
  • THE HALF-PINT FLASK DuBose Heyward
  • THE KILL Peter Fleming
  • THE UPPER BERTH F. Marion Crawford
  • MIDNIGHT EXPRESS Alfred Noyes
  • THE DAMNED THING Ambrose Bierce
  • THE METRONOME August Derleth
  • THE PIPE-SMOKER Martin Armstrong
  • THE CORPSE AT THE TABLE Samuel Hopkins Adams
  • THE WOMAN AT SEVEN BROTHERS Wilbur Daniel Steele
  • THE BOOK Margaret Irwin

Tuesday, February 06, 2024

Three Witnesses (Nero Wolfe #26) 4Stars

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Three Witnesses
Series: Nero Wolfe #26
Author: Rex Stout
Rating: 4 of 5 Stars
Genre: Mystery
Pages: 176
Words: 66K


Knowing this was going to be a collection of short stories, I deliberately set out to enjoy myself and to focus on the positives instead of whining about what wasn’t there. And it worked. I enjoyed the daylights of these stories.

Having three shorter stories really fit my mood this time around. I enjoyed the brisk pace of it all. Instead of meandering along while Archie casually pinches the police’s snozz, he does a quick snatch and grab and dashes off again to slap some hysterical broad.

Wolfe doesn’t get as much time to complain either. It’s like getting concentrated Wolfe in pill form.

I wouldn’t click the synopsis open if I were you. It’s close to 2000 words long.

★★★★☆


From Wikipedia:

Click to Open

The Next Witness

Nero Wolfe and Archie Goodwin are in court, having been subpoenaed to testify for the prosecution in a murder trial. Leonard Ashe has been accused of trying to hire Bagby Answers, Inc., a telephone answering service, to eavesdrop on his wife’s calls, and of killing employee Marie Willis when she refused to cooperate. The prosecutor intends to call Wolfe and Archie to testify that Wolfe turned down Ashe’s attempt to hire them to spy on his wife, actress Robina Keane.

Clyde Bagby, owner of the business, testifies that Marie had complained to him about Ashe’s request and was planning to tell Robina. Bagby tried unsuccessfully to dissuade Marie; later that same night, he learned from the police that she had been strangled to death at her switchboard. Wolfe abruptly exits the courtroom, followed by Archie, who reminds him that they are under subpoena and will almost certainly be charged with contempt of court for leaving. Wolfe, however, is convinced of Ashe’s innocence and wants to have no part in convicting him.

They visit the premises of Bagby Answers, finding the business to be located in an apartment with a bedroom for each operator due to employment regulations. Wolfe makes himself as obnoxious as possible in order to see how much incivility the employees will tolerate, and the detectives take notice of an original Van Gogh painting on a wall and a stack of racing forms on a table while questioning operators Bella Velardi and Alice Hart. From them, Wolfe and Archie learn that Helen Weltz, another operator, is spending the afternoon at a cottage in Westchester that she has rented for the summer.

Arriving at the cottage, they find a new Jaguar parked in front. Helen is accompanied by Guy Unger, an acquaintance of several of Bagby’s employees. Unger describes himself as a broker, but gives only a vague description of the business he transacts. Helen privately admits to Archie that she wants to get out of an uncomfortable situation, but is too frightened of Unger to give details. Archie persuades her to call Wolfe’s office that evening, then learns from Wolfe that Unger tried to pay him to drop the investigation into Marie’s murder.

Wolfe and Archie return to the city, but cannot go to the brownstone because a warrant has been issued for their arrest. They take shelter at Saul Panzer’s apartment for the night, and Wolfe meets with Robina to persuade her to visit Ashe and take him with her. She agrees, promising not to tell Ashe’s attorney. Archie gets a call from Helen, relayed to him by Fritz Brenner, and picks her up from Grand Central Station in order to interview her out of Unger’s presence. Wolfe and Robina meet with Ashe shortly before the trial resumes the following morning.

Once called to the witness stand, Wolfe tricks the prosecutor into asking a question that both allows him to explain his theory of the crime and forces the judge to dismiss the contempt charge. Based on the operators’ behavior during his visit and the evidence of their lavish spending, he concluded that Bagby and Unger were using the answering service to blackmail clients by having the employees listen in on calls and gather compromising information. Helen had confirmed these facts to Archie the previous night. However, the plan would only succeed if every operator took part; anyone who showed hesitation could potentially expose the scheme. When Marie acted against Bagby’s orders and turned down Ashe’s request to spy on his wife, one of her co-workers strangled her to keep her quiet. Wolfe suspected Bagby of committing the murder and luring Ashe to the office so that he would be found with the body and arrested.

