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Title: The Shadow’s Justice Series:
The Shadow #28 Authors: Maxwell Grant Rating:
3.5 of 5 Stars Genre: Crime Fiction Pages:
128 Words: 40K Publish: 1933
What
kind of person works their whole life so hard that they destroy their
health and earn 10million dollars (about 250million today), only to
hide it away and make their own son follow one tiny clue to find it?
A total flipping jackass, that is who. Oh, I was mighty upset by the
beginning of this. I was very glad when the workaholic DID die,
because I wouldn’t have to hear his pitiful excuses about why he’s
doing what he is. It made zero sense and only in a Shadow pulp novel
would this be acceptable.
With
that out of the way, this was fun.
The
son is a bluff, hale young man returning from exploring the world.
The nephew is a dissolute wastrel but ends up having a heart of gold.
The lawyer is revealed to be an evil man the all the mob guys are
typical mob guys. You get Harry Vincent and The Shadow helping out
and in the end, The Shadow defeats them all in a mining shaft by
releasing an ore cart train full of old rocks that deals with all the
mob guys like a hammer versus a (very squishy) tomato.
★★★✬☆
From
Bookstooge
An
old rich man dies and leaves his modest inheritance to his son and
nephew. He tells his lawyer there is a much greater fortune to be had
if the young men will look for it. Mob bosses get involved in the
search for the 10million. The lawyer turns out to be in league with
the mob and the Shadow turns out to be in league with himself (ha!).
The good guys find the money and the Shadow destroys the bad guys in
an old mining shaft.
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Title: A Lear of the Steppes Series:
(The Russians) Author: Ivan Turgenev Translator:
Constance
Garnett Rating: 3.5 of 5 Stars Genre:
Classic Pages: 214 Words:
66K Publish: 1870
A big powerful man becomes afraid of death and for some reason
decides this means he needs to divide his property up between his two
daughters before he dies. He has stipulations so he can still live
the quality of life he wants. Surprise, surprise, once the girls get
the power, don’t obey any of the stipulations and eventually drive
their father from the house. He goes all Hulkmode and literally tears
the house apart with his bare hands and then dies.
I have not read King Lear. Given that I’ve stopped my reading of
Shakespeare (probably for good), I suspect I never will either. I’m
not sure that making comparisons between the play and this book would
in any way make this better. Throughout this whole book I kept
questioning why Martin Harlov (the “Lear of the steppes”) did
anything that he did. It made zero sense from beginning to end. In
other Russian novels I have felt like the story has exposed me to a
mindset completely different to my own, thus broadening my own
horizons. Not so in this case. It just felt like Harlov was a
complete fool and I cannot abide fools.
I was glad he got his comeuppance at the hands of his terrible
daughters. I was glad when he was sitting in the mud, having been
pushed out of the house. I was glad when he fell off the roof at the
end and died. He deserved every single instance of what he got,
because he was a fool. It wasn’t enjoyable to behold and I have no
idea what Turgenev might have been trying to say with this book.
Maybe that Russian men are fools? That would fit with everything I’ve
read so far :-/
Because this was translated by Constance Garnett, it read very much
like how Dickens would have written this. I really enjoy that style
of writing and that is the main reason this got 3.5stars from me
instead of less.
While this is a shorter work of Turgenev’s, I certainly wouldn’t
recommend starting here. Unless you enjoy being befuddled and forced
to question what this book was meant to convey.
★★★✬☆
From Grokipedia
The novella is presented as the
reminiscence of a narrator who, as a young boy, observed the tragic
events on a neighboring estate in rural Russia during the early
1840s. Martin Petrovich Harlov, a gigantic and domineering
landowner, decides to divide his entire estate equally between his
two daughters, Anna Martinovna and Evlampia Martinovna, while he is
still alive, interpreting a prophetic dream as an omen of impending
death. He formalizes the transfer in a ceremony
witnessed by local officials, the priest, and others, reserving for
himself only a modest room, a small monthly allowance of ten rubles,
basic food, a carriage with an old mare, and the services of his
young page-boy Maximka. Almost immediately after the division,
Harlov's son-in-law Vladimir Sletkin, who had married Anna
Martinovna, assumes effective control of the property and begins
systematically dispossessing Harlov with the daughters'
acquiescence. The mare is sold, Maximka is apprenticed
elsewhere, the allowance is reduced or withheld, Harlov's possessions
are taken, his living space is encroached upon until he is relegated
to a lumber-room, and he is left unshaven, ragged, and increasingly
neglected. Harlov endures the escalating humiliation in proud
silence, refusing to beg or complain despite invitations from the
narrator's mother to seek refuge on her estate. When his
room is permanently seized and he is expelled into the rain and mud,
he flees on foot to the narrator's mother's house, arriving soaked
and broken. After being cleaned, clothed, and offered permanent
shelter, a cruel taunt about having no roof over his head ignites his
fury, and he storms back to his former estate. There, he
climbs onto the roof of the house he had built and furiously tears it
apart with his bare hands, ripping down boards, rafters, and the
chimney while chanting and defying pleas from his daughters and
threats from Sletkin. During this destructive rampage, Harlov
loses his balance while shaking the final gable, falls heavily with a
beam, and sustains fatal injuries including a fractured skull and
broken ribs; he dies shortly afterward, uttering fragmented last
words referencing his prophetic dream. In the aftermath,
Evlampia Martinovna renounces her share of the estate, takes only a
small sum of money, and departs forever, while Anna Martinovna and
Sletkin retain full control and prosper on the property.
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Title: Dragons for Sale Series:
Groo the Wanderer #53 Author:
Sergio Aragones Rating: 3.5 of 5 Stars Genre:
Comics Pages: 24 Words:
2K Publish: 1989
Groo is still running after Chakaal and
just won’t leave her alone. They run across dragons that are
attacking people, even though dragons are usually docile. Turns out
Groo’s old “buddies” Drum and Pal are taking baby dragons and
mistreating them so they become ferocious and then selling them as
guard dragons to various towns. Chakaal decides to put an end to
their business. Groo is clueless as usual but Drum and Pal know the
jig is up, so they run away on a ship, only to have Groo come after
them, with all his “ship sinking” ways :-D Everyone, including
Chakal & Rufferto, think Groo drowned. Chakaal goes off on her
own and Rufferto mourns on the sea shore, only to have Groo come out
of the ocean in the last panel.
Thank goodness. It seems this is the
last issue, at least for a while, with Chakaal in it. I was
thoroughly tired of her by this issue and she was only introduced in
issue 50. All the side characters (except Rufferto the dog, who I
actually really like) need to be limited to maybe two issues. After
that, they outstay their welcom in my opinion. Keep Groo the main
thing!
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Title: Xuthal of the Dusk Series:
Conan Chronicles #5 Author: Robert Howard Rating:
3.5 of 5 Stars Genre: Fantasy Pages:
40 Words: 13K Publish: 1933
I always enjoy when a Conan story dips
its toes into the cosmic horror side of things. This time around
Conan has to face off against “Thog”, a humanoid frog god of
another dimension, who is also a thinly disguised version of
Tsathoggua, who was created by Clark Ashton Smith in 1929 and used by
HP Lovecraft in his Cthulhu mythos in 1931. This Conan story was
published in 1933, so good ol’ Tsathoggua was definitely hitting it
off with readers. Unlike Lovecraft, where his human characters fail
and shatter before such a creature, Conan fights the thing to a
standstill, sticks his sword through its head and throws it down a
well that leads to the original dimension where it came from. Now
that is how you do heroic. It’s also why I don’t really consider
Conan stories to be true “cosmic horror” stories. As I’ve
stated in the past, Cosmic Horror is about the despair of nothingness
and the utter futility of resistance. You don’t really get that
vibe when the main character is sticking a sword through the
supposedly unkillable god’s face, hahahahaha.
But that is a BIG part of why I like
these original Conan stories so much. Conan is indomitable and his
fighting spirit is never quenched. He represents the drive of
humanity to never give in, to never give up and that yes, you can
overcome almost anything. Every man has a bit of that “barbarian”
buried at varying depths inside of himself, even those so-called beta
males, and deep calls to deep.