Bagby, Unger, Helen, Bella, and Alice are detained for questioning, Ashe is acquitted, and Bagby is ultimately convicted of Marie’s murder without the need of any further testimony from Wolfe. Archie reflects that Wolfe’s exit from the courtroom may have been motivated less by a desire to see justice done than by the discomfort of having to sit next to a woman wearing too much perfume.

When A Man Murders

Sidney Karnow has returned from the dead. In 1951 he enlisted in the Army and was sent to Korea as a soldier in the infantry. Injured in battle, he was left for dead by retreating American forces, but in fact was only stunned. Karnow was taken prisoner by the enemy, but after a couple of years he escaped to Manchuria and lived there in a village until the truce. Then he made his way to South Korea and was sent home by the Army.

Unusual enough by itself, but Karnow was also a millionaire. He had inherited money from his parents but felt that he should serve in the military. Before enlisting, he had met and married Caroline, who now calls on Wolfe along with her new husband, Paul Aubry. Caroline and Paul are in a terrible spot: Karnow’s return from the dead apparently voids their marriage, and they have spent a large portion of Caroline’s inheritance to set Paul up in business as a car dealer. They have decided to offer what is left of the inheritance, plus the dealership, to Karnow in return for his consent to a divorce.

Paul has gone to Karnow’s hotel room to put the proposition to him, but got cold feet before knocking on the door. He discusses the situation once again with Caroline, and they decide to come to Wolfe for help. Wolfe explains that he is a detective, not a lawyer, but Aubry replies that “We want you to detect a way of getting Karnow to accept our proposition.”

Ignoring Aubry’s diction, Wolfe sends Archie, along with Aubry and Caroline, to the Hotel Churchill to put the proposition to Karnow. Archie leaves the clients in the bar and goes upstairs to Karnow’s room, gets no answer to his knock, tries the doorknob and finds it unlocked. When he enters, he finds Karnow, shot dead, and a gun lying a few feet away. Archie leaves the room as he found it, collects the clients and returns to the brownstone, where Purley Stebbins soon shows up. Archie, Paul and Caroline were seen at the hotel where Karnow’s body was just found.

Stebbins takes Paul and Caroline for questioning (although Wolfe and Archie insist that he do so from the sidewalk: Wolfe will not tolerate a client, even a potential client, being taken into custody inside his house). Archie follows shortly thereafter, and as he is waiting to meet with the DA, he encounters Caroline’s in-laws: Karnow’s Aunt Margaret, cousins Anne and Richard, and Anne’s husband Norman Horne. With them is Jim Beebe, Sidney’s lawyer and executor. Archie learns nothing from them except that Anne Horne has a facetious sense of humor.

Archie has no information for ADA Mandelbaum and Inspector Cramer, and shortly after he returns home Caroline rings the doorbell. She brings the news that the police have arrested Paul for Karnow’s murder, and she wants to hire Wolfe to clear him. Wolfe accepts, but needs to knows more about Karnow’s relatives. They had received bequests in Karnow’s will, stood to lose those bequests when he turned up alive, and therefore had motive. Caroline knows little about them except that they had always depended on Karnow’s support, and have not managed their inheritances prudently. Wolfe sends Archie to bring them to the office.

Archie tries Beebe first but can’t corral him, and has no better luck with Karnow’s Aunt Margaret and his cousin Richard. When he calls on cousin Anne, he gets more of her persiflage. Trying to draw her out, he lets her read his palm – and then her husband Norman returns to their apartment. Anne slows Archie down just enough that Norman, unencumbered, can clip Archie in the jaw. Then Archie decks Norman, and leaves.

Finally Wolfe hears from Saul Panzer, who has been investigating a different side of the problem. Wolfe has Archie phone Inspector Cramer, and gives him the choice of bringing all involved to Wolfe’s office, or declining to cooperate and letting Wolfe work through the DA’s office. Cramer chooses the former option. In the traditional meeting with the suspects in Wolfe’s office, Wolfe makes public what Saul has turned up: an unwitting but crucial witness to the motive for Karnow’s murder.

Die Like A Dog

It’s a rainy day in Manhattan, and Richard Meegan has grabbed the wrong raincoat after getting the brushoff from Nero Wolfe. Meegan came to the brownstone to hire Wolfe, apparently on the sort of marital matter that Wolfe won’t touch. Now Archie Goodwin wants to get his raincoat back: it’s newer than the one Meegan left behind.

As Archie approaches Meegan’s small apartment house on Arbor Street[1] in the Village, he sees police near the front, including Sgt. Purley Stebbins. Opting for discretion, Archie starts back home when he realizes he’s being tailed by a friendly black Labrador. It’s windy enough that Archie’s hat blows off his head and across the street, but the dog risks its life retrieving it. After that, Archie can’t bring himself to shoo the dog, so he takes him back to the brownstone.