This was originally titled “The
Slithering Shadow” when it was published in the Weird Tales
magazine in 1933 but somehow got an alternate title in future
publications. My guess is that “Xuthal” sounds way more exotic
and that the original title might have led people to think it was
about The Shadow, that big nosed avenger of Justice ;-)
★★★✬☆
From Wikipedia.org
Conan and his ally,
Natala the Brythunian, are the sole survivors of Prince Almuric's
army which swept through the Lands of Shem and the wilderness of
Stygia. With a Stygian host on their heels, Almuric's soldiers had
cut their way across the kingdom of Kush, only to be annihilated near
the edge of Stygia's southern desert.
In the resulting
conflict, when the Stygians and Kushites surrounded the trapped
remnants, Conan sliced his way through the Stygian militia and fled
on a camel, with Natala, into the southern desert. For days, the two
pushed on, seeking water, until their camel died. Then, they
continued on foot.
When their canteen is empty, Conan prepares to slay Natala in an act
of mercy-killing. However, they spy the distant city of Xuthal.
Eventually, Conan and Natala enter Xuthal while pursued by an
entrance guard. They soon encounter Thalis, a beautiful Stygian mage,
who reveals the history of her fabled city and the existence of Thog.
Thog is a monstrous demon from the city-states of ancient Valusia,
his current form summoned by the sorcerers of Xuthal from the
darkness between the stars. For an ageless time, Thog has haunted the
depths of Xuthal in search of living flesh to support the continuing
manifestation of his body on the physical plane.
Thalis
falls in love with Conan and, to eliminate her rival, kidnaps Natala
in the hopes of sacrificing her to Thog. Thalis first strips Natala
of her tunic and flagellates her with a jewel-handled whip.
Thog suddenly appears, snatches Thalis, and devours her. The demon
returns for Natala, but Conan intervenes and saves her. Conan fights
Thog with all his might, but is scarcely harming the demon's
supernatural form, while receiving hideous wounds in the coils of its
pseudopods and tentacles. However, Conan manages to pierce what he
perceives as the head of the monster and throws it down a well. Conan
frees Natala, who sets forth to help him, but he is rapidly dying.
Fortunately, the Brythunian girl soon brings him a jade goblet full
of golden wine, retrieved from a room with a dreaming woman of Xuthal
in it. The beverage proves to be a life-giving elixir briefly
mentioned by Thalis in a previous conversation, which miraculously
heals all of Conan's wounds. Finally, the couple retrieve enough food
and water for their journey through the rest of the desert. The two
depart while Natala jokingly blames Conan for having aroused Thalis'
lustful nature. He retorts playfully about the jealous nature of
women.
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Permission
Title:
Finest Hour Series: Warhammer 40K: Astra
Militarum Author: Sam Ryan Rating: 3
of 5 Stars Genre: SF Pages:
42 Words: 13K Publish: 2025
A
lot happens in these 40 pages. It all centers around the “Colors”
of a regiment, a flag of honor. One of the Sergeants starts with it
in the beginning of the story and every time someone has it, they die
and someone else picks it up to continue the charge against the Chaos
Cultists who have infiltrated an ice world. One new conscript runs
away and leaves his comrades and leaders to die. In the end, he picks
up the Flag and takes it back to the regiment while they are
retreating. He is given a hero’s welcome and thus a coward is
turned into a hero.
I
think the flag went through about five different people? It’s even
used as a weapon to kill a Chaos cultist at one point. Then coward
boy uses it as a tourniquet on a Kreig soldier and carries him to the
retreat point and everyone thinks he did it on purpose (saving the
flag that is). The kreig soldier dies so nobody knows the boy was a
coward who let everyone around him die.
That
juxtaposition of cowardice and perceived bravery is a big part of the
Warhammer 40,000 universe. It’s not just the humans either, as
I’ve seen that literary tendency in the Tau and the Necrons. Little
doses of it are tolerable but it gets rather depressing in novels or
in a series.
★★★☆☆
From
the Internet
The
narrative follows newly conscripted Cadian infantryman Mathias Thorne
during a brutal betrayal by heretic forces. As the Astra Militarum
takes heavy casualties, a combined force of Cadian, Elysian, Krieg,
and Vostroyan troopers mount a desperate counteroffensive.
The
story focuses on a symbolic regimental banner passed from one dying
soldier to the next in the chaos of battle. When the flag lands in
Thorne's hands, he must summon the courage to carry it back to
Imperial territory
I love this card for how it looks. It captures that essence of so much power that it is literally bursting forth!
Sadly, once AGAIN (for about the 100th time) this is another card that I simply could not get to work for me, not even when I returned to Magic in 2013. I'd build a deck around it, have everything all lined up and then when I would play, my opponent would always benefit more from this card than I did and beat me to a pulp. And this time it wasn't a fun beating, but simply frustrating. I could see my path to victory, but so could my opponent and they always got there first. It didn't take very many games before I gave up the deck and using this card at all. But I do like looking at it, which is good :-)
Title - The Final Chapter Series – Resident Evil #6 Director – Paul WS Anderson Release – 2017 Rating – R Time – 1hr 47min
My Thoughts:
Man, this movie had the potential to be one of the best RE movies and a great ending to the franchise. Unfortunately, it was ruined by two things.
First, the directorial choice to use a LOT of shaky cam footage during the fight scenes and also something that I learned is called a “quick cut”. Basically, the camera switches viewpoints throughout a fight every 5-15seconds. It is meant to increase the feeling of “action” but the reality is that it totally defeats the purpose of a fight, because you as a viewer can’t actually tell what is going on in said fight. You get this “idea” that two people are beating the snot out of each other but there is no coherence or order to it at all. Combined with shaky cam footage (simulating someone holding a camera in their hand and thus “shaking”), it is almost nausea inducing. There were a couple of times I had to stop watching the movie because I was so upset that I couldn’t make sense of the fighting going on.
The second thing that ruined this for me was the cutting of certain scenes which would have made things make sense. In this movie, it is made to look like one scientist invented the T-virus to cure his daughter of progeria (the disease that ages someone at an accelerated rate), which directly contradicts what is shown in the second movie Apocalypse, where a third scientist invented the T-virus for HIS daughter. The reality is that the first scientist appropriated the T-virus from the third scientist and that irons out ALL apparent storyline contradictions. The problem is, that was never shown in this movie and you’d never know it unless you read the novelization of the movie or the Wiki page (synopsis included below). So there appears to be this HUGE plot hole, so big that even I noticed it and it ruins the flow of the movie. What makes it especially egregious is that a 30second clip of the first scientist appropriating it from the third scientist would have solved it all. 30 SECONDS!!!!!
Other than those two things, this was a great movie. The previous movie ended with everyone preparing for a fight at the White House, only it was a trap by Wesker and the Umbrella Corporation but Alice survives. She’s contacted by the Red Queen AI and told humanity is on the edge of being wiped out but that there’s an airborne cure back at the Raccoon City Hive. So Alice has to go back to where the story started and fix everything. It was great! The movie ends with Alice finding out she’s a clone but just like Pinocchio she gets memories and becomes a “real girl” and the anti-T-virus is released and the world is now on the path of being saved. And Alice is still on her mission to kill all T-virus infected monsters, wherever they may be.
At the beginning of the movie we see a battle between Alice and that flying monstrous badboy. After that, the monsters are everything we’ve seen in previous movies, just in greater numbers. There’s no Nemesis or Tyrant, or even a Super-Licker (yeah, yeah, whoever thought that name up was NOT in top form that day). I guess the point here was that humanity was its own worst enemy so most of Alice’s opponents are humans. I prefer monstrous monsters thank you very much.
I enjoyed what I could of this movie and it didn’t ruin the franchise as a whole for me. I just feel that a couple of “easy” changes would have made this movie so much better. With that in view, I tried to watch a director commentary on the movie, hoping that maybe Anderson would explain his choices. Sadly, there was only a commentary track called “Retaliation” where Jovovich and Anderson briefly talk about various scenes in the movie where Anderson had really pushed Jovovich to the edge in terms of physicality. It was supposed to allow Jovovich to “retaliate” against Anderson in a fun loving way. There were very few instances of this and ended up being more about them talking about their daughter (who played the Red Queen and young Alice in this movie) and some personal reminiscences. It was extremely disappointing especially since we’d gotten commentary tracks (even if I didn’t care for some of them) on all the previous movies, and given that RE6 made almost 350million on a 40million budget, well, it felt very cheap on their part to not make the commentary track happen.