And there, in the office, Archie discovers that Wolfe likes dogs. With what passes in Wolfe for fondness, he recalls that he had a mutt in Montenegro, one with a rather narrow skull. This Labrador has a much broader skull – Wolfe asserts that it’s for brain room, and decides that the dog is to be named Jet. Then Fritz reports that Jet has excellent manners in the kitchen. Wolfe has one-upped Archie once again: he would enjoy keeping the dog, but can blame Archie for any problem it causes.

Now Cramer appears at the front door, wanting to know about a dog. A man named Philip Kampf was murdered in the Arbor Street apartment house. Kampf had owned a black Labrador, and a policeman noticed that the dog left with Goodwin. Hence Cramer’s questions: Meegan, who saw Wolfe that morning, lives in the apartment house where Kampf was murdered, and Archie has Kampf’s dog. Wolfe and Archie describe the day’s events for Cramer, who wants more but will wait until the next day.

That evening, looking for a rationale to keep Jet, Wolfe sends Archie for Richard Meegan. But Meegan doesn’t answer the buzzer, and when another man leaves the apartment house, Archie follows him.

Archie catches up, introduces himself, and points out that the man’s being followed by a police detective. Grateful, the man introduces himself as Victor Talento. Archie wants to know where he’s going, and Talento tells him that he’s meeting a young woman. Her name is Jewel Jones, and Talento asks Archie to go in his place, and tell her that Talento couldn’t make it – Talento doesn’t want the police to see them meet.

Archie agrees, meets up with Miss Jones, and since he can’t bring Meegan to Wolfe, brings her instead. When they enter Wolfe’s office, all three get a surprise: Jet, who has been keeping Wolfe company, runs to Miss Jones and stands in front of her, wagging his tail.

So she knows Jet, and therefore Kampf, and Wolfe pries it out of her that she knew him intimately – and in fact lived for almost a year in the Arbor Street apartment house where Kampf was killed. She knows, less well, three of the men who live there: Talento, Jerome Ã…land, and Ross Chaffee.

Archie interviews Ã…land, Meegan and Chaffee separately. From Meegan he learns more about his reason for seeing Wolfe: Meegan comes from Pittsburgh, and his wife left him – completely disappeared – about a year earlier. Not long ago Meegan saw a painting of a woman in a Pittsburgh museum, and he’s sure it was his wife. He tracked down the artist, Ross Chaffee, and asked him about the model he used. Chaffee couldn’t remember the model, but Meegan did not believe him and, to stay close by, rented the empty apartment in the Arbor Street building where Chaffee lives.

Archie takes a blind, but successful, stab at finding the painting and learns that it belongs to a Manhattan collector. He calls on the collector, gets a look at the painting, and sees in it a woman who looks a lot like Jewel Jones. Archie brings her to the office. Informed that she sat for the painting, and is therefore Meegan’s missing wife, Wolfe speaks with Chaffee by phone. He threatens to turn Miss Jones over to the police but gives Chaffee the option of bringing the other three tenants with him to Wolfe’s office.

With the Arbor Street residents collected, Wolfe zeros in on the murderer, and along the way explains the dog’s strange behavior, particularly that it followed Archie from the apartment house.

  • All My “Nero Wolfe” Reviews
  • Sunday, February 04, 2024

    Shotguns V Cthulhu (Cthulhu Anthology #15) 4Stars

    This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

    Title: Shotguns V Cthulhu
    Series: Cthulhu Anthology #15
    Editor: Robin Laws
    Rating: 4 of 5 Stars
    Genre: Cosmic Horror
    Pages: 242
    Words: 94K


    This was how my final King in Yellow book should have gone! This had shivers running up my spine. This had my mind revolting. This had me questioning why I enjoyed the twisted stories so much. It was everything I expect in a Cosmic Horror story.

    Now, I had read a King in Yellow anthology edited by Robin Laws and it wasn’t very good. So I went into this with lowered expectations. Thankfully, I was disappointed in my expectations.

    And that’s all I write because I’m tired of writing right now.

    ★★★★☆


    Table of Contents:

    • Robin D Laws Preface: Save a Barrel for Yourself
    • Kyla Ward Who Looks Back?
    • Rob Heinsoo Old Wave
    • Dennis Detwiller Lithic
    • Chris Lackey Snack Time
    • Dan Harms The Host from the Hill
    • Steve Dempsey Breaking Through
    • A. Scott Glancy (based on an idea by Bret Kramer) Last Things Last
    • Chad Fifer One Small, Valuable Thing
    • Nick Mamatas Wuji
    • Natania Barron The One in the Swamp
    • Kenneth Hite Infernal Devices
    • Dave Gross Walker
    • Robin D. Laws And I Feel Fine
    • Larry DiTillio Welcome to Cthulhuville
    • Ekaterina Sedia End of White