Overall, I enjoyed the franchise as a whole as a series of action movies. There were big holes to ignore but if you could, it was fun. I was able to (mostly), hence my buying the bluray collection :-D
Considering that I’ve just reviewed six movies in six months, I think I’m going to take a break from reviewing a movie for a bit. When I feel inspired, I’ll choose something else and probably let you know in a Circum et Pervagatus post.
Synopsis from Wikipedia
Synopsis - click to open
Dr. James Marcus, the founder of the Umbrella Corporation, had a daughter, Alicia, who was dying of progeria. Desperate to save her, Marcus confiscates an untested embryonic Umbrella project—the T-virus—created by his colleague Dr. Charles Ashford and uses it on Alicia and others with the disease. After one child treated with the virus becomes a zombie, Marcus immediately orders the project terminated, all data on it destroyed, and forbids Ashford from ever pursuing it again, devastating Ashford, who needed the T-virus to save his own daughter Angela.[a] Marcus's partner, Dr. Alexander Isaacs, has Marcus murdered by Albert Wesker, adopts Alicia, and takes over the Corporation.
In the present, Alice awakens in the ruined White House, after Wesker betrayed her.[b] The Red Queen appears and tells her she has 48 hours to infiltrate the Hive, a facility beneath Raccoon City. The Umbrella Corporation has an airborne anti-virus that can kill every zombie but is waiting for the last few remaining humans to be wiped out. As her body carries the virus, Alice does not expect to live after the mission.
While traveling, Alice is captured by Isaacs, learning the "Isaacs" she previously killed was a clone.[c] She escapes his convoy and reaches Raccoon City, where she meets a group of survivors: Doc, Abigail, Christian, Cobalt, Razor, and Claire Redfield, who survived the attack on Arcadia.[d] Isaacs' convoy approaches, trailed by a horde of zombies. Alice and the group defeat them and retrieve Isaacs' few human captives, though Cobalt dies in the process. Alice and the crew enter the Hive, where Wesker is in control. He releases mutated guard dogs, killing Christian and a freed captive.
The Red Queen appears to Alice and explains that her program is in conflict, as she can never hurt an Umbrella employee but also must value human life. She plays a video of Isaacs explaining to Umbrella's executives a plan to release the T-virus, cleansing the world of humanity and leaving many of the rich and powerful—including the company executives, stored in cryogenic capsules in the Hive—to rebuild the world. The Red Queen warns Alice that someone in her group is helping Umbrella.
The group encounters traps that kill Abigail and Razor. Alice and Doc plant bombs throughout the Hive taken from the leftover equipment by the first Hive team,[e] and confront the real, tech-upgraded Isaacs. Doc turns out to be Umbrella's spy, and Claire is captured by Wesker. A cryogenic capsule releases Alicia Marcus, Umbrella's co-owner and Marcus' daughter. Isaacs and the Red Queen reveal to Alice that she is actually a clone of Alicia. Isaacs plans to eliminate the pair and assume control of Umbrella. Alicia fires Wesker, allowing the Red Queen to terminate his protection program and crush his leg with a security door. Doc tries to shoot Alice, but his gun is empty—as Alice had earlier deduced his treachery—and Claire kills him. After giving Wesker a deadman's switch to the primed bombs, Alice and Claire pursue Isaacs while Alicia uploads a copy of her childhood memories.
Isaacs, Alice, and Claire fight. Isaacs overpowers them at first, but Alice manages to activate a grenade in his pocket and kill him. She escapes to the surface with the anti-virus, but Isaacs reboots and catches her before she can release it. Before he can kill her, the Isaacs clone from the convoy arrives and kills him, believing himself to be the original Isaacs, before being devoured by the undead. Alice releases the anti-virus, killing all of the zombies around her before she passes out. Wesker simultaneously drops the deadman's switch, destroying himself, Alicia, the Hive, and the hibernating elite.
Claire wakes Alice, who survived because the anti-virus killed the T-virus within her body, not the healthy cells. The Red Queen uploads Alicia's childhood memories into Alice, granting her a childhood. With the anti-virus being carried by the winds, it will take years to reach all corners of the globe, and until it does, Alice vows to continue her mission.